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The Sensuous Senator
by Michael ParkerComedy / 4m, 5f / Interior / Senator Douglas is running for President on a "morality" platform, but when his wife Lois leaves to attend a conference in Chicago he does not hesitate to invite Veronica, his secretary and lover, over. Finding her unavailable, he has an escort agency send voluptuous Fiona. All seems well until his elderly Congressional colleague and neighbor locks himself out and asks to spend the night. Then Congressman Jack Maguire drops in unexpectedly and Fiona, unsure who her client is, zeros in on him. Meanwhile, Veronica changes her plans and appears on the scene. Before Lois reaches the airport, her fashionable Washington townhouse is swarming with libidinous politicians, scantily dressed women, security police and a muckraking reporter from The National Intruder! When snow closes the airport and she returns home, the bedlam crescendos to a surprise ending in this outrageous farce by the author of The Amorous Ambassador.
The Sentient Archive: Bodies, Performance, and Memory
by Bill Bissell and Linda Caruso HavilandThe Sentient Archive gathers the work of scholars and practitioners in dance, performance, science, and the visual arts. Its twenty-eight rich and challenging essays cross boundaries within and between disciplines, and illustrate how the body serves as a repository for knowledge. Contributors include Nancy Goldner, Marcia B. Siegel, Jenn Joy, Alain Platel, Catherine J. Stevens, Meg Stuart, André Lepecki, Ralph Lemon, and other notable scholars and artists.Hardcover is un-jacketed.
The Sentimental Theater of the French Revolution (Performance In The Long Eighteenth Century: Studies In Theatre, Music, Dance Ser.)
by Cecilia FeillaSmoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that the performance of virtue on stage served to foster the passage from private emotion to public virtue and allowed groups such as women, children, and the poor who were excluded from direct political participation to imagine a new and inclusive social and political structure. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois, and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the nineteenth century. Her book revitalizes and enriches our understanding of the significance of sentimental drama, showing that it was central to the way that drama both shaped and was shaped by political culture.
The Set-Up: An Anatomy of the English Theatre Today (Routledge Revivals)
by Ronald HaymanOriginally published in 1973, this book investigates the power and the pressures behind English theatre in the late 20th Century, analysing its structure and systems, and the way that money and motives flow through it. On the one hand there are the organisations: the big national companies, the West End managements, the regional repertory theatres, the ‘fringe’ groups, the trade unions, the Arts Council. On the other are the individuals: actors, directors, playwrights, agents, administrators. Ronald Hayman’s challenging book illuminates the conflicts and contradictions in the set-up. It is a mine of information about how theatres are run, how shows pay their way, and what happens when they don’t.
The Seven Against Thebes
by AeschylusThird play of a trilogy (the other two are lost) about the doomed family of Laius and Oedipus and his sons. After the city of Thebes has banished Oedipus, the former ruler's sons vie for the crown. The victor, Eteocles, expels his brother, Polyneices, who then recruits 7 champions to lead an assault on Thebes, with a tragic results.
The Seven Against Thebes
by AeschylusAeschylus was the first of the three ancient Greek tragedians whose plays can still be read or performed, the others being Sophocles and Euripides. He is often described as the father of tragedy: our knowledge of the genre begins with his work and our understanding of earlier tragedies is largely based on inferences from his surviving plays. Only seven of his estimated seventy to ninety plays have survived into modern times. Fragments of some other plays have survived in quotes and more continue to be discovered on Egyptian papyrus, often giving us surprising insights into his work.
The Seven Against Thebes: When A Man's Willing And Eager The God's Join In (Dover Thrift Editions Ser.)
by AeschylusThird play of a trilogy (the other two are lost) about the doomed family of Laius and Oedipus and his sons. After the city of Thebes has banished Oedipus, the former ruler's sons vie for the crown. The victor, Eteocles, expels his brother, Polyneices, who then recruits 7 champions to lead an assault on Thebes, with a tragic results.
The Shadow of an Ass: Philosophical Choice and Aesthetic Experience in Apuleius' Metamorphoses
by Jeffrey P. UlrichJeffrey Ulrich’s The Shadow of an Ass addresses fundamental questions about the reception and aesthetic experience of Apuleius’ Metamorphoses, popularly known as The Golden Ass, by situating the novel in a contemporaneous literary and philosophical discourse emerging in the Second Sophistic. This unique Latin novel follows a man who is accidentally turned into a donkey because of his curiosity, viewing the world through a donkey’s eyes until he is returned to human form by the Egyptian goddess Isis. In the end, he chooses to become a cult initiate and priest instead of a debased and overindulgent ass. On the one hand, the novel encourages readers to take pleasure in the narrator’s experiences, as he relishes food, sex, and forbidden forms of knowledge. Simultaneously, it challenges readers to reconsider their participation in the story by exposing its donkey-narrator as a failed model of heroism and philosophical investigation. Ulrich interprets the Metamorphoses as a locus of philosophical inquiry, positioning the act of reading as a choice of how much to invest in this tale of pleasurable transformation and unanticipated conversion. The Shadow of an Ass further explores how Apuleius, as a North African philosopher translating an originally Greek novel into a Latin idiolect, transforms himself into an intermediary of Platonic philosophy for his Carthaginian audience. Situating the novel in a long history of philosophical and literary conversations, Ulrich suggests that the Metamorphoses anticipates much of the philosophical burlesque we tend to associate with early modern fiction, from Don Quixote to Lewis Carroll.
The Shadow of the Empress: Fairy-Tale Opera and the End of the Habsburg Monarchy
by Larry WolffA beguiling exploration of the last Habsburg monarchs' grip on Europe's historical and cultural imagination. In 1919 the last Habsburg rulers, Emperor Karl and Empress Zita, left Austria, going into exile. That same year, the fairy-tale opera Die Frau ohne Schatten (The Woman Without a Shadow), featuring a mythological emperor and empress, premiered at the Vienna Opera. Viennese poet Hugo von Hofmannsthal and German composer Richard Strauss created Die Frau ohne Schatten through the bitter years of World War I, imagining it would triumphantly appear after the victory of the German and Habsburg empires. Instead, the premiere came in the aftermath of catastrophic defeat. The Shadow of the Empress: Fairy-Tale Opera and the End of the Habsburg Monarchy explores how the changing circumstances of politics and society transformed their opera and its cultural meanings before, during, and after the First World War. Strauss and Hofmannsthal turned emperors and empresses into fantastic fairy-tale characters; meanwhile, following the collapse of the Habsburg monarchy after the war, their real-life counterparts, removed from political life in Europe, began to be regarded as anachronistic, semi-mythological figures. Reflecting on the seismic cultural shifts that rocked post-imperial Europe, Larry Wolff follows the story of Karl and Zita after the loss of their thrones. Karl died in 1922, but Zita lived through the rise of Nazism, World War II, and the Cold War. By her death in 1989, she had herself become a fairy-tale figure, a totem of imperial nostalgia. Wolff weaves together the story of the opera's composition and performance; the end of the Habsburg monarchy; and his own family's life in and exile from Central Europe, providing a rich new understanding of Europe's cataclysmic twentieth century, and our contemporary relationship to it.
The Shadow of the Hummingbird
by Athol Fugard Paula Fourie"The greatest active playwright in the English-speaking world."--Time"If there is a more urgent and indispensable playwright in world theater than South Africa's Athol Fugard, I don't know who it could be."--Newsweek"Athol Fugard can say more with a single line than most playwrights convey in an entire script."--VarietyLegendary theatre artist Athol Fugard returns to the stage for the first time in fifteen years in this, his latest work. The Shadow of the Hummingbird tells the story of an ailing man in his eighties and the afternoon spent with his ten year-old grandson. In a charming meditation on the beauty and transience of the world around us, Fugard continues to mine the depths of the human spirit with profound empathy and heart. The text of the play includes an introductory Prelude by Paula Fourie with extracts from Fugard's unpublished notebooks.Athol Fugard has been working in the theater as a playwright, director, and actor for more than fifty years. In 2011, he received a Special Tony Award for Lifetime Achievement in the Theatre, and he was the inaugural Humanitas Visiting Professor of Drama at Oxford University. His plays include Blood Knot, Boesman and Lena, Statements After an Arrest Under the Immorality Act, Sizwe Banzi Is Dead, 'Master Harold' . . . and the Boys, The Road to Mecca, My Children! My Africa! and The Blue Iris.
The Shakespeare Book: Big Ideas Simply Explained (DK Big Ideas)
by DKLearn the entire works of one of the greatest writers of the English language in The Shakespeare Book.Part of the fascinating Big Ideas series, this book tackles tricky topics and themes in a simple and easy to follow format. Learn about the works of William Shakespeare in this overview guide, great for beginners looking to learn and experts wishing to refresh their knowledge alike! The Shakespeare Book brings a fresh and vibrant take on the topic through eye-catching graphics and diagrams to immerse yourself in. This captivating book will broaden your understanding of Shakespeare, with:- Every play and poem from Shakespeare&’s canon, including lost plays and less well-known works of poetry- Packed with facts, charts, timelines and graphs to help explain core concepts- A visual approach to big subjects with striking illustrations and graphics throughout- Easy to follow text makes topics accessible for people at any level of understandingThe Shakespeare Book is the perfect introduction to the entire canon of Shakespeare&’s plays, sonnets, and other poetry, aimed at adults with an interest in the subject and students wanting to gain more of an overview. Here you&’ll discover the complete works, from The Comedy of Errors, to the great tragedies of Hamlet, Othello, King Lear, and Macbeth.Your Shakespeare Questions, Simply ExplainedThis is a brilliant, innovative exploration of the entire canon of Shakespeare plays, sonnets, and other poetry with detailed plot summaries and a full analysis of the major characters and themes. If you thought it was difficult to learn about the works of one of the greatest writers in the English language, The Shakespeare Book presents key information in a simple layout. Every work is covered, from the comedies of Twelfth Night and As You Like It to the tragedies of Julius Caesar and Hamlet, with easy-to-understand graphics and illustrations bringing the themes, plots, characters, and language of Shakespeare to life.The Big Ideas SeriesWith millions of copies sold worldwide, The Shakespeare Book is part of the award-winning Big Ideas series from DK. The series uses striking graphics along with engaging writing, making big topics easy to understand.
The Shakespeare Claimants: A Critical Survey of the Four Principal Theories concerning the Authorship of the Shakespearean Plays
by H. N GibsonThis edition first published in 1962. The Shakespeare Claimants is a critical survey of the great controversy that has raged over the authorship of the Shakespearean plays. It provides the general reader with an outline history of this controversy and with a full description and analysis of the main anti-Stratfordian arguments. This book concentrates on the four main claimants: Bacon, Oxford, Derby and Marlowe. The book contains an extensive bibliography and footnotes to guide the reader through the text.
The Shakespeare Guide to Italy
by Richard Paul RoeRichard Paul Roe spent more than twenty years traveling the length and breadth of Italy on a literary quest of unparalleled significance. Using the text from Shakespeare's ten "Italian Plays" as his only compass, Roe determined the exact locations of nearly every scene in Romeo and Juliet, The Two Gentlemen of Verona, The Merchant of Venice, Much Ado about Nothing, The Tempest, and the remaining dramas set in Italy. His chronicle of travel, analysis, and discovery paints with unprecedented clarity a picture of what the Bard must have experienced before penning his plays. Equal parts literary detective story and vivid travelogue-containing copious annotations and more than 150 maps, photographs, and paintings-The Shakespeare Guide to Italy is a unique, compelling, and deeply provocative journey that will forever change our understanding of how to read the Bard . . . and irrevocably alter our vision of who William Shakespeare really was.
The Shakespeare Inset: Word and Picture
by Francis BerryWhat is the relation between the language being heard and the picture being simultaneously exhibited on the stage? Typically there is an identity between sound and sight, but often there is a divergence between what the audience hears and what is sees. These divergences are 'insets' and examines the motives, mechanics and poetic qualities of these narrative poems embedded in the plays.
The Shakespeare Masterclasses
by Ron DestroThe Shakespeare Masterclasses is a collection of rare interviews from many of the world’s most renowned Shakespearean actors, exploring their varied approaches to topics including character creation, script analysis, acting for the stage and the camera, rehearsal, preparation, and collaboration. Ron Destro’s insightful and revealing conversations with thirteen accomplished artists provide the reader with the invaluable experience of sitting in the classroom with each of these masters. A selection of Shakespeare plays including Hamlet, The Winter’s Tale, King Lear, and The Tempest are examined to explore antithesis, line-endings, rhyme and meter, method acting, and the artistry of a good director. In addition to critical analysis of their vocation, the actors weave through personal and humorous anecdotes and favorite acting moments, and offer useful movement and vocal exercises. This book offers a lens into the creative process of world-acclaimed actors, to expose an abundance of tips, tools, and fascinating stories about the acting profession that will be of crucial interest to acting students, directors, drama teachers, Shakespeare performance scholars, and general theatre fans more broadly.
The Shakespeare Multiverse: Fandom as Literary Praxis (Routledge Studies in Shakespeare #1)
by Valerie M. Fazel Louise GeddesThe Shakespeare Multiverse: Fandom as Literary Praxis argues that fandom offers new models for a twenty-first century reading practice that embraces affective pleasure and subjective self-positioning as a means of understanding a text. Part critical study, part source book, The Shakespeare Multiverse suggests that fannish contributions to the ongoing expansion of the object that we call Shakespeare is best imagined as a multiverse, encompassing different worlds that consolidate the various perspectives that different fans bring to Shakespeare. Our concept of the multiverse redefines ‘Shakespeare’ not as a singular body of work, but as space where a process of inquiry and cultural memory – memories in the making, and those already made – is influenced and shaped by the technologies available to the reader. Characteristic of fandom is an intertextual reading strategy that we term cyborg reading, an approach that accommodates the varied elements of identity, politics, culture, sexuality, and race that shape the ways that Shakespeare is explored and appropriated throughout fannish reading communities. The Shakespeare Multiverse intersects literary theory, fan studies, and popular culture as it traverses Shakespeare fandom from the 1623 Folio to the age of the Internet, exploring the different textures of fan affect, from those who firmly uphold fidelity to the text to those who sit on the very edge of the fandom, threatening to cross over into Shakespearean anti-fandom. By recognizing the literary value of fandom, The Shakespeare Multiverse offers a new approach to literary criticism that challenges the limits of hegemonic authority and recognizes the value of a joyfully speculative critical praxis.
The Shakespeare Name Dictionary
by J. Madison Davis Daniel A. FrankforterEntries provide the likely sources for a name; describe historical and mythological backgrounds; examine Shakespeare's presentation of a character or place; and suggest various interpretations of a name. Each entry contains line citations to William Shakespeare: The Complete Works. A guide to the historical, mythological, fictional, and geographic references that appear in Shakespeare's complete plays and poems, covering every name, proper adjective, official title, literary and mystical title, and place name.
The Shakespeare North Playhouse: Replica Theatres and Their Uses (ISSN)
by Tim KeenanThis collection celebrates the opening of the Shakespeare North Playhouse (SNP). After discussion of its genesis and development by four people pivotal to its progress at different stages of the project, this book explores different aspects of the SNP’s purpose and functions across three broad categories: buildings and spaces, practices and performance, and community arts and education. Various chapters offer answers to fundamental questions about replica theatres, including: Why do we build them? What do they do? How do we use them? In the course of these discussions, the purposes, potential, and programming of the SNP are discussed in relation to other Globe-type replicas in the UK and beyond. Contributors to this collection analyse key academic and practice-based concerns within their fields of expertise connected to the use (and misuse) of replica theatres to suggest the ways in which they can be used to drive research and practice in contemporary Shakespearean performance, connect with young people, and serve local communities.This book will appeal to academics, students, and practitioners interested in historical and contemporary approaches to Shakespeare in the fields covered. It should also appeal to general readers with an interest in the topics, particularly in Merseyside and the North-West region.
The Shakespeare Stealer
by Gary BlackwoodFourteen year-old Widge has very little going for him, no family, no real name, but he can write shorthand and that is a very valuable asset to the man who wants to steal William Shakespeare's play Hamlet. In those days there was only one copy of the play script, and that was jealously guarded at the Globe Theatre, London by Shakespeare's company of players. Widge sets off for London, accompanied by Falconer, a cruel and fearsome cutthroat whose job is to make sure that the mission is accomplished, no matter what the cost. But Widge gets so caught up in the play that soon all that matters to him is whether Hamlet will take action to avenge his father, and he forgets his task. Then his notebook is stolen. Under threat from Falconer, he manages to work his way into the troupe of actors, who befriend him and, for the first time, make him feel part of a family. How can he betray them now?
The Shakespeare Stealer
by Gary BlackwoodWidge is an orphan with a rare talent for shorthand. His fearsome master has just one demand: steal Shakespeare's play "Hamlet"--or else. Widge has no choice but to follow orders, so he works his way into the heart of the Globe Theatre, where Shakespeare's players perform. As full of twists and turns as a London alleyway, this entertaining novel is rich in period details, colorful characters, villainy, and drama."A fast-moving historical novel that introduces an important era with casual familiarity." --School Library Journal, starred review
The Shakespeare Stealer
by Gary L. BlackwoodWidge is an orphan with a rare talent for shorthand. His fearsome master has just one demand: steal Shakespeare's play "Hamlet"--or else. Widge has no choice but to follow orders, so he works his way into the heart of the Globe Theatre, where Shakespeare's players perform. As full of twists and turns as a London alleyway, this entertaining novel is rich in period details, colorful characters, villainy, and drama.
The Shakespeare Thefts: In Search of the First Folios
by Eric RasmussenPart literary detective story, part Shakespearean lore, The Shakespeare Thefts will charm the Bard's many fans.The first edition of Shakespeare's collected works, the First Folio, published in 1623, is one of the most valuable books in the world and has historically proven to be an attractive target for thieves. Of the 160 First Folios listed in a census of 1902, 14 were subsequently stolen-and only two of these were ever recovered. In his efforts to catalog all these precious First Folios, renowned Shakespeare scholar Eric Rasmussen embarked on a riveting journey around the globe, involving run-ins with heavily tattooed criminal street gangs in Tokyo, bizarre visits with eccentric, reclusive billionaires, and intense battles of wills with secretive librarians. He explores the intrigue surrounding the Earl of Pembroke, arguably Shakespeare's boyfriend, to whom the First Folio is dedicated and whose personal copy is still missing. He investigates the uncanny sequence of events in which a wealthy East Coast couple drowned in a boating accident and the next week their First Folio appeared for sale in Kansas. We hear about Folios that were censored, the pages ripped out of them, about a volume that was marked in red paint-or is it blood?-on every page; and of yet another that has a bullet lodged in its pages.
The Shakespeare Wars: Clashing Scholars, Public Fiascoes, and Palace Coups
by Ron Rosenbaum"[Ron Rosenbaum] is one of the most original journalists and writers of our time."-David Remnick. In The Shakespeare Wars, Ron Rosenbaum gives readers an unforgettable way of rethinking the greatest works of the human imagination. As he did in his groundbreaking Explaining Hitler, he shakes up much that we thought we understood about a vital subject and renews our sense of excitement and urgency. He gives us a Shakespeare book like no other. Rather than raking over worn-out fragments of biography, Rosenbaum focuses on cutting-edge controversies about the true source of Shakespeare's enchantment and illumination-the astonishing language itself. How best to unlock the secrets of its spell? With quicksilver wit and provocative insight, Rosenbaum takes readers into the midst of fierce battles among the most brilliant Shakespearean scholars and directors over just how to delve deeper into the Shakespearean experience-deeper into the mind of Shakespeare.Was Shakespeare the one-draft wonder of Shakespeare in Love? Or was he rather-as an embattled faction of textual scholars now argues-a different kind of writer entirely: a conscientious reviser of his greatest plays? Must we then revise our way of reading, staging, and interpreting such works as Hamlet and King Lear? Rosenbaum pursues key partisans in these debates from the high tables of Oxford to a Krispy Kreme doughnut shop in a strip mall in the Deep South. He makes ostensibly arcane textual scholarship intensely seductive-and sometimes even explicitly sexual. At an academic "Pleasure Seminar" in Bermuda, for instance, he examines one scholar's quest to find an orgasm in Romeo and Juliet. Rosenbaum shows us great directors as Shakespearean scholars in their own right: We hear Peter Brook-perhaps the most influential Shakespearean director of the past century-disclose his quest for a "secret play" hidden within the Bard's comedies and dramas. We listen to Sir Peter Hall, founder of the Royal Shakespeare Company, as he launches into an impassioned, table-pounding fury while discussing how the means of unleashing the full intensity of Shakespeare's language has been lost-and how to restore it. Rosenbaum's hilarious inside account of "the Great Shakespeare 'Funeral Elegy' Fiasco," a man-versus-computer clash, illustrates the iconic struggle to define what is and isn't "Shakespearean." And he demonstrates the way Shakespearean scholars such as Harold Bloom can become great Shakespearean characters in their own right. The Shakespeare Wars offers a thrilling opportunity to engage with Shakespeare's work at its deepest levels. Like Explaining Hitler, this book is destined to revolutionize the way we think about one of the overwhelming obsessions of our time.
The Shakespearean Archive
by Alan GaleyWhy is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts.
The Shakespearean Death Arts: Hamlet Among the Tombs (Palgrave Shakespeare Studies)
by Grant Williams William E. EngelThis is the first book to view Shakespeare’s plays from the prospect of the premodern death arts, not only the ars moriendi tradition but also the plurality of cultural expressions of memento mori, funeral rituals, commemorative activities, and rhetorical techniques and strategies fundamental to the performance of the work of dying, death, and the dead. The volume is divided into two sections: first, critically nuanced examinations of Shakespeare’s corpus and then, second, of Hamlet exclusively as the ultimate proving ground of the death arts in practice. This book revitalizes discussion around key and enduring themes of mortality by reframing Shakespeare’s plays within a newly conceptualized historical category that posits a cultural divide—at once epistemological and phenomenological—between premodernity and the Enlightenment.