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Towards a Poor Theatre (Eyre Methuen Dramabooks Ser.)
by Jerzy GrotowskiOriginally published in 1968, Jerzy Grotowski's groundbreaking book is available once again. As a record of Grotowski's theatrical experiments, this book is an invaluable resource to students and theater practioners alike.
Towards a Theatrical Jurisprudence
by Marett LeiboffThis book brings the insights of theatre theory to law, legal interpretation and the jurisprudential to reshape law as a practice of response and responsibility. Confronting a Baconian antitheatrical legality embedded in its jurisprudences and interpretative practices, Marett Leiboff turns to theatre theory and practice to ground a theatrical jurisprudence, taking its cues from Han-Thies Lehmann’s conception of the post-dramatic theatre and the early work of theatre visionary Jerzy Grotowski. She asks law to move beyond an imagined ideal grounded in Aristotelian drama and tragedy, and turns to the formation of the legal interpreter ・ lawyer, judge, jurisprudent ・ as fundamental to understanding what’s “noticed” or not noticed in law. We “notice” most easily through that which is written into the body of the legal interpreter, in a way that can’t be replicated through law’s standard practices of thinking and reasoning. Without more, thinking and reasoning are the epitome of antitheatricality legality; a set of theatrical antonyms, including transgression and instinct, offer instead a set of possibilities through which to reconceive assumptions and foundational concepts etched into the legal imaginary. And by turning to critical dramaturgy, the book reveals that the liveliness that sits behind theatrical jurisprudence isn’t a new concept in law at all, but has a long pedigree and lineage that had been lost and hidden. Theatrical jurisprudence, which demands an awareness of self and beyond self, grounds a responsiveness that can’t be found within doctrine, principle, or the technocratic, but also challenges us to notice what it is we think we know as well as what we know of lives in law that aren’t our own. The book will be of interest to scholars and students in the field of jurisprudence, legal theory, theatre and performance studies, cultural studies and philosophy.
Towards a Third Theatre: Eugenio Barba and the Odin Teatret
by Ian WatsonEugenio Barba is one of Europe's leading theatre directors, at the forefront of experimental and group theatre for more than twenty years. Ian Watson provides the most comprehensive and systematic study of Barba's work, including his training methods, dramaturgy, productions and theories, as well as his work at the International School of Theatre Anthropology.
Towards an Ecocritical Theatre: Playing the Anthropocene (Routledge Environmental Humanities)
by Mohebat AhmadiTowards an Ecocritical Theatre investigates contemporary theatre through the lens of Anthropocene-oriented ecocriticism. It assesses how Anthropocene thinking engages different modes of theatrical representation, as well as how the theatrical apparatus can rise to the representational challenges of changing interactions between humans and the nonhuman world. To explore these problems, the book investigates international Anglophone plays and performances by Caryl Churchill, Stephen Sewell, Andrew Bovell, E.M. Lewis, Chantal Bilodeau, Jordan Hall, and Miwa Matreyek, who have taken significant steps towards re-orienting theatre from its traditional focus on humans to an ecocritical attention to nonhumans and the environment in the Anthropocene. Their theatrical works show how an engagement with the problem of scale disrupts the humanist bias of theatre, provoking new modes of theatrical inquiry that envision a scale beyond the human and realign our ecological culture, art, and intimacy with geological time. Moreover, the plays and performances studied here, through their liveness, immediacy, physicality, and communality, examine such scalar shifts via the problem of agency in order to give expression to the stories of nonhuman actants. These theatrical works provoke reflections on the flourishing of multispecies responsibilities and sensitivities in aesthetic and ethical terms, providing a platform for research in the environmental humanities through imaginative conversations on the world’s iterative performativity in which all bodies, human and nonhuman, are cast horizontally as agential forces on the theatrical world stage. This book will be of great interest to students and scholars of theatre studies, environmental humanities, and ecocritical studies.
Towards Embodied Performance: Directing and the Art of Composition
by Rachel DicksteinTowards Embodied Performance invites directors and other generative performance makers to experiment with making their own original, visually stunning, sonically immersive, and physically rigorous embodied performance.Through historical context, the author’s 30-plus years of experience, and original interviews with leading theatre artists, this book sets the stage for a new generation of artists building boundary-breaking work. Directors are often categorized into one of only two frameworks: the Stanislavskian director, whose method is based on text analysis and character wants and needs, and the “auteur” director, whose work might focus on visual spectacle at the expense of text or character objectives. This book argues that the director of embodied performance fuses these two approaches, acting as the author of the event. In Part I, readers will explore the core elements of embodied performance – space, time, body, language, and action – through a lens that bridges traditional directing methodology with experimental, devised, collaborative theatre-making. Part II provides examples of this embodied practice by multi-disciplinary artists in visual and sound installation, video and film, dance-theatre, and new music/opera, including such artists as Shirin Neshat, James Turrell, Bill T. Jones, Janet Cardiff, Okwui Okpokwasili, William Kentridge, and Heather Christian. Part III suggests creative prompts and exercises for performance makers to engage the visual, physical, textual, and sonic in compositional storytelling on stage.Towards Embodied Performance is an invaluable resource for theatre directors, devisers, and generative artists at all levels from students to teachers, from early-career to mid-career artists. Directors, actors, choreographers, designers, composers, writers, scholars, and engaged audience members can all use this text to explore collaboratively created performance that invites its audience into the ripest version of the present moment.
Towards Good Lighting for the Stage: Aesthetic Theory for Theatrical Lighting Design
by Marcus DoshiTowards Good Lighting for the Stage: Aesthetic Theory for Theatrical Lighting Design explores the theoretical underpinnings of effective lighting design from conceptualization to live performance. Through an investigation of the author’s own aesthetic point of view—grounded in a broad investigation of art and design that blends pop culture and fine art, theory, and practice—this book documents the author’s thinking on the design process to fill the unexplored gap between an aesthetic philosophy and its expression in composition. Redefinitions of the artist, artwork, and spectator link beauty and artistic efficacy to arrive at a set of principles for assessment that demand that contemporary lighting design surpass utilitarian visibility to become a vital part of the total artwork that is a theatrical production. Inspired by the movements of the broader art and design worlds of the mid-19th century through present day—citing influences as diverse as Jennifer Tipton, Lois Tyson, Dieter Rams, and Dave Hickey—this book charts a course from the artistic team’s dramaturgical work to a solo studio concept to the tech table. Engaging and wide-ranging, Towards Good Lighting for the Stage synthesizes years of cross-disciplinary research and case studies of the author’s own work into provocative reading for practitioners of lighting design, advanced students, and academics, as well as those interested in connecting theatrical practice, aesthetic theory, and visual art.
The Tower of London in English Renaissance Drama: Icon of Opposition (Literary Criticism and Cultural Theory)
by Kristen DeiterThe Tower of London in English Renaissance Drama historicizes the Tower of London's evolving meanings in English culture alongside its representations in twenty-four English history plays, 1579-c.1634, by William Shakespeare, Christopher Marlowe and others. While Elizabeth I, James I, and Charles I fashioned the Tower as a showplace of royal authority, magnificence, and entertainment, many playwrights of the time revealed the Tower's instability as a royal symbol and represented it, instead, as an emblem of opposition to the crown and as a bodily and spiritual icon of non-royal English identity.
Toyer
by Gardner MckayDrama / Characters: 1 male, 1 femaleThis psychological thriller is a favorite in acting workshops. It is a mind game play. Toyer is someone who toys; he is a mass paralyzer who toys with his victims. He does not murder or rape, he seduces and them immobilizes. Following productions in Los Angles and the Actors Studio, it was produced at the Eisenhower Theatre and the Kennedy Center with Kathleen Turner and Brad Davis, directed by Tony Richardson. . "Strong stuff. . .Outlandish mind games. Riveting, breathtaking."-Herald Examiner . "A classic mystery that always keeps you guessing on the edge of your seat."- Variety . "Powerful."- The Washington Post . "Deeply disturbing and entirely relevant."- NPR
trace
by Jeff Ho"I support you when you need, so that you support me when I need." An elegant and sweeping story of a Chinese family’s history, trace follows the footsteps of four generations as their homes and identities are challenged. Jeff Ho brings life to his great grandmother, grandmother, and mother through considerate storytelling as they recount their pasts, leading to a paralleled present. Great Grandmother fled the Japanese during World War II by escaping China into Hong Kong, a traumatic event that’s rippled down the family line. Grandmother married into the family after a childhood of poverty that will always stay with her. Mother decided to leave Hong Kong for Canada with her two sons, pursuing more opportunities, though dissatisfied with her son’s desire to focus on the piano rather than math. Though pain is a constant, there are plenty of wisecracks, games of mah jong, and familiar family anecdotes swirling through Ho’s genealogical journey of survival.
The trace of the fire
by Claudio CalzoniThe trace of the fire by Claudio Calzoni The trace of the fire: from Notre Dame to the Mole Antonelliana. The trace of the fire There is a trace of the fire behind the death of so many people, the destruction of monuments that guard the memory of Humanity and a relic, the most important that Christianity has preserved for millennia. The chess game between Good and Evil has begun. The players move their pieces. Whoever puts the King in check will win. It is not easy to find but the trace of Fire is in the air...
The Trachinian Maidens
by SophoclesThe Trachinian Maidens' (also 'Women of Trachis' or 'The Trachiniae') is an Athenian tragedy by Sophocles, in which Deianeira, the wife of Heracles, is distraught over her husband's neglect of her family. Unable to cope with the thought of losing him, she decides to use a love charm on him, a magic potion that will win him back.
Tracing Stars
by Erin E. MoultonA charming novel about sisterhood, self-identity, and friendship from the author of Flutter Indie Lee Chickory knows she's not as cool as her older sister Bebe. Bebe has more friends, for one. And no one tells Bebe she's a fish freak, for two. So when Indie accidentally brings her pet lobster to school, makes a scene, loses him in the ocean and embarrasses Bebe worse than usual, she makes a wish on a star to become a better Chickory. She tries to do this by joining the stage crew of the community's theater production, The Sound of Music. (Bebe has a starring role.) But Bebe is worried that Indie will embarrass her again, so she gives her a makeover and tells her who she should be friends with. That means Owen is out. But he's fun and smart, so Indie keeps her friendship with him a secret. At night, Indie and Owen rebuild a tree house into a ship in the sky to catch Indie's pet lobster. But during the day, Indie has to hide her friendship with Owen. When things come to a head, Indie realizes that being true to yourself is more important than being cool. But what's even more surprising is that Bebe realizes it, too.
Tradition & Change Performance (Musical Performance Ser. #Vols. 2, Pts. 2.)
by TsaoFirst published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
The Tradition of the Actor-author in Italian Theatre
by Donatella Fischer"The central importance of the actor-author is a distinctive feature of Italian theatrical life, in all its eclectic range of regional cultures and artistic traditions. The fascination of the figure is that he or she stands on both sides of one of theatre's most important power relationships: between the exhilarating freedom of performance and the austere restriction of authorship and the written text. This broad-ranging volume brings together critical essays on the role of the actor-author, spanning the period from the Renaissance to the present. Starting with Castiglione, Ruzante and the commedia dell'arte, and surveying the works of Dario Fo, De Filippo and Bene, among others, the contributors cast light on a tradition which continues into Neapolitan and Sicilian theatre today, and in Italy's currently fashionable 'narrative theatre', where the actor-author is centre stage in a solo performance."
Traditional Japanese Theater: An Anthology Of Plays (Translations From The Asian Classics Series)
by Karen Brazell James T. ArakiThis is a collection of the most important genres of Japanese performance -- noh, kyogen, kabuki, and bamrili puppet theater -- in one comprehensive, authoritative volume. <P><P>Organized by genre, each section features a rich selection of representative plays and explorations into each theatrical style and is prefaced by an illustrative essay covering a wide range of subjects, from stage direction to musical accompaniment. <P><P>With classic and new translations of more than thirty plays and scenes -- along with Brazell's detailed, historically rich supplementary material and copious illustrations -- no better anthology exists for students of this most fascinating and diverse dramatic tradition.
Traditioneller Fortschritt: Das Stuttgarter Hoftheater, die elektrische Moderne und die Großstadt (1851-1912) (Szene & Horizont. Theaterwissenschaftliche Studien #7)
by Miriam HöllerDie Studie über das Stuttgarter Hoftheater denkt Theater und Stadt zur Zeit der Elektrifizierung um 1900 zusammen. Welchen Einfluss hatte die Theatertechnik auf die werdende Großstadt? Wie wurde umgekehrt das Theater durch die Urbanisierung und Technisierung der Stadt geprägt? Die Studie untersucht anhand historischer Quellen diese Wechselbeziehung über die Analyse neuer räumlich-materieller Vernetzungen. Außerdem analysiert sie kollektive Großstadt-Imaginationen, die zwischen 1902 und 1912 bei der Planung eines Theaterneubaus in Stuttgart aufkamen und die insbesondere über die Architektur und Technik des Theaters verhandelt wurden. Zentral war dabei eine Aushandlung im Spannungsfeld von Tradition und Moderne. So zeigt die Studie, dass auch ein Hoftheater fern der Metropolen als Ort der Moderne erfahren werden konnte, und leistet somit am Schnittpunkt von Theater-, Technik-, Stadt- und Kulturgeschichte einen Beitrag zur Erforschung der Vielfalt des deutschen Theaters um 1900.
The Tragedie of Macbeth: The Folio of 1623 (Timeless Shakespeare)
by James RigneyThe Shakespearean Originals Series takes as its point of departure the question: "What is it that we read Shakespeare?" The answer may seem self-evident: we read the words that Shakespeare wrote. But do we? In the case of all the major editions of Shakespeare available in the market, the fact of the matter is that many of the words that we read in an edition of, say, Hamlet, never appeared in the text as it was printed during or shortly after Shakespeare's own lifetime. They are the interpetations and interpolations of a series of editors who have been systematically changing Shakespeare's text from the eighteenth century onwards. This volume offers the text of Macbeth, as printed in the 1623 First Folio.
The Tragedies of Euripides
by EuripidesIn this volume of Euripides tragedies you will find the pays Hecuba, Orestes, The Phúnician Virgins, Medea, Hippolytus, Alcestis, The Bacchae, The Heracleidae, Iphigenia in Aulis, and Iphigenia in Tauris.
The Tragedies of Shakespeare
by William ShakespeareContains the complete text of such Shakespeare tragedies as Romeo and Juliet, King Lear, and Macbeth.
The Tragedies Volume One: Richard III, Coriolanus, King Lear, and Julius Caesar (The\complete Works Of Shakespeare Ser.)
by William ShakespeareThese timeless plays by the great Bard of Elizabethan drama explore the hubris of four powerful men who ultimately bring about their own undoing.Richard III: Through coldblooded guile, hunchbacked royal Richard III assumes the throne of England and will stop at nothing to maintain his rule. But he will pay a price for his machinations in this historical play set in the era of the Wars of the Roses.Coriolanus: The common people of the Roman Republic are rebelling against the elite, but war hero Coriolanus has no patience for those he considers beneath him. When this contempt leads to his exile, his thirst for revenge threatens the very state he once served.King Lear: An aged king attempts to shake off his responsibilities while retaining his stature. Rewarding the flattery of his two elder daughters even as he banishes his youngest for speaking the truth, Lear is led into exile and madness as his country descends into civil war.Julius Caesar: Roman generalJulius Caesar is basking in the glow of military triumph—but his friend Brutus has fallen in with a band of conspirators who argue the general&’s ambitions may soon give way to tyranny. Agreeing to join in Caesar&’s assassination, Brutus&’s betrayal unleashes tragic consequences.
The Tragedies Volume Two: Othello, Macbeth, Henry IV Part One, and Henry IV Part Two
by William ShakespeareFour plays by the revered Elizabethan dramatist tell of men driven to evil by ambition and jealousy—and of one who escapes the dangers of bad influence.Othello: A powerful general in the Venetian army, Othello the Moor is despised by his scheming ensign, Iago, who devises a plan to destroy him. Newly married to Desdemona, Othello is led to believe she has been unfaithful—and his jealous rage leads to tragic consequences.Macbeth: When three witches foretell that Macbeth will be king of Scotland, he does not wait for destiny to run its course. Instead, he and his wife plot to kill the presiding king, an act that will realize their ambitions—and bring them to ruin.Henry IV Part One: This historical play chronicles the rebellions faced by the medieval king of England Henry IV, as well asthe maturation of his son, Prince Hal.The prince indulges in a carefree life with the comical rogue Falstaff but must eventually cast aside his recklessness and live up to his royal destiny.Henry IV Part Two: As Henry IV&’s health grows weaker, Prince Hal&’s ability to assume the crown remains in doubt. The prince&’s friendship with the drunk and thieving Falstaff threatens to be his undoing. Now he faces a choice that will determine not only his own future, but also that of England
Tragedy (The New Critical Idiom)
by John DrakakisTragedy is one of the oldest and most resilient forms of narrative. Considering texts from ancient Greece to the present day, this comprehensive introduction shows how tragedy has been re-imagined and redefined throughout Western cultural history. Tragedy offers a concise history of tragedy tracing its evolution through key plays, prose, poetry and philosophical dimensions. John Drakakis examines a wealth of popular plays, including works from the ancient Greeks, Shakespeare, Bertolt Brecht, Sarah Kane and Tom Stoppard. He also considers the rewriting and appropriating of ancient drama though a wide range of authors, such as Chaucer, George Eliot, Ted Hughes and Colm Tóibín. Drakakis also demystifies complex philosophical interpretations of tragedy, including those of Hegel, Kierkegaard, Nietzsche and Benjamin. This accessible resource is an invaluable guide for anyone studying tragedy in literature or theatre studies.
Tragedy (The\critical Idiom Reissued Ser. #1)
by Clifford LeechProfessor Leech considers the significance of the term ‘Tragedy’ as it has been used from classical times to the present day. He gives examples of tragic writing from a wide variety of dramatic literatures and relates theoretical writings on tragedy and the tragedies that have been contemporaneous with them. Free reference is made to critics from Aristotle to these of the present. Special stress is laid on the tragedies of the Greeks, of Renaissance writers and of our immediate contemporaries, notably Harold Pinter and Tom Stoppard. There is also discussion of tragic writing in the modern novel.
Tragedy (The Critical Idiom Reissued #1)
by Clifford LeechFirst published in 1969, this work examines the genre of Tragedy from its origins in ancient Greece, to the modern day. Beginning with an overview of the meaning of tragedy in Europe through the ages, it goes on to explore common aspects of tragedies such as the tragic hero, the chorus and unities, catharsis, peripeteia, anagnorisis and suffering. This book will be of interest to anyone studying European drama and literature.
Tragedy: A Very Short Introduction
by Adrian PooleTo your local anchorperson, the word "tragedy" brings to mind an accidental fire at a low-income apartment block, the horrors of a natural disaster, or atrocities occurring in distant lands. To a classicist however, the word brings to mind the masterpieces of Sophocles, Shakespeare, and Racine; beautiful dramas featuring romanticized torment. What has tragedy been made to mean by dramatists, storytellers, philosophers, politicians, and journalists over the last two and a half millennia? Why do we still read, re-write, and stage these old plays? This lively and engaging work presents an entirely unique approach which shows the relevance of tragedy to today's world, and extends beyond drama and literature into visual art and everyday experience. Addressing questions about belief, blame, mourning, revenge, pain, and irony, noted scholar Adrian Poole demonstrates the age-old significance of our attempts to make sense of terrible suffering.