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La MaMa Experimental Theatre – A Lasting Bridge Between Cultures: The Dialogue with European Theater in the Years 1961–1975 (Routledge Advances in Theatre & Performance Studies)
by Monica CristiniThis book focuses on the role of La MaMa Experimental Theatre within Avant-garde theater during the 1960s and 1970s. This study investigates the involvement of the Off-Off Broadway circuit in the Avant-garde experimentations both in the United States (New York specifically) and in Europe. This exploration shows the two-way influence – between Europe and the United States – testified by documents gathered in years of archival research. In this relevant artistic exchange, La MaMa (and Ellen Stewart as its founder and artistic director) emerges as a key element. La MaMa’s companies brought to Europe the American culture and the New York underground culture, while their members learnt European training techniques by attending workshops or taking part in the research of Eugenio Barba, Jerzy Grotowski, and Peter Brook, and brought their principles back to the United States. This book goes through a chronological path that presents some key cases of collaboration between the above-mentioned European masters and some La MaMa’s artists and companies: Tom O ’Horgan and La MaMa Repertory Troupe, the Open Theatre, Andrei Serban and The Great Jones Repertory Company, La MaMa Plexus. This book will be of great interest to students and scholars in theater and performance studies.
La Mamma: Interrogating a National Stereotype (Italian and Italian American Studies)
by Penelope Morris Perry WillsonThe idea of the “mamma italiana” is one of the most widespread and recognizable stereotypes in perceptions of Italian national character both within and beyond Italy. This figure makes frequent appearances in jokes and other forms of popular culture, but it has also been seen as shaping the lived experience of modern-day Italians of both sexes, as well as influencing perceptions of Italy in the wider world. This interdisciplinary collection examines the invented tradition of mammismo but also contextualizes it by discussing other, often contrasting, ways in which the role of mothers, and the mother-son relationship, have been understood and represented in culture and society over the last century and a half, both in Italy and in its diaspora.
La mémé et la mouche
by Alan Mills PisHierUn classique du rÉpertoire enfantin en AmÉrique-du-Nord, l'histoire rigolote d'une vieille dame qui a les yeux plus gros que la panse !
La Meri and Her Life in Dance: Performing the World
by Nancy Lee RuyterThis intriguing biography details the life and work of world dance pioneer La Meri (1899–1988). An American dancer, choreographer, teacher, and writer, La Meri was ahead of her time in championing cross-cultural dance performances and education, yet she is almost totally forgotten today. In La Meri and Her Life in Dance, Nancy Ruyter introduces readers to a visionary artist who played a pivotal role in dance history. Born in Texas as Russell Meriwether Hughes, La Meri toured throughout Latin America, Europe, Asia, the Pacific, and the United States in the 1920s and ’30s, immersing herself in different dance traditions at a time when few American dancers explored styles outside their own. She learned about Indian dance culture from the celebrated Uday Shankar, studied belly dancing with the Moroccan sultan’s top dancer, and took flamenco lessons in Spain. La Meri spread awareness and enjoyment of the world’s myriad forms of expression before it was common for performing artists from these countries to tour internationally. Ruyter describes how La Meri founded the Ethnologic Dance Center in New York City, choreographed innovative works based on various dance cultures for Jacob’s Pillow Dance Festival and other venues, and wrote widely on the styles and techniques of international dance genres. This long-overdue book illustrates that the popularity of world dance today owes much to the trailblazing efforts of La Meri.
La Nilsson: My Life in Opera
by Birgit Nilsson Doris Jung PopperFirst published to wide acclaim in Sweden (1995) and in Germany (1997), the autobiography of opera legend Birgit Nilsson (1918-2005) is finally available in an English translation. From her humble roots in rural Sweden to her artistic triumphs in Stockholm, Bayreuth, Milan, and the Metropolitan Opera House, this candid and utterly charming memoir reveals the personality behind one of the great voices of the past century. Gracefully weaving together the private and professional, Nilsson chronicles her idyllic childhood in Vastra Karup, the early recognition of her unique natural abilities, and her first tentative steps into a wider artistic world. After achieving national acclaim in Verdi's Lady Macbeth, she went on to establish herself as the dominant Wagnerian soprano of her generation, appearing at the Bayreuth and Munich Festivals, and the Vienna and Bavarian State Opera Houses, creating, along the way, definitive performances of Sieglinde, Bruennhilde, and Isolde. The book details her rise to international stardom with behind-the-scenes recollections of her phenomenal triumph as Turandot at La Scala in 1958 and her headline-making Met premier in Tristan und Isolde the following year. Nilsson's long and illustrious career (she performed until 1984), her celebrated professional and personal relationships, her friendships and rivalries, are all recounted with a down-to-earth wit and an engagingly odd admixture of ego and selfeffacement. She tells it all: the legendary quips, the often prickly relationships with Met impresario Rudolph Bing and conductor von Karajan, the infamous story of the stalker "Miss N," and the touchingly rendered relationship with her beloved husband, Bertil Niklasson. What emerges from these pages is a diva in the old mold: a giant voice matched by an oversize personality, a professional who expected the same level of perfection from others that she demanded of herself, and a woman who loved and lived life with joy and good humor . . . and oh, that voice. Includes 56 photographs and a discography.
La nipote (Quick, quick, slow - Club di Danza Lietzensee #1)
by Annemarie NikolausMadeline Lagrange, la nipote del presidente del “Club di Danza Lietzensee”, vede il ballo liscio soltanto come uno strumento di cultura che apprende senza grande entusiasmo. Poi si imbatte nel gruppo di square dance del circolo. E si innamora – non solo del ballo, ma anche del caller, l’americano Chris Rinehart. Chris è affascinato da Madeline fin dal primo istante. Ma lui è l’istruttore del gruppo e lei è minorenne. Lotta contro il suo crescente affetto per lei e rinnega i propri sentimenti nei suoi confronti. Mentre Madeline, con la caparbietà dei suoi diciassette anni, cerca di sedurre Chris, suo nonno fa di tutto per bandirlo dal circolo per mettere zizzania tra loro. Un romanzo della serie “Quick, quick, slow – Club di Danza Lietzensee”. Ogni romanzo è una storia a sé e può essere letto indipendentemente dagli altri.
La Pepa juga a futbol (La Porqueta Pepa. Primeres lectures)
by Varios AutoresAprenem a llegir amb les aventures de la Pepa, la porqueta més trapella i la seva família. Descobreix què va passar quan la Pepa i els seus amics van voler jugar un partit de futbol. Goool!Avui, la Pepa i en Jordi juguen a futbol amb els seus amics. Quin equip guanyarà: el dels nois o el de les noies? Llegeix aquesta divertida història i ho descobriràs. Els llibres de la col·lecció «Primeres lectures» de la Porqueta Pepa estan pensats per nens que tot just comencen a llegir. Els textos contenen vocabulari senzill, els interior són molt visuals i, a més a més, conten les divertides aventures del personatge més estimat pels nens. Tot això garanteix que els petits lectors se sentin motivats per la lectura, s'entretinguin i s'estimuli la seva imaginació.
La Pocha Nostra: A Handbook for the Rebel Artist in a Post-Democratic Society
by Guillermo Gómez-Peña Saúl García-LópezLa Pocha Nostra: A Handbook for the Rebel Artist in a Post-Democratic Society marks a transformation from its sister book, Exercises for Rebel Artists, into a pedagogical matrix suited for use as a performance handbook and conceptual tool for artists, activists, theorists, pedagogues, and trans-disciplinary border crossers of all stripes. Featuring a newly reworked outline of La Pocha Nostra's overall pedagogy, and how it has evolved in the time of Trump, cartel violence, and the politics of social media, this new handbook presents deeper explanations of the interdisciplinary pedagogical practices developed by the group that has been labeled "the most influential Latino/a performance troupe of the past ten years." Co-written by Guillermo Gómez-Peña in collaboration with La Pocha Nostra’s artistic co-director Saúl García-López and edited by Paloma Martinez-Cruz, this highly anticipated follow-up volume raises crucial questions in the new neo-nationalist era. Drawing on field experience from ten years of touring, the authors blend original methods with updated and revised exercises, providing new material for teachers, universities, radical artists, curators, producers, and students. This book features: Introductions by the authors and editor to Pocha Nostra practice in a post-democratic society. Theoretical, historical, poetic, and pedagogical contexts for the methodology. Suggestions for how to use the book in the classroom and many other scenarios. Detailed, hands-on exercises for using Pocha Nostra-inspired methods in workshops. A step-by-step guide to creating large-scale group performances. New, unpublished photos of the Pocha Nostra methods in practice. Additional texts by Reverend Billy and Savitri D., Dragonfly, Francesca Carol Rolla, VestAndPage, Micha Espinosa, Zulfikar Ali Bhutto, Praba Pilar, L. M. Bogad, Anuradha Vikram, and Annie Sprinkle and Beth Stephens, among many others. The book is complemented by the new book Gómez-Peña Unplugged: Texts on Live Art, Social Practice and Imaginary Activism (2008–2019).
La Sala di Musica
by Jim Ellis1950, Westburn, Scozia. Tim Ronsard sta per terminare il suo percorso di studi alla St. Mary's, una scuola di matrice cattolica. Annoiato e svogliato, non vede l'ora di andarsene via. Ma la sua vita cambia di colpo quando conosce la nuova insegnante di musica: Isobel Clieshman, una Protestante. Presto, i sentimenti di Tim andranno ben oltre una semplice cotta scolastica, ma la differenza d'età tra i due sarà fonte di non pochi problemi. Cinque anni dopo la loro separazione forzata, Isobel e Tim si incontrano nuovamente per puro caso e ritornano ad assaporare quella sensazione di leggerezza bramata per troppo tempo. Ma, dopo problemi famigliari, guerre e pregiudizi, riusciranno finalmente a trovare la strada per la felicità?
The Laban Sourcebook
by Dick McCawRudolf Laban (1879 – 1958) was a pioneer in dance and movement, who found an extraordinary range of application for his ideas; from industry to drama, education and therapy. Laban believed that you can understand about human beings by observing how they move, and devised two complimentary methods of notating the shape and quality of movements. The Laban Sourcebook offers a comprehensive account of Laban’s writings. It includes extracts from his five books in English and from his four works in German, written in the 1920s and translated here for the first time. This book draws on archival research in England and Germany to chart the development of Laban’s groundbreaking ideas through a variety of documents, including letters, articles, transcripts of interviews, and his unpublished Effort and Recovery. It covers: The beginning of his career in Germany and Switzerland in the 1910s. His astonishing rise to fame in Germany in the 1920s as a dance teacher, choreographer and creator of public dance events. Following his move to England in 1938, the application of his ideas to drama, education, industry, and therapy. Each extract has a short preface providing contextual background, and highlighting and explaining key terms. Passages have been selected and are introduced by many of the world’s leading Laban scholars.
Labor and Aesthetics in European Contemporary Dance: Dancing Precarity
by Annelies Van AsscheThis transdisciplinary study scientifically reports the way the established contemporary dance sector in Europe operates from a micro-perspective. It provides a dance scholarly and sociological interpretation of its mechanisms by coupling qualitative data (interview material, observations, logbooks, and dance performances) to theoretical insights. The book uncovers the sometimes contradicting mechanisms related to the precarious project-oriented labor and art market that determine the working and living conditions of contemporary dance artists in Europe’s dance capitals Brussels and Berlin. In addition, it examines how these working and living conditions affect the work process and outcome. From a sociological perspective, the book engages with the relevant contemporary social issue of precarity and this within the much-at-risk professional group of contemporary dance artists. In this regard, the research brings novelty within the subject area, particularly by employing a unique methodological approach. Although the research is initially set up in a specific geographical context and within a specific research population, the book offers insights into issues that affect our neoliberal society at large. The research findings show potential to make a relevant contribution with regards to precarity within dance studies and performance studies, but also labor studies and cultural sociology.
Lacan, Psychoanalysis, and Comedy
by Patricia Gherovici Manya SteinkolerThis collection of essays explores laughter, humor, and the comic from a psychoanalytic perspective. Edited by two leading practicing psychoanalysts and with original contributions from Lacanian practitioners and scholars, this cutting-edge volume proposes a paradigm swerve, a Freudian slip on a banana peel. Psychoanalysis has long been associated with tragedy and there is a strong warrant to take up comedy as a more productive model for psychoanalytic practice and critique. Jokes and the comic have not received nearly as much consideration as they deserve given the fundamental role they play in our psychic lives and the way they unite the fields of aesthetics, literature, and psychoanalysis. Lacan, Psychoanalysis and Comedy addresses this lack and opens up the discussion.
Lacanian Perspectives on Blade Runner 2049 (The Palgrave Lacan Series)
by Calum NeillThis book provides a collection of Lacanian responses to Denis Villeneuve’s Blade Runner 2049 from leading theorists in the field. Like Ridley Scott’s original Blade Runner film, its sequel is now poised to provoke philosophical and psychoanalytic arguments, and to provide illustrations and inspiration for questions of being and the self, for belief and knowledge, the human and the post-human, amongst others. This volume forms the vanguard of responses from a Lacanian perspective, satisfying the hunger to extend the theoretical considerations of the first film in the various new directions the second film invites. Here, the contributors revisit the implications of the human-replicant relationship but move beyond this to consider issues of ideology, politics, and spectatorship. This exciting collection will appeal to an educated film going public, in addition to students and scholars of Lacanian psychoanalysis, psychoanalytic theory, cultural studies, film theory, philosophy and applied psychoanalysis.
Lacombe Lucien: The Screenplay
by Sabine Destrèe Patrick Modiano Louis MallePatrick Modiano and Louis Malle's screenplay for the Oscar-nominated film tells a powerful story set in World War II France of a seventeen-year-old boy who allies himself with collaborators, only to fall in love with a Jewish girl <P> This early work by the Nobel Prize winner Patrick Modiano relates the story of Lucien Lacombe: a poor boy in Nazi-occupied France who, rebuffed in his efforts to enter the Resistance for a taste of war, becomes a member of a sordid, pathetic group of Fascist collaborators who join the Gestapo in preying upon their countrymen. Lucien encounters the Horns, a Jewish family from Paris hiding in his provincial town. Inevitably, he must choose between the coarse appeal of violence and his emerging feelings of tenderness for the family's daughter, France. Amid the excesses brought on by the impending collapse of the Nazi occupation, Lucien and France come to live out an improbable idyll. This classic is an essential read for students and film lovers alike.
Lacrimae rerum: Ensayos sobre cine y ciberespacio
by Slavoj ZizekConsiderado el «séptimo arte», el cine ha sido y sigue siendo uno de los medios de comunicación de masas más importantes. <P><P>Desde la primera función en el sótano del Grand Café des Capucines de París hace algo más de cien años, hasta las grandes superproducciones de Hollywood que dominan las pantallas del mundo, el cine ha sido técnica e industria, entretenimiento y vehículo de expresión de ideas y sentimientos. <P><P>Partiendo de estas consideraciones y estudiando la labor de reconocidos directores, el filósofo y psicoanalista Slavoj Zizek, profundo conocedor del universo cinematográfico y de la influencia de los medios de comunicación en la sociedad contemporánea, reflexiona sobre los temas principales de estos maestros y sus motivaciones a la hora de situarse detrás de la cámara. <P><P>De la imposibilidad de hacer remakes de las películas de Alfred Hitchcock al pesimismo en la obra de Krzysztof Kieslowski; de la imagen de la mujer, la irracionalidad y la angustia en los trabajos de Andrei Tarkovski y David Lynch a la posibilidad imaginaria o real de desplazarse a través del tiempo y el espacio como los personajes de Matrix, Zizek desarrolla su imaginación crítica y su agudo sentido literario para atrapar al lector con imágenes, ideas y revelaciones que sorprenderán no solo a los buenos aficionados al cine, sino también a todos aquellos que deseen acercarse a los clásicos de la pantalla de la mano de este original y provocador filósofo.
Ladies and Gentlemen, the Bible!
by Jonathan GoldsteinA hilarious re-imagining of the heroes of the Old Testament for a modern world-and the neurotic, demanding reader. In the beginning... there was humor. Sure, it's the foundation for much of Western morality and the cornerstone of world literature. But let's face it: the Bible always needed punching up. Plus, it raised quite a few questions that a modern world refuses to ignore any longer: wouldn't it be boring to live inside a whale? How did Joseph explain Mary's pregnancy to the guys at work? Who exactly was the megalomaniacal foreman who oversaw the construction of the Tower of Babel? And honestly, what was Cain's problem? In Ladies and Gentlemen, the Bible!, Jonathan Goldstein re-imagines and recasts the Bible's greatest heroes with depth, wit, and snappy dialogue. This is the Bible populated by angry loners, hypochondriacs, and reluctant prophets who fear for their sanity. Basically, a Bible that readers can finally, genuinely relate to.
Ladies First: Revelations of a Strong Woman
by Queen Latifah Karen HunterAutobiography of a rap star.
Ladies Laughing: Wit as Control in Contemporary American Women Writers (Studies In Humor And Gender Ser. #Vol. 3)
by Barbara LevyThis engaging and accessible book examines the world of seven contemporary, popular American women writers and their individual use of wit as a subtle and effective strategy to engage, or "control", the reader. A chapter is devoted to each of the seven writers - Lisa Alther, Rita Mae Brown, Nora Ephron, Shirley Jackson, Alison Lurier, Grace Paley, and Anne Tyler - and discusses their writings and their use of wit in the context of their lives. An opening chapter frames wit and control in psychological realities, and a concluding chapter summarizes the power of wit. A bibliography of the writers' works is also included, making this an ideal introduction and companion to these writers and their works.
Ladies Who Punch: The Explosive Inside Story of "The View"
by Ramin SetoodehTHE INSTANT NEW YORK TIMES AND WALL STREET JOURNAL BESTSELLER <P><P>Like Fire & Fury, the gossipy real-life soap opera behind a serious show. When Barbara Walters launched The View, network executives told her that hosting it would tarnish her reputation. Instead, within ten years, she’d revolutionized morning TV and made household names of her co-hosts: Joy Behar, Star Jones, Meredith Vieira and Elisabeth Hasselbeck. But the daily chatfest didn’t just comment on the news. It became the news. And the headlines barely scratched the surface. <P><P>Based on unprecedented access, including stunning interviews with nearly every host, award-winning journalist Ramin Setoodeh takes you backstage where the stars really spoke their minds. Here's the full story of how Star, then Rosie, then Whoopi tried to take over the show, while Barbara struggled to maintain control of it all, a modern-day Lear with her media-savvy daughters. <P><P>You'll read about how so many co-hosts had a tough time fitting in, suffered humiliations at the table, then pushed themselves away, feeling betrayed—one nearly quitting during a commercial. Meanwhile, the director was being driven insane, especially by Rosie. <P><P>Setoodeh uncovers the truth about Star’s weight loss and wedding madness. Rosie’s feud with Trump. Whoopi’s toxic relationship with Rosie. Barbara’s difficulty stepping away. Plus, all the unseen hugs, snubs, tears—and one dead rodent. <P><P>Ladies Who Punch shows why The View can be mimicked and mocked, but it can never be matched. <P><b>A New York Times Bestseller</b>
The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick
by Mallory O'MearaIn 1954, movie-going audiences were shocked and awed by Universal Studio’s groundbreaking horror film Creature from the Black Lagoon. As the years passed, the film gained a reputation as a landmark of the monster-movie genre. But only a small number of devotees were aware of the existence of Milicent Patrick who remains, to this day, the only woman to have designed a classic Universal monster.That is, until film producer, horror-aficionado, and Black Lagoon acolyte, Mallory O’Meara begins to investigate rumors about the monster’s creator only to find more questions than answers. Through diligent research, O’Meara learns that the enigmatic artist led a rich and fascinating life that intersects with some of the largest figures of mid-century America, including William Randolph Hearst and Walt Disney.The sudden, premature end to Patrick’s career is defined by circumstances that parallel—uncomfortably so—O’Meara’s own experiences in the film world, an industry that continues to be dominated by men. In a narrative with equal parts mystery and biography, The Lady from the Black Lagoon interweaves the lives of two women separated by decades but bound together by the tragedies and triumphs of working in Hollywood.
The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick
by Mallory O'MearaThis acclaimed biography shines a light on a trailblazing woman who created a classic movie monster—and the author’s quest to rescue her from obscurity.As a teenager, Mallory O’Meara was thrilled to discover that one of her favorite movies, Creature from the Black Lagoon, featured a monster designed by a woman, Milicent Patrick. But while Patrick should have been hailed as a pioneer in the genre, there was little information available about her. As O’Meara discovered, Patrick’s contribution had been claimed by a jealous male colleague and her career had been cut short. No one even knew if she was still alive.As a young woman working in the horror film industry, O’Meara set out to right the wrong, and in the process discovered the full, fascinating story of an ambitious, artistic woman ahead of her time. Patrick’s contribution to special effects proved to be just the latest chapter in a remarkable, unconventional life, from her youth growing up in the shadow of Hearst Castle, to her career as one of Disney’s first female animators. And at last, O’Meara discovered what really had happened to Patrick after The Creature’s success, and where she went.A true-life detective story and a celebration of a forgotten feminist trailblazer, Mallory O’Meara’s The Lady from the Black Lagoon establishes Patrick in her rightful place in film history while calling out a Hollywood culture where little has changed since.A Hugo and Locus Award FinalistA Thrillist Best Book of the YearOne of Booklist’s 10 Best Art Books of the Year
Lady Gaga: Behind the Fame
by Emily HerbertQueen of Pop, superstar, maverick and fashionista; Lady Gaga is one of the most recognizable and sensational pop stars for a generation. A true original, Gaga found fame the hard way, playing the grimy bars and burlesque shows of New York City, before finally relocating to Los Angeles to begin work on what would become her debut album The Fame. Constantly en vogue and always in the public eye, this is the biography of the rise of Gaga, from her early life as a teenage protégé, to her life as one of the most respected musicians and most recognized entertainers on the planet. This book lifts the lid on Lady Gaga. Find out all you ever wanted to know about the eccentric star.
Lady in the Dark: Iris Barry and the Art of Film
by Robert SittonIris Barry (1895–1969) was a pivotal modern figure and one of the first intellectuals to treat film as an art form, appreciating its far-reaching, transformative power. Although she had the bearing of an aristocrat, she was the self-educated daughter of a brass founder and a palm-reader from the Isle of Man. An aspiring poet, Barry attracted the attention of Ezra Pound and joined a demimonde of Bloomsbury figures, including Ford Maddox Ford, T. S. Eliot, Arthur Waley, Edith Sitwell, and William Butler Yeats. She fell in love with Pound's eccentric fellow Vorticist, Wyndham Lewis, and had two children by him.In London, Barry pursued a career as a novelist, biographer, and critic of motion pictures. In America, she joined the modernist Askew Salon, where she met Alfred Barr, director of the new Museum of Modern Art. There she founded the museum's film department and became its first curator, assuring film's critical legitimacy. She convinced powerful Hollywood figures to submit their work for exhibition, creating a new respect for film and prompting the founding of the International Federation of Film Archives. Barry continued to augment MoMA's film library until World War II, when she joined the Office of Strategic Services to develop pro-American films with Orson Welles, Walt Disney, John Huston, and Frank Capra. Yet despite her patriotic efforts, Barry's "foreignness" and association with such filmmakers as Luis Buñuel made her the target of an anticommunist witch hunt. She eventually left for France and died in obscurity. Drawing on letters, memorabilia, and other documentary sources, Robert Sitton reconstructs Barry's phenomenal life and work while recasting the political involvement of artistic institutions in the twentieth century.
The Lady in the Van
by Alan Bennett Nicholas HytnerThe screenplay edition of the major motion picture adaptation, starring Maggie Smith, of Alan Bennett's acclaimed story "The Lady in the Van"From acclaimed author and playwright Alan Bennett, whose smash hit The History Boys won a Tony Award for Best Play, comes the screenplay of The Lady in the Van-soon to be a major motion picture starring Dame Maggie Smith.The Lady in the Van is the true story of Bennett's experiences with an eccentric homeless woman, Miss Mary Shepherd, whom he befriended in the 1970s and allowed to temporarily park her van in front of his Camden home. She ended up staying there for fifteen years, resulting in an uncommon, often infuriating, and always highly entertaining friendship of a lifetime for the author.Read the screenplay of the film destined to be among the most talked about of the year, and discover the unbelievable story of one of the most unlikely-yet heartwarmingly real-relationships in modern literature.
Lady of Poison (Forgotten Realms: Priests #1)
by Bruce R. CordellCordell pens the first title in a new Forgotten Realms series focusing specifically on priests, the popular D&D game's iconic class also known as clerics. Each title will chronicle priests loyal to a different deity in the Forgotten Realms pantheon.