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What Is This Feeling?
by Robby WeberThis joyful romp from Robby Weber, perfect for fans of Jason June and Morgan Matson, follows a boy who will do anything to win his drama club's scavenger hunt in New York City, even if it means teaming up with a tech crew loner…and discovering unexpected sparks between them.Theater star Teddy McGuire is ready for all his dreams to come true. He and his best friend, Annie, have been counting down the days to the end-of-the-year drama club trip to New York City. To make it even more magical, if they can win the annual scavenger hunt, they&’ll get a chance to meet their popstar idol, Benji Keaton.But the universe has other plans: when Annie can&’t go on the trip, Teddy is forced to room with tech crew loner Sebastian, who has no interest in the scavenger hunt—or Teddy—and seems to have a secret agenda of his own.On a larger-than-life adventure across the city, the boys will discover a lot more than what&’s on their checklist, including masquerade mishaps, obstacles of Jurassic proportions, Hollywood starlets, and, most surprisingly of all, sparks beginning to fly between them. In a story about chasing your destiny, Teddy and Sebastian are about to learn the secret to making their own luck.Also by Robby Weber: If You Change Your Mind I Like Me Better
What Mama Said: An Epic Drama
by Osonye OnwuemeAn explosive political drama projecting an African people's revolutionary struggle to confront government forces and foreign oil corporations that have ravaged their land and strangled the voices of their mothers and daughters.
What Playwrights Talk About When They Talk About Writing
by Jeffrey SweetThe art and craft of playwriting as explored in candid conversations with some of the most important contemporary dramatists Edward Albee, Lanford Wilson, Lynn Nottage, A. R. Gurney, and a host of other major creative voices of the theater discuss the art of playwriting, from inspiration to production, in a volume that marks the tenth anniversary of the Yale Drama Series and the David Charles Horn Foundation Prize for emerging playwrights. Jeffrey Sweet, himself an award-winning dramatist, hosts a virtual roundtable of perspectives on how to tell stories onstage featuring extensive interviews with a gallery of gifted contemporary dramatists. In their own words, Arthur Kopit, Marsha Norman, Christopher Durang, David Hare, and many others offer insights into all aspects of the creative writing process as well as their personal views on the business, politics, and fraternity of professional theater. This essential work will give playwrights and playgoers alike a deeper and more profound appreciation of the art form they love.
What The Rabbi Saw
by Jane Milmore Billy Van ZandtFarce / 7m, 4f / Interior / Adrienne Barbeau headed the cast of this crazy slapstick farce which takes pre wedding jitters to nightmare proportions. In a posh New York hotel just before Walter and Wendy are scheduled to say "I do", Walter's zipper becomes attached to his bride's sister's dress during a last minute act of infidelity. Meanwhile Wendy is having a fling with the best man. This finely tuned exercise in physical comedy zips from one hilarious situation as all try to hide their exploits and make it to the church on time.
What They Don't Teach You at Film School: 161 Strategies For Making Your Own Movie No Matter What
by Camille Landau Tiara White<p>Two filmmakers who've beaten the system give the real dope on what it takes to get your movie made. <p>Do you have to go to film school to get your movies made? No, say two young entrepreneurs who survived the grind. Here they offer 140 strategies for making movies no matter what. Amateurs as well as seasoned veterans can pick up this entertaining and incredibly useful guide in any place--at any point of crisis--and find tactics that work. Whether it's raising money or cutting your budget; dealing with angry landlords or angry cops; or jump-starting the production or stalling it while you finish the script, these strategies are delivered with funny, illustrative anecdotes from the authors' experiences and from veteran filmmakers eager to share their stories. Irreverent, invaluable, and a lot cheaper than a year's tuition, this friendly guide is the smartest investment any future filmmaker could make. <p>Strategies from the book include: Love your friends for criticizing your work--especially at the script stage; Shyness won't get you the donuts; Duct tape miracles; Don't fall in love with cast or crew (but if you do...).
What They Don't Tell You About: William Shakespeare
by Anita GaneriDid you know that Shakespeare couldn't spell his own surname? Love him or hate him, everyone has heard of the world's most famous playwright. But did the Elizabethans think he was a genius or simply that he wrote great soap operas? Any book on Shakespeare will give you the boring facts THEY think you should know, but only this one will tell you what the bard and his mates were REALLY like ... Uncover a wealth of information about Shakespeare! Find out where he was born and look at his family tree, see a map of Shakespeare's Stratford and Shakespeare's London, find out what school was like in Shakespeare's time, what London life was like and what sort of people went to the theatre. See a cross-section illustration of the Globe and discover how special effects were created and what actors wore. Read biographies of famous actors of the era such as Edward Alleyn, Richard Burbage, Richard Tarlton and William Kempe as well as biographies of contemporary writers Ben Jonson, Thomas Kyd and Christopher Marlowe. Read famous quotes and sayings and whizz your eye over a timeline of Shakespeare's plays and of his life. This book will tell you what Shakespeare's longest or shortest play is, or even which is the most miserable or goriest? It includes plots and information about ten of Shakespeare's plays: Richard III; Romeo and Juliet; A Midsummer Night's Dream; The Merchant of Venice; Henry V; Twelfth Night; Hamlet; Othello; Macbeth and The Tempest. It highlights some of Shakespeare's funniest characters and some of those that were in love. It concludes looking at how Shakespeare died, and discusses whether Shakespeare was, in fact, Sir Francis Bacon, Edward De Vere, Roger Manners, William Stanley or Christopher Marlowe. Finally, test your knowledge of all you've read with a fun 20-question quiz.
What We Talk About When We Talk About Clone Club: Bioethics and Philosophy in Orphan Black
by Gregory E. PenceWhat is the real-world history and science of human cloning, and does Orphan Black get it right? Can you "own" a person—even a cloned one? How can Sarah Manning be straight, Cosima gay, and Tony trans? Cult hit sci-fi show Orphan Black doesn't just entertain—it also raises fascinating questions about human cloning, its ethics, and its impact on personal identity. In What We Talk About When We Talk About Clone Club: Bioethics and Philosophy in Orphan Black, prominent bioethicist Gregory E. Pence violates Clone Club's first rule to take us deeper into the show and its connections to the real world, including: Widespread myths about human clones (and Orphan Black's rejection of them) Our ugly history of eugenics The ethics of human experimentation, by way of Projects Castor and Leda What we can learn about clones and identity from twin studies and tensions among Orphan Black's clone "sisters" Kendall Malone and other genetic anomalies The brave new world of genetic enhancement and clonal dynasties, and how Helena and Kira Manning fit in In the process, What We Talk About When We Talk About Clone Club reveals why Orphan Black is some of today's most engaging and thought-provoking television.
What's in Shakespeare's Names (Routledge Library Editions: Study of Shakespeare)
by Murray J. Levith‘What’s in a name? That which we call a rose/By any other name would smell as sweet.’ So says Juliet in the balcony scene from Romeo and Juliet but, originally published in 1978, Murray Levith shows just how wrong Juliet was. Shakespeare was extremely careful in his selection of names. Not only the obvious Hotspur or the descriptive Bottom or Snout, but most names in Shakespeare’s thirty-seven plays had a more than superficial significance. Beginning with what has been written previously, Levith illustrates how Shakespeare used names – not only those he invented in the later comedies, but those names bequeathed to him by history, myth, classical literature, or the Bible. Levith moves from the histories through the tragedies to the comedies, listing each significant name play by play, giving the allusions, references, and suggestions that show how each name enriches interpretations of action, character, and tone. Dr. Levith examines Shakespeare’s own name, and speculates upon the playwright’s identification with his characters and the often whimsical naming games he played or that were played upon him. A separate alphabetical index is provided to facilitate the location of individual names and, in addition, cross references to plays are given so that each name can be considered in the context of all the plays in which it appears.
What's So Funny?: Sketches from My Life (Choreography and Dance Studies Series #Vol. 15)
by Lotte GoslarFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
What's The Story: Essays About Art, Theater And Storytelling
by Anne BogartAnne Bogart is an award-winning theatre maker, and a best-selling writer of books about theatre, art, and cultural politics. In this her latest collection of essays she explores the story-telling impulse, and asks how she, as a ‘product of postmodernism’, can reconnect to the primal act of making meaning and telling stories. She also asks how theatre practitioners can think of themselves not as stagers of plays but ‘orchestrators of social interactions’ and participants in an on-going dialogue about the future.
What's the Matter with Today's Experimental Music?: Organized Sound Too Rarely Heard (Contemporary Music Studies #4)
by Leigh LandyToday's education and communications media are seen to be the main cause of the anonymity of contemporary music and suggestions are made to improve this situation. Leigh Landy investigates audio-visual applications that have hardly been explored, new timbres and sound sources, the discovery of musical space, new notations, musical politics, and the 'musical community' in an attempt to incite more composers, musicians and musicologists to get this music out into the works and to stimulate the creation of new experimental works.
What's the Story: Essays about art, theater and storytelling
by Anne BogartAnne Bogart is an award-winning theatre maker, and a best-selling writer of books about theatre, art, and cultural politics. In this her latest collection of essays she explores the story-telling impulse, and asks how she, as a ‘product of postmodernism’, can reconnect to the primal act of making meaning and telling stories. She also asks how theatre practitioners can think of themselves not as stagers of plays but ‘orchestrators of social interactions’ and participants in an on-going dialogue about the future. We dream. And then occasionally we attempt to share our dreams with others. In recounting our dreams we try to construct a narrative... We also make stories out of our daytime existence. The human brain is a narrative creating machine that takes whatever happens and imposes chronology, meaning, cause and effect... We choose. We can choose to relate to our circumstances with bitterness or with openness. The stories that we tell determine nothing less than personal destiny. (From the introduction) This compelling new book is characteristically made up of chapters with one-word titles: Spaciousness, Narrative, Heat, Limits, Error, Politics, Arrest, Empathy, Opposition, Collaboration and Sustenance. In addition to dipping into neuroscience, performance theory and sociology, Bogart also recounts vivid stories from her own life. But as neuroscience indicates, the event of remembering what happened is in fact the creation of something new.
What’s the Worst Thing You Can Do to Shakespeare?
by Richard BurtWhat's the worst thing you can do to Shakespeare? The answer is simple: don't read him. To that end, Richard Burt and Julian Yates embark on a project of un/reading the Bard, turning the conventional challenges into a roadmap for textual analysis and a thorough reconsideration of the plays in light of their absorption into global culture.
When a Gesture Was Expected: A Selection of Examples from Archaic and Classical Greek Literature
by Alan L. BoegeholdA boldly innovative study of nonverbal communication in the poetry and prose of Hellenic antiquityWhen a Gesture Was Expected encourages a deeper appreciation of ancient Greek poetry and prose by showing where a nod of the head or a wave of the hand can complete meaning in epic poetry and in tragedy, comedy, oratory, and in works of history and philosophy. All these works anticipated performing readers, and, as a result, they included prompts, places where a gesture could complete a sentence or amplify or comment on the written words. In this radical and highly accessible book, Alan Boegehold urges all readers to supplement the traditional avenues of classical philology with an awareness of the uses of nonverbal communication in Hellenic antiquity. This additional resource helps to explain some persistently confusing syntaxes and to make translations more accurate. It also imparts a living breath to these immortal texts.Where part of a work appears to be missing, or the syntax is irregular, or the words seem contradictory or perverse—without evidence of copyists' errors or physical damage—an ancient author may have been assuming that a performing reader would make the necessary clarifying gesture. Boegehold offers analyses of many such instances in selected passages ranging from Homer to Aeschylus to Plato. He also presents a review of sources of information about such gestures in antiquity as well as thirty illustrations, some documenting millennia-long continuities in nonverbal communication.
When Broadway Was Black: The Triumphant Story of the All-Black Musical that Changed the World
by Caseen GainesThe triumphant story of how an all-Black Broadway cast and crew changed musical theatre—and the world—forever."This musical introduced Black excellence to the Great White Way. Broadway was forever changed and we, who stand on the shoulders of our brilliant ancestors, are charged with the very often elusive task of carrying that torch into our present."—Billy Porter, Tony, Grammy, and Emmy Award-winning actor"The 1920s were the years of Manhattan's Black Renaissance. It began with Shuffle Along." —Langston HughesIf Hamilton, Rent, or West Side Story captured your heart, you'll love this in-depth look into the rise of the 1921 Broadway hit, Shuffle Along, the first all-Black musical to succeed on Broadway. No one was sure if America was ready for a show featuring nuanced, thoughtful portrayals of Black characters—and the potential fallout was terrifying. But from the first jazzy, syncopated beats of composers Noble Sissle and Eubie Blake, New York audiences fell head over heels.When Broadway Was Black is the story of how Sissle and Blake, along with comedians Flournoy Miller and Aubrey Lyles, overcame poverty, racism, and violence to harness the energy of the Harlem Renaissance and produce a runaway Broadway hit that launched the careers of many of the twentieth century's most beloved Black performers. Born in the shadow of slavery and establishing their careers at a time of increasing demands for racial justice and representation for people of color, they broke down innumerable barriers between Black and white communities at a crucial point in our history.Author and pop culture expert Caseen Gaines leads readers through the glitz and glamour of New York City during the Roaring Twenties to reveal the revolutionary impact one show had on generations of Americans, and how its legacy continues to resonate today.Praise for When Broadway Was Black:"A major contribution to culture."—Brian Jay Jones, New York Times bestselling author of Jim Henson: The Biography"With meticulous research and smooth storytelling, Caseen Gaines significantly deepens our understanding of one of the key cultural events that launched the Harlem Renaissance."—A Lelia Bundles, New York Times bestselling author of On Her Own Ground: The Life and Times of Madam C.J. Walker"Absorbing..."—The Wall Street JournalPreviously published as Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way
When Harriet Came Home
by Coleen KwanAfter ten years of exile, Harriet Brown is back in town. Things have definitely changed, but so has she. Now the confident owner of a catering business, she's no longer the shy, overweight girl everyone-including her hot teenage crush-used to ignore. In fact, she's determined to make peace with Adam Blackstone for her part in exposing his father's secret affairs and corrupt behavior as mayor. But Adam has changed as well. No longer a pampered, rich pinup boy, he just wants to reestablish his family's good name. He reluctantly agrees to a truce with Harriet, and is surprised by how changed she is. He doesn't want to be drawn to her, but he can't seem to resist her allure. As Harriet struggles to come to terms with her past, her adolescent infatuation with Adam morphs into something more serious... Will she ever be accepted again? Or will ancient history ruin the chance of a future full of possibilities? 52,000 words
When Heroes Sing
by Sarah NooterThis book examines the lyrical voice of Sophocles' heroes and argues that their identities are grounded in poetic identity and power. It begins by looking at how voice can be distinguished in Greek tragedy and by exploring ways that the language of tragedy was influenced by other kinds of poetry in late fifth-century Athens. In subsequent chapters, Professor Nooter undertakes close readings of Sophocles' plays to show how the voice of each hero is inflected by song and other markers of lyric poetry. She then argues that the heroes' lyrical voices set them apart from their communities and lend them the authority and abilities of poets. Close analysis of the Greek texts is supplemented by translations and discussions of poetic features more generally, such as apostrophe and address. This study offers new insight into the ways that Sophoclean tragedy inherits and refracts the traditions of other poetic genres.
When Honour's at the Stake (Routledge Revivals)
by Norman CouncilRenaissance ideas of honour had a profound influence on the English people who formed Shakespeare’s audiences. In When Honour’s at the Stake, first published in 1973, Norman Council describes the increasing importance of these ideas to the themes and structure of a number of Shakespeare’s major plays. The validity of the most widely approved code of honour was being challenged on a variety of fronts, yet both personal standards of behaviour and public affairs were habitually understood in terms of honour. A series of tragedies are given their basic form by dramatizing the pernicious effects of man’s disobedience to the various demands of honour; in Julius Caesar, Troilus and Cressida, Hamlet, Othello, and King Lear honour is among the principal motives of tragedy. In this way, the modern reader’s comprehension of the plays can be greatly enhanced by reference to Elizabethan honour codes.
When Is a Clock
by Matthew FreemanDramatic Comedy / 5m, 3f / Approximate running time: 1 hour and 45 minutes, no intermission. / Various settings, some real, some imaginary, in Pennsylvania / When Gordon's wife vanishes, the only clue to her whereabouts is a bookmark in dog-eared copy of Traveling to Montpelier. With little help to be found at work, from his son, or from the police, Gordon takes off to a rural bookstore to find some answers. His journey brings him to the town of Cornersville, in the wilds of Pennsylvania. Through a fractured narrative that is half-mystery and half-memory, we learn about Gordon’s marriage, his relationship with his son, his work-life and his wife’s bizarre entanglements with a mysterious stranger. We learn, too, about the nature of the landscape unique to the play: a magical universe with physics and laws that can both free the characters from their own stifling identities, and trap them as well. Synchronicity, dreams, and alchemy combine in this exploration of what it means to be able to – and unable to – change. At turns both scathingly funny and disturbingly compelling, When Is A Clock features Freeman's celebrated deconstruction of American culture - which has been called "nonviolent, though as savage as any slasher film" by the New York Times.
When Movies Were Theater: Architecture, Exhibition, and the Evolution of American Film (Film and Culture Series)
by William PaulThere was a time when seeing a movie meant more than seeing a film. The theater itself shaped the very perception of events on screen. This multilayered history tells the story of American film through the evolution of theater architecture and the surprisingly varied ways movies were shown, ranging from Edison's 1896 projections to the 1968 Cinerama premiere of Stanley Kubrick's 2001. William Paul matches distinct architectural forms to movie styles, showing how cinema's roots in theater influenced business practices, exhibition strategies, and film technologies.
When She Danced (Plays Ser.)
by Martin ShermanDrama \ 3m, 5f \ Interior \ New York's Playwrights Horizons had a success starring Elizabeth Ashley as the legendary Isadora Duncan. The acclaimed author of Bent brings us Paris 1923, and Duncan's desperate attempts to keep herself financially solvent to realize her dream of retirement : a school in Italy to teach young dancers her art while distracted by her mercurial husband, a poet who only speaks Russian, as well as various acolytes, through whose eyes we glimpse the greatness of Isadora "when she danced". \ "A fascinating play.... A comic portrait of a Bohemian salon in both joy and extremis, as the calling of high art meets the low farce of insistent creditors, ludicrous lovers and unexpected guests. The very inexplicability of Isadora's art becomes ... a stirring emblem of its mysterious power to endure."- The New York Times
When Will I Be Famous?
by Martin KelnerWhen Will I Be Famous? is about a world of entertainment; a twilight world far from the bright lights of the West End. Among the pages of Showcall, an annual index of artistes and attractions, there is an army of hopefuls waiting for their big break. Some may be on the verge of a big break; for others, the big break came and went years ago. What they all have in common is that they are out there, entertaining people night after night, folding paper into interesting shapes, telling jokes to businessmen at corporate functions, stripping for hen-parties. Together, they represent an unalloyed triumph of hope over experience. Using acts from Showcall as a starting point, Martin Kelner travels from town to town, demonstrating that how we are entertained, what we do for fun, says at least as much about The Way We Live Now as any other indicator. When Will I Be Famous? is a fascinating and funny account of Britain as seen by the people who try to keep it happy.
When You Are Old: Early Poems, Plays, and Fairy Tales
by William Butler Yeats Rob DoggettRecalling Yeats's 1890s fascination in aestheticism and the arts and crafts movement, selections will draw from the first published versions of poems from works such as Crossways, The Rose, The Wind Among the Reeds, In the Seven Woods, The Green Helmet and Other Poems, Responsibilities, The Wild Swans at Coole, and Michael Robartes and the Dancer. A selection Irish myths and fairytales including "The Wanderings of Oisin," a Celtic fable and his first major poem, represent his fascination with mysticism, spiritualism and the rich and imaginative heritage of his native land.
Where Do We Live and Other Plays
by Christopher ShinnThis anthology marks the emergence of one of the finest and most innovative new artists writing for the theater today. "The secret of Shinn's success is in the way he exploits the dramatic gap between what is said and that which is left unsaid . . . writing like this is rare," said the London Independent. Where Do We Live, the title play, was written shortly after 9/11 and though never referenced, it still haunts this chronicle of the struggles of several aspiring and gifted young New Yorkers on the Lower East Side. Like all his work, it is a deeply affecting story of how we define our lives and our place in the world.The Coming World "Shinn certainly looks like a shining prospect for the future."--Daily TelegraphFour "Nothing is simple emotionally. The play keeps delivering small shocks and aches that end in a standoff, or maybe in that pause between despair, resignation and a twinge of hope. Haunting."--Margo Jefferson, The New York TimesOther People "Shinn writes with graceful compassion about people trapped inside their own skins unable to make sense of their lives."--The GuardianWhat Didn't Happen ". . . is about the distance between people, and the ways in which even friends, spouses and lovers are ultimately unknowable to one another . . . a playwright to cherish."--The New York TimesChristopher Shinn's plays have been produced at Playwrights Horizons, Manhattan Theatre Club, the Vineyard Theatre in New York and often at London's Royal Court Theatre. Where Do We Live received a 2003 Olivier Award nomination for most promising playwright. His next play, On the Mountain, premieres in New York City early in 2005.
Where Is Broadway? (Where Is?)
by Douglas Yacka Francesco Sedita Who HQTake your seats, because Where Is Broadway? is ready to take center stage!In a lively and engaging style, authors Douglas Yacka and Francesco Sedita cover the development of the first theaters and the birth of the American musical, as well as the shows and stars that have become Broadway legends. Readers will get the inside story on their favorite shows and may even discover some new ones.