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Wilhelm Tell
by William F. Mainland Johann Christoph Friedrich von SchillerWhen Schiller completed his play, Wilhelm Tell, as a "New Year's Gift for 1805" he foretold that it would cause a stir. He was right. In the midst of Great Power politics a play which drew substance from one of the fourteenth-century liberation movements proved both attractive and inflammatory. Since then the work as become immensely popular. This new English translation by William F. Mainland brings out the essential tragi-comic nature of Wilhelm Tell but also emphasizes its impressive formal unity. Schiller based his play on chronicles of the Swiss liberation movement, in which Wilhelm Tell played a major role. Since Tell's existence has never been proven, Schiller, a historian by profession, felt he had to devise a figure who would bring the uncertainties and contradictions of the various Swiss chronicles into focus. Respected for his courage and skill with a bow, for his peaceable nature and his integrity, Schiller's archer--while always ready to aid his fellows--habitually seeks solitude. In the midst of political turmoil Wilhelm Tell is the nonpolitical man of action. Keenly interested in the problematic interplay of history and legend, Schiller turned it to be dramatic advantage. He constructed his play to illustrate the greatest possible development of the character traits suggested for Tell by the chronicles. The result of Schiller's supreme achievement in historical drama.
Wilhelm Tell (German Literacy Classics in Translation)
by Friedrich von SchillerWhen Schiller completed Wilhelm Tell as a "New Year's Gift for 1805" he foretold that it would cause a stir. He was right. In the midst of Great Power politics a play which drew substance from one of the fourteenth-century liberation movements proved both attractive and inflammatory. Since then the work as become immensely popular. This new English translation by William F. Mainland brings out the essential tragi-comic nature of Wilhelm Tell but also emphasizes its impressive formal unity. Schiller based his play on chronicles of the Swiss liberation movement, in which Wilhelm Tell played a major role. Since Tell's existence has never been proven, Schiller, a historian by profession, felt he had to devise a figure who would bring the uncertainties and contradictions of the various Swiss chronicles into focus. Respected for his courage and skill with a bow, for his peaceable nature and his integrity, Schiller's archer—while always ready to aid his fellows—habitually seeks solitude. In the midst of political turmoil Wilhelm Tell is the nonpolitical man of action. Keenly interested in the problematic interplay of history and legend, Schiller turned it to be dramatic advantage. He constructed his play to illustrate the greatest possible development of the character traits suggested for Tell by the chronicles. The result of Schiller's supreme achievement in historical drama.
Will I Live Tomorrow?: The Making of The Black Tulip
by Sonia Nassery ColeWhen Sonia Nassery Cole set out to film The Black Tulip in her homeland of Afghanistan, she knew the odds were against her; she was told time and time again that filming inside a war zone would be impossible. What she didn't anticipate was how intent the Taliban and its sympathizers were on halting the film's production-the crew encountered extortion, government corruption, kidnapping attempts, and death threats, even with around-the-clock security. Her cinematographer fled after two days, and many others followed.After 9/11, Cole wrote The Black Tulip, based on a true story of a real Afghan family. The plot was simple: After 2001, when the Taliban was routed, an Afghan family opened The Poet's Corner-a restaurant with an open microphone for all to read poetry, perform music, and tell their stories. But the Taliban didn't approve, and the family's new-found hope proved fleeting as it struggled to maintain the restaurant and vibrant way of life. Selected as Afghanistan's official submission for the Best Foreign Language Film at the 2010 Academy Awards, The Black Tulip is a modern portrait of Afghanistan that captures the plight and resilience of its people.Without financial support from a studio or anyone else, Cole self-financed the film by mortgaging her home and selling her belongings. Then, with everything on the line, she left for Kabul to make the impossible possible and set out to gather the right people who would risk their lives and willingly be part of the production.In Will I Live Tomorrow?: The Making of The Black Tulip, Cole gives an intimate look into what went on behind the scenes of making a controversial film in the heart of a war-ravaged country-the looming terror the Taliban creates among Afghans everywhere and the challenges and fear the cast and crew faced every day.Will I Live Tomorrow? is a memoir about one woman's struggle to make a difference in a violent world.
Will in the World: How Shakespeare Became Shakespeare
by Stephen GreenblattHow does a young man from a small provincial town move to London in the late 1580s and in a remarkably short time, become the greatest playwright of all time?
Will in the World: How Shakespeare Became Shakespeare
by Stephen Greenblatt"Greenblatt knows more about [Shakespeare] than Ben Jonson or the Dark Lady did."--John Leonard, ?Harper's A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? How did Shakespeare become Shakespeare? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world's greatest playwright. ?A Pulitzer Prize and National Book Award Finalist.
Will Power: How To Act Shakespeare In 21 Days
by John Basil Stephanie GunningThousands of young people set their sights on becoming professional actors each year, hoping to get a foot in the door with a solid resume built in high school, college, and local theatre company productions. But competition for parts is fierce, and no list of credits is complete without competency in the classical works of Shakespeare. Will Power guides both professional actors and aspirants through a lively 21-day rehearsal process leading up to the day of an actual audition or performance. Actors need never again be confused about where to begin or how to follow through when developing a Shakespearean role. Clear stepping stones have been laid out before them-by Shakespeare himself. Even seasoned actors, familiar with verse, are fascinated when they learn about the acting clues and stage directions embedded in the original First Folio text of Shakespeare's work, in the form of particular punctuation, capitalized letters, and spelling. Putting actors on their feet in dynamic and fun rehearsals, this practical guide helps them develop the 7 Cs of acting: commitment, concentration, conditioning, control, confidence, courage, and clarity while also demystifying how to perform these these magnificently crafted plays.
Will She Do?: Act One of a Life on Stage (Eileen Atkins)
by Eileen Atkins'She is the cur's cods, the terrier's testicles, the business. I will go farther and declare that Atkins is the finest actor appearing in the world right now' - A. A. GillWill She Do? is the story of a girl from a council estate in Tottenham, born in 1934 to an electric-meter reader and a seamstress, who was determined to be an actress. Candid and witty, this memoir takes her from her awkward performances in working-men's clubs at six years of age as dancing 'Baby Eileen', through the war years in London, to her breakthrough at thirty-two on Broadway with The Killing of Sister George, for which she received the first of four Tony Award nominations. She co-created Upstairs, Downstairs and wrote the screenplay for Mrs Dalloway (for which she won an Evening Standard Award) and at aged eighty-six, this is her first autobiographical work. Characterised by an eye for the absurd, a terrific knack for storytelling and an insistence on honesty, Will She Do? is a wonderful raconteur's tale about family, about class, about youthful ambition and big dreams and what really goes on behind the scenes. Made a Dame in 1991, Eileen Atkins has been on American and British stage and screen since 1957 and has won an Emmy, a BAFTA and is a three-time Olivier Award winner; her theatre performances include The Height of the Storm, Ellen Terry, All that Fall and she has appeared in television and films ranging from Doc Martin to Cranford to The Crown.
Will She Do?: Act One of a Life on Stage (Eileen Atkins)
by Eileen Atkins'She is the cur's cods, the terrier's testicles, the business. I will go farther and declare that Atkins is the finest actor appearing in the world right now' - A. A. Gill'Yes, she will: this vivid, honest memoir by a great actress and a natural writer goes down a treat' Tom StoppardWill She Do? is the story of a girl from a council estate in Tottenham, born in 1934 to an electric-meter reader and a seamstress, who was determined to be an actress. Candid and witty, this memoir takes her from her awkward performances in working-men's clubs at six years of age as dancing 'Baby Eileen', through the war years in London, to her breakthrough at thirty-two on Broadway with The Killing of Sister George, for which she received the first of four Tony Award nominations. She co-created Upstairs, Downstairs and wrote the screenplay for Mrs Dalloway (for which she won an Evening Standard Award) and at aged eighty-six, this is her first autobiographical work. Characterised by an eye for the absurd, a terrific knack for storytelling and an insistence on honesty, Will She Do? is a wonderful raconteur's tale about family, about class, about youthful ambition and big dreams and what really goes on behind the scenes. Made a Dame in 1991, Eileen Atkins has been on American and British stage and screen since 1957 and has won an Emmy, a BAFTA and is a three-time Olivier Award winner; her theatre performances include The Height of the Storm, Ellen Terry, All that Fall and she has appeared in television and films ranging from Doc Martin to Cranford to The Crown.
Will She Do?: Act One of a Life on Stage (Eileen Atkins)
by Eileen Atkins'She is the cur's cods, the terrier's testicles, the business. I will go farther and declare that Atkins is the finest actor appearing in the world right now' A. A. GillWill She Do? is the story of a girl from a council estate in Tottenham, born in 1934 to an electric-meter reader and a seamstress, who was determined to be an actress.Candid and witty, this memoir takes her from her awkward performances in working-men's clubs at six years of age as dancing 'Baby Eileen', through the war years in London, to her breakthrough at thirty-two on Broadway with The Killing of Sister George, for which she received the first of four Tony Award nominations. She co-created Upstairs, Downstairs and wrote the screenplay for Mrs Dalloway (for which she won an Evening Standard Award) and at aged eighty-six, this is her first autobiographical work.Characterised by an eye for the absurd, a terrific knack for storytelling and an insistence on honesty, Will She Do? is a wonderful raconteur's tale about family, class, youthful ambition, big dreams and what really goes on behind the scenes.Made a Dame in 1991, Eileen Atkins has been on American and British stage and screen since 1957 and has won an Emmy, a BAFTA and is a three-time Olivier Award winner. Her theatre performances include The Height of the Storm, Ellen Terry, All that Fall and she has appeared in television and films ranging from Doc Martin to Cranford to The Crown.
William Forsythe: A Tool For The Analytical Dance Eye
by Senta DriverFirst Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
William Forsythe and the Practice of Choreography: It Starts From Any Point
by Steven SpierWilliam Forsythe’s reinvigoration of classical ballet during his 20-year tenure at the Ballett Frankfurt saw him lauded as one of the greatest choreographers of the postwar era. His current work with The Forsythe Company has gone even further to challenge and investigate fundamental assumptions about choreography itself. William Forsythe and the Practice of Choreography presents a diverse range of critical writings on his work, with illuminating analysis of his practice from an interdisciplinary perspective. The book also contains insightful working testaments from Forsythe’s collaborators, as well as a contribution from the choreographer himself. With essays covering all aspects of Forsythe’s past and current work, readers are provided with an unparalleled view into the creative world of this visionary artist, as well as a comprehensive resource for students, scholars, and practitioners of ballet and contemporary dance today.
William Forsythe’s Postdramatic Dance Theater: Unsettling Perception (Cognitive Studies in Literature and Performance)
by Freya VassThis book takes choreographer William Forsythe’s choreographic and scenographic processes as a holistic lens through which to view dance as a fundamentally visuo-sonic art form and choreography as a form of perceptual experimentation. In doing so, it reveals how the made worlds within which postdramatic dance is situated influence how choreography is perceived. Resonating with ecological perspectives but also drawing on an extensive range of cognitive research approaches, the volume’s choreo-scenographic perspective emphasizes the importance of considering the expanded scenography of lighting, sound, space, scenic elements, costume, and performer movement when analyzing the sensory and cognitive perception of dance. The volume provides a first book-length cognitive study of both an individual choreographer and the aesthetics of postdramatic theatre. It also satisfies a need for more dedicated scholarship on Forsythe, whose extensive and varied array of groundbreaking ballets and dance theater works for the Ballett Frankfurt (1984-2004), The Forsythe Company (2005-15), and as an independent choreographer have made him a key figure in 20th/21st century dance.
William Gager: The Complete Works (Routledge Revivals)
by William GagerPublished in 1994: This book represents the Latin Playwright’s work of the Tudor period.
The William Makepeace Thackeray Library: Volume VI - The Life of William Makepeace Thackeray by Lewis Melville (Routledge Revivals: The William Makepeace Thackeray Library)
by Richard PearsonFirst published in 1996, The William Makepeace Thackeray Library is a collection of works written by and about the novelist. This sixth volume contains the work of Lewis Melville, one of the most productive biographers and critics of Thackeray at the turn of the 20th century. Richard Pearson’s helpful introduction not only provides additional information on the biographer himself, but also analyses the text and tracks its development over time. This book will be of interest to those studying Thackeray and nineteenth-century literature.
William Shakespeare: Comedies and Romances (Modern Critical Views)
by Harold BloomAn analysis of the comedies and romances of one of the most influential writers in the English-speaking world.
William Shakespeare (What They Don't Tell You About #29)
by Anita GaneriDid you know that Shakespeare couldn't spell his own surname?Love him or hate him, everyone has heard of the world's most famous playwright. But did the Elizabethans think he was a genius or simply that he wrote great soap operas? Any book on Shakespeare will give you the boring facts THEY think you should know, but only this one will tell you what the bard and his mates were REALLY like ...Uncover a wealth of information about Shakespeare! Find out where he was born and look at his family tree, see a map of Shakespeare's Stratford and Shakespeare's London, find out what school was like in Shakespeare's time, what London life was like and what sort of people went to the theatre. See a cross-section illustration of the Globe and discover how special effects were created and what actors wore. Read biographies of famous actors of the era such as Edward Alleyn, Richard Burbage, Richard Tarlton and William Kempe as well as biographies of contemporary writers Ben Jonson, Thomas Kyd and Christopher Marlowe. Read famous quotes and sayings and whizz your eye over a timeline of Shakespeare's plays and of his life.This book will tell you what Shakespeare's longest or shortest play is, or even which is the most miserable or goriest? It includes plots and information about ten of Shakespeare's plays: Richard III; Romeo and Juliet; A Midsummer Night's Dream; The Merchant of Venice; Henry V; Twelfth Night; Hamlet; Othello; Macbeth and The Tempest. It highlights some of Shakespeare's funniest characters and some of those that were in love.It concludes looking at how Shakespeare died, and discusses whether Shakespeare was, in fact, Sir Francis Bacon, Edward De Vere, Roger Manners, William Stanley or Christopher Marlowe.Finally, test your knowledge of all you've read with a fun 20-question quiz.
William Shakespeare: The Complete Plays in One Sitting (RP Minis)
by Joelle HerrMiniature guide to the Bard featuring synopses and character profiles from Shakepeare's 38 timeless plays, with one-color illustrations throughout.
William Shakespeare: His Life and Work
by Anthony HoldenWho was William Shakespeare? How did the 'rude groom' from Stratford grow up to be the greatest poet the world has known? Not for a generation, since the late Anthony Burgess's SHAKESPEARE (1970), has there been anything approaching a popular, mainstream biography of the greatest and most celebrated writer. Yet Shakespeare's life was as colourful, varied and dramatic as his works: the Warwickshire country boy who 'disappeared' for seven years before fetching up in London as an apprentice actor...whose fellow players could scarcely keep up with the plays he turned out for them...who rapidly became a favourite at the court of Elizabeth I...and returned to Stratford a prosperous 'gentleman', proud to realise his father's dream of a family coat of arms, before his death at 52.Anthony Holden brilliantly interleaves the poets own words with the known facts to breathe new life into a story never before told in such absorbing detail. 'The perfect blend of erudition and accessibility' - the Daily Telegraph's verdict on Holden's life of Tchaikovsky - applies equally to his revealing, very human portrait of Shakespeare.
William Shakespeare: His Life and Work
by Anthony HoldenWho was William Shakespeare? How did the 'rude groom' from Stratford grow up to be the greatest poet the world has known? Not for a generation, since the late Anthony Burgess's SHAKESPEARE (1970), has there been anything approaching a popular, mainstream biography of the greatest and most celebrated writer. Yet Shakespeare's life was as colourful, varied and dramatic as his works: the Warwickshire country boy who 'disappeared' for seven years before fetching up in London as an apprentice actor...whose fellow players could scarcely keep up with the plays he turned out for them...who rapidly became a favourite at the court of Elizabeth I...and returned to Stratford a prosperous 'gentleman', proud to realise his father's dream of a family coat of arms, before his death at 52.Anthony Holden brilliantly interleaves the poets own words with the known facts to breathe new life into a story never before told in such absorbing detail. 'The perfect blend of erudition and accessibility' - the Daily Telegraph's verdict on Holden's life of Tchaikovsky - applies equally to his revealing, very human portrait of Shakespeare.
William Shakespeare: His Life and Times
by Dennis KayA concise critical introduction to the greatest playwright in the English language.
William Shakespeare and the Globe
by AlikiFrom "Hamlet", to "Romeo and Juliet", to "A Midsummer Night's Dream", Shakespeare's celebrated works have touched people around the world. Aliki combines literature, history, biography, archaeology, and architecture in this richly detailed and meticulously researched introduction to Shakespeare's world-his life in Elizabethan times, the theater world, and the Globe, for which he wrote his plays. Then she brings history full circle to the present-day reconstruction of the Globe theater.
William Shakespeare Comedies (Word Cloud Classics)
by William ShakespeareBring on the merriment whenever you open this collection of Shakespeare&’s entertaining comedies.The comedies of William Shakespeare—including The Tempest, The Comedy of Errors, A Midsummer Night&’s Dream, and As You Like It—have entertained readers and theatergoers for centuries. This elegant Word Cloud edition of Shakespeare&’s Comedies includes all fourteen of the Bard&’s comedies in a single volume so readers can revisit their favorite plays and passages with ease.
William Shakespeare Four Great Comedies: The Taming of the Shrew, A Midsummer Night's Dream, Twelfth Night, The Tempest (Penguin Books For Theatre Ser.)
by William Shakespeare Robert B. Heilman Wolfgang Clemen Herschel Baker Robert LangbaumThis book features the greatest works of comedy of William Shakespeare: The Taming of the Shrew, A Midsummer Night's Dream, Twelfth Night and The Tempest.
William Shakespeare Tragedies (Word Cloud Classics)
by William ShakespeareTwelve of Shakespeare&’s most profound and moving dramas in one elegant volume.William Shakespeare&’s tragedies introduced the world to some of the most well-known characters in literature, including Romeo, Juliet, Macbeth, Hamlet, King Lear, and Othello. This handsome Word Cloud volume includes all twelve works from the First Folio that are commonly classified as tragedies—but the feelings that Shakespeare&’s words can evoke range across the spectrum of human emotion.
William Shakespeare's As You Like It, A Radical Retelling
by Cliff CardinalThe title of William Shakespeare’s As You Like It holds a double meaning that teasingly suggests the play can please all tastes. But is that possible? With his subversive updating of the Bard’s classic, Indigenous creator and cultural provocateur Cliff Cardinal seeks to find out. The show exults in bawdy humour, difficult subject matter, and raw emotion; Cardinal is not one to hold back when it comes to challenging delicate sensibilities.