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Western Theatre in Global Contexts: Directing and Teaching Culturally Inclusive Drama Around the World
by Yasmine Jahanmir Jillian CampanaWestern Theatre in Global Contexts explores the junctures, tensions, and discoveries that occur when teaching Western theatrical practices or directing English-language plays in countries that do not share Western theatre histories or in which English is the non-dominant language. This edited volume examines pedagogical discoveries and teaching methods, how to produce specific plays and musicals, and how students who explore Western practices in non-Western places contribute to the art form. Offering on-the-ground perspectives of teaching and working outside of North American and Europe, the book analyzes the importance of paying attention to the local context when developing theatrical practice and education. It also explores how educators and artists who make deep connections in the local culture can facilitate ethical accessibility to Western models of performance for students, practitioners and audiences. Western Theatre in Global Contexts is an excellent resource for scholars, artists, and teachers that are working abroad or on intercultural projects in theatre, education and the arts.
The Whale / A Bright New Boise
by Samuel D. HunterAcclaimed for his gentle, complex characterizations, Hunter's big-hearted, fiercely funny plays explore the quiet desperation running through many Middle American lives: The Whale tells the story of a man's last chance at redemption and of discovering beauty in the most unexpected places, and A Bright New Boise is a philosophical investigation of faith and search for meaning in rural Idaho.
What a Night! (Into Reading, Level N #77)
by Carmel Reilly Rob ManciniNIMAC-sourced textbook <p><p> Kayla, Joe and Dad are on their way to the Grand Theatre in the city. They are so excited to see Mum perform in a musical! But then something terrible happens – the car won’t start! How will they get to the theatre now?
What a Young Wife Ought to Know
by Hannah MoscovitchJust don’t lie down and no child will come.It’s Ottawa in the 1920s, pre-legalized birth control. Sophie, a young working-class girl, falls madly in love with and marries a stable-hand named Jonny. After two difficult childbirths, doctors tell Sophie she shouldn’t have any more children, but don’t tell her how to prevent it. When Sophie inevitably becomes pregnant again, she faces a grim dilemma.In an unflinching look at love, sex, and fertility, and inspired by real stories of mothers during the Canadian birth-control movement of the early twentieth century, one of Canada’s most celebrated playwrights vividly recreates a couple’s struggles with reproduction.
What The Bellhop Saw
by Jane Milmore Billy Van ZandtFarce / 8m, 4f / Interior / A nice fellow checks into an expensive suite in New York City's finest hotel, precipitating a fantastic nightmare involving a Salman Rushdie type author, an Iranian terrorist, a shrew like woman, a conniving bellboy, an incompetent F.B.I. agent, a nubile celebrity mad maid, a dimwitted secretary and a little pig tailed girl. Gag lines are popping as events transpire at a whirlwind velocity. Topical humor blends with the traditional antics of farce: doors slamming, characters careening and confusion reigning supreme.
What Blest Genius?: The Jubilee That Made Shakespeare
by Andrew McConnell StottThe remarkable, ridiculous, rain-soaked story of Shakespeare’s Jubilee: the event that established William Shakespeare as the greatest writer of all time. The remarkable, ridiculous, rain-soaked story of Shakespeare’s Jubilee: the event that established William Shakespeare as the greatest writer of all time. In September 1769, three thousand people descended on Stratford-upon-Avon to celebrate the artistic legacy of the town’s most famous son, William Shakespeare. Attendees included the rich and powerful, the fashionable and the curious, eligible ladies and fortune hunters, and a horde of journalists and profiteers. For three days, they paraded through garlanded streets, listened to songs and oratorios, and enjoyed masked balls. It was a unique cultural moment—a coronation elevating Shakespeare to the throne of genius. Except it was a disaster. The poorly planned Jubilee imposed an army of Londoners on a backwater hamlet peopled by hostile and superstitious locals, unable and unwilling to meet their demands. Even nature refused to behave. Rain fell in sheets, flooding tents and dampening fireworks, and threatening to wash the whole town away. Told from the dual perspectives of David Garrick, who masterminded the Jubilee, and James Boswell, who attended it, What Blest Genius? is rich with humor, gossip, and theatrical intrigue. Recounting the absurd and chaotic glory of those three days in September, Andrew McConnell Stott illuminates the circumstances in which William Shakespeare became a transcendent global icon.
What Does This Button Do?: An Autobiography
by Bruce DickinsonNew York Times Bestseller“Illuminating and very entertaining…a compelling read about someone who is much more than just the guy who sings for Iron Maiden.” —LoudwireA long-awaited memoir from the larger-than-life, multifaceted lead vocalist of Iron Maiden, one of the most successful, influential and enduring rock bands ever.Pioneers of Britain’s nascent Rock & Metal scene back in the late 1970s, Iron Maiden smashed its way to the top, thanks in no small part to the high-octane performances, operatic singing style, and stage presence of its second, but twice-longest-serving, lead singer, Bruce Dickinson. As Iron Maiden’s front man—first from 1981 to 1993, and then from 1999 to the present—Dickinson has been, and remains, a man of legend.But OTT front man is just one of the many hats Bruce wears. In addition to being one of the world’s most storied and well-respected singers and songwriters, he is an airline captain, aviation entrepreneur, motivational speaker, beer brewer, novelist, radio presenter, and film scriptwriter. He has also competed as a world-class level fencer. Often credited as a genuine polymath Bruce, in his own words (and handwritten script in the first instance!), sets forth many personal observations guaranteed to inspire curious souls and hard-core fans alike. Dickinson turns his unbridled creativity, passion, and anarchic humour to reveal some fascinating stories from his life, including his thirty years with Maiden, his solo career, his childhood within the eccentric British school system, his early bands, fatherhood and family, and his recent battle with cancer. Bold, honest, intelligent and very funny, his memoir is an up-close look inside the life, heart, and mind of one of the most unique and interesting men in the world; a true icon of rock.
What I Meant Was
by Craig LucasA major new collection by the author of Reckless and A Prelude to a Kiss, this collection includes his most ambitious work God's Heart, which premiered at Lincoln Center Theatre in 1997, and his newest play The Dying Gaul, which premieres this spring in New York. Also included ar 13 one-act plays written over the past five years.
What If It's Us
by Adam Silvera Becky AlbertalliLove Nick and Charlie from Heartstopper? Meet Arthur and Ben! From INTERNATIONAL BESTSELLING authors Adam Silvera (They Both Die At The End) and Becky Albertalli (Simon vs. The Homo Sapiens Agenda) comes a long-awaited collaboration about two very different boys who can't decide if the universe is pushing them together or pulling them apart.Soon to be a feature film, adapted by the creator of 13 Reasons Why!Meet Arthur and Ben. ARTHUR is only in New York for the summer, but if Broadway has taught him anything, it&’s that the universe can deliver a showstopping romance when you least expect it. BEN thinks the universe needs to mind its business. If the universe had his back, he wouldn&’t be carrying a box of his ex-boyfriend&’s things.But when the boys have a chance meeting at the post office, they leave wondering what exactly the universe does have in store for them. What if - in a city of eight million people - they can't find each other again?What if they do ... and then can&’t nail a first date even after three do-overs?What if Arthur tries too hard to make it work and Ben doesn&’t try hard enough?What if life really isn&’t like a Broadway play?But what if it is? What if it's us?PRAISE FOR WHAT IF IT'S US:'Romantic, realistic and sweet, this perfectly captures New York, teenage love and life in that gray area when you're not quite an adult and not quite a child either.' Lauren James, author of The Loneliest Girl in the UniversePRAISE FOR ADAM SILVERA:'A phenomenal talent.' Juno Dawson, author of Clean and WonderlandPRAISE FOR BECKY ALBERTALLI:'The love child of John Green and Rainbow Rowell.' Teen Vogue
What If? Six Short Comedies
by Jay D. HanaganContents: Extra Curricular Activity / Fancy Meeting You Here / Last Laugh / She With A Capital Ess / Ships / Young Love.
What is a Playhouse?: England at Play, 1520–1620
by Callan DaviesThis book offers an accessible introduction to England’s sixteenth- and early seventeenth-century playing industry and a fresh account of the architecture, multiple uses, communities, crowds, and proprietors of playhouses. It builds on recent scholarship and new documentary and archaeological discoveries to answer the questions: what did playhouses do, what did they look like, and how did they function? The book will accordingly introduce readers to a rich and exciting spectrum of "play" and playhouses, not only in London but also around England. The detailed but wide-ranging case studies examined here go beyond staged drama to explore early modern sport, gambling, music, drinking, and animal baiting; they recover the crucial influence of female playhouse owners and managers; and they recognise rich provincial performance cultures as well as the burgeoning of London’s theatre industry. This book will have wide appeal with readers across Shakespeare, early modern performance studies, theatre history, and social history.
What Is Lighting Design?: A Genealogy of People and Ideas
by Michael ChybowskiWhat Is Lighting Design?: A Genealogy of People and Ideas explains what lighting design is by looking at the history of ideas that are a part of this craft and how those ideas developed. Lighting design began in the West with the Renaissance, and each historical period since then has modified how and why light is used in performance, the methods for producing light, and the consensus around what its purpose is. Exploring each lighting design era and the basic components of lighting design, the book discusses how the central ideas of this craft developed over the past 500 years, what today’s lighting designers are concerned with, and how lighting design contributes to performances. This book is designed as a main course text for History of Lighting Design university courses and a supplementary text for and Introduction to Lighting Design, Stagecraft, and Scenography courses. It will also be of interest to directors, choreographers, and working lighting designers who wish to explore the history and meaning of their craft.
What is Scenography?
by Pamela Howard"Pamela Howard's ground-breaking What is Scenography? was the first book to set out the bold new approaches to designing and directing for theatre which had dazzled audiences in Europe during the previous decades. It did us all a service by enriching the scope of how we understand the aesthetics of the stage. The lavish new materials (drawings, colour photos, new production analysis) included in this second edition make it even more essential for anyone interested in new developments in theatre." - David Bradby "To write, design, organize, manage, sculpt, educate, paint, research and above all, to passionately live the life of the performance is what Pamela has done throughout her whole career and, in one way or another, it is reflected here in this book: the universality of stage design, its elements and its soul." - Ramon Ivars "Gives an excellent sense of scenography and a window on a life in the theatre - which is fascinating. ...A superb book." - Professor Arnold Aronson, Columbia University, USA "Pamela Howard is the precise definition of what a scenographer of today should be: a multiple artist. Her vast experience with space, her rare and acute power of reflection, her workshops worldwide, her masterful control of drawing and painting and her ability to interconnect scenography with other artistic expressions qualify her to discuss with great authority what "space for staging" should be in the coming decades of this millennium." - Jose Carlos SerroniPamela Howard's What is Scenography? has become a classic text in contemporary theatre design and performance practice. In this second edition, the author expands on her holistic analysis of scenography as comprising space, text, research, art, performers, directors and spectators, to examine the changing nature of scenography in the twenty-first century. The book includes: case studies and anecdotes from Howard's own celebrated career illustrations of her own recent work, in full colour throughout an updated 'world view' of scenography, with definitions from the world's most famous and influential scenographers A direct and personal response to the question of how to define scenography by one of the world's leading practitioners, What is Scenography? continues to shape the work of visual theatremakers throughout the world.
What is Scenography? (Theatre Concepts Ser.)
by Pamela HowardThe third edition of Pamela Howard’s What is Scenography? expands on the author’s holistic analysis of scenography as comprising space, text, research, art, performers, directors and spectators, to examine the changing nature of scenography in the twenty-first century. The book includes new investigations of recent production projects from Howard’s celebrated career, including Carmen and Charlotte: A Tri-Coloured Play with Music, full-colour illustrations of her recent work and updated commentary from a wide spectrum of contemporary theatre makers. This book is suitable for students in Scenography and Theatre Design courses, along with professional theatrical designers.
What Is Susan's Secret?
by Michael Parker Susan ParkerCharacters: 3-7 male, 3-7 femaleFarceInterior The Cider Mill Inn is an old, rustic and somewhat run down country inn owned and operated by an endearing elderly couple, Michael and Susan Edwards. At first they appear to be bordering on senility. We quickly learn however that they are very clever con artists, preying on their unsuspecting guests, by advertising huge discounts to various tradesmen. Using an elaborate check-in form with duplicate copies, guests are, in fact, signing a work contract, requiring them to perform various tasks and improvements at the inn. Over the course of three weekends, plumbers, tile layers, carpenters and electricians are recruited to do work they never expected.This unique play offers theatres the opportunity for the other twelve characters (Besides Susan and Michael) to be played by either two males and two females, or twelve different actors, or any number in between. The characters vary from the world's most boring man, (his wife says he's had charisma bypass surgery), to a young couple on their honeymoon. Audiences will fall in love with each of these distinctive characters, but especially the loving relationship between the two main characters, Michael and Susan, so touching that this play might be called a love story, if it wasn't first and foremost a farce.So, what is Susan's secret? On this subject the authors remain silent, preferring instead to let the audience decide on the truth, which of course, in a Parker play, is only revealed in the last few seconds of the show.
What is the Theatre?
by Christian Biet Christophe TriauWhat is the Theatre? is one of the most coherent and systematic descriptions and analyses of the theatre yet compiled. Theatre is, above all, spectacle. It is a fleeting performance, delivered by actors and intended for spectators. It is a work of the body, an exercise of voice and gesture addressed to an audience, most often in a specific location and with a unique setting. This entertainment event rests on the delivery of a thing promised and expected – a particular and unique performance witnessed by spectators who have come to the site of the performance for this very reason. To witness theatre is to take into account the performance, but it is also to take into account the printed text as readable object and a written proposition. In this book, Christian Biet and Christophe Triau focus on the practical, theoretical and historical positions that the spectator and the reader have had in relation to the locations that they frequent and the texts that they handle. They adopt two approaches: analysing the spectacle in its theatrical and historical context in an attempt to seek out the principles and paradigms of approaching the theatre experience on one hand, and analysing the dramaturgy of a production in order to establish lines of interpretation and how to read, represent and stage a text, on the other. This approach allows us to better understand the ties that link those who participate in the theatre to the practitioners who create theatrical entertainment.
What is Theatre?: An Introduction and Exploration
by John BrownThis major introductory textbook is from one of the leading educators working in theatre today. What Is Theatre? will make its reader a better playgoer, responding more fully to performance, with a keener appreciation of all the resources of theatre-acting, design, direction, organization, theatre buildings, and audiences. By focusing on the best professional practice and the most helpful learning processes, Dr. Brown shows how to read a play-text and to see and hear its potential for performance. Throughout this book, suggestions are given for student essays and class discussions, to help both instructor and reader to clarify their thoughts on all aspects of theatre-going. While the main focus is on present-day theatre in North America, history is used to illuminate current practice. Theatres in Europe and Asia also feature in the discussion. A view is given of all contributors to performance, with special emphasis placed on actors and the plays they perform. This textbook is not tied to a few specific play-texts, but designed to be effective regardless of which play a student sees or reads. In Part Two, leading practitioners of different generations and cultural backgrounds describe their own work, providing a variety of perspectives on the contemporary theatre. All this is supplemented by nearly 100 black and white and color illustrations from productions, working drawings, and plans. This new text engages its readers in the realities of the theatre; it is up-to-date, comprehensive, and packed with practical advice for understanding how theatre works and how plays come alive in performance. John Russell Brown is professor of Theatre at the University of Michigan, Ann Arbor, and has taught at a variety of colleges including New York and Stanford Universities. For 15 years he was an associate director of the National Theatre in London, and he has directed plays in many other theatres including Cincinnati Playhouse, the Empty Space in Seattle, and the Clurman Theatre in New York. Professor Brown has written extensively about theatre, especially about Shakespeare and contemporary theatre. He is editor of The Oxford Illustrated History of Theatre.
What Is This Feeling?
by Robby WeberThis joyful romp from Robby Weber, perfect for fans of Jason June and Morgan Matson, follows a boy who will do anything to win his drama club's scavenger hunt in New York City, even if it means teaming up with a tech crew loner…and discovering unexpected sparks between them.Theater star Teddy McGuire is ready for all his dreams to come true. He and his best friend, Annie, have been counting down the days to the end-of-the-year drama club trip to New York City. To make it even more magical, if they can win the annual scavenger hunt, they&’ll get a chance to meet their popstar idol, Benji Keaton.But the universe has other plans: when Annie can&’t go on the trip, Teddy is forced to room with tech crew loner Sebastian, who has no interest in the scavenger hunt—or Teddy—and seems to have a secret agenda of his own.On a larger-than-life adventure across the city, the boys will discover a lot more than what&’s on their checklist, including masquerade mishaps, obstacles of Jurassic proportions, Hollywood starlets, and, most surprisingly of all, sparks beginning to fly between them. In a story about chasing your destiny, Teddy and Sebastian are about to learn the secret to making their own luck.Also by Robby Weber: If You Change Your Mind I Like Me Better
What Mama Said: An Epic Drama
by Osonye OnwuemeAn explosive political drama projecting an African people's revolutionary struggle to confront government forces and foreign oil corporations that have ravaged their land and strangled the voices of their mothers and daughters.
What Playwrights Talk About When They Talk About Writing
by Jeffrey SweetThe art and craft of playwriting as explored in candid conversations with some of the most important contemporary dramatists Edward Albee, Lanford Wilson, Lynn Nottage, A. R. Gurney, and a host of other major creative voices of the theater discuss the art of playwriting, from inspiration to production, in a volume that marks the tenth anniversary of the Yale Drama Series and the David Charles Horn Foundation Prize for emerging playwrights. Jeffrey Sweet, himself an award-winning dramatist, hosts a virtual roundtable of perspectives on how to tell stories onstage featuring extensive interviews with a gallery of gifted contemporary dramatists. In their own words, Arthur Kopit, Marsha Norman, Christopher Durang, David Hare, and many others offer insights into all aspects of the creative writing process as well as their personal views on the business, politics, and fraternity of professional theater. This essential work will give playwrights and playgoers alike a deeper and more profound appreciation of the art form they love.
What The Rabbi Saw
by Jane Milmore Billy Van ZandtFarce / 7m, 4f / Interior / Adrienne Barbeau headed the cast of this crazy slapstick farce which takes pre wedding jitters to nightmare proportions. In a posh New York hotel just before Walter and Wendy are scheduled to say "I do", Walter's zipper becomes attached to his bride's sister's dress during a last minute act of infidelity. Meanwhile Wendy is having a fling with the best man. This finely tuned exercise in physical comedy zips from one hilarious situation as all try to hide their exploits and make it to the church on time.
What They Don't Teach You at Film School: 161 Strategies For Making Your Own Movie No Matter What
by Camille Landau Tiara White<p>Two filmmakers who've beaten the system give the real dope on what it takes to get your movie made. <p>Do you have to go to film school to get your movies made? No, say two young entrepreneurs who survived the grind. Here they offer 140 strategies for making movies no matter what. Amateurs as well as seasoned veterans can pick up this entertaining and incredibly useful guide in any place--at any point of crisis--and find tactics that work. Whether it's raising money or cutting your budget; dealing with angry landlords or angry cops; or jump-starting the production or stalling it while you finish the script, these strategies are delivered with funny, illustrative anecdotes from the authors' experiences and from veteran filmmakers eager to share their stories. Irreverent, invaluable, and a lot cheaper than a year's tuition, this friendly guide is the smartest investment any future filmmaker could make. <p>Strategies from the book include: Love your friends for criticizing your work--especially at the script stage; Shyness won't get you the donuts; Duct tape miracles; Don't fall in love with cast or crew (but if you do...).
What They Don't Tell You About: William Shakespeare
by Anita GaneriDid you know that Shakespeare couldn't spell his own surname? Love him or hate him, everyone has heard of the world's most famous playwright. But did the Elizabethans think he was a genius or simply that he wrote great soap operas? Any book on Shakespeare will give you the boring facts THEY think you should know, but only this one will tell you what the bard and his mates were REALLY like ... Uncover a wealth of information about Shakespeare! Find out where he was born and look at his family tree, see a map of Shakespeare's Stratford and Shakespeare's London, find out what school was like in Shakespeare's time, what London life was like and what sort of people went to the theatre. See a cross-section illustration of the Globe and discover how special effects were created and what actors wore. Read biographies of famous actors of the era such as Edward Alleyn, Richard Burbage, Richard Tarlton and William Kempe as well as biographies of contemporary writers Ben Jonson, Thomas Kyd and Christopher Marlowe. Read famous quotes and sayings and whizz your eye over a timeline of Shakespeare's plays and of his life. This book will tell you what Shakespeare's longest or shortest play is, or even which is the most miserable or goriest? It includes plots and information about ten of Shakespeare's plays: Richard III; Romeo and Juliet; A Midsummer Night's Dream; The Merchant of Venice; Henry V; Twelfth Night; Hamlet; Othello; Macbeth and The Tempest. It highlights some of Shakespeare's funniest characters and some of those that were in love. It concludes looking at how Shakespeare died, and discusses whether Shakespeare was, in fact, Sir Francis Bacon, Edward De Vere, Roger Manners, William Stanley or Christopher Marlowe. Finally, test your knowledge of all you've read with a fun 20-question quiz.
What We Talk About When We Talk About Clone Club: Bioethics and Philosophy in Orphan Black
by Gregory E. PenceWhat is the real-world history and science of human cloning, and does Orphan Black get it right? Can you "own" a person-even a cloned one? How can Sarah Manning be straight, Cosima gay, and Tony trans? Cult hit sci-fi show Orphan Black doesn't just entertain-it also raises fascinating questions about human cloning, its ethics, and its impact on personal identity.In What We Talk About When We Talk About Clone Club: Bioethics and Philosophy in Orphan Black, prominent bioethicist Gregory E. Pence violates Clone Club's first rule to take us deeper into the show and its connections to the real world, including:Widespread myths about human clones (and Orphan Black's rejection of them)Our ugly history of eugenicsThe ethics of human experimentation, by way of Projects Castor and LedaWhat we can learn about clones and identity from twin studies and tensions among Orphan Black's clone "sisters"Kendall Malone and other genetic anomaliesThe brave new world of genetic enhancement and clonal dynasties, and how Helena and Kira Manning fit inIn the process, What We Talk About When We Talk About Clone Club reveals why Orphan Black is some of today's most engaging and thought-provoking television.
What's in Shakespeare's Names (Routledge Library Editions: Study of Shakespeare)
by Murray J. Levith‘What’s in a name? That which we call a rose/By any other name would smell as sweet.’ So says Juliet in the balcony scene from Romeo and Juliet but, originally published in 1978, Murray Levith shows just how wrong Juliet was. Shakespeare was extremely careful in his selection of names. Not only the obvious Hotspur or the descriptive Bottom or Snout, but most names in Shakespeare’s thirty-seven plays had a more than superficial significance. Beginning with what has been written previously, Levith illustrates how Shakespeare used names – not only those he invented in the later comedies, but those names bequeathed to him by history, myth, classical literature, or the Bible. Levith moves from the histories through the tragedies to the comedies, listing each significant name play by play, giving the allusions, references, and suggestions that show how each name enriches interpretations of action, character, and tone. Dr. Levith examines Shakespeare’s own name, and speculates upon the playwright’s identification with his characters and the often whimsical naming games he played or that were played upon him. A separate alphabetical index is provided to facilitate the location of individual names and, in addition, cross references to plays are given so that each name can be considered in the context of all the plays in which it appears.