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Black South African Women: An Anthology of Plays
by Kathy A. PerkinsThis is the first anthology to focus exclusively on the lives of Black South African women. This collection represents the work of both female and male writers, including national and international award-winning playwrights. The collection includes six full-length and four one-act plays, as well as interviews with the writers, who candidly discuss the theatrical and political situation in the new South Africa. Written before and after apartheid, the plays present varying approaches and theatrical styles from solo performances to collective creations. The plays dramatise issues as diverse as: * women's rights * displacement from home * violence against women * the struggle to keep families together * racial identity * education in the old and new South Africa * and health care.
Black Theatre in Britain
by TompsettFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Black Theatre USA: Plays by African Americans from 1847 to Today
by James V. Hatch Ted ShineThe plays in this book represent authentic voices that address the complexities of African American life in the United States, from chattel slavery of pre-Emancipation days to the economic slavery of the Depression and beyond. Alongside these works stand the few that made it to the professional stage, but are nevertheless rooted in the rich soil of Black life and thought from the first decades of this century. Most of the volume is organized chronologically up to the Great Depression of the 1930s, with each section pursuing a theme and opening with an enlightening discussion of the period and the plays. In this volume, the plays represent only a small portion of the great body of Black dramatic literature. Each is a microcosm of reflections, perspectives, and ideas growing out of Black life and culture, and each represents hundreds of other equally challenging works.
Black with 'Equal'
by Vikram KapadiaA play which offers a sharp analysis of the seedy, selfish, and mean aspects of middle-class society in urban India.
Black Women Centre Stage: Diasporic Solidarity in Contemporary Black British Theatre (Routledge Advances in Theatre & Performance Studies)
by Paola Prieto LópezThis book examines the political alliances that are built across the diaspora in contemporary plays written by Black women playwrights in the UK. Through the concept of creative diasporic solidarity, it offers an innovative theoretical approach to examine the ways in which the playwrights respond creatively to the violence and marginalisation of Black communities, especially Black women. This study demonstrates that theatre can act as a productive space for the ethical encounter with the Other (understood in terms of alterity, as someone different from the self) by examining the possibilities of these plays to activate the spectators’ responsibility and solidarity towards different types of violence experienced by Black women, offering alternative modes of relationality. The book engages with a range of contemporary works written by Black women playwrights in the UK, including Mojisola Adebayo, Theresa Ikoko, Diana Nneka Atuona, Gloria Williams, Charlene James, or Yusra Warsama, bringing to the fore a gendered and intersectional approach to the analysis of the texts. This book will be of great interest to students and scholars in contemporary theatre, gender studies and diaspora studies.
Black Women Playwrights: Visions on the American Stage (Studies in Modern Drama #Vol. 11)
by Carol P. Marsh-LockettFirst published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Blackout: The Concordia Computer Riots
by Tamara Brown Kym Dominique-Ferguson Lydie Dubuisson Mathieu Murphy-PerronIn February 1969, hundreds of students occupied a computer centre at what is now Montréal’s Concordia University to protest the mismanagement of a racism complaint lodged by Caribbean students against their biology professor. When an agreement to end the occupation fell through, riot police were called in, resulting in widespread damage, a mysterious fire, and nearly a hundred arrests. Created and devised by some of Montréal’s most prolific artists, Blackout re-examines the events that led to the occupation and protests, asking how race relations have changed in Québec and Canada.
Blackout
by Gary LennonDrama / 4m, 5f / Blackout takes place on Christmas Eve at an Alcoholics Anonymous meeting. A diverse group has gathered to share their stories of hope and madness. They crave strength, integrity, and friendship as they struggle to make sense of their lives after years of drinking, drugging, and excess. A unique sense of family, love, and home prevails. Richard Lewis, Dianne Wiest, Faye Dunaway, Spalding Gray, and Howard Rollins, Jr. star in the movie version which is titled Drunks.
Blackout
by Anthony Whyte Jerry LamotheIt's August, 2003. All of the Northeast is sweltering, but no place is hotter than Brooklyn, especially the gritty neighborhood known as East Flatbush. Then, in the midst of the heat wave, the unthinkable happens: the power goes out. And stays out. And the longer it's out, the edgier people get, until finally, edginess gives way to anger. For 48 hours, the community is in chaos. Looters are everywhere. No one is safe. Violence erupts suddenly, randomly, scarring the innocents as well as the agitators, until Flatbush finally explodes into deadly conflict. Based on actual events that occurred during the Northeast Blackout of August 14-15, 2003, this riveting novel tells the little-known story of a neighborhood thrown not only into darkness, but utter mayhem. Illustrated throughout with scenes from the film, Blackout is a heart-stopping, page-turning drama that keeps readers unable to put it down.
The Blacks: A Clown Show (Genet, Jean Ser.)
by Jean GenetGenet has strong claims to be considered the greatest living playwright. His plays constitute a body of work unmatched for poetic and theatrical power which reaches, in at least two of the plays The Balcony and The Blacks a pitch of inspiration and mastery.” Jack Kroll, Newsweek In form, it flows as freely as an improvisation, with fantasy, allegory and intimations of reality mingled into a weird, stirring unity. . . . Genet’s investigation of the color black begins where most plays of this burning theme leave off. . . . This vastly gifted Frenchman uses shocking words and images to cry out at the pretensions and injustices of our world. . . . One of the most original and stimulating evenings Broadway or Off Broadway has to offer.” Howard Taubman, The New York Times
Blacktino Queer Performance
by E. Patrick Johnson Ramón H. Rivera-ServeraStaging an important new conversation between performers and critics, Blacktino Queer Performance approaches the interrelations of blackness and Latinidad through a stimulating mix of theory and art. The collection contains nine performance scripts by established and emerging black and Latina/o queer playwrights and performance artists, each accompanied by an interview and critical essay conducted or written by leading scholars of black, Latina/o, and queer expressive practices. As the volume's framing device, "blacktino" grounds the specificities of black and brown social and political relations while allowing the contributors to maintain the goals of queer-of-color critique. Whether interrogating constructions of Latino masculinity, theorizing the black queer male experience, or examining black lesbian relationships, the contributors present blacktino queer performance as an artistic, critical, political, and collaborative practice. These scripts, interviews, and essays not only accentuate the value of blacktino as a reading device; they radiate the possibilities for thinking through the concepts of blacktino, queer, and performance across several disciplines. Blacktino Queer Performance reveals the inevitable flirtations, frictions, and seductions that mark the contours of any ethnoracial love affair. Contributors. Jossiana Arroyo-Martinez, Marlon M. Bailey, Pamela Booker, Sharon Bridgforth, Jennifer Devere Brody, Bernadette Marie Calafell, Javier Cardona, E. Patrick Johnson, Omi Osun Joni L. Jones, John Keene, Lawrence La Fountain-Stokes, D. Soyini Madison, Jeffrey McCune, Andreea Micu, Charles I. Nero, Tavia Nyong'o, Paul Outlaw, Coya Paz, Sandra L. Richards, Charles Rice-González, Matt Richardson, Ramón H. Rivera-Servera, Celiany Rivera-Velázquez, Tamara Roberts, Lisa B. Thompson, Beliza Torres Narváez, Patricia Ybarra, Vershawn Ashanti Young
Blake’s Drama
by Diane PiccittoBlake's Drama challenges conventional views of William Blake's multimedia work by reinterpreting it as theatrical performance. Viewed in its dramatic contexts, this art form is shown to provoke an active spectatorship and to depict identity as paradoxically essential and constructed, revealing Blake's investments in drama, action, and the body.
Bleeding Kansas
by Kathryn WalatHistorical DramaCharacters: 3 male, 2 femaleIt's 1855, Kansas Territory. The country is divided. People are turning against their neighbors because of their beliefs. War is on the horizon. Good people will do bad things and love will grow in places it shouldn't. A provocative, funny and insightful play revisits a crucial moment in American history. Homesteading farmers George and Kitty fight the elements to start a new life as a politically divided country takes a dangerous step towards civil war."To Walat's credit, her fast-moving play does not preach, merely raises questions, among them: Who are we as a nation? What shaped us and why? And does what we were-violent, intractable and destructive-play into our present-day society?...Bleeding Kansas is an excellent work" -San Diego News
Blithe Spirit, Hay Fever, Private Lives: Three Plays
by Noël CowardA collection of Cowards' most memorable work. These plays, Blithe Spirit, Private lives and Hay Fever, bring out stories of a novelist, a divorced couple and of a person who visits an eccentric family respectively.
Blonde and Other Distractions
by David PatersonA great collection of shorts by Paterson, these award winning one-acts are perfect for scene studies, two person auditions, secen nights and showcases, providing a wide variety of characters bith humorous and thought provoking. A kid-napping gone awry, two distant brothers try to reconnect, a pair of lovers face a daunting family holiday, a smarmy stockholder tries to charm his way into heaven, a friend is forced to bury a friend, and siblings seeking an amicable divorce completes this theatrical compilation.
Blood: A Scientific Romance
by Meg BraemTwin sisters Poubelle and Angelique are bonded in both biology and shared tragedy after a car accident leaves them orphaned along a prairie highway in a pool of blood. But the young twins are brought home with Dr. Glass after their remarkable recovery, and quickly find themselves the subject of endless experiments. In a quest to study Poubelle and Angelique's undeniable bond, Dr. Glass's questionable practices are soon scrutinized by a young doctor who might be the twins' only hope for a normal life. Blood: A Scientific Romance probes the questions: Do relationships take on new meaning when they begin to shape not only our experiences, but our biology? And do we, in fact, complete one another?
Blood and Gifts: A Play
by J. T. RogersMy God, Russian soldiers being shot with Chinese bullets. Sometimes the world is so beautiful.It's 1981. As the Soviet army burns its way through Afghanistan, CIA operative Jim Warnock is sent to try to halt its bloody progress, beginning a secret spy war behind the official hostilities. Jim and his counterparts in the KGB and the British and Pakistani secret services wrestle with ever-shifting personal and political loyalties. With the outcome of the entire Cold War at stake, Jim and a larger-than-life Afghan warlord decide to place their trust in each other.Spanning a decade and playing out in Washington, D.C., Pakistan, and Afghanistan, Blood and Gifts is a sweeping, often shockingly funny epic set against one of the greatest historical events of recent history, the repercussions of which continue to shape our world.
Blood and Laughter: Plays
by Manjula PadmanabhanA neighbourhood that turns a blind eye to a recurring gruesome crime. A game show that puts the lives of its contestants on the line. An insidious tableau that pits three artists against each other. A world where organs of the poor are commercially harvested for the rich. Collected Plays brings together, in a much-anticipated series, the dramatic works of Onassis Prize-winning playwright and author Manjula Padmanabhan.Blood and Laughter, the first volume, presents within its covers Padmanabhan’s full-length plays – including the three-times cinematized Lights Out, the previously unpublished Mating Game Show and Artist’s Model, and the award-winning Harvest – all known for their masterful portrayal of the dilemmas of morality, relationships and the idea of justice. Horror, anticipation and chilling realism mark each of these works, drawing readers and audiences alike to the edge of their seats.With new introductions to the works that affirm the relevance of the themes of the plays, this collection showcases the playwright’s mastery of her art and reconfirms her standing among the leading dramatists of our time.
Blood Knot and Other Plays
by Athol FugardThese three Port Elizabeth plays, which established South African playwright Athol Fugard's international reputation more than twenty years ago, examine with passion and grace close family relationships strained almost unendurably by the harshest of economic and political conditions. "A rare playwright, who could be a primary candidate for either the Nobel Prize in Literature or the Nobel Peace Prize."--Mel Gussow, The New Yorker
Bloodline or Hanged In
by Richard S. DunlopSing along musical mellerdrammer with 17 or more old time musical favorites / 2 m., 2 f., claque, 1 or 2 pianos. / Simple exteriors / An entertainment gem suitable for all groups. Includes production notes, ideas and interpretive hints. It is thoroughly modern but with a traditional plot: orphaned, innocent damsel prefers honest young fellow but is pursued by wealthy physician. Everything's settled by a surprisingly liberated "Granny." It's a satirical delight with a preposterous story requiring outrageous overacting and performer villainy of course. The few props and easy costumes make it a very economical show to do that can be enjoyed on different levels. Running time 70 min. to 2 hours, depending on extensiveness of olio and integrated side business.
Bloody Brilliant: How To Develop Execute And Clean Up Blood Effects For Live Performance
by Jennifer McClureBloody Brilliant: How to Develop, Execute, and Clean Up Blood Effects for Live Performance offers methods and techniques for delivering this special effect on the stage. The world of live theatre presents its own set of unique challenges when creating special effects, particularly blood. There are no cropped-view frames, multiple angles, or reshoots – everything is live and in view of the audience. This book provides helpful insight, information, techniques, and tricks for producing reliable and repeatable blood effects, covering everything from design and budgeting to safety and clean-up. Filled with easy-to-follow descriptions and full-color artwork, this text includes: Practical examples of blood effect budgets, outlining not just money but also labor needs. A breakdown of the components for making an original blood recipe, as well as reliable, industry-tested recipes. Options for dispensing blood to create realistic effects for any budget size. A comprehensive wash-testing database of over 500 examples of fabrics and blood combinations. Prop managers and builders in professional, educational, and regional theatre are sure to benefit from the tips outlined in this book.
A Blot in the 'Scutcheon
by Robert BrowningExcerpt from book: A BLOT IN THE 'SCUTCHEON. ACT I. Scene I. The interior of a lodge in Lord Tresham's park. <P> Many Retainers crowded at the window, supposed to command a view of the entrance to his mansion. Gerard, tht Warrener, his back to a table on which are flagons, etc. 1 Retainer. Ay, do push, friends, and hen you 'll push down me ? What for? Does any hear a runner's foot Or a steed's trample or a coach-wheel's cry? Is the Earl come or his least poursuivant? But there's no breeding in a man of you Save Gerard yonder: here 's a half-place yet, Old Gerard Gerard. Save your courtesies, my friend. Here is my place. 2 Retainer. Now, Gerard, out with it What makes you sullen, this of all the days I' the year? To-day that young, rich, bountiful, 10 Handsome Earl Mertoun, whom alone they match With our Lord Tresham through the country-side, Is coming here in utmost bravery To ask our master's sister's hand ? Gerard. What then ? 2 Retainer. What then ? Why, you, she speaks to, if she meets Your worship, smiles on as you hold apartThe boughs to let her through her forest walks, You, always favorite for your no-deserts, You 've heard these three days how Earl Mertoun sues To lay his heart and house and broad lands too = At Lady Mildred's feet; and while we squeeze Ourselves into a mousehole lest we miss One congee of the least page in his train, You sit o' one side?' there's the Earl, ' say I? 'What then, ' say you 3 Retainer. I 'll wager he has let Both swans he tamed for Lady Mildred swim Over the falls and gain the river Gerard. Ralph, Is not to-morrow jr1y inspecting-day For you and for your hawks ? 4 Retainer. Let Gerard be He 's coarse-grained, like his carved black cross-bow stock, Ha look now, while we squabble .
Blow Wind
by Daniel MacdonaldAfter years of running from her dysfunctional past, Sarah returns home to the family farm in Saskatchewan to find her mom Kathleen yelling into the wind, setting off a turbulent new chapter in her life. Instead of finding comfort in “home,” Sarah learns nothing is how she remembers it, and with Kathleen’s growing dementia, nothing will ever be the same again. Two of Sarah’s older siblings, Jolene and Steven, are more focused on the future ownership of the farm and are planning a supper that could help influence that decision. But Sarah turns her attention to Kathleen, who keeps chasing things that aren’t there: a fox, a hill, the answers to questions only Sarah’s adopted brother Tom holds the key to. When an unexpected outcome shocks the family at the supper, much more than the farm is at stake. Blow Wind is a beautiful portrait—with musical accompaniment—of a family that together must build new paths forward while learning how to love, let go, and forgive.
Blue Box
by Carmen AguirreInterweaving recollections of her revolutionary life in Chile under Augusto Pinochet's regime with her fleeting attempts to realize a "vision" of love in Los Angeles, Carmen Aguirre's one-woman show Blue Box is a fiery proclamation of carnal yearning and social conviction. As ever, Aguirre is assertive, sexy, and wryly political, sharing the sacrifices of her life with humor and courage.Carmen Aguirre is a Vancouver-based theater artist and screen actor who has worked extensively throughout North and South America. She organizes Theatre of the Oppressed workshops and teaches in the acting department at the Vancouver Film School. Her 2011 autobiography, Something Fierce: Memoirs of a Revolutionary Daughter, is an award-winning bestseller.
Blue-Collar Broadway
by Timothy R. WhiteBehind the scenes of New York City's Great White Way, virtuosos of stagecraft have built the scenery, costumes, lights, and other components of theatrical productions for more than a hundred years. But like a good magician who refuses to reveal secrets, they have left few clues about their work. Blue-Collar Broadway recovers the history of those people and the neighborhood in which their undersung labor occurred.Timothy R. White begins his history of the theater industry with the dispersed pre-Broadway era, when components such as costumes, lights, and scenery were built and stored nationwide. Subsequently, the majority of backstage operations and storage were consolidated in New York City during what is now known as the golden age of musical theater. Toward the latter half of the twentieth century, decentralization and deindustrialization brought the emergence of nationally distributed regional theaters and performing arts centers. The resulting collapse of New York's theater craft economy rocked the theater district, leaving abandoned buildings and criminal activity in place of studios and workshops. But new technologies ushered in a new age of tourism and business for the area. The Broadway we know today is a global destination and a glittering showroom for vetted products.Featuring case studies of iconic productions such as Oklahoma! (1943) and Evita (1979), and an exploration of the craftwork of radio, television, and film production around Times Square, Blue-Collar Broadway tells a rich story of the history of craft and industry in American theater nationwide. In addition, White examines the role of theater in urban deindustrialization and in the revival of downtowns throughout the Sunbelt.