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A Working Costume Designer’s Guide to Fit
by Jeanette deJongA Working Costume Designer’s Guide to Fit explores the concept of fit in theatrical costumes – what it is, how to assess it, and how to achieve it. Being able to assess whether a costume fits or not is a learned skill, which takes practice as well as information about what the fit standards are for different types of garments. Filled with detailed step-by-step illustrations, this book provides all the knowledge readers will need in order to achieve the perfect fit for their costumes, including: How costumes can support actors onstage when they fit correctly. How to take measurements and how to assess them. How to conduct a fitting and what materials are needed. How to resolve a number of issues that may arise during a fitting. How to fit a mockup test garment in preparation for building a costume from scratch. How to adjust a garment or mockup to fit better. Chapters 8-14 also explore different categories of garments and discuss how to check them against the wearer’s measurements before trying them on, what the standards of fit are for each category, and how to fit an existing garment. This is an essential guide for students of Costume Design courses and professional costume designers of any experience level.
Working on a Song: The Lyrics of HADESTOWN
by Anaïs MitchellAnaïs Mitchell named to TIME's List of the 100 Most Influential People in the World of 2020An illuminating book of lyrics and stories from Hadestown—the winner of eight Tony Awards, including Best Musical—from its author, songwriter Anaïs Mitchell with a foreword by Steve Earle On Broadway, this fresh take on the Greek myth of Orpheus and Eurydice has become a modern classic. Heralded as &“The best new musical of the season,&” by The Wall Street Journal, and &“Sumptuous. Gorgeous. As good as it gets,&” by The New York Times, the show was a breakout hit, with its poignant social commentary, and spellbinding music and lyrics. In this book, Anaïs Mitchell takes readers inside her more than decade&’s-long process of building the musical from the ground up—detailing her inspiration, breaking down the lyrics, and opening up the process of creation that gave birth to Hadestown. Fans and newcomers alike will love this deeply thoughtful, revealing look at how the songs from &“the underground&” evolved, and became the songs we sing again and again.
Working on the Railroad: An Adaptation of a Traditional Song
by Brooke Harris Vincent ViglaNIMAC-sourced textbook
Working Subjects in Early Modern English Drama (Studies In Performance And Early Modern Drama Ser.)
by Natasha KordaWorking Subjects in Early Modern English Drama investigates the ways in which work became a subject of inquiry on the early modern stage and the processes by which the drama began to forge new connections between labor and subjectivity in the period. The essays assembled here address fascinating and hitherto unexplored questions raised by the subject of labor as it was taken up in the drama of the period: How were laboring bodies and the goods they produced, marketed and consumed represented onstage through speech, action, gesture, costumes and properties? How did plays participate in shaping the identities that situated laboring subjects within the social hierarchy? In what ways did the drama engage with contemporary discourses (social, political, economic, religious, etc.) that defined the cultural meanings of work? How did players and playwrights define their own status with respect to the shifting boundaries between high status/low status, legitimate/illegitimate, profitable/unprofitable, skilled/unskilled, formal/informal, male/female, free/bound, paid/unpaid forms of work? Merchants, usurers, clothworkers, cooks, confectioners, shopkeepers, shoemakers, sheepshearers, shipbuilders, sailors, perfumers, players, magicians, servants and slaves are among the many workers examined in this collection. Offering compelling new readings of both canonical and lesser-known plays in a broad range of genres (including history plays, comedies, tragedies, tragi-comedies, travel plays and civic pageants), this collection considers how early modern drama actively participated in a burgeoning, proto-capitalist economy by staging England's newly diverse workforce and exploring the subject of work itself.
Working with Children in Contemporary Performance: Ethics, Agency and Affect
by Sarah AustinThis book outlines how an innovative ‘rights-based’ model of contemporary performance practice can be used when working with children and young people.This model, framed by the United Nations Convention on the Rights of the Child (1989), challenges the idea of children as vulnerable and in need of protection, argues for the recognition of the child’s voice, and champions the creativity of children in performance. Sarah Austin draws on rich research and practitioner experience to analyse Youth Arts pedagogies, inclusive theatre practice, models of participation, the symbolic potential of the child in performance, and the work of contemporary theatre practitioners making work with children for adult audiences. The combined practical and written research reflected in this book offers a new, nuanced understanding of children as cultural agents, raising the prospect of a creative process that foregrounds deeper considerations of the strengths and capacities of children.This book would primarily appeal to scholars of theatre and performance studies, specifically those working in the field of applied theatre and theatre for children and young people. Additionally, the practice-based elements of the book are likely to appeal to theatre professionals working in youth arts or theatre for young audiences or associated fields.
The Works of Aphra Behn: The Plays, 1678-1682 (The Pickering Masters)
by Janet ToddAphra Behn (1640-1689) was one of the most successful dramatists of the Restoration theatre and a popular poet. This is the final volume in a set of seven which comprises a complete edition of all her works.
The Works of Aphra Behn: The Plays, 1678-1682 (The Pickering Masters)
by Janet ToddAphra Behn (1640-1689) was one of the most successful dramatists of the Restoration theatre and a popular poet. This is the sixth volume in a set of seven which comprises a complete edition of all her works.
The Works of Aphra Behn: The Plays, 1678-1682 (The Pickering Masters)
by Janet ToddAphra Behn (1640-1689) was one of the most successful dramatists of the Restoration theatre and a popular poet. This is the fifth volume in a set of seven which comprises a complete edition of all her works.
The Works of John Dryden: De Arte Graphica and Shorter Works, Volume XX
by John Dryden A. E. Wallace MaurerPresents six pieces written during Dryden's final decade. Two are translations, three introduce translations made by others, and the sixth introduces an original work by one of Dryden's friends.
The Works of John Dryden: All for Love, Oedipus, Troilus and Cressida, Volume XIII
by John Dryden Maximillian E. NovakVolume XIII contains three of Dryden's Plays, along with accompanying scholarly apparatus: All for Love, Oedipus, and Troilus and Cressida.
The Works of John Dryden: Wild Gallant, Rival Ladies, The Indian Queen, Volume VIII
by John Dryden John Harrington Smith Dougald MacmillanVolume VIII contains three of Dryden's Plays, along with accompanying scholarly apparatus: Wild Gallant, Rival Ladies, and Indian Queen.
The Works of John Leguizamo: Freak, Spic-o-rama, Mambo Mouth, and Sexaholix
by John LeguizamoThis volume collects all four of the writer-performer’s legendary, award–winning solo shows.John Leguizamo rose to stardom with a series of critically acclaimed solo shows in which he embodied a diverse cast of unforgettable characters. Now all four of these classic theatrical works—Freak, Spic-o-Rama, Mambo Mouth, and Sexaholix—are available in this one essential volume.Mambo Mouth Leguizamo’s first show was an Off-Broadway sensation. In it, he portrayed seven different Latino characters in a bravura performance that earned him both Obie and Outer Critics Circle awards. Spic–O–Rama A “dysfunctional family comedy,” presents 24–hours in the life of one family. It enjoyed a sold–out run in Chicago before relocating to New York where it won its creator a Drama Desk Award. Freak Leguizamo’s Broadway debut tells his own coming–of–age story. A “demi–semi–quasi–pseudo–autobiography,” which went on to become an Emmy special on HBO. Sexaholix: A Love Story Leguizamo’s “raunchy-yet-sweet comic solo performance”—a hit on both Broadway and HBO—explores his own coming of age as he transforms into a father and family man (Washington Post).
World Dance Cultures: From Ritual to Spectacle
by Patricia Leigh BeamanFrom healing, fertility and religious rituals, through theatrical entertainment, to death ceremonies and ancestor worship, World Dance Cultures introduces an extraordinary variety of dance forms practiced around the world. This highly illustrated textbook draws on wide-ranging historical documentation and first-hand accounts, taking in India, Bali, Java, Cambodia, China, Japan, Hawai’i, New Zealand, Papua New Guinea, Africa, Turkey, Spain, Native America, South America, and the Caribbean. Each chapter covers a certain region’s distinctive dances, pinpoints key issues and trends from the form’s development to its modern iteration, and offers a wealth of study features including: Case Studies – zooming in on key details of a dance form’s cultural, historical, and religious contexts ‘Explorations’ – first-hand descriptions of dances, from scholars, anthropologists and practitioners ‘Think About’ – provocations to encourage critical analysis of dance forms and the ways in which they’re understood Discussion Questions – starting points for group work, classroom seminars or individual study Further Study Tips – listing essential books, essays and video material. Offering a comprehensive overview of each dance form covered with over 100 full color photos, World Dance Cultures is an essential introductory resource for students and instructors alike.
World Drama, Volume 1: 26 Unabridged Plays
by Barrett H. ClarkVolume 1 of this two-volume set contains 26 plays including Aeschylus "Prometheus Bound"; Sophocles "Antigone"; Seneca "Medea"; Marlowe, "Dr. Faustus"; Heywood, "A Woman Killed with Kindness"; Johnson, "Every Man in His Humour"; Beaumont and Fletcher "The Maid's Tragedy"; Sheridan "The School for Scandal"; plus plays from the Orient, medieval plays and more.
A World Elsewhere
by Steven BerkoffA World Elsewhere is Steven Berkoff’s bold attempt to describe his multifarious theatrical works. Berkoff outlines the methods that he uses, first of all as an actor, secondly as a playwright and thirdly as theatre director, as well as those subtle connections in between, when one discipline melds effortlessly into another. He examines the early impulses that generated his works and what drove him to give them form, as well as the challenges he faced when adapting the work of other authors. Berkoff discusses some of his most difficult, successful and unique creations, journeying through his long and varied career to examine how they were shaped by him, and how he was shaped by them. The sheer scale of this book offers a rare experience of an accomplished artist, combined with the honesty and insight of an autobiography, making this text a singular tool for teaching, inspiration and personal exploration. Suitable for anyone with an interest in Steven Berkoff and his illustrious career, A World Elsewhere is the part analysis and part confession of an artist whose work has been performed all over the world.
The World Encyclopedia of Contemporary Theatre: Volume 5: Asia/Pacific
by Don RubinThis volume featrues over 250,000 words and more than 125 photographs identifying and defining theatre in more than 30 countries from India to Uzbekistan, from Thailand to New Zealand and featuring extensive documentation on contemporary Chinese, Japanese, Indian and Australian theatre.
World Encyclopedia of Contemporary Theatre: Volume 6: Bibliography and Cumulative Index (World Encyclopedia Of Contemporary Theatre Ser.)
by Don RubinAn annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.
World Encyclopedia of Contemporary Theatre: Volume 1: Europe (World Encyclopedia Of Contemporary Theatre Ser. #Vol. 3)
by Don RubinThe World Encyclopedia of Contemporary Theatre:Europe covers theatre since World War II in forty-seven European nations, including the nations which re-emerged following the break-up of the former USSR, Czechoslovakia and Yugoslavia. Each national article is divided into twelve sections - History, Structure of the National Theatre Community, Artistic Profile, Music Theatre, Theatre for Young Audiences, Puppet Theatre, Design, Theatre, Space and Architecture, Training, Criticism, Scholarship and Publishing and Further Reading - allowing the reader to use the book as a source for both area and subject studies.
World Encyclopedia of Contemporary Theatre: Africa (World Encyclopedia Of Contemporary Theatre Ser.)
by Don Rubin Ousmane Diakhat Hansel Ndumbe EyohNow available in paperback for the first time this edition of the World Encyclopedia of Contemporary Theatre series examines theatrical developments in Africa since 1945. Entries on thirty-two African countries are featured in this volume, preceded by specialist introductory essays on Anglophone Africa, Francophone Africa, History and Culture, Cosmology, Music, Dance, Theatre for Young Audiences and Puppetry. There are also special introductory general essays on African theatre written by Nobel Prize Laureate Wole Soyinka and the outstanding Congolese playwright, Sony Labou Tansi, before his untimely death in 1995. More up-to-date and more wide-ranging than any other publication, this is undoubtedly a major ground-breaking survey of contemporary African theatre.
World Encyclopedia of Contemporary Theatre: Volume 1: Europe (World Encyclopedia Of Contemporary Theatre Ser.)
by Don Rubin Péter Nagy Philippe RouyerThis new paperback edition of the The World Encyclopedia of Contemporary Theatre: Europe covers theatre since World War II in forty-seven European nations, including the nations which re-emerged following the break-up of the former USSR, Czechoslovakia and Yugoslavia. Each national article is divided into twelve sections - History, Structure of the National Theatre Community, Artistic profile, Music Theatre, Theatre for Young Audiences, Puppet Theatre, Design, Theatre, Space and Architecture, Training, Criticism, Scholarship and Publishing and Further Reading - allowing the reader to use the book as a source for both area and subject studies.A new preface and further reading sections by the Series Editor brings the Encyclopedia bang up-to-date making it invaluable to anyone interested in European theatre, as well as students and scholars of performance studies, history, anthropology and cultural studies.
The World Encyclopedia of Contemporary Theatre: Volume 5: Asia/Pacific
by Don Rubin Chua Soo Pong Ravi Chaturvedi Ramendu Majumdar Minoru Tanokura Katherine BrisbaneThis new paperback edition provides a unique examination of theatre in Asia and the Pacific and is written by leading experts from within the countries covered. Its far-reaching scope and broad interpretation of theatre (to include all types of performance) set it apart from any other similar publication. Entries on 33 Asian countries are featured in this volume, preceded by introductory essays on Asian Theatre, Theatre in the Pacific, History and Culture, Cosmology, Music, Dance, Theatre for Young Audiences, Mask Theatre and Puppetry.The volume contains approximately 300,000 words and includes national essays of up to 25,000 words each. The countries include:Afghanistan * Australia * Bangladesh * Bhutan * Brunei * Cambodia * India * Indonesia * Iran * Japan * Kazakhstan *Kirghizia * Laos * Malaysia * Myanmar * Mongolia * Nepal *New Zealand * Pakistan * Papua New Guinea * PhilippinesNew Zealand * Pakistan * Papua New Guinea * Philippines *Singapore * South Korea * South Pacific * Sri Lanka * Tadjikistan * Thailand * Turkmenistan * Vietnam
World Encyclopedia of Contemporary Theatre: The Americas (World Encyclopedia Of Contemporary Theatre Ser.)
by Don Rubin Carlos SolThis new in paperback edition of World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre.The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes.Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin.Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This Encyclopedia is indispensable for anyone interested in the cultures of the Americas or in modern theatre. It is also an invaluable reference tool for students and scholars of a wide range of disciplines including history, performance studies, anthropology and cultural studies.
World Encyclopedia of Contemporary Theatre: Volume 2: The Americas (World Encyclopedia Of Contemporary Theatre Ser.)
by Don Rubin Carlos SolThe second volume of the World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty-six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre.The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes.Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin.Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This is a unique volume in its own right; in conjunction with the other volumes in this series it forms a reference resource of unparalleled value.
World Encyclopedia of Contemporary Theatre Volume 4: The Americas (World Encyclopedia Of Contemporary Theatre Ser.)
by Don Rubin (Series Editor)One of the first internationally published overviews of theatrical activity across the Arab World. Includes 160,000 words and over 125 photographs from 22 different Arab countries from Africa to the Middle East.
The World in an Orange: Creating Theatre with Barney Simon
by Jane Fox Lionel Abrahams Leila Henriques Irene StephanouBarney Simon (1932-1995) was the legendary artistic director, writer, and co-creator ofthe Market Theatre in Johannesburg, one of the most influential and distinguished theatres in South Africa and the world. He workshopped, wrote, and directed unforgettable and pertinent plays in his quest to "hold a mirror up high to society." These works stand as a testament to South Africa's recent history. Here are 80 testaments from international artists about Barney's often mysterious creative process. Barney was especially known for his famous "orange exercise." Through a single orange, he communicated lessons of detail,care, and respect. With full-color illustrations throughout, this is an essential book for students and teachers of theatrical expression, and indeed for anyone who strives to understand their own voice. With the passing of a decade of democracy in South Africa, The World in an Orange is a record of the last years of apartheid and the role of the arts community in bringing it down.