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The Tragedy of Mariam, The Fair Queen of Jewry with The Lady Falkland, Her Life
by Elizabeth Cary Lady Falkland Barry Weller Margaret W. FergusonThe Tragedy of Mariam (1613) is the first original play by a woman to be published in England, and its author is the first English woman writer to be memorialized in a biography, which is included with this edition of the play. With this textually emended and fully annotated edition, the play will now be accessible to all readers. The accompanying biography of Cary further enriches our knowledge of both domestic and religious conflicts in the seventeenth century.
The Tragedy of Mister Morn
by Vladimir Nabokov Thomas Karshan Anastasia TolstoyFor the first time in English, Vladimir Nabokov's earliest major work, written when he was only twenty-four: his only full-length play, introduced by Thomas Karshan and beautifully translated by Karshan and Anastasia Tolstoy. The Tragedy of Mister Morn was written in the winter of 1923-1924, when Nabokov was completely unknown. The five-act play--the story of an incognito king whose love for the wife of a banished revolutionary brings on the chaos the king has fought to prevent--was never published in Nabokov's lifetime and lay in manuscript until it appeared in a Russian literary journal in 1997. It is an astonishingly precocious work, in exquisite verse, touching for the first time on what would become this great writer's major themes: intense sexual desire and jealousy, the elusiveness of happiness, the power of the imagination, and the eternal battle between truth and fantasy. The play is Nabokov's major response to the Russian Revolution, which he had lived through, but it approaches the events of 1917 above all through the prism of Shakespearean tragedy.
The Tragedy of Othello: The Moor of Venice (The Folger Shakespeare Library)
by Barbara A. Mowat Paul Werstine William ShakespeareDesigned to make Shakespeare's great plays available to all readers, the New Folger Library edition of Shakespeare's plays provides accurate texts in modern spelling and punctuation, as well as scene-by-scene action summaries, full explanatory notes, many pictures clarifying Shakespeare's language, and notes recording all significant departures from the early printed versions. Each play is prefaced by a brief introduction, by a guide to reading Shakespeare's language, and by accounts of his life and theater. Each play is followed by an annotated list of further readings and by a "Modern Perspective" written by an expert on that particular play.
The Tragedy of Othello: The Moor of Venice (The Folger Shakespeare Library)
by William Shakespeare Barbara A. Mowat Paul WerstineIn addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. Each edition includes: Freshly edited text based on the best early printed version of the play. Full explanatory notes conveniently placed on pages facing the text of the play. Scene-by-scene plot summaries A key to famous lines and phrases. An introduction to reading Shakespeare's language. An essay by an outstanding scholar providing a modern perspective on the play. Illustrations from the Folger Shakespeare Library's vast holdings of rare books Essay by Susan Snyder The Folger Shakespeare Library in Washington, D. C. , is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe.
The Tragedy of Othello the Moor of Venice: With New and Updated Critical Essays and a Revised Bibliography (Signet Classics Ser.)
by William ShakespeareThe Signet Classics edition of William Shakespeare's Othello, a disturbing exploration of jealousy and wrath. Tragedy takes hold as the cunning and hateful Iago drives the heroic Moor of Venice first to suspicion, then to homicidal rage against his love Desdemona, in one of the Bard's darkest plays. This revised Signet Classics edition includes unique features such as-. An overview of Shakespeare's life, world, and theater -A special introduction to the play by the editor, Alvin Kernan - Selections from Giraldi Cinthio's Hecatommithi, the source from which Shakespeare drived Othello - Dramatic criticism from Samuel Taylor Coleridge, Maynard Mack, and others - A comprehensive stage and screen history of notable actors, directors, and productions - Text, notes, and commentaries printed in the clearest, most readable text - And more...
The Tragedy of Othello, the Moor of Venice: Edited, With Notes (classic Reprint) (First Avenue Classics ™)
by William ShakespeareOthello, a general in the Venetian army, has married the lovely Desdemona, and Roderigo is not at all happy. He was hoping to woo Desdemona for himself. Roderigo's jealousy is all Iago, Roderigo's sneaky friend, needs, as he has his own reasons to be angry with Othello. By weaving an intricate web of deceit, infidelity, and envy, Iago is able to plant false suspicions and lead people to commit crimes that will destroy the relationships dearest to them. This is an unabridged version of one of William Shakespeare's most famous tragedies, first published in England in 1622.
The Tragedy of Othello: The Moor of Venice (Bantam Classic)
by William Shakespeare David Scott KastanThough this great tragedy of unsurpassed intensity and emotion is played out against Renaissance splendor, its story of the doomed marriage of a Venetian senator's daughter, Desdemona, to a Moorish general, Othello, is especially relevant to modern audiences. The differences in race and background create an initial tension that allows the horrifyingly envious villain Iago methodically to promote the "green-eyed monster" jealousy, until, in one of the most deeply moving scenes in theatrical history, the noble Moor destroys the woman he loves only to discover too late that she was innocent. Each Edition Includes: - Comprehensive explanatory notes - Vivid introductions and the most up-to-date scholarship - Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English - Completely updated, detailed bibliographies and performance histories - An interpretive essay on film adaptations of the play, along with an extensive filmography From the Paperback edition.
The Tragedy of Romeo and Juliet (The Folger Shakespeare Library)
by William Shakespeare Barbara A. Mowat Paul WerstinePresents the original text of Shakespeare's play side by side with a modern version, discusses the author and the theater of his time, and provides quizzes and other study activities.
The Tragedy of State (Routledge Library Editions: Renaissance Drama Ser.)
by J. W. LeverThe domination of the state over the lives of individuals is, arguably, a problem of the present-day world. In this book, first published in 1971, the author finds essentially the same problem in Jacobean tragedy in the shape it assumed during the rise of the first European nation-states. The English dramatists of the early seventeenth century a
The Tragedy of Titus Andronicus
by William ShakespeareTitus Andronicus may be Shakespeare's earliest tragedy; it is believed to have been written sometime between 1584 and the early 1590s. It depicts a Roman general who is engaged in a cycle of revenge with his enemy Tamora, the Queen of the Goths. The play is by far Shakespeare's bloodiest work. It lost popularity during the Victorian era because of its gore, and has only recently begun to revive its fortunes.
The Tragedy of Titus Andronicus: The Life of Timon of Athens
by William ShakespeareAs part of the Signet Classics Shakespeare Series edited by Sylvan Barnet of Tufts University, this edition includes commentaries on both plays as well as up-to-date production histories.
Tragedy Walks the Streets: The French Revolution in the Making of Modern Drama
by Matthew S. BuckleyTragedy Walks the Streets challenges the conventional understanding that the evolution of European drama effectively came to a halt during France's Revolutionary era. In this interdisciplinary history on the emergence of modern drama in European culture, Matthew S. Buckley contends that the political theatricality of the Revolution tested and forced the evolution of dramatic forms, supplanting the theater itself as the primary stage of formal development. Drawing on a wide range of texts and images, he demonstrates how the social and political enlistment of dramatic theatricality inflected rising social and political tensions in pre-Revolutionary France, shaped French Revolutionary political culture, conditioned British political and cultural responses to the Revolution, and served as the impetus for Büchner’s radical formal innovations of the 1830s. Setting aside traditional boundaries of literary scholarship, Buckley pursues instead a history of dramatic form that encompasses the full range of dramatic activity in the changing cultural life of the late eighteenth and early nineteenth century, including art, architecture, journalism, political performance, and social behavior. Surveying this expanded field of inquiry, Buckley weaves together a coherent formal genealogy of the drama during this period and offers a new, more continuous generic history of modern drama in its first and most turbulent phase of development.
The Tragedye of Solyman and Perseda: Edited from the Original Texts with Introduction and Notes (Routledge Revivals)
by John J. MurrayPublished in 1991 The Tragedye of Solyman and Perseda is a late Elizabethan romantic tragedy by Thomas Kyd, author of The Spanish Tragedy. It dramatises the triangular relationship of the Turkish emperor Soliman, his captive Perseda and her beloved Erastus against the fictionalised backdrop of the Turkish invasion of Rhodes in the early sixteenth century. This volume contains the original text along with textual and critical notes.
Tragic Conditions in Shakespeare: Disinheriting the Globe (Rethinking Theory)
by Paul A. KottmanPaul A. Kottman offers a new and compelling understanding of tragedy as seen in four of Shakespeare’s mature plays—As You Like It, Hamlet, King Lear, and The Tempest. The author pushes beyond traditional ways of thinking about tragedy, framing his readings with simple questions that have been missing from scholarship of the past generation: Are we still moved by Shakespeare, and why? Kottman throws into question the inheritability of human relationships by showing how the bonds upon which we depend for meaning and worth can be dissolved. According to Kottman, the lives of Shakespeare's protagonists are conditioned by social bonds—kinship ties, civic relations, economic dependencies, political allegiances—that unravel irreparably. This breakdown means they can neither inherit nor bequeath a livable or desirable form of sociality. Orlando and Rosalind inherit nothing "but growth itself" before becoming refugees in the Forest of Arden; Hamlet is disinherited not only by Claudius’s election but by the sheer vacuity of the activities that remain open to him; Lear’s disinheritance of Cordelia bequeaths a series of events that finally leave the social sphere itself forsaken of heirs and forbearers alike. Firmly rooted in the philosophical tradition of reading Shakespeare, this bold work is the first sustained interpretation of Shakespearean tragedy since Stanley Cavell’s work on skepticism and A. C. Bradley’s century-old Shakespearean Tragedy.
Tragic Muse
by Rachel BrownsteinThe great nineteenth-century tragedienne known simply as Rachel was the first dramatic actress to achieve international fame. Composing her own persona with the same brilliance and passion she demonstrated on stage, she virtually invented the role of "star. " Rumors of her extravagant life offstage delighted the audiences who flocked to theaters in Boston and Paris, London and Moscow, to see her perform in the tragedies of Racine and Corneille. InTragic Muse, Rachel M. Brownstein reveals the life ofla grande Racheland explores—at the boundary of biography, fiction, and cultural history—the connections between this self-dramatizing woman and her image. Born to itinerant Jewish peddlers in 1821, Rachel arrived on the Paris stage at the age of fifteen. She became both a symbol of her culture’s highest art and a clue to its values and obsessions. Fascinated with all things Napoleonic, she was the mother of Napoleon’s grandson and the lover of many men connected to the emperor. Her story—the rise from humble beginnings to queen of the French state theater—echoes and parodies Napoleon’s own. She decisively controlled her career, her time, and finances despite the actions and claims of managers, suitors, and lovers. A woman of exceptional charisma, Rachel embodied contradiction and paradox. She captured the attention of her time and was memorialized in the works of Matthew Arnold, Charlotte Brontë, George Eliot, and Henry James. Richly illustrated with portraits, photographs, and caricatures,Tragic Musecombines brilliant literary analysis and exceptional historical research. With great skill and acuity, Rachel M. Brownstein presents Rachel—her brief intense life and the image that was both self-fashioned and, outliving her, fashioned by others. First published by Knopf (1993), this book will attract a broad audience interested in matters as wide ranging as the construction of character, the cult of celebrity, women’s lives, and Jewish history. It will also be of enduring interest to readers concerned with nineteenth-century French culture, history, literature, theater, and Romanticism. Tragic Musewon the 1993 George Freedley Award presented by the Theater Library Association.
Tragic Pathos
by Dana Lacourse MunteanuScholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes a different purpose for the two emotions and mode of presentation and, to a degree, understanding of them. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions.
Tragic Resistance: Feminist Agency in Performance (Routledge Advances in Theatre & Performance Studies)
by Megan SheaTragic Resistance analyzes playwrights, directors, and performers who shatter gender norms to gain agency within the patriarchal institutions restricting them.The artists in this book work against the tragic narratives that would otherwise constrict them: the tragedy of Antigone unmade by Judith Malina, the history of "The Venus Hottentot" pulled into the present in Suzan-Lori Parks's Venus, the narrative of the rape "victim" eschewed in Emma Sulkowicz's performances, the story of brides jilted by the homophobic state government in the case of Annie Sprinkle and Beth Stephens, the tragedy of Anna Nicole as told by Margaret Cho, and the reclamation of the female body from traditional hip hop by Nicki Minaj. All these performers and performances subvert traditional notions of gendered roles that people should or could hold.This book examines the nature of these performances to interrogate how theatrical and performative resistance works and why performance might be a vehicle for altering patriarchal structures that withhold agency from women and trans/genderqueer+ people.
Tragic Seneca: An Essay in the Theatrical Tradition
by A. J. BoyleTragic Seneca undertakes a radical re-evaluation of Seneca's plays, their relationship to Roman imperial culture and their instrumental role in the evolution of the European theatrical tradition.Following an introduction on the history of the Roman theatre, the book provides a dramatic and cultural critique of the whole of Seneca's corpus, analysing the declamatory form of the plays, their rhetoric, interiority, stagecraft and spectacle, dramatic, ideological and moral structure and their overt theatricality. Each of Seneca's plays is examined in detail, locating the force of Senecan drama not only in the moral complexity of the texts and their representations of power, violence, history, suffering and the self, but the semiotic interplay of text, tradition and culture.The later chapters focus on Seneca's influence on Italian, English and French drama of the Renaissance. A.J. Boyle argues that tragedians such as Cinthio, Kyd, Marlowe, Shakespeare, Webster, Corneille, and Racine owe a debt to Seneca that goes beyond allusion, dramatic form and the treatment of tyranny and revenge to the development of the tragic sensibility and the metatheatrical mind.Tragic Seneca attempts to restore Seneca to a central position in the European literary tradition. It will provide readers and directors of Seneca's plays with the essential critical guide to their intellectual, cultural and dramatic complexity.
Tragic Time in Drama, Film, and Videogames
by Rebecca BushnellThis book explores how classical and Shakespearean tragedy has shaped the temporality of crisis on the stage and in time-travel films and videogames. In turn, it uncovers how performance and new media can challenge common assumptions about tragic causality and fate. Traditional tragedies may present us with a present when a calamity is staged, a decisive moment in which everything changes. However, modern performance, adaptation and new media can question the premises of that kind of present crisis and its fatality. By offering replays or alternative endings, experimental theatre, adaptation, time travel films and videogames reinvent the tragic experience of irreversible present time. This book offers the reader a fresh understanding of tragic character and agency through these new media's exposure of the genre's deep structure.
The Tragical History of Hamlet Prince of Denmark
by William Shakespeare A. R. BraunmullerHamlet, Prince of Denmark is faced by a ghost bearing a grim message of murder and revenge, driving the prince to the edge of madness by his struggle to understand the situation and to do his duty.
Trailblazers: Raising Theater to New Heights (Trailblazers)
by Kurtis ScalettaMeet history's trailblazers! Get inspired by the true story of the creator of the Broadway blockbuster, Hamilton! A biography series for kids who loved Who Was? and are ready for the next level.On July 19, 2015,Lin-Manuel Miranda stepped out on the Broadway stage in Hamilton. His show about Alexander Hamilton, featuring hip hop, R&B, and other music styles, became one of the most successful musicals of all time! Find out how the boy who loved performing blazed a trail in theater!Trailblazers celebrates the lives of amazing pioneers, past and present, from all over the world. What kind of trail will you blaze?Don't miss the other Trailblazers biographies, including Beyoncé, J. K. Rowling, and Simone Biles.
The Train Driver and Other Plays
by Athol Fugard"For me [The Train Driver] is the biggest of them all. Everything I have written before has been a journey to this."-Athol Fugard"A dramatic, moving theater experience written for South Africa. . . . It will save us from hopelessness. See it."-Sunday IndependentThe Train Driver is classic Athol Fugard, and one of his most important plays. The playwright, known throughout the world as a chronicler of his native South Africa's apartheid past, directed its premiere at the newly opened Fugard Theater in one of Cape Town's most politically contentious areas. This seminal work was inspired by the true story of a mother who, with her three children, committed suicide on the train tracks in Cape Town. The two-person drama unfolds between the train's engineer and the grave digger who buries "the ones without names." This edition also includes Coming Home, Fugard's first work addressing AIDS in South Africa, and Have You Seen Us? his first play set in America, about a South African transplanted to San Diego, where the playwright currently resides.Athol Fugard's works includes Blood Knot, Master Harold. . .and the Boys, Boesman and Lena, Sizwe Banzi is Dead and My Children! My Africa! He has been widely produced in South Africa, London, on Broadway, and across the United States.
Training Actors' Voices: Towards an Intercultural/Interdisciplinary Approach (Routledge Voice Studies)
by Tara McAllister-VielContemporary actor training in the US and UK has become increasingly multicultural and multilinguistic. Border-crossing, cross-cultural exchange in contemporary theatre practices, and the rise of the intercultural actor has meant that actor training today has been shaped by multiple modes of training and differing worldviews. How might mainstream Anglo-American voice training for actors address the needs of students who bring multiple worldviews into the training studio? When several vocal training traditions are learned simultaneously, how does this shift the way actors think, talk, and perform? How does this change the way actors understand what a voice is? What it can/should do? How it can/should do it? Using adaptations of a traditional Korean vocal art, p’ansori, with adaptations of the "natural" or "free" voice approach, Tara McAllister-Viel offers an alternative approach to training actors’ voices by (re)considering the materials of training: breath, sound, "presence," and text. This work contributes to ongoing discussions about the future of voice pedagogy in theatre, for those practitioners and scholars interested in performance studies, ethnomusicology, voice studies, and intercultural theories and practices.