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Tales of Shakespeare

Tales meant to be submitted to the young reader as an introduction to the study of Shakespeare

Tales of the Lost Formicans and Other Plays

"One of the playwrights our country, and our language, has produced." - Tony Kushner"Quirky, disturbing, and inexplicably beautiful theatrical poetry." - Cary M. Mazer, Philadelphia City Paper"Congdon writes like a woman possessed." - Nels Nelson, New York Daily NewsAn immensely inventive and challenging writer, Constance Congdon is one of America's finest playwrights, endowed with great compassion, keen insight and an unfailing comic sensibility. Throughout the plays in her first collection, she demonstrates a range rare in writers in any age, from a somber meditation on life in the postnuclear age (No Mercy) to madcap social satire (Losing Father's Body), from an epic historical exploration of love and sexual identity (Casanova) to her most popular play to date (Tales of the Lost Formicans), acclaimed by William A. Henry III of Time magazine as "A travel guide to Middle America conducted by aliens from outer space... If not the best new play of recent years, surely the most imaginative."Constance Congdon's plays have been produced throughout the United States and abroad. She has received playwriting fellowships from the National Endowment for the Arts and the Rockefeller and Guggenheim foundations, and is the winner of Oppenheimer/Newsday, W. Alton Jones and L/ Arnold Weissberger awards. Congdon, an alumna of New Dramatists, currently teaches playwriting at Amherst College.

Talk

Kit Webster is hiding a secret. Carma, his best friend, has already figured it out, and pushes him to audition for the high school play, Talk. When he's cast as the male lead, he expects to escape his own life for a while and become a different person. What he gets instead is the role of a lifetime: Kit Webster. In the play, Kit's thrown together with Lindsay Walsh, the female lead and the school's teen queen. Lindsay, tired of the shallow and selfish boys from her usual circle of friends, sees something real in Kit -- and wants it. But Kit's attention is focused on Pablo, another boy in school. The play is controversial; the parents put pressure on the school to shut it down. And when Kit and Lindsay rally to save "Talk", they find themselves deep into a battle for the truth: onstage, and inside themselves.

Talk Radio (TCG Edition)

"Your fear, your own lives, have become your entertainment."--Talk Radio"More timely today than it was twenty years ago . . . Radio crackles with intensity."--Joe Dziemianowicz, New York Daily News"The most lacerating portrait of a human meltdown this side of a Francis Bacon painting. . . . This revival, like the original production, allows its star to grab an audience by the lapels and shake it into submission."--Ben Brantley, The New York TimesEric Bogosian's Talk Radio--his breakthrough 1987 Public Theater hit that was made into a film by Oliver Stone--has been revived in a "mesmerizing" (Newsday) production on Broadway, with Liev Schreiber playing the role of the late-night shock jock that Bogosian himself originated. The drama is set in the studio of Cleveland's WTLK Radio over the course of Barry Champlain's two-hour broadcast, being scrutinized that night by producers with an interest in taking the show national, and fueled as always by coffee, cocaine, and Jack Daniel's. Barry's jousts with his unseen callers--ranging from a white supremacist to a woman obsessed with her garbage disposal--are peppered with insights into his character from his ex-deejay pal and his sometime girlfriend/producer, and punctuated with a transformative visit from an embodied voice. Eric Bogosian is a writer and actor who over the last twenty years has authored five full-length plays and created six full-length solos for himself, including subUrbia; Sex, Drugs, Rock & Roll; Pounding Nails in the Floor with My Forehead;and Drinking in America. He is the recipient of three OBIE Awards and a Drama Desk Award, and has toured throughout the United States and Europe.

Talking to the Audience: Shakespeare, Performance, Self

This unique study investigates the ways in which the staging convention of direct address - talking to the audience - can construct selfhood, for Shakespeare's characters. By focusing specifically on the relationship between performer and audience, Talking to the Audience examines what happens when the audience are in the presence of a dramatic figure who knows they are there. It is a book concerned with theatrical illusion; with the pleasures and disturbances of seeing 'characters' produced in the moment of performance.Through analysis of contemporary productions Talking to the Audience serves to demonstrate how the study of recent performance helps us to understand both Shakespeare's cultural moment and our own. Its exploration of how theory and practice can inform each other make this essential reading for all those studying Shakespeare in either a literary or theatrical context.

Talking With...

Monologues Jane Martin. Characters: 11 female. Bare Stage.. These extraordinary monologues received a standing ovation at Louisville's Actors Theatre. Idiosyncratic characters amuse, move and frighten, always speaking from the depths of their souls. They include a baton twirler, a fundamentalist snake handler, an ex rodeo rider and an actress willing to go to any length to get a job. . 1982 winner of the American Theatre Critics Association Award for Best Regional Play. . "A dramatist with an original voice ... [and] gladsome humor." N.Y. Times . "With Jane Martin, the monologue has taken on a new poetic form, intensive in its method and revelatory in its impact." Philadelphia Inquirer

Tall Grass

Dark Comedy / Flexible Casting; 2m, 1f or 6m, 3f / Simple Sets Tall Grass is a dark comedy comprised of three one-act plays. Each play requires two males and a female and the same three actors can play the roles for each play. THE BUSINESS PROPOSAL begins with a botched marriage proposal by a nice young man to his type-A girlfriend, who instead informs him that she has just accepted a position to become his boss. Over the next six-months the two try to sort out what they really want out of their professional and personal lives. The solution comes as a surprise, both to themselves and to the audience. The play also features a comic waiter and some voice-overs which can be done by the same actor. THE GERBIL is the story of a burglar caught breaking into the home of a dysfunctional couple, whose love for their daughter is the glue keeping their marriage together. The brutal ending reveals the harm their marriage has taken on the daughter, although she never appears on stage. In TALL GRASS we find an octogenarian couple fighting to maintain their independence. The arrival of a mysterious social worker tests the true extent of their resolve.

Taller Than a Dwarf

Comedy / 5m, 4f, 1 boy / Interior / Matthew Broderick and Parker Posey starred on Broadway as Howard and Selma, just another urban, Jewish, almost generic white couple from Queens, until the mundane stresses of a leaky shower and a citation for littering overwhelm them and Howard takes to bed. His parents, mother-in-law and boss hysterically elevate his childish rebellion to Civil Disobedience worthy of Thoreau in this skewed comic version of an urban angst from veteran humorist Elaine May.

Tallulah!: The Life and Times of a Leading Lady

Outrageous, outspoken, and uninhibited, Tallulah Bankhead was an actress known as much for her vices -- cocaine, alcohol, hysterical tirades, and scandalous affairs with both men and women -- as she was for her winning performances on stage. In 1917, a fifteen-year-old Bankhead boldly left her established Alabama political family and fled to New York City to sate her relentless need for attention and become a star. Five years later, she crossed the Atlantic, immediately taking her place as a fixture in British society and the most popular actress in London's West End. By the time she returned to America in the 1930s, she was infamous for throwing marathon parties, bedding her favorite costars, and neglecting to keep her escapades a secret from the press. At times, her notoriety distracted her audience from her formidable talent and achievements on stage and dampened the critical re-sponse to her work. As Bankhead herself put it, "they like me to 'Tallulah,' you know -- dance and sing and romp and fluff my hair and play reckless parts." Still, her reputation as a wild, witty, over-the-top leading lady persisted until the end of her life at the age of sixty-six.From her friendships with such entertainment luminaries as Tennessee Williams, Estelle Winwood, Billie Holiday, Noël Coward, and Marlene Dietrich, to the intimate details of her family relationships and her string of doomed romances, Joel Lobenthal has captured the private essence of the most public star during theater's golden age. Larger-than-life as she was, friends saw through Bankhead's veneer of humor and high times to the heart of a woman who often felt second-best in her father's eyes, who longed for the children she was unableto bear, and who forced herself into the spotlight to hide her deep-seated insecurities.Drawn from scores of exclusive interviews, as well as previously untapped information from Scotland Yard and the FBI, this is the essential biography of Tallulah Bankhead. Having spent twenty-five years researching Bankhead's life, Joel Lobenthal tells her unadulterated story, as told to him by her closest friends, enemies, lovers, and employees. Several have broken decadelong silences; many have given Lobenthal their final interviews. The result is the story of a woman more complex, more shocking, and yet more nuanced than her notorious legend suggests.

Tamara

Available for the first time in over thirty years, John Krizanc’s internationally acclaimed play redefined the limits of theatre with its haunting tale of art, sex, violence, and political intrigue in Fascist Italy. In the late twenties the poet, war hero, and lothario Gabriele d’Annunzio waits in his opulent villa — a gift from Benito Mussolini in return for his political silence — for the arrival of the artist Tamara de Lempicka, who is to paint his portrait. What follows is a tale of art, sex, violence and the meaning of complicity in an authoritarian state. The action is directed by the reader/audience member, who decides which characters to follow and which narratives to experience. John Krizanc’s masterpiece redefined theatre and won six L.A. Drama Critics Circle Awards, six Dora Mavor Moore Awards, six Drama-Logue Awards, and six Mexican Association of Theatre Critics, and Journalists Awards for its original productions. Now available in a handsome new A List edition, Tamara is an astonishing piece of experimental art and a penetrating look into ethical choices in times of encroaching autocracy.

Tamburlaine: In Two Parts (classic Reprint) (Dover Thrift Editions: Plays)

One of the greatest English playwrights, Christopher Marlowe received the scholarly compliment of having long been considered the author of some plays now attributed to Shakespeare. Marlowe's remarkable inventiveness and powers of poetic expression enabled him to render his first play, Tamburlaine, the relatively new form of English blank verse, establishing the form for later Elizabethan dramatic writing. This heroic epic, his most ambitious work, was also the first genuine English tragedy.Produced around 1587, the two-part romantic drama derives from the historical figure of Tamerlane (1336–1405), a Mongol warrior whose conquests and tyrannical rule extended from the Black Sea to the Upper Ganges. In Part I, Tamburlaine represents the best and most admirable qualities of the Renaissance man — his relentless rise to greatness, his ability to defy the odds and his determined pursuit of all life's possibilities. The first part concludes with the hero at the zenith of his powers, with vivid descriptions of his military victories and the passionate courting of a rival's captive daughter; in Part II, however, Tamburlaine's ambition overrides his better nature, and his greed and vanity ultimately lead to his ruin.Ideal for classroom use, this volume will also be a welcomed addition to the libraries of anyone fond of English literary classics.

Tamburlaine the Great, Part 1

Tamburlaine the Great, Part 2

The Taming of the Drew

Cass McKay has been called stubborn, temperamental, difficult, and that word that rhymes with "witch” more times than she cares to count. But that’s all about to pay off. She has finally landed the role she was born to play-Kate, in The Taming of the Shrew-in the summer apprentice program of a renowned Shakespeare theater company in the forests of Vermont.But Cass can barely lace up her corset before her troubles begin. Her leading man, Drew, is a complete troll, and he’s going to ruin Cass’s summer. Even worse, Cass’s bunkmate Amy has somehow fallen head over heels for Drew. Cass can’t let Amy throw herself at a total jerk, so she comes up with a genius plan to give Drew the personality makeover he so desperately needs: they’ll tame Drew just as Petruchio tames Kate! But as Shakespeare’s classic plays out offstage, Cass finds it harder and harder to resist falling for Drew herself.The best kind of entertainment, The Taming of the Drew is smart, funny, fresh, and original. You’re going to love this badass heroine and her friends. You might even end up liking Drew, too.

The Taming of the Shrew: Critical Essays (Shakespeare Criticism)

This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.

The Taming of the Shrew: A Comparative Study of Oral and Literary Versions (Routledge Revivals)

William Shakespeare’s The Taming of the Shrew has succeeded in surviving in contemporary culture, and has even managed to penetrate to the most modern media of mass communications. This book, first published in 1991, examines some of the different literary and oral versions of The Taming of the Shrew. This book is ideal for students of literature, drama, and theatre studies.

Taming of the Shrew: First Quarto of "Taming of a Shrew" (Shakespearean Originals--first Editions Ser.)

First Published in 1992. This series puts into circulation single annotated editions of early modern play-texts whose literary and theatrical histories have been overshadowed by editorial practices dominant since the eighteenth century. The text contained in this volume is not what we know as Shakespeare's The Taming of the Shrew, modern editions of which play are all derived from the text printed in the 1623 First Folio edition of Shakespeare's works. The present text is an edition of the play published in 1594 under the title The Taming of a Shrew, which has always been denied the authorising signature of 'Shakespeare', and regarded as an earlier version by another dramatist or as a pirated and corrupt 'memorial reconstruction' of Shakespeare's The Taming of the Shrew.

The Taming of the Shrew

A robust and bawdy battle of the sexes, this ever popular comedy captivates audiences with outrageous humor as Katharina, the shrew, engages in a contest of wills-and love-with her bridegroom, Petruchio. Their boisterous conflict is set off against a more conventional romantic plot involving the wooing of Katharina's lovely and compliant sister, Bianca. Rich with the psychological themes of identity and transformation, the play is quintessentially lighthearted, filled with visual gags, witty repartee, and unmatched theatrical brilliance from Petruchio's demand, "Kiss me, Kate!" to the final spectacle of the wedding feast.Each Edition Includes:* Comprehensive explanatory notes * Vivid introductions and the most up-to-date scholarship * Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English* Completely updated, detailed bibliographies and performance histories * An interpretive essay on film adaptations of the play, along with an extensive filmographyFrom the Paperback edition.

The Taming of the Shrew

The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare's time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come.This edition of The Taming of the Shrew is edited with an introduction and notes by series editor Stephen Orgel.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.From the Trade Paperback edition.

The Taming of the Shrew

Folger Shakespeare Library The world's leading center for Shakespeare studies Each edition includes: Freshly edited text based on the best early printed version of the play Full explanatory notes conveniently placed on pages facing the text of the play Scene-by-scene plot summaries A key to famous lines and phrases An introduction to reading Shakespeare's language An essay by an outstanding scholar providing a modern perspective on the play Illustrations from the Folger Shakespeare Library's vast holdings of rare books Essay by Karen Newman The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs.

The Taming of the Shrew

The marriage hopes of the beautiful Bianca depend on her older and more disagreeable sister, Katherina, making her match first.

Taming of the Shrew (Shakespeare Made Easy)

A Simon & Schuster eBook. Simon & Schuster has a great book for every reader.

The Taming of the Shrew

Shakespearean comedy in which a woman rebels against the man she is forced to marry.

The Taming of the Shrew: Being The Original Of Shakespeare's 'taming Of The Shrew' Edited (classic Reprint) (Dover Thrift Editions: Plays)

A rough-and-tumble farce centered around a lively battle of the sexes, The Taming of the Shrew brims with action and bawdy humor. The unconventional romance between a lusty fortune-hunter and a bitter shrew unfolds to the accompaniment of witty, fast-paced dialogue and physical humor in this excellent introduction to Shakespearean comedy.The freebooter Petruchio arrives in Padua to hear of Katharina, a beautiful heiress whose waspish rants and caustic personality have repelled all attempts at courtship. Professing to admire a woman of spirit, Petruchio immediately sets about his wooing. The initial encounter between "Kate" and her wily suitor is spiked with impassioned exchanges of blows as well as jests. After a madcap wedding ceremony, the still-protesting Kate is whisked away to be "killed with kindness" and reborn as a loving wife.One of the Bard's earliest and most popular plays, The Taming of the Shrew is rife with subplots involving his customary devices of disguise and mistaken identity. The vivid language, studded with elaborate puns, is an engaging complement to the play's slapstick humor. Reprinted complete and unabridged in this inexpensive edition, The Taming of the Shrew will delight any reader with its wonderful wordplay and rollicking good spirits.

The Taming of the Shrew: Being The Original Of Shakespeare's 'taming Of The Shrew' Edited (classic Reprint) (First Avenue Classics ™)

Lucentio comes to Padua to attend the university, but his attention is quickly captured by the lovely Bianca. He would do anything to marry her, including disguise himself as her Latin teacher. But a major obstacle stands in the way of Lucentio's intentions: Bianca's father will only allow Bianca to marry after her sister, Katherine, is married. Katherine is everything Bianca is not. She is ill-tempered, opinionated, and objects to the idea of marriage. When bold Petruchio arrives in Padua, however, he might just be the kind of suitor who could succeed in marrying Katherine. This is an unabridged version of English playwright William Shakespeare's romantic comedy, which was first published in 1623.