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Watermelon (Walsh Family)
by Marian KeyesFebruary the fifteenth is a very special day for me. It is the day I gave birth to my first child. It is also the day my husband left me...I can only assume the two events weren't entirely unrelated.Claire has everything she ever wanted: a husband she adores, a great apartment, a good job. Then, on the day she gives birth to their first baby, James informs her that he's leaving her. Claire is left with a newborn daughter, a broken heart, and a postpartum body that she can hardly bear to look at.She decides to go home to Dublin. And there, sheltered by the love of a quirky family, she gets better. So much so, in fact, that when James slithers back into her life, he's in for a bit of a surprise.
Wax Impressions, Figures, and Forms in Early Modern Literature: Wax Works (Early Modern Cultural Studies 1500–1700)
by Lynn M. MaxwellThis book explores the role of wax as an important conceptual material used to work out the nature and limits of the early modern human. By surveying the use of wax in early modern cultural spaces such as the stage and the artist’s studio and in literary and philosophical texts, including those by William Shakespeare, John Donne, René Descartes, Margaret Cavendish, and Edmund Spenser, this book shows that wax is a flexible material employed to define, explore, and problematize a wide variety of early modern relations including the relationship of man and God, man and woman, mind and the world, and man and machine.
Way to Heaven
by Juan MayorgaThe heart of Europe. 1942. Children playing, lovers' tiffs, a deserted train station and a ramp rising towards a hangar. This is what you can see, but what should the Red Cross representative report say? <p><p>Way to Heaven has previously been produced at the Teatro Mara Guerrero, Madrid by the Centro Dramatico Nacional. A production of this English translation opened at the Royal Court Theatre, London in June 2005. Juan Mayorga's work has been produced in Spain and around Europe as well as the USA.
Ways of the World: Theater and Cosmopolitanism in the Restoration and Beyond
by Laura J. RosenthalWays of the World explores cosmopolitanism as it emerged during the Restoration and the role theater played in both memorializing and satirizing its implications and consequences. Rooted in the Stuart ambition to raise the status of England through two crucial investments—global traffic, including the slave trade, and cultural sophistication—this intensified global orientation led to the creation of global mercantile networks and to the rise of an urban British elite who drank Ethiopian coffee out of Asian porcelain at Ottoman-inspired coffeehouses. Restoration drama exposed cosmopolitanism's most embarrassing and troubling aspects, with such writers as Joseph Addison, Aphra Behn, John Dryden, and William Wycherley dramatizing the emotional and ethical dilemmas that imperial and commercial expansion brought to light.Altering standard narratives about Restoration drama, Laura J. Rosenthal shows how the reinvention of theater in this period—including technical innovations and the introduction of female performers—helped make possible performances that held the actions of the nation up for scrutiny, simultaneously indulging and ridiculing the violence and exploitation being perpetuated. In doing so, Ways of the World reveals an otherwise elusive consistency between Restoration genres (comedy, tragedy, heroic plays, and tragicomedy), disrupts conventional understandings of the rise and reception of early capitalism, and offers a fresh perspective on theatrical culture in the context of the shifting political realities of seventeenth- and eighteenth-century Britain.
We All Want Impossible Things: A Novel
by Catherine NewmanLook for Wreck, the new novel by Catherine Newman—a deeply moving story of laughter and heart, about marriage, family, and what happens when life doesn’t go as planned—Coming October 2025. “Catherine Newman sees the heartbreak and comedy of life with wisdom and unflinching compassion. The way she finds the extraordinary in the everyday is nothing short of poetry. She’s a writer’s writer—and a human’s human.”—New York Times bestselling author Katherine Center“A riotously funny and fiercely loyal love letter to female friendship. The story of Edi and Ash proves that a best friend is a gift from the gods. Newman turns her prodigious talents toward finding joy even in the friendship’s final days. I laughed while crying, and was left revived. Newman is a comic masterhand and a dazzling philosopher of the day-to-day.”—Amity Gaige, author of Sea Wife“The funniest, most joyful book about dying—and living—that I have ever read.”—KJ Dell'Antonia, author of the New York Times bestselling The Chicken SistersFor lovers of Meg Wolitzer, Maria Semple, and Jenny Offill comes this raucous, poignant celebration of life, love, and friendship at its imperfect and radiant best. Edith and Ashley have been best friends for over forty-two years. They’ve shared the mundane and the momentous together: trick or treating and binge drinking; Gilligan’s Island reruns and REM concerts; hickeys and heartbreak; surprise Scottish wakes; marriages, infertility, and children. As Ash says, “Edi’s memory is like the back-up hard drive for mine.” But now the unthinkable has happened. Edi is dying of ovarian cancer and spending her last days at a hospice near Ash, who stumbles into heartbreak surrounded by her daughters, ex(ish) husband, dear friends, a poorly chosen lover (or two), and a rotating cast of beautifully, fleetingly human hospice characters.As The Fiddler on the Roof soundtrack blasts all day long from the room next door, Edi and Ash reminisce, hold on, and try to let go. Meanwhile, Ash struggles with being an imperfect friend, wife, and parent—with life, in other words, distilled to its heartbreaking, joyful, and comedic essence.For anyone who’s ever lost a friend or had one. Get ready to laugh through your tears.
We Are Not These Hands
by Sheila CallaghanComedy / 1m, 2f / Simple Set Ever since their school blew up, Moth and Belly have taken to stalking an illegal internet café in the hopes o/ f one day being allowed in. They take particular interest in Leather, a skittish older man doing research in the café. Leather is a self-proclaimed "freelance scholar" from a foreign land with a sketchy past and a sticky secret. Leather begins to fall head over heals in love with Moth... but what about Belly? This play explores the effects of rampant capitalism on a country that is ill-prepared for it. "Bold and engaging, We Are Not These Hands is as fun as it is engaging...Rich in detail and full of humor and pathos." - Oakland Tribune "Swaggering eccentricity...Callaghan takes a lavish mud bath in a broken language...Ripe apocalyptic slang; at its best, it's racy and unrefined, the kind of stuff you might imagine kids in the back alleys of a decaying world might sling around." - The Washington Post "The gap between rich and poor yawns so wide it aches in Sheila Callaghan's We Are Not These Hands, but much of the ache is from laughter. Hands is a comically engaging, subversively penetrating look at the human cost of unbridled capitalism on both sides of the river...the anger of the play's social vision is partly concealed by its copious humor, emerging more forcefully after it's over...Hands bristles with bright, comic originality, particularly in depicting the limitations of its people." - San Francisco Chronicle
We Can't Be Friends: A True Story
by Cyndy EtlerThe companion to The Dead Inside, "[An] unnerving and heartrending memoir" (Publishers Weekly) This is the story of my return to high school. This is the true story of how I didn't die. High school sucks for a lot of people. High school extra sucks when you believe, deep in your soul, that every kid in the school is out to get you. I wasn't popular before I got locked up in Straight Inc., the notorious "tough love" program for troubled teens. So it's not like I was walking around thinking everyone liked me. But when you're psychologically beaten for sixteen months, you start to absorb the lessons. The lessons in Straight were: You are evil. Your peers are evil. Everything is evil except Straight, Inc. Before long, you're a true believer. And when you're finally released, sent back into the world, you crave safety. Crave being back in the warehouse. And if you can't be there, you'd rather be dead.
We Danced All Night: My Life Behind the Scenes with Alan Jay Lerner
by Doris ShapiroMrs. Shapiro's 14 years as an assistant to Alan Jay Lerner, from before "My Fair Lady" to "On a Clear Day You Can See Forever."
We the Family
by George F. WalkerWe the Family brings us three plays on family and education: Parents' Night documents a teacher's response to an overbearing father; The Bigger Issue examines teacher-student violence; We the Family follows the ripple effects of a culturally diverse wedding.George F. Walker is one of Canada's most prolific and popular playwrights.
We're Gonna Die
by Young Jean Lee"Sly, weird, and thoroughly winning . . . Bracing, funny, and, yes, consoling."--The New York Times"Young Jean Lee will give you whiplash. Her ability to stake out aesthetic territory and then abruptly abandon it makes her unpredictable; her tendency to excel at each new genre makes her terrifying. In the enormously touching cabaret-style We're Gonna Die, Lee jettisons everything that has armored this au courant young playwright against the world. . . . Lee purchases our hearts with her bravery's own coin."--Time Out New YorkInspired by her personal experiences with despair and loneliness, the Obie Award-winning playwright-provocateur and her band Future Wife create a life-affirming show that anyone can perform, about the one thing everyone has in common: we're all gonna die. Each book includes a CD of all six songs and eight monologues performed by David Byrne, Laurie Anderson, Adam Horowitz, and others.Young Jean Lee has been hailed as "one of the best experimental playwrights in America" by Time Out New York. She has written and directed nine shows in New York with Young Jean Lee's Theater Company and toured her work to over twenty cities around the world. Her other plays include The Shipment, Lear, and Songs of the Dragons Flying to Heaven. Awards include two Obies, the Festival Prize of the Zuercher Theater Spektakel, a Prize in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship, and a Doris Duke Artist Award.
Weavers of Dreams, Unite!: Actors' Unionism in Early Twentieth-Century America
by Sean P. HolmesPublished to coincide with the centenary of the founding of the Actors' Equity Association in 1913, Weavers of Dreams, Unite! explores the history of actors' unionism in the United States from the late nineteenth century to the onset of the Great Depression. Drawing upon hitherto untapped archival resources in New York and Los Angeles, Sean P. Holmes documents how American stage actors used trade unionism to construct for themselves an occupational identity that foregrounded both their artistry and their respectability. In the process, he paints a vivid picture of life on the theatrical shop floor in an era in which economic, cultural, and technological changes were transforming the nature of acting as work. The engaging study offers important insights into the nature of cultural production in the early twentieth century, the role of class in the construction of cultural hierarchy, and the special problems that unionization posed for workers in the commercial entertainment industry.
Weber and Fields: Their Tribulations, Triumphs, and Their Associates (New York Classics)
by Felix IsmanJoe Weber and Lew Fields were the dominant musical comedy team at the turn of the last century. They created classic comedic characters and routines and formed their own theatrical troupe, running a theater in New York for many years where they produced successful revues that combined music, dance, and song. So famous were they in their time that they inspired a full-length biography by a major publisher.Weber and Fields follows the duo from their childhood on New York's rough-and-tumble Lower East Side to the creation of their best-known characters, the Dutch knockabout comedians Mike and Myer, and continues with the opening of their own theater in 1896 (with landmark productions through 1904) to their reunion in 1912. This new edition brings an out-of-print classic to a new generation of theater loves. A new introduction by Ken Bloom carries the story through the rest of their careers, showing how Weber and Fields set the stage for comic duos that followed, including Mutt and Jeff of comic book fame, Laurel and Hardy, Abbott and Costello, Rowan and Martin, and countless others.
Wedding Belles
by Alan Bailey5f / Comedy / Exterior Four garden-club ladies meet a young girl who has come to their little Texas town to marry an infantryman before he ships off for World War II. The women impulsively decide to throw the girl an elaborate wedding, and their lives and friendships are thrown into turmoil as they race to accomplish the nuptials in one frenzied afternoon. "Delightful! ... Funny and folksy ... The ladies light up the stage!" - Dallas Morning News
Welfare and the Well-Being of Children
by Janet M. CurrieAn analysis of eight of the largest US welfare programmes affecting children. These programmes include Aid to Families with Dependent Children, the Food Stamp Program. Medicaid, housing assistance, supplemental feeding programmes such as WIC and School Lunch, Head Start and the Earned Income Tax Credit. Despite the fact that these programmes were designed to serve children, most discussion of welfare reforms focuses on the incentives that the welfare system creates for parents. This analysis represents an evaluation of the evidence regarding the effects of welfare programmes on the children themselves. Programmes such as Medicaid and Head Start have a larger effect on measures of child well-being than cash transfer programs such as AFDC. This suggests an economic rationale for the recent trend towards providing a larger proportion of assistance in-kind.
Welfarewell
by Cat DelaneyDramatic Comedy / Characters: 1m, 7f, Larger Cast Possibilities /Simple Set Winner of the 2009 Samuel French Canadian Playwriting Competition Esmerelda Quipp is 80, still of sound mind, but her body is beginning to "come unglued", as she puts it. Having spent her working life as an actress, age pushing her gradually out of the business, she now faces the fact that her meagre government pension is insufficient to support her, even with her minimal needs. When she is arrested for attempting to bury her dead cat in her landlord's yard, she finds that there is some sense of community, not to mention free room and board, within the prison system. She devises a plan to get herself sent back to jail; she robs a bank. But a well-meaning public defender gets the charges against her dropped. Esmerelda Quipp is undeterred! Using money she gets from returning stolen wine bottles to a recycling depot, she buys a toy gun at the local dollar store, and commits armed robbery. Knowing that she will be convicted because she will plead guilty, she assumes that she can spend the rest of her days living free, hanging out with other women, and being fed decently in a women's prison. But the system that has failed her also wants to forgive her because of her age and general health, and the public defender wants to use an insanity plea to get her off. How will Esmerelda convince the legal system she should be incarcerated, literally, for life?
Well
by Lisa KronThe acclaimed writer and performer Lisa Kron's newest work is all about her mom. It explores the dynamics of health, family and community with the story of her mother's extraordinary ability to heal a changing neighborhood, despite her inability to heal herself. In this solo show with other people in it, Kron asks the provocative question: Are we responsible for our own illness? But the answers she gets are much more complicated than she bargained for when the play spins dangerously out of control into riotously funny and unexpected territory.Lisa Kron has received numerous honors, including several OBIE Awards, the Cal Arts/Alpert Award, the Bessie Award and the GLAAD Media Award. Ms. Kron lives in New York City and Los Angeles.
Wendy Wasserstein
by Jill DolanPlaywright Wendy Wasserstein (1950–2006), author of The Heidi Chronicles, wrote topical, humorous plays addressing relationships among women and their families, taking the temperature of social moments from the 1960s onward to debate women’s rightful place in their professional and personal lives. The playwright’s popular plays continue to be produced on Broadway and in regional theaters around the country and the world. Wasserstein’s emergence as a popular dramatist in the 1970s paralleled the emergence of the second-wave feminist movement in the United States, a cultural context reflected in the themes of her plays. Yet while some of her comedies and witty dramas were wildly successful, packing theaters and winning awards, feminists of the era often felt that the plays did not go far enough. Wendy Wasserstein provides a critical introduction and a feminist reappraisal of the significant plays of one of the most famous contemporary American women playwrights. Following a biographical introduction, chapters address each of her important plays, situating Wasserstein’s work in the history of the US feminist movement and in a historical moment in which women artists continue to struggle for recognition.
Wendy Wasserstein: A Casebook (Casebooks on Modern Dramatists #Vol. 26)
by Claudia BarnettWendy Wasserstein: A Casebook contains in-depth discussions of the playwright's major works, including her recent play 1 An American Daughter. Wasserstein's plays and essays are explored within diverse traditions, including Jewish storytelling, women's writing, and classical comedy. Critical perspectives include feminist, Bakhtinian, and actor/director. Comparisons with other playwrights, such as Rachel Crothers, Caryl Churchill, and Anton Chekhov, provide context and understanding. An interview with the playwright and an annotated bibliography are included.
West African Popular Theatre (Drama And Performance Studies)
by John Collins Alain Ricard Karin Barber" . . . a ground-breaking contribution to the field of African literature . . . " —Research in African Literatures"Anyone with the slightest interest in West African cultures, performance or theatre should immediately rush out and buy this book." —Leeds African Studies Bulletin"A seminal contribution to the fields of performance studies, cultural studies, and popular culture. " —Margaret Drewal"A fine book. The play texts are treasures." —Richard BaumanAfrican popular culture is an arena where the tensions and transformations of colonial and post-colonial society are played out, offering us a glimpse of the view from below in Africa. This book offers a comparative overview of the history, social context, and style of three major West African popular theatre genres: the concert party of Ghana, the concert party of Togo, and the traveling popular theatre of western Nigeria.
West End Women: Women and the London Stage 1918 - 1962 (Gender in Performance)
by Maggie GaleMaggie Gale's West End Women uncovers groundbreaking material about women playwrights and the staging of their performances between the years 1918 and 1962. It documents a dynamic era of social and theatrical history, analysing the transformations that occurred in the theatre and the lives of British women in relation to specific plays of the period. Focusing on the work of playwrights such as Dodie Smith, Clemence Dane, Gordon Daviot and Bridget Boland, Maggie Gale examines the cultural and political context within which they enjoyed commercial success and great notoriety.
West Side Story: The Jets, the Sharks, and the Making of a Classic (Turner Classic Movies)
by Richard BarriosA captivating, richly illustrated full account of the making of the ground-breaking movie classic West Side Story (1961).A major hit on Broadway, on film West Side Story became immortal-a movie different from anything that had come before, but this cinematic victory came at a price. In this engrossing volume, film historian Richard Barrios recounts how the drama and rivalries seen onscreen played out to equal intensity behind-the-scenes, while still achieving extraordinary artistic feats.The making and impact of West Side Story has so far been recounted only in vestiges. In the pages of this book, the backstage tale comes to life along with insight on what has made the film a favorite across six decades: its brilliant use of dance as staged by erstwhile co-director Jerome Robbins; a meaningful story, as set to Leonard Bernstein and Stephen Sondheim's soundtrack; the performances of a youthful ensemble cast featuring Natalie Wood, Rita Moreno, George Chakiris, and more; a film with Shakespearean roots (Romeo and Juliet) that is simultaneously timeless and current. West Side Story was a triumph that appeared to be very much of its time; over the years it has shown itself to be eternal.
Western Theatre in Global Contexts: Directing and Teaching Culturally Inclusive Drama Around the World
by Yasmine Jahanmir Jillian CampanaWestern Theatre in Global Contexts explores the junctures, tensions, and discoveries that occur when teaching Western theatrical practices or directing English-language plays in countries that do not share Western theatre histories or in which English is the non-dominant language. This edited volume examines pedagogical discoveries and teaching methods, how to produce specific plays and musicals, and how students who explore Western practices in non-Western places contribute to the art form. Offering on-the-ground perspectives of teaching and working outside of North American and Europe, the book analyzes the importance of paying attention to the local context when developing theatrical practice and education. It also explores how educators and artists who make deep connections in the local culture can facilitate ethical accessibility to Western models of performance for students, practitioners and audiences. Western Theatre in Global Contexts is an excellent resource for scholars, artists, and teachers that are working abroad or on intercultural projects in theatre, education and the arts.
What Blest Genius?: The Jubilee That Made Shakespeare
by Andrew McConnell StottThe remarkable, ridiculous, rain-soaked story of Shakespeare’s Jubilee: the event that established William Shakespeare as the greatest writer of all time. The remarkable, ridiculous, rain-soaked story of Shakespeare’s Jubilee: the event that established William Shakespeare as the greatest writer of all time. In September 1769, three thousand people descended on Stratford-upon-Avon to celebrate the artistic legacy of the town’s most famous son, William Shakespeare. Attendees included the rich and powerful, the fashionable and the curious, eligible ladies and fortune hunters, and a horde of journalists and profiteers. For three days, they paraded through garlanded streets, listened to songs and oratorios, and enjoyed masked balls. It was a unique cultural moment—a coronation elevating Shakespeare to the throne of genius. Except it was a disaster. The poorly planned Jubilee imposed an army of Londoners on a backwater hamlet peopled by hostile and superstitious locals, unable and unwilling to meet their demands. Even nature refused to behave. Rain fell in sheets, flooding tents and dampening fireworks, and threatening to wash the whole town away. Told from the dual perspectives of David Garrick, who masterminded the Jubilee, and James Boswell, who attended it, What Blest Genius? is rich with humor, gossip, and theatrical intrigue. Recounting the absurd and chaotic glory of those three days in September, Andrew McConnell Stott illuminates the circumstances in which William Shakespeare became a transcendent global icon.
What I Meant Was
by Craig LucasA major new collection by the author of Reckless and A Prelude to a Kiss, this collection includes his most ambitious work God's Heart, which premiered at Lincoln Center Theatre in 1997, and his newest play The Dying Gaul, which premieres this spring in New York. Also included ar 13 one-act plays written over the past five years.
What If It's Us
by Adam Silvera Becky AlbertalliLove Nick and Charlie from Heartstopper? Meet Arthur and Ben! From INTERNATIONAL BESTSELLING authors Adam Silvera (They Both Die At The End) and Becky Albertalli (Simon vs. The Homo Sapiens Agenda) comes a long-awaited collaboration about two very different boys who can't decide if the universe is pushing them together or pulling them apart.Soon to be a feature film, adapted by the creator of 13 Reasons Why!Meet Arthur and Ben. ARTHUR is only in New York for the summer, but if Broadway has taught him anything, it&’s that the universe can deliver a showstopping romance when you least expect it. BEN thinks the universe needs to mind its business. If the universe had his back, he wouldn&’t be carrying a box of his ex-boyfriend&’s things.But when the boys have a chance meeting at the post office, they leave wondering what exactly the universe does have in store for them. What if - in a city of eight million people - they can't find each other again?What if they do ... and then can&’t nail a first date even after three do-overs?What if Arthur tries too hard to make it work and Ben doesn&’t try hard enough?What if life really isn&’t like a Broadway play?But what if it is? What if it's us?PRAISE FOR WHAT IF IT'S US:'Romantic, realistic and sweet, this perfectly captures New York, teenage love and life in that gray area when you're not quite an adult and not quite a child either.' Lauren James, author of The Loneliest Girl in the UniversePRAISE FOR ADAM SILVERA:'A phenomenal talent.' Juno Dawson, author of Clean and WonderlandPRAISE FOR BECKY ALBERTALLI:'The love child of John Green and Rainbow Rowell.' Teen Vogue