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Supervision of Dramatherapy (Supervision in the Arts Therapies)

by Phil Jones Ditty Dokter

Supervision of Dramatherapy offers a thorough overview of dramatherapy supervision and the issues that can arise during the supervisory task. Phil Jones and Ditty Dokter bring together experts from the field to examine supervision in a range of contexts with different client groups, including dramatherapy with children, forensic work, and intercultural practice. Each chapter features: theoretical grounding the importance of action methods position in the professional lifecycle application in relation to setting and client groups. Using illustrative examples, Supervision of Dramatherapy provides practical guidance and theoretical grounding, appealing to supervisors and supervisees alike, as well as psychotherapists interested in the use of dramatic methods in the supervisory setting.

The Supine Cobbler

by Jill Connell

A contemporary clinical abortion in the spirit of a Western. The Doctor introduces the gang: The Supine Cobbler (wanted), her estranged sister (dead by hanging), her former best friend (missing, presumed dead) and her apprentice (a turncoat). Together they negotiate integrity in a lawless world. The Supine Cobbler is an unsentimental legend and a true story. It is a hero myth for girls. Praise for the productions of The Supine Cobbler: ‘The show is like nothing you’ve ever seen before.’ – Theatre Reader ‘Jill Connell … is consistently one of the most innovative playwrights in the country.’ – Vue Weekly ‘The Supine Cobbler is brilliant, subversive and deeply hilarious. The play is about an abortion – but also: waiting, haunting, cheating, hurting, daring and the private cultivation of one’s humanity. It is singular and surprising and epic and lean as Bowie. You cannot help but talk about this play. It is the work of a lover and a rebel. To miss it, would be to miss a master in her early bloom.’ – Claudia Dey, author of Trout Stanley and Stunt ‘I love this absolutely idiosyncratic play. It’s very funny, moving and sharp, and the only work of art about abortion I can think of that doesn’t sentimentalize or simplify the experience, but gets the strangeness and banality of it exactly right.’ – Sheila Heti, author of How Should a Person Be?

A súplica de Pablo

by Erick Carballo

"La Súplica de Pablo" é uma novela em que a solidão, o bullying, o vício e o egoísmo de um pai se entrelaçam com a indiferença de uma mãe que abandona seu filho ao destino para começar uma nova vida com um homem que lhe assegura um futuro promissor. Pablo é um garoto de oito anos que tem apenas um amigo em quem pode confiar, mas uma série de acontecimentos o levam a um destino trágico.

The Suppliant Maidens

by Aeschylus

In the play, the Danaids, the fifty daughters of Danaus, founder of Argos, flee a forced marriage to their cousins in Egypt. They turn to King Pelasgus of Argos for protection, but Pelasgus refuses until the people of Argos weigh in on the decision, a distinctly democratic move on the part of the king. The people decide that the Danaids deserve protection, and they are allowed within the walls of Argos despite Egyptian protests.

Supporting Staged Intimacy: A Practical Guide for Theatre Creatives, Managers, and Crew

by Alexis Black Tina M. Newhauser

Supporting Staged Intimacy: A Practical Guide for Theatre Creatives, Managers, and Crew examines the relationship between staged intimacy, intimacy direction, and those supporting the process during pre-production, rehearsal, and performance. First, this book addresses challenges and trends in staging intimacy, helping backstage and offstage theatre artists recognize the problematic approaches and culture that led to the emerging field of intimacy direction. This text will then provide tools and recommended practices for supporting the creation and maintaining of staged intimacy, enabling team members to enact contemporary protocols concerning advocacy and agency. Finally, this book will educate and empower readers with the necessary skills to prompt change; by providing modern techniques, essential workplace protocols, and achievable action items, this book will transform the way theatre designers, managers, crew, and other creative team members engage with theatrical consent. Supporting Staged Intimacy is written for every pre-professional and professional artist working behind the scenes who wish to better support consensual workplaces, physically intimate stories, and the individuals telling those stories.

The Surrogate: A Novel

by Toni Halleen

“The Surrogate is a thrilling, high-stakes debut centering on a vulnerable newborn and two women who will do almost anything to claim her as their daughter. With a collection of vividly rendered characters, this twisty tale will leave you thinking about the true meaning of motherhood long after you turn the last page. I loved it!”—Patry Francis, bestselling author of All the Children Are HomeRuth is a no-nonsense fortysomething journalist from the Midwest, desperate for a child with her new husband, Hal. Their hope rests with Cally, a nineteen-year- old who wants to go to college—but doesn’t have the cash. The arrangement seems perfect for everyone.But within a day of the baby’s birth, Cally has a change of heart—and engineers a harrowing escape from the hospital with the newborn. When Ruth and Hal discover that Cally and their daughter are gone, a whole series of doubts and secrets is revealed, and the difference between right and wrong is no longer clear.Set in the vast, sparsely populated upper reaches of northern Minnesota in the middle of winter, The Surrogate follows Ruth, Hal, Cally, through a maze of thought-provoking questions about the nature of family, love, and relationships: What would you do for your partner, when the going gets tough? How much is a pregnancy “worth”? And who, if anyone, “deserves” to be a mother?With its realistic portrayal of surrogacy and motherhood, 'The Surrogate' is a thought-provoking novel that will stay with you long after you've finished reading. Toni Halleen's writing is both literary and suspenseful, making this a must-read for fans of psychological thrillers and domestic dramas.

Surviving Theatre: The Living Archive of Spectatorship (Routledge Advances in Theatre & Performance Studies)

by Marco Pustianaz

Written soon before and in the middle of the Covid-19 pandemic when theatre ground to a halt and spectatorship was suspended, this book takes stock of spectatorship as theatre’s living archive and affirms its value in the midst of the present crisis. Drawing from a manifold affective archive of performances and installations by Marina Abramović, Ron Athey, Forced Entertainment, Socìetas Raffaello Sanzio, Blast Theory, LIGNA, Doris Salcedo, Graeme Miller, Lenz Rifrazioni, Cristina Rizzo ..., and expanding on the work of many theorists and scholars like Roland Barthes and Jacques Rancière, Giorgio Agamben and Alain Badiou, Nicholas Ridout and Alan Read, among others, the book focuses on the spectator as the subject, rather than the object, of investigation. This is the right time to remember their secret power and theorise their collective time in the theatre. This book is an archive of their adventure and a manifesto rooted in their potentiality. It boldly posits the spectator as the inaugurator of theatre, the surplus that survives it. The book will be of great interest to spectators all and sundry, to scholars and students of theatre and performance studies, of spectatorship and politics.

Susan Glaspell and Sophie Treadwell (Routledge Modern and Contemporary Dramatists)

by Barbara Ozieblo Jerry Dickey

Susan Glaspell and Sophie Treadwell presents critical introductions to two of the most significant American dramatists of the early twentieth century. Glaspell and Treadwell led American Theatre from outdated melodrama to the experimentation of great European playwrights like Ibsen, Strindberg and Shaw. This is the first book to deal with Glaspell and Treadwell’s plays from a theatrical, rather than literary, perspective, and presents a comprehensive overview of their work from lesser known plays to seminal productions of Trifles and Machinal. Although each woman pursued her own themes, subjects and manner of stage production, this shared volume underscores the theatrical and cultural conditions influencing female playwrights in modern America.

Susan Glaspell in Context

by J. Ellen Gainor

Susan Glaspell in Context not only discusses the dramatic work of this key American author -- perhaps best known for her short story "A Jury of Her Peers" and its dramatic counterpart,Trifles-- but also places it within the theatrical, cultural, political, social, historical, and biographical climates in which Glaspell's dramas were created: the worlds of Greenwich Village and Provincetown bohemia, of the American frontier, and of American modernism. J. Ellen Gainor is Professor of Theatre, Women's Studies, and American Studies, Cornell University. Her other books include Performing America: Cultural Nationalism in American Theater (co-edited with Jeffrey D. Mason) from the University of Michigan Press.

Susan Glaspell in Context (Literature in Context)

by J. Ellen Gainor

Susan Glaspell in Context provides new, accessible, and informative essays by leading international scholars and artists on Pulitzer Prize winner Susan Glaspell's life, career development, writing, and ongoing global creative impact. The collection features wide-ranging discussions of Glaspell's fiction, plays, and non-fiction in both historical and contemporary critical contexts, and demonstrates the significance of Glaspell's writing and other professional activities to a range of academic disciplines and artistic engagements. The volume also includes the first analyses of six previously unknown Glaspell short stories, as well as interviews with contemporary stage and film artists who have produced Glaspell's works or adapted them for audiences worldwide. Organized around key locations, influences, and phases in Glaspell's career, as well as core methodological and pedagogical approaches to her work, the collection's thirty-one essays place Glaspell in historical, geographical, political, cultural, and creative contexts of value to students, scholars, teachers, and artists alike.

A Sustainable Theatre

by Barry B. Witham

Begun as an audacious experiment, for thirty years the Hedgerow Theatre prospered as America's most successful repertory company. While known for its famous alumnae (Ann Harding and Richard Basehart), Hedgerow's legacy is a living library of over 200 productions created by Jasper Deeter's idealistic and determined pursuit of 'truth and beauty. '

Suzan-Lori Parks: A Casebook (Casebooks on Modern Dramatists)

by Kevin J. Wetmore Jr Alycia Smith-Howard

Suzan-Lori Parks confirmed herself as one of the most exciting and successful playwrights of her generation when her work Topdog/Underdog was awarded the 2002 Pulitzer Prize, making her the only African American woman to win the award. Despite the cultural weight of this achievement, Parks remains difficult both to pigeonhole and to summarize. This volume seeks to provide a context for her work, with essays from major and emerging scholars addressing the importance of factors such as gender, ethnicity, language and history in plays from her first major work, Imperceptible Mutabilities of the Third Kingdom to the 365 Days / 365 Plays project. Suzan-Lori Parks: A Casebook represents the first major study of this unique voice in contemporary drama. Contributors: Leonard Berkman, Jason Bush, Shawn Marie-Garrett, Andrea Goto, Heidi Holder, Barbara Ozieblo, Kevin J. Wetmore Jr and Harvey Young. Kevin J. Wetmore Jr is Professor of Theatre at Loyola Marymount University, as well as being a professional actor and director of the Comparative Drama Conference. He is the author of The Athenian Sun in an African Sky and Black Dionysus: Greek Tragedy and African American Theatre. Alycia Smith-Howard an Assistant Professor at New York University in the Gallatin School of Individualized Study, where she is the Artistic Director of the Gallatin Arts Festival and the Book Reviews Editor at the New England Theatre Journal. A Fellow of the Folger Shakespeare Library, her areas of specialization include Shakespeare, performance history, feminist theatre aesthetics and literature and drama of the south.

Suzan-Lori Parks in Person: Interviews and Commentaries

by Philip C. Kolin Harvey Young

This collection of interviews offers unprecedented insight into the plays and creative works of Suzan-Lori Parks, as well as being an important commentary on contemporary theater and playwriting, from jazz and opera to politics and cultural memory. Suzan-Lori Parks in Person contains 18 interviews, some previously untranscribed or specially undertaken for this book, plus commentaries on her work by major directors and critics, including Liz Diamond, Richard Foreman, Bonnie Metzgar and Beth Schachter. These contributions combine to honor the first African American woman to receive the Pulitzer Prize in drama, and explore her ideas about theater, history, race, and gender. Material from a wide range of sources chronologically charts Parks’s career from the 1990s to the present. This is a major collection with immediate relevance to students of American/African-American theater, literature and culture. Parks’s engaging voice is brought to the fore, making the book essential for undergraduates as well as scholars.

The Swan Song. A Study in Terror

by Mike Johnson

Thriller /3m, 4f / Interior / A depraved tale of mystery, murder, magic, madness, and hideous revenge, The Swan Song details the events of a single day from early afternoon to midnight. Olivia returns with her fiance to the creepy family manor after the funeral of her murdered parents. Miles desperately tries to get her away from the house and the eerie influences of her secretary, her ever tipsy aunt, a hidebound lawyer, a genuinely scary swami, and a kindly old housekeeper whose nervousness is contagious. Olivia won't leave until she contacts the spirit of her mother at midnight to learn who committed the ghastly murders. This shocker is crammed with harrowing suspense and the conclusion is guaranteed to scare the daylights out of your audience.

Swearing and Perjury in Shakespeare's Plays (Routledge Library Editions Shakespeare #XXXIII)

by Frances A Shirley

First published in 1979. How do the elements of swearing and perjury work in Shakespeare's plays? What effect did Shakespeare intend when he wrote them? How did they contribute to the delineation of character? These questions are investigated by combining a history of ideas approach with close textual analysis. The book begins by bringing together material from a wide range of contemporary sources in order to create a sense of popular awareness of oaths in Queen Elizabeth's time. Out of this emerges a scale of the relative strength of various oaths, an awareness of the ways in which people regarded perjury, and an appreciation of the attempts to prohibit profanity. Shakespeare's work is then examined against this background.

Sweat

by Lynn Nottage

Lynn Nottage has written one of her most exquisitely devastating tragedies to date. In one of the poorest cities in America, Reading, Pennsylvania, a group of down-and-out factory workers struggle to keep their present lives in balance, ignorant of the financial devastation looming in their near future. Based on Nottage’s extensive research and interviews with residents of Reading, Sweat is a topical reflection of the present and poignant outcome of America’s economic decline. <p><p> Lynn Nottage is the recipient of two Pulitzer Prize Awards for Drama for Sweat and Ruined. She is the first woman playwright to be honored twice. Her other plays include Intimate Apparel; By the Way, Meet Vera Stark; Fabulation, or the Re-Education of Undine; Crumbs from the Table of Joy; and Las Meninas.

Sweeney Todd

by Aaron C. Thomas

Sweeney Todd, the gruesome tale of a murderous barber and his pastry chef accomplice, is unquestionably strange subject matter for the musical theatre – but eight Tony awards and enormous successes on Broadway and the West End testify to its enduring popularity with audiences. Written by Hugh Wheeler, with music and lyrics by Stephen Sondheim, the musical premiered in 1979 and has seen numerous revivals, including Tim Burton's 2007 film version. Aaron C. Thomas addresses this darkly funny piece with fitting humour, taking on Sweeney Todd’s chequered history and genre, its treatment of violence and cannibalism, and its sexual politics.

Sweet Bird of Youth

by Landford Wilson Tennessee Williams

Now with an insightful new introduction, the author's original Foreword, and the one-act play, The Enemy: Time, on which Sweet Bird of Youth was based. Tennessee Williams knew how to tell a good tale, and this steamy, wrenching play about a faded movie star, Alexandra Del Lago, and about the lost innocence and corruption of Chance Wayne, reveals the dark side of the American dreams of youth and fame. Distinguished American playwright Lanford Wilson has written an insightful Introduction for this edition. Also included are Williams' original Foreword to the play; the one-act play The Enemy: Time--the germ for the full-length version, published here for the first time; an essay by Tennessee Williams scholar, Colby H. Kullman; and a chronology of the author's life.

The Sweetest Swing In Baseball

by Rebecca Gilman

"In The Sweetest Swing in Baseball, an artist named Dana Fielding is suffering from a slump in both her career and her personal life. After a disastrous gallery showing, her paranoia and depression send her boyfriend packing. When Fielding attempts suicide, she lands in a mental ward and finds she enjoys the structure of the days. But when she learns her health insurance will pay for only a 10-day stay, she cooks up a scheme with two fellow patients to fool the doctors into believing she's psychotic. Without knowing much about him, she takes on the personality of troubled baseball star Darryl Strawberry. Known for having the 'sweetest swing in baseball, ' Strawberry also struggled with ... the darker side of fame, including rejection by fans and the effort to make a comeback ... When Dana chats with fellow patients Michael, an alcoholic, and Gary, a stalker, the dialogue here is hilarious as Dana instructs a would-be killer on drawing negative space and the two men coach her on Strawberry's stats."--Publisher's website.

Swimming to Cambodia

by James Leverett Roger Rosenblatt Spalding Gray

"It took courage to do what Spalding did--courage to make theatre so naked and unadorned, to expose himself in this way and fight the demons in public. In doing so, he entered our hearts--my heart--because he made his struggle my struggle. His life became my life."--Eric Bogosian"Virtuosic. A master writer, reporter, comic and playwright. Spalding Gray is a sit-down monologist with the soul of a stand-up comedian. A contemporary Gulliver, he travels the globe in search of experience and finds the ridiculous."--The New York TimesIn 2004, we mourned the loss of one of America's true theatrical innovators. Spalding Gray took his own life by jumping from the Staten Island ferry into the waters of New York Harbor, finally succumbing to the impossible notion that he could in fact swim to Cambodia. At a memorial gathering for family, friends and fans at Lincoln Center in New York, his widow expressed the need to honor Gray's legacy as an artist and writer for his children, as well as for future generations of fans and readers. Originally published in 1985, Swimming to Cambodia is reissued here 20 years later in a new edition as a tribute to Gray's singular artistry.Writer, actor and performer, Spalding Gray is the author of Sex and Death to the Age 14; Monster in a Box; It's a Slippery Slope; Gray's Anatomy and Morning, Noon and Night, among other works. His appearance in The Killing Fields was the inspiration for his Swimming to Cambodia, which was also filmed by Jonathan Demme.

The Swish of the Curtain: Blue Door 1 (Blue Door #1)

by Pamela Brown

The classic story of seven children with a longing to be on stage: the inspiration for actors from Maggie Smith to Eileen AtkinsIn the town of Fenchester, seven resourceful children are yearning to be famous. One day, they come across a disused chapel, and an idea is formed. With a lick of paint and the addition of a beautiful curtain (which, however much they try, won't "swish" as stage curtains ought), the chapel becomes a theatre - and The Blue Door Theatre Company is formed.The children go from strength to strength, writing, directing and acting in their own plays. But their schooldays are numbered, and their parents want them to pack it in and train for sensible jobs. It seems that The Blue Door Theatre Company will have to go the way of all childhood dreams. But with a bit of luck, and the help of some influential friends, perhaps this is not the end, but only the beginning of their adventures in show business...

Syrian Refugees, Applied Theater, Workshop Facilitation, and Stories: While They Were Waiting

by Fadi Skeiker

This book analyzes and theorizes the efficacy of using applied theater as a tool to address refugee issues of displacement, trauma, adjustment, and psychological well-being, in addition to split community belonging. Fadi Skeiker connects refugee narratives to the themes of imagination, home, gender, and conservatism, among others. Each chapter outlines the author’s applied theater practice, as a Syrian, with and for Syrian refugees in the countries of Jordan, Germany, and the United States. This book will be of great interest to scholars, students, and practitioners of applied theater studies and refugee studies.

Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Brook

by Shomit Mitter

The gap between theory and practice in rehearsal is wide. many actors and directors apply theories without fully understanding them, and most accounts of rehearsal techniques fail to put the methods in context. Systems of Rehearsal is the first systematic appraisal of the three principal paradigms in which virtually all theatre work is conducted today - those developed by Stanislavsky, Brecht and Grotowski. The author compares each system ot the work of the contemporary director who, says Mitter, is the Great Imitator of each of them: Peter Brook. The result is the most comprehensive introduction to modern theatre available.

Szenen bürgerlicher Festkultur: Theatrale Erfahrungsorte von Geschichte, Nation und Modernisierung um 1900 in Frankfurt am Main (Szene & Horizont. Theaterwissenschaftliche Studien #12)

by Christina Vollmert

Am Beispiel der Stadt Frankfurt a.M. untersucht die interdisziplinäre Studie anhand dreier Fallstudien das komplexe Verhältnis zwischen gesellschaftlichen, politischen und medienkulturellen Transformationsprozessen und bürgerlicher Festkultur als Ort sozialer Bedeutungskonstruktion. Von historischen Stadt- und Künstlerfesten über politisch aufgeladene Schützenfeste bis hin zu spektakulären Industrie- und Gewerbeausstellungen werden die untersuchten Feste als theatrale Aufführungen verstanden, die die Veränderungen der Modernisierung um 1900 reflektieren und tiefe Einblicke in die soziokulturellen Umbrüche jener Zeit ermöglichen. Das Theatrale als bewusste und demonstrative Betonung des Zur-Schau-Stellens wird in dieser Studie als kulturelle Praxis gedeutet, die als Vermittler in einer Zeit der Umbrüche agieren kann: Indem die analysierten Feste abstrakte und ideologisch aufgeladene Konzepte wie Geschichte, Nation oder Modernisierung im Moment ihrer sinnlichen Zurschaustellung unmittelbar erfahrbar machen, ermöglichen sie eine Teilhabe an einem ästhetischen Erlebnis, das zum Verständnis und zur Akzeptanz der vermittelten Inhalte führen kann. Die Studie eröffnet damit eine neue Perspektiven auf die bislang gängigen Narrative der Kultur- und Modernisierungsgeschichte des 19. Jahrhunderts.

Tacoma's Theater District

by Kimberly M. Davenport

The history of Tacoma's Theater District is nearly as long as that of the city of Tacoma itself, spanning from the opening of the Tacoma Theater in 1890 to the present day, with restored historical facilities anchoring a renewed cultural district. This telling of the district's history reflects a range of engaging topics, including the boundless enthusiasm of the initial residents of Tacoma (the "City of Destiny"), the changing ways in which culture was shared and experienced over the decades of the 20th century, and a community working together through difficult times to save and restore historical buildings as gathering spaces for the benefit of future generations. The story is told through historical photographs of the theater venues themselves, as well as images capturing a myriad of cultural and community events taking place in those facilities and in the surrounding district.

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