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Mapping Global Theatre Histories
by Mark PizzatoThis textbook provides a global, chronological mapping of significant areas of theatre, sketched from its deepest history in the evolution of our brain's 'inner theatre' to ancient, medieval, modern, and postmodern developments. It considers prehistoric cave art and built temples, African trance dances, ancient Egyptian and Middle-Eastern ritual dramas, Greek and Roman theatres, Asian dance-dramas and puppetry, medieval European performances, global indigenous rituals, early modern to postmodern Euro-American developments, worldwide postcolonial theatres, and the hyper-theatricality of today's mass and social media. Timelines and numbered paragraphs form an overall outline with distilled details of what students can learn, encouraging further explorations online and in the library. Questions suggest how students might reflect on present parallels, making their own maps of global theatre histories, regarding geo-political theatrics in the media, our performances in everyday life, and the theatres inside our brains.
Mapping Movie Magazines: Digitization, Periodicals and Cinema History (Global Cinema)
by Daniel Biltereyst Lies Van de VijverMovie magazines are crucial but widely underused sources for writing the history of films and cinema. This volume brings together for the first time a wide variety of historic research of movie magazines and film trade journals, reflecting on the issue of using these sources for film/cinema historiography and on the impact of digitization processes. Mapping Movie Magazines explores this debate from different disciplinary perspectives, enlightened by case studies from the use of early film trade press to pedagogical uses of digitized periodicals. The volume explores Hollywood’s grip on movie magazines, gender in film journalism, typologies of unknown trade press and movie magazine markets, and subversive Tijuana bibles.
Mapping Precarity in Contemporary Cinema and Television: Chronotopes of Anxiety, Depression, Expulsion/Extinction
by Francesco SticchiThis book examines a corpus of films and TV series released since the global financial crisis, addressing them as emblematic expressions of our age of precarity. The analysis of the motifs and characters of these case studies is built around notions originating from Mikhail Bakhtin’s literary theory and, in particular, the concept of chronotope, affirming the material and dynamic connection between form and content in artistic experience. This book observes how precarious lives are enacted in forms of spatio-temporal compositions which carry conceptual and ethical challenges for their viewers. This book falls within the film-philosophy framework and, although primarily directed to an academic audience, it provides an interdisciplinary account of the notion of cinematic precarity. It puts the embodied analysis of viewers’ ethical participation in close dialogical relationship with a philosophical and sociological examination of current dynamics of inequality and exclusion.
Mapping selfies and memes as Touch
by Fiona AndrealloThis open access book offers a rich and nuanced analysis of digitally networked socialities as culturally meaningful relationships of Touch. Focusing on the ways Touch is practised in everyday social interactions serves as a basis for how Touch is understood as multiply significant – physically, emotionally, intellectually and politically. Andreallo initiates a map of the fundamentals of Touch and how they can be considered for future research in considering digitally networked cultures. This map also serves as a basis for closely examining selfies and memes. Examining social networks of Touch, Andreallo focuses on a specific example of the PrettyGirlsUglyFaces meme and ugly selfies(uglies). Through this example, memes and selfies are mapped as Touch involving textures of both intimacy and violence. Andreallo also discusses technological seamlessness and cultural semefulness as conversations of social relationships of Touch, and proposes the term semeful sociabilities to describe how the everyday technological self engages in practices of Touch. This book is a compact, approachable insight into selfies and memes as everyday culturally networked Touch relationships that also offers a way forward in recognising technological relationships as culturally meaningful.
Mapping the Territory: Selected Nonfiction
by Christopher BramNovelist Christopher Bram has been writing essays for twenty-five years. Mapping the Territory, his first collection of nonfiction, ranges through such topics as the power of gay fiction, coming out in the 1970s in Virginia, low-budget filmmaking with friends in New York, and the sexual imagination of Henry James. He describes the heady experience of seeing his novel Gods and Monsters made into an Oscar-winning movie starring Ian McKellen, Brendan Fraser, and Lynn Redgrave; and he discusses why he and his partner of thirty years don't want to get married. Bram looks both into and out of himself in these essays. He revisits the titles he read while finding himself as a gay man, and he also shows us Greenwich Village as seen from his front stoop. The book is not simply a collection of short pieces--it's an autobiography of ideas from one of today's most lively and popular novelists.
Mapping Tokyo in Fiction and Film (Geocriticism and Spatial Literary Studies)
by Barbara E. ThornburyMapping Tokyo in Fiction and Film explores ways that late 20th- and early 21st- century fiction and film from Japan literally and figuratively map Tokyo. The four dozen novels, stories, and films discussed here describe, define, and reflect on Tokyo urban space. They are part of the flow of Japanese-language texts being translated (or, in the case of film, subtitled) into English. Circulation in professionally translated and subtitled English-language versions helps ensure accessibility to the primarily anglophone readers of this study—and helps validate inclusion in lists of world literature and film. Tokyo’s well-established culture of mapping signifies much more than a profound attachment to place or an affinity for maps as artifacts. It is, importantly, a counter-response to feelings of insecurity and disconnection—insofar as the mapping process helps impart a sense of predictability, stability, and placeness in the real and imagined city.
Marc Blitzstein: His Life, His Work, His World
by Howard PollackA composer of enormous musical innovation and influence, Marc Blitzstein remains one of the most versatile and fascinating figures in the history of American music, his creative works running the gamut from operas, ballets, musicals, and film scores to orchestral works, chamber pieces, and artsongs. As an open homosexual and a prominent leftist, Blitzstein constantly pushed the boundaries of acceptability in mid-century America in both his music and his life. Award-winning music historian Howard Pollack's new biography is the first to put Blitzstein's music on equal footing with his politics, theatrical innovation, and other aspects of the composer's life. Pollack covers Blitzstein's life in full, from his childhood in Philadelphia to his violent deathin Martinique at age 58. The author describes how this student of contemporary luminaries Nadia Boulanger and Arnold Schoenberg became swept up in the stormy political atmosphere of the 1920s and 1930s and throughout his career walked the fine line between his formal training and his democraticprinciples. Indeed, Blitzstein developed a unique sound that drew on everything contemporary, from the high modernism of Stravinsky and Hindemith to blues, jazz, and musical comedy, and that profoundly influenced his younger friend Leonard Bernstein. Pollack captures the astonishing breadth ofBlitzstein's music - from politically controversial Broadway operas like The Cradle Will Rock and No for an Answer, to the patriotic Airborne Symphony, to such masterpieces as the opera Regina, to lesser known early pieces, film scores, and chamber works. A fearless artist, Blitzsteinadapted BertoltBrecht and Kurt Weill's The Threepenny Opera during the heyday of McCarthyism and the red scare, and with Weill's widow Lotte Lenya, turned it into an off-Broadway sensation. Beautifully written, drawing on new interviews with friends and family of the composer, and making extensive use of new archival and secondary sources, Marc Blitzstein presents the most complete biography of this quintessentially American composer.
Marco Bellocchio
by Clodagh BrookMarco Bellocchio is one of Italy's most important and prolific directors, with a career spanning five decades. In this book, Clodagh J. Brook explores the boundaries between the public and the private, the political and the personal, and the collective and the individual as they appear in Bellocchio's films. Including work on psychoanalysis, politics, film production, autobiography, and the relationship between film tradition and contemporary culture, Marco Bellocchio touches on fundamental issues in film analysis.Brook's study interrogates what it means to make personal or anti-institutional art in a medium dominated by a late-capitalist industrial model of production. Her readings of Bellocchio's often enigmatic and perplexing work suggest new ways to answer questions about subjectivity, objectivity, and political commentary in modes of filmmaking. Relating the art of a private director to a public medium, Clodagh J. Brook's work is an important contribution to our understanding of film.
Marcus Makes a Movie (Marcus)
by Kevin HartStand-up comedian and Hollywood box-office hit Kevin Hart keeps the laughs coming in an illustrated middle-grade novel about a boy who has big dreams of making a blockbuster superhero film. Perfect for readers of James Patterson's Middle School series and Lincoln Peirce's Big Nate series. <P><P>Marcus is NOT happy to be stuck in after-school film class . . . until he realizes he can turn the story of the cartoon superhero he’s been drawing for years into an actual MOVIE! There’s just one problem: he has no idea what he’s doing. So he’ll need help, from his friends, his teachers, Sierra, the strong-willed classmate with creative dreams of her own, even Tyrell, the local bully who’d be a perfect movie villain if he weren’t too terrifying to talk to. <P><P>Making this movie won’t be easy. But as Marcus discovers, nothing great ever is—and if you want your dream to come true, you’ve got to put in the hustle to make it happen. Comedy superstar Kevin Hart teams up with award-winning author Geoff Rodkey and lauded illustrator David Cooper for a hilarious, illustrated, and inspiring story about bringing your creative goals to life and never giving up, even when nothing’s going your way. <P><P><b>A New York Times Bestseller</b>
Marcus Makes It Big (Marcus)
by Kevin HartFrom celebrity author Kevin Hart comes the laugh-out-loud highly illustrated sequel to Marcus Makes a Movie about a young boy who has big Hollywood dreams--and the hustle to make it happen."Everybody, grab a ticket and run for a front row seat to Marcus Makes a Movie!" —Judd Winick, New York Times bestselling author of the Hilo series Marcus&’s movie, Toothpick vs. the Doom, is a HIT! But the only thing harder than making a movie is making a SECOND one. Marcus needs to come up with another great idea fast. Too bad his film crew (aka friends) are too preoccupied with their MeTube channels to notice. An invite to The Helen Show has Marcus thinking they&’ll be back on top, but will nerves, unchecked ambition, and a rivalry between friends shut down this show before it even begins? In the laugh-out-loud sequel, actor and comedian Kevin Hart delivers a message about being creative, working hard, and learning that sometimes the best dreams are the ones you achieve with your friends.
Margaret (Books That Changed the World)
by Kenneth LonerganThe director&’s-cut screenplay of the film starring Anna Paquin from the Oscar-winning writer and director of Manchester by the Sea. This stirring drama by the Academy Award–winning director, playwright, and screenwriter Kenneth Lonergan was called &“a film of rare beauty and shocking gravity&” by Rolling Stone. Delayed for four years in post-production, the film was finally released in 2011, with a director&’s cut following on DVD in 2012. This edition includes the scripts of the full director&’s cut, along with an introduction and key tie-in art. Margaret is the story of a Manhattan teenager whose life is profoundly altered after witnessing a terrible accident. It is the extraordinary journey of an emotional teen who abides by her moral code and wants to set things right, but whose innocent ideals come crashing against the harsh realities of the adult world. It is a story of youth, love, the consequences of mistakes, and the fundamental questions of morality as faced by a teenager in an extraordinary situation. &“A triumph . . . the sort of ambitious American storytelling you find too rarely at the movies.&” —Chicago Tribune &“Extraordinarily ambitious . . . Lonergan has as much on his mind as a contemporary novelist such as Don DeLillo or Jonathan Franzen.&”—Time &“Arguably the most important American playwright of the last twenty years.&” —The New York Times
Margaret & Gough: The love story that shaped a nation
by Susan MitchellThe Whitlams' wasn't just a love story - it was a dynamic and enduring partnership that shaped our nation.This is the compelling story of former Prime Minister Gough Whitlam, his wife Margaret and their 70-year relationship ? personal and political, private and public. It is a story of how two extraordinary people, side by side, led the Australian nation into an exciting and turbulent new era.Gough had no small talk, Margaret had the gift of easy conversation. He was often ill-at-ease in company and preferred his books. She was warm, inclusive and jollied him along. He had a vicious tongue and a quick temper. She always tried to see the best in people. He knew everything about the ideology, history and heroes of the Labor movement. She trusted her instincts. They saw each other as equals and never hesitated to express their different viewpoints. He may have passed the laws that changed the nation, but she made it possible.This is a story of love, respect, struggle, success, failure, disappointment and resilience. It was the strength and endurance of this remarkable relationship that helped change our nation politically, culturally and socially. Neither Gough nor Margaret would have developed into what each became without the influence of the other. Through every major political change, every election campaign, every triumph and every loss, they stood together.MARGARET AND GOUGH takes us inside a partnership where the political was always personal and the personal was always political.
Margaret Mitchell and John Marsh: The Love Story Behind Gone With the Wind
by Marianne WalkerBased on almost 200 previously unpublished letters and extensive interviews with their closest associates, Walker's biography of Margaret Mitchell and her husband, John Marsh, offers a new look into a devoted marriage and fascinating partnership that ultimately created a Pulitzer Prize winning novel. This edition of Walker's biography celebrates the seventy-fifth anniversary of the publication of Gone With the Wind in 1936. In lively extracts from their letters to family and friends, John and Margaret, who also went by Peggy, describe the stormy years of their courtship, their bohemian lifestyle as a young married couple, the arduous but fulfilling years when Peggy was writing her famous novel, the thrill of its acceptance for publication and its literary success, and the excitement of the making of the movie. In telling the private side of this twenty-four-year marriage, author Marianne Walker reveals a long-suspected truth: Gone With the Wind might have never been written were it not for John Marsh. He was Peggy's best friend and constant champion, and he became her editor, proofreader, researcher, business manager, and the inspiration and motivation behind her writing. At every point, including the turbulent years of Mitchell's first marriage to Red Upshaw, it was John who provided the intellectual stimulation, emotional support, and editorial insights that allowed Peggy to channel her talents into the creation of her astounding Civil War epic. Through years of meticulous research, Marianne Walker reveals the intimate and moving love story between a husband and wife, and between a writer and her editor.
Margaret Webster: A Life in the Theater
by Milly S. BarrangerMargaret Webster: A Life in the Theater is an engrossing backstage account of the life of pioneering director Margaret Webster (1905-72). This is the first book-length biography of Webster, a groundbreaking stage and opera director whose career challenged not only stage tradition but also mainstream attitudes toward professional women. Often credited with first having brought Shakespeare to Broadway, and renowned for her bold casting of an African American (Paul Robeson) in the role of Othello, Webster was a creative force in modern American and British theater. Her story reveals the independent-minded artist undeterred by stage tradition and unmindful of rules about a woman's place in the professional theater. In addition to providing fascinating glimpses into Webster's personal and family life, Margaret Webster: A Life in the Theater also offers a who's-who list of the biggest names in New York and London theater of the time, as well as Hollywood: John Gielgud, Noël Coward, George Bernard Shaw, Uta Hagen, Sybil Thorndike, Eva LeGallienne, and John Barrymore, among others, all of whom crossed paths with Webster. Capping Webster's amazing story is her investigation by Senator Joseph McCarthy and HUAC, which left her unable to work for a year, and from which she never fully recovered.
Margarethe von Trotta: Interviews (Conversations with Filmmakers Series)
by Monika RaeschMargarethe von Trotta (b. 1942) entered the film industry in the only way she could in the 1960s—as an actress. Throughout her career, von Trotta added thirty-two acting credits to her name; however, these credits came to a halt in 1975. Her ambition had always been to be a movie director. Though she viewed acting as a detour, it allowed her to be in the right place at the right time, and through her line of work she met such important directors as Rainer Werner Fassbinder and Volker Schlöndorff. The latter would eventually provide her with the opportunity to codirect her first film, Die Verlohrene Ehre der Katharina Blum (The Lost Honor of Katharina Blum) in 1975. The debut's success ensured von Trotta's future in the film industry and launched her accomplished film directing career. In Margarethe von Trotta: Interviews, volume editor Monika Raesch furnishes twenty illuminating interviews with the auteur. Spanning three decades, from the mid-1980s until today, the interviews reveal not only von Trotta's life in the film industry, but also evolving roles of and opportunities provided to women over that time period. This collection of interviews presents the different dimensions of von Trotta through the lenses of film critics, scholars, and journalists. The volume offers essential reading for anyone seeking a better understanding of an iconic female movie director at a time when this possibility for women just emerged.
Marginality Beyond Return: US Cuban Performances in the 1980s and 1990s (Routledge Advances in Theatre & Performance Studies)
by Lillian ManzorThis study is an exploration of US Cuban theatrical performances written and staged primarily between 1980 and 2000. Lillian Manzor analyzes early plays by Magali Alabau, Jorge Ignacio Cortiñas, María Irene Fornés, Eduardo Machado, Manuel Martín Jr., and Carmelita Tropicana as well as these playwrights’ participation in three foundational Latine theater projects --INTAR’s Hispanic Playwrights-in-Residence Laboratory in New York (1980-1991), Hispanic Playwrights Project at South Coast Repertory Theater in Costa Mesa, CA (1986-2004), and The Latino Theater Initiative at Center Theater Group's Mark Taper Forum in Los Angeles (1992-2005). She also studies theatrical projects of reconciliation among Cubans on and off the island in the early 2000s. Demonstrating the foundational nature of these artists and projects, the book argues that US Cuban theater problematizes both the exile and Cuban-American paradigms. By investigating US Cuban theater, the author theorizes via performance, ways in which we can intervene in and reformulate political and representational positionings within the context of hybrid cultural identities. This book will of great interest to students and scholars in Performance Studies, Transnational Latine Studies, Race and Gender studies.
Mari Bariethi-32 Bari Bandh Karta
by Suresh Dalalશરીરમાં જે સ્થાન આંખનું છે એ સ્થાન ઘરમાં બારીનું છે. કહેવું હોય તો એમ કહેવાય કે બારી એ ઘરની આંખ છે. આપણે તો સલામતીથી જીવવામાં માનનારા માનવીઓ; એટલે તો ઘરની ચાર દીવાલો ચણી લીધી. પણ ચાર દીવાલમાં ગૂંગળાઈ રહેવું કેમ પોસાય? આપણે એથી બારીઓ મૂકી. પ્રતીક્ષાના પર્યાય જેવા ઝરૂખાઓ સજાવ્યા, ગૌરવ આપે એવા ગવાક્ષો રખાવ્યા. ઘરની અને બહારની દુનિયા વચ્ચેના સેતુનું કામ બારી જ કરે છે. Essays by Suresh Dalal on various subjects, originally published in a popular series: Mari Bariethi in Janmabhoomi Pravasi
Maria Callas: An Intimate Biography
by Anne EdwardsFrom the New York Times bestselling biographer Anne Edwards comes the irresistible true story of the lives and loves of the great opera diva, Maria Callas.Maria Callas continues to mesmerize us decades after her death, not only because she was indisputably the greatest opera diva of the 20th century, but also because both her life and death were shrouded in a Machiavellian web of scandal, mystery and deception. Now Anne Edwards, well known for her revealing and insightful biographies of some of the world's most noted women, tells the intimate story of Maria Callas—her loves, her life, and her music, revealing the true woman behind the headlines, gossip and speculation.The second daughter of Greek immigrant parents, Maria found herself in the grasp of an overwhelmingly ambitious mother who took her away from her native New York and the father she loved, to a Greece on the eve of the Second World War. From there, we learn of the hardships, loves and triumphs Maria experienced in her professional and personal life. We are introduced to the men who marked Callas forever—Luchino Visconti, the brilliant homosexual director who she loved hopelessly, Giovanni Battista Meneghini, the husband thirty years her senior who used her for his own ambitions, as had her mother, and Aristotle Onassis, who put an end to their historic love affair by discarding her for the widowed Jacqueline Kennedy. Throughout her life, Callas waged a constant battle with her weight, a battle she eventually won, transforming herself from an ugly duckling into the slim and glamorous diva who transformed opera forever, whose recordings are legend, and whose life is the stuff of which tabloids are made. Anne Edwards goes deeper than previous biographies of Maria Callas have dared. She draws upon intensive research to refute the story of Callas's "mystery child" by Onassis, and she reveals the true circumstances of the years preceding Callas's death, including the deception perpetrated by her close and trusted friend. As in her portraits of other brilliant, star-crossed women, Edwards brings Maria Callas—the intimate Callas—alive.
Maria Callas: The Woman Behind the Legend
by Arianna StassinopoulosLegendary soprano Maria Callas, whose singing was as sensational as her life, is the subject of this biography. The author tells of Callas' transformation from a shy, chubby girl into one of the greatest opera singers.
Maria Irene Fornes (Routledge Modern and Contemporary Dramatists)
by Scott T. CummingsMaria Irene Fornes is the most influential female American dramatist of the 20th century. That is the argument of this important new study, the first to assess Fornes's complete body of work. Scott T. Cummings considers comic sketches, opera libretti and unpublished pieces, as well as her best-known plays, in order to trace the evolution of her dramaturgy from the whimsical Off-Off Broadway plays of the 1960s to the sober, meditative work of the 1990s. The book also reflects on her practice as an inspirational teacher of playwriting and the primary director of her own plays. Drawing on the latest scholarship and his own personal research and interviews with Fornes over two decades, Cummings examines Fornes's unique significance and outlines strategies for understanding her fragmentary, enigmatic, highly demanding theater.
Maria Tallchief: America's Prima Ballerina
by Maria Tallchief Larry KaplanRead the story of the legendary ballerina who now adorns a $1 coin and a US quarter!A fascinating self-portrait of the fairy-tale life of a woman who understood that a committed talent could transform the world around her."Maria Tallchief and American ballet came of age in the same moment.... Her story will always be the story of ballet conquering America. It was and is an American romance."-Arlene Croce, The New Yorker
Maribel Verdú
by Nuria VidalUn libro sobre Maribel Verdú, una de las estrellas más internacionales de nuestro cine e icono generacional. Aunque resulte difícil de creer, Maribel Verdú ha cumplido veinticinco años en el cine. En este tiempo ha rodado más de sesenta películas a las órdenes de los directores más prestigiosos dentro y fuera de España, en papeles por los que ha recibido un sinfín de premios y que no dejan lugar a dudas sobre la talla de esta extraordinaria actriz, joven, guapa y protagonista de alguna de las secuencias más sensuales de la historia del cine español. Una mujer de su tiempo y con una personalidad arrolladora que trasciende la gran pantalla por su naturalidad, su simpatía desbordante, el compromiso sin límites con su trabajo y un entusiasmo que la lleva a colaborar con directores noveles y en películas de escaso presupuesto siempre que haya un papel que merezca la pena. Con el desenfado y la gracia que la caracterizan, nos habla sin reparos de éxitos y fracasos, de sus amigos, de las ciudades que ama o de las malas experiencias. Confiesa que le desagrada madrugar, que adora el orden y que le encanta salir a comer fuera porque no le gusta cocinar, o que su casa está llena de libros y pingüinos. Descubrimos a la Maribel más íntima, la que se muestra tal y como es, sin miedo a decir lo que piensa. En definitiva, una vida que resume la de toda una generación de mujeres que crecieron como ella en un país que empezaba a disfrutar de una libertad recién adquirida. Una mujer con mucho futuro por delante, gracias a esa buena estrella que nunca la abandona.
Marie, Dancing
by Carolyn Meyerfrom the book jacket: the music soars. the curtain lifts. Marie van Goethem rises onto her toes and floats across the stage of the Paris Opera. And in that moment, fourteen-year-old Marie is happy. Unfortunately, that's almost the only joy in Marie's life. When she's not dancing, she is tormented by hunger, overwhelmed by her mother's uncontrolled drinking, and angered by her older sister's chronic selfishness. However, when Edgar Degas demands Marie's presence in his studio, it appears that her life will he transformed. Each week as she poses for the famous artist, Marie dreams-of a life without poverty, of being with her one true love, and of becoming a star of the ballet. But can being Monsieur Degas's model bring her all that she imagines? Here is the story of the girl immortalized in Degas's most famous sculpture, Little Dancer Aged Fourteen. It's a heartbreaking tale of passion for ballet, of loyalty to family, and of enduring love.
Marilyn: Her Life In Her Own Words
by George BarrisYou Are The First One I'm Telling This To. I'll Tell You All. . . No one looked like her. No one walked like her. No one talked like her. Sexy yet vulnerable, and unexpectedly talented, she was no ordinary screen goddess. Few really knew her. What others wrote, she called Lies! Lies! Lies! Here, at last, is Marilyn Monroe's account, in her own singular voice. It was June 1, 1962, her thirty-sixth birthday. Famed photographer and reporter George Barris had come to see Marilyn on the set of what would be her final, unfinished, film. They had met eight years earlier, became friends, and planned to do a picture book and autobiography. Now the time was right. For the next six weeks Barris photographed and interviewed the actress. Don't believe anything you read about me except this. . . she told Barris. And so she began to confide the truth about herself. Barris last talked to Marilyn on August 3, less than twenty-four hours before she was found dead in her apartment. At their last meeting, she was effervescent and eager to embrace life. I feel I'm just getting started, she said. Barris firmly believes that murder, not suicide, caused Marilyn's untimely end and he could not bring himself to publish her thoughts or the haunting photos of that summer--until now. Marilyn: Her Life In Her Own Words is a candid memoir enhanced by 150 black-and-white and color photos, many never before published. A highlight is The Last Photo Shoot where Marilyn appears luminous without makeup on the beach at Santa Monica and in a North Hollywood house. This moving book brings Marilyn Monroe back--beautiful, flirtatious, and sweet as a first kiss--for one rare and radiant farewell. George Barris has worked as a photojournalist for many of the country's major magazines, from Life to Cosmopolitan. He is the co-author (with Gloria Steinem) of Marilyn-Norma Jean, and contributed to Norman Mailer's book, Marilyn. He lives in California.
Marilyn: A Biography
by Norman MailerBiography about the iconic figure and movie star, Marilyn Monroe.