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The White Dress
by Nathalie LégerThe third in Nathalie Léger&’s acclaimed genre-defying triptych of books about the struggles and obsessions of women artists. The White Dress is the third in Nathalie Léger's award-winning triptych of books about women who &“through their oeuvre, transform their lives into a mystery&” (ELLE). In Exposition, Léger wrote about the Countess of Castiglione, the most photographed woman of the nineteenth century; in Suite for Barbara Loden she took up the actress and filmmaker Barbara Loden; here, Léger grapples with the tragic 2008 death of Italian performance artist Pippa Bacca, who was raped and murdered while hiking from Italy to the Middle East in a wedding dress to promote world peace. A harrowing meditation on the risks women encounter, in life and in art, The White Dress also brings to a haunting conclusion Léger's personal interrogation—sustained across all three books—of her relationship with her mother and the desire for justice in our lives.
White Room of My Remembering
by Jean Lenox ToddieDrama / 2m, 4f / Interior / This poignant play by the author of Tell Me Another Story, Sing Me a Song; A Little Something for the Ducks; A Scent of Honeysuckle and A Bag of Green Apples is the story of two women, Margaret and Jessie, who have come to Jessie's childhood home to put it up for sale. While Margaret goes to find a real estate agent, Jessie has conversations with herself as a girl and with her dead father and her mother.
The White Rose
by Lillian Garrett-GroagThe White Rose was written by Lillian Garrett-Groag and premiered in 1991 at the Old Globe Theatre in San Diego, Calif. The play chronicles the arrest, interrogation and eventual execution of a group of University of Munich students who protested the Nazi regime at the height of World War II.
White Suits in Summer
by Rosary Hartel O'NeillFull Length, ComedyCharacters: 2 male, 2 female. Unit Set. This contemporary Southern romance set in the topsy-turvy world of art. Celebrity artist Susann is determined to reclaim her lost love, Blaise, now married to a sedate New Orleans socialite. Convinced that she cannot live without him, Susann arranges an exhibition of her works to be held in his new house. Susann's readiness to sacrifice her career, his new wife, and her Mama's boy manager leave Blaise both angry and aroused. Theatrical excitement abounds in this comedy of love vs. duty. . Also available in A Louisiana Gentleman and other New Orleans Comedies.
Whiting Up
by Marvin McallisterIn the early 1890s, black performer Bob Cole turned blackface minstrelsy on its head with his nationally recognized whiteface creation, a character he called Willie Wayside. Just over a century later, hiphop star Busta Rhymes performed a whiteface supercop in his hit music video "Dangerous." In this sweeping work, Marvin McAllister explores the enduring tradition of "whiting up," in which African American actors, comics, musicians, and even everyday people have studied and assumed white racial identities. Not to be confused with racial "passing" or derogatory notions of "acting white," whiting up is a deliberate performance strategy designed to challenge America's racial and political hierarchies by transferring supposed markers of whiteness to black bodies--creating unexpected intercultural alliances even as it sharply critiques racial stereotypes. Along with conventional theater, McAllister considers a variety of other live performance modes, including weekly promenading rituals, antebellum cakewalks, solo performance, and standup comedy. For over three centuries, whiting up as allowed African American artists to appropriate white cultural production, fashion new black identities through these "white" forms, and advance our collective ability to locate ourselves in others.
Who Is In the Room?: Queer Strategies for Redefining the Role of the Theater Director (ISSN)
by Brooke O'HarraWith this book, Brooke O’Harra takes up directing as an artistic practice in and of itself. Speaking beyond and against craft, O’Harra drives the art of directing forward.O’Harra investigates a series of important questions: How do we wrest our work from institutional imperatives of public building and culture building? How can an artist-driven discourse lead us toward the urgencies of artists and their publics in this moment? How do we “make” plays? How do we activate the relationships of making, whether between artists in the rehearsal room or between the production and the audience? Brooke addresses all aspects of the directorial process: reckoning with the script through dramaturgy, working within the rehearsal room, collaborating with other artists, as well as staging and production.This exploration will be of great interest to students and scholars in performance studies with a particular interest in directing.
Who Is Lin-Manuel Miranda? (Who Was?)
by Who HQ Elijah Rey-David MatosStep into the spotlight with Lin-Manuel Miranda in this addition to the New York Times #1 Best-Selling series that explains how the Broadway legend got his start before Hamilton and Encanto!Born in New York to Puerto Rican parents, Lin-Manuel Miranda had a passion for the arts and creativity from a young age. He participated in theater as a child and wrote his first Broadway musical, In the Heights, while he was still in college. That show won him his first Tony Award for Best Musical! He went on to create and star in the beloved musical Hamilton about the life of Alexander Hamilton. A nonstop writer, Lin-Manuel contributed music for other major projects such as Moana, Encanto, Star Wars, and The Little Mermaid. He has won a Pulitzer prize, five Grammy awards, three Tony Awards, and two Emmy awards so far in his successful career as a composer, lyricist, actor, and director.
Who Keeps the Score on the London Stages?
by Kalina StefanovaHow does one become a theater critic in London? What do the theater critics think of their profession? How are they judged by those they critique? What do both critics and theatre-makers think of their mutual object of desire - the British Theatre?Who Keeps the Score on the London Stages? sets out to find the answers to these questions and many more in this long overdue publication on Britain's current theatre scene. Included are comprehensive interviews with more than fifty major London theatre critics and theater-makers, including Sir Alan Ayckbourn, Stephen Berkoff, Michael Billington, Martin Coveney, Nicholas de Jongh, Sir Richard Eyre, Sir Peter Hall, Sir Cameron Mackintosh, Adrian Noble, Sir Trevor Nunn and Irving Wardle. The author has gathered together a lively discussion about the contrmporary state of the British theatre, drawing a picture of its strengths, weaknesses and the problems it faces today. This volume serves as a long overdue guide to the Theatre critics' profession in Britain.
Who Killed Shakespeare: What's Happened to English Since the Radical Sixties
by Patrick BrantlingerFirst published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Who Killed Spalding Gray?
by Daniel MacIvorSit down, Daniel’s going to tell you a story. On the weekend of January 10, 2004, American monologist Spalding Gray killed himself by jumping off the Staten Island Ferry in New York City. That same weekend, Daniel MacIvor was in California, visiting a psychic surgeon who offered to save his life by removing a spiritual entity that had attached to him. But what if Spalding’s death had something to do with Daniel’s entity? Linking these two true parallel stories is fiction derived from Gray’s obsessions and MacIvor’s inventions about a man named Howard who had forgotten how to live.
who knew grannie: a dub aria
by Ahdri Zhina MandielaIn this lyrical masterpiece, four cousins reunite in Jamaica to mourn the passing of their grandmother and to celebrate the times they shared together. There's vilma, an up-and-coming politician; kris, a celebrity chef; tyetye, who's incarcerated; and likklebit, who's immigrated to Canada. As the cousins reminisce about the woman who had such a strong role in rearing them, they uncover their troubles and begin to fulfill grannie's last task: to bring them back in tune with themselves.
Who Walks in the Dark: A Victorian Mystery-horror Play In Two Acts
by Tim KellyThriller / 5m, 6f, 1 optional m or f extra / This thrilling jewel is based on Stoker's classic suspense novel written after Dracula. By breaking into the tomb of an evil sorceress, archaeologist Sir Abel Trelawny has upset The Nameless One's plans for a return to the living. She comes to London's Karnak house (in which the play is set) and creates murderous havoc for Sir Abel, his two daughters and his bewildered staff. Comic relief is supplied by a bumbling sergeant who admires Sherlock Holmes. The occult mystery builds to a rousing climax, complete with dramatic twists that hold the audiences spellbound.
Who Was William Shakespeare
by Dympna CallaghanA new study of Shakespeare's life and times, which illuminates our understanding and appreciation of his works.Combines an accessible fully historicised treatment of both the life and the plays, suited to both undergraduate and popular audiencesLooks at 24 of the most significant plays and the sonnets through the lens of various aspects of Shakespeare's life and historical environmentAddresses four of the most significant issues that shaped Shakespeare's career: education, religion, social status, and theatreExamines theatre as an institution and the literary environment of early modern LondonExplains and dispatches conspiracy theories about authorship
Who Wrote Shakespeare?
by James ShapiroThis ebook is an excerpt from Contested Will by James Shapiro, and originally appeared as the last section titled "Shakespeare." In this chapter, Shapiro succintly and eloquently makes the case for why no one else but Shakespeare could have written Shakespeare's plays.
Who Wrote That?: Authorship Controversies from Moses to Sholokhov
by Donald OstrowskiWho Wrote That? examines nine authorship controversies, providing an introduction to particular disputes and teaching students how to assess historical documents, archival materials, and apocryphal stories, as well as internet sources and news. Donald Ostrowski does not argue in favor of one side over another but focuses on the principles of attribution used to make each case.While furthering the field of authorship studies, Who Wrote That? provides an essential resource for instructors at all levels in various subjects. It is ultimately about historical detective work. Using Moses, Analects, the Secret Gospel of Mark, Abelard and Heloise, the Compendium of Chronicles, Rashid al-Din, Shakespeare, Prince Andrei Kurbskii, James MacPherson, and Mikhail Sholokov, Ostrowski builds concrete examples that instructors can use to help students uncover the legitimacy of authorship and to spark the desire to turn over the hidden layers of history so necessary to the craft.
The Whole Darn Shooting Match: A Farce-Comedy in Three Acts
by Jack PerryZany exploits, hilarious antics and wild ideas follow fast and furiously throughout this comedy about the advertising world. It is set in the Creative Room where a flamboyant TV commercial writer, an alcoholic artist, a flippant girl Friday, and their beloved leader, the Creative Director, engage in a running feud with the new president of the company, an efficiency expert, the office boy and everyone else who dares to interfere with their off beat rules of office conduct.
The Whole Journey: Shakespeare's Power of Development
by C. L. Barber Richard P. WheelerThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986.
The Whole Ninth Floor
by Richard SeffComedy / 6m, 5f / Interior / Across the street from the ‘mad men’ of Madison Avenue live the Ten Percenters of the National Talent Agency. It’s the same time, 1962, a secretary is still a toy, boys will still be boys, but the times they are a changin’. Audiences will love to hear what’s happening on The Whole Ninth Floor / “First impression is that it is a string of jokes tied together rather loosely. A moment’s concentration brings home however the basic fact that Seff weaves a story based on the young man’s intense and insistent desire to do the right thing. The laughs come fast, and they are plentiful.” - The Patterson Call
Whole World of Music: A Henry Cowell Symposium (Contemporary Music Studies)
by David NichollsFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Who's Afraid of Virginia Woolf?
by Edward Albee"Twelve times a week," answered Uta Hagen, when asked how often she'd like to play Martha in Who's Afraid of Virginia Woolf? Like her, audiences and critics alike could not get enough of Edward Albee's masterful play. A dark comedy, it portrays husband and wife George and Martha in a searing night of dangerous fun and games. By the evening's end, a stunning, almost unbearable revelation provides a climax that has shocked audiences for years. With the play's razor-sharp dialogue and the stripping away of social pretense, Newsweek rightly foresaw Who's Afraid of Virginia Woolf? as "a brilliantly original work of art-an excoriating theatrical experience, surging with shocks of recognition and dramatic fire [that] will be igniting Broadway for some time to come."
Who's In Bed With Butler
by Michael ParkerFarce / 3m, 6f / Interior / A California billionaire has bequeathed all of his assets to his only daughter Constance - except the 22-million-dollar yacht he wanted Josephine to have, a 25 million-dollar art collection left to Rene and some priceless antique automobiles willed to Marjorie. Constance arrives at her father's mansion with her lawyer, determined to find out who these women are and to buy them off or contest the will. The butler seems to hold the key and she learns from him that the three sultry ladies were her father's lovers. She also discovers that the yacht, the art and the cars have vanished, all having been sold to The Bimbo Corporation. Could the butler be behind the shenanigans - and is he carrying on with all of the ladies in question? Does the elderly, deaf housekeeper really have a pet rat? Can the bumbling detective hired by Constance really be so inept, linguistically as well as professionally? And why has the butler hired an actress to play his wife? Hilarity erupts long before the audience realizes that the temptresses are all being played by the same actress! This is a madcap addition to the author's string of inventive American farces.
Who's on First?
by Jack SharkeyJack Sharkey. Full Length, Comedy. . Characters: 2 male, 2 female . Interior Set. Take a husband, wife, lover and friend, add a strange lamp, a gun and a rubber chicken plus a party that begins at 8 p.m., then again at 8 p.m. and then again at 8 p.m. and you have this nightmare comedy." Four people find themselves reliving one horrible hour over and over as themselves, as Japanese, as British aristocrats, as gangsters, and almost anything else you can think of. Camille is giving the party. Don shows up in a jealous funk about his wife, Alice, whom he suspects of seeing another man. When Alice and Ben have arrived, it turns out their relationship is innocent. But by the time Don realizes this he has already shot Ben, Alice and even Camille. Camille wishes that things might have turned out differently and that is what happens. All concerned find themselves back at the party's beginning again and again doomed to live that same hour over and over again until they get it right. Is it all an accident? Or is their dilemma part of someone's fiendish plan? A labyrinth of hilarity exits to a shocker of an ending.
Who's Orp's Girlfriend?
by Suzy KlineOrp's life becomes very complicated when he realizes that he likes two girls at the same time.
Who's Under Where?
by Doug Hughes Marcia KashMarcia Kash and Doug Hughes . Farce. Characters: 5 male, 2 female. Interior Set. Jane and Sybil are on the verge of the deal of their lives. They have rented a hotel suite for a very private showing of their "Passion Fashion Wear" lingerie. Only famous Italian designer Bruno Fruferelli is to attend. The models are booked, the champagne is on ice and the sexy samples are on display. They have anticipated every contingency, expect the arrival of their jealous husbands who have jumped to the wrong conclusions. Combine suspicious spouses, stolen underwear and mistaken identities with five million dollars, a scantily clad model and a lecherous security guard and you have the recipe for this giddy farce in the classic tradition. . "Audience members were actually left hiccuping, gasping for breath and wiping their eyes by the antics on stage." - The Muskoka Advance . "Side splitting comedy." - The Muskokan . "Hilarious." -Packet and Times
Who's Who in Contemporary World Theatre (Who's Who)
by Daniel Meyer-DinkgräfeWho's Who in Contemporary World Theatre is a lively and accessible biographical guide to the key figures in contemporary drama. All who enjoy the theatre will find their pleasure enhanced and their knowledge extended by this fascinating work of reference. Its distinctive blend of information, analysis and anecdote makes for entertaining and enlightening reading. Hugely influential innovators, household names, and a whole host of less familiar, international figures - all have their lives and careers illuminated by the clear and succinct entries. All professions associated with the theatre are represented here - actors and directors, playwrights and designers. By virtue of the broad range of its coverage, Who's Who in Contemporary World Theatre offers a unique insight into the rich diversity of international drama today.