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The Mastery of Music: Ten Pathways to True Artistry
by Barry GreenThe Inner Game of Music, the breakout hit that became a standard primer in the music world, has taught thousands of musicians--professionals and amateurs alike--how to overcome self-consciousness and stage fright and to recapture a youthful, almost effortless capacity to learn. Now, in his follow-up book, The Mastery of Music, Barry Green turns his expert hand to the artistic qualities that make an extraordinary musician. Culling advice from dozens of interviews with legends including Joshua Bell, Dave Brubeck, Jeffrey Kahane, Bobby McFerrin, Christopher Parkening, Doc Severinsen, Frederica von Stade, the Harlem Boys Choir, and the Turtle Island String Quartet, he reveals that it's not enough to have a cerebral and emotional connection to the notes. Green hows how musical excellence, exhibited by true virtuosos, requires a mastery of ten unique qualities of the soul and the human spirit, such as confidence, passion, discipline, creativity, and relaxed concentration, and he discusses specific ways in which all musicians, composers, and conductors can take their skills to higher levels. He carefully incorporates all instruments and techniques in his rejuvenating discussions, inspiring the stifled student to have fun again and the over-rehearsed performer to rediscover the joy of passionate expression. Essential reading for every musician, The Mastery of Music strikes a beautiful new chord.
Match of the Day: Our Ultimate Football Debates
by Gary Lineker Alan Shearer Micah RichardsFootball isn't life or death - it's much more serious than that...Which players will the fans never forget? Who are the Premier League's best buys? Who were the best link ups in history? In Match of the Day Top 10 of Everything, Gary Lineker, Alan Shearer and Micah Richards bring all of the charm, wit and punditry of their hit BBC Sounds podcast onto the page, arguing the toss over their favourite strikers, Premier League managers, shock transfers, cult heroes, hard men, FA Cup Finals, and much, much more. The question is...will you agree with their picks?
Materialist Film (Routledge Library Editions: Cinema)
by Peter GidalA polemical introduction to the avant-garde and experimental in film (including making and viewing), Materialist Film is a highly original, thought-provoking book. Thirty-seven short chapters work through a series of concepts which will enable the reader to deal imaginatively with the contradictory issues produced by experimental film. Each concept is explored in conjunction with specific films by Andy Warhol, Malcolm LeGrice, Lis Rhodes, Jean-Luc Goddard, Rose Lowder, Kurt Kren, and others. Peter Gidal draws on important politico-aesthetic writings, and uses some of his own previously published essays from Undercut, Screen, October, and Millennium Film Journal to undertake this concrete process of working through abstract concepts. Originally published in 1989.
Materiality of Cooperation (Medien der Kooperation – Media of Cooperation)
by Sebastian Gießmann Tobias Röhl Ronja Trischler Martin ZillingerThe volume investigates the socio-material dimension and media practices of cooperation – before, during and beyond situations. Cooperation is understood as reciprocal interplay operating with or without consensus, in co-presence or absence of the involved actors in distributed situations. Artefacts, bodies, texts and infrastructures are the media that make cooperation possible. They enable and configure reciprocal accomplishments – and are themselves created through media practices in cooperative situations.
Materials for Learning: How to Teach Adults at a Distance (Routledge Library Editions: Broadcasting #26)
by Janet JenkinsMaterials for Learning (1981) examines the ability of books and broadcasts to change lives. The combination of print, radio, television and group meetings – distance teaching – can transform education in developing countries. Effective distance teaching requires effective teaching materials, and up to now there has been a lack of guidance about how to produce such materials and how to do so for different cultures. Materials for Learning aims to supply this need by suggesting guidelines for action and, where evidence is mixed or lacking, defining questions that still require answers. It is a practical book aimed at people actively involved in nonformal education and will be particularly useful for the developing world educators. The book looks first at how distance teaching can help with educational problems, considers how adults learn, and surveys problems of language and culture. It then considers the planning of distance teaching and looks in detail at the use of different media. There were also chapters on teaching numeracy and science at a distance, and a discussion of the kind of support that can be provided for people studying at a distance.
Maternal Horror Film
by Sarah ArnoldMaternal Horror Film: Melodrama and Motherhood examines the function of the mother figure in horror film. Using psychoanalytic film theory as well as comparisons with the melodrama film, Arnold investigates the polarized images of monstrous and sacrificing mother.
The Maternal Imagination of Film and Film Theory
by Lauren BlissThis book challenges common sense understandings of the unconscious effects of cinema and visual culture. It explores the castrating power of the early modern witch and the historical belief that pregnant women could manipulate and distort body image as figurative analogies for feminist theories of objectification and the male gaze. Through developing this history as an impure but lively analogy, this book serves as a provocation against the dominant imagining of objectification. It offers innovative analyses of a wide-ranging selection of films and topics including Joyce Wieland’s Water Sark (1964) and its resonance with the works of John Cage and Stan Brakhage; the documentary Histoires d’A (History of Abortion, 1973), which contributed to the successful legalisation of abortion in France; the Hong Kong horror film Dumplings (Jiaozi, 餃子 2004), where foetal cannibalism serves up an image of censorship; and the dual productions The Book of Mary (Le livre de Marie) and Hail Mary (Je vous salue, Marie, 1985) by Anne-Marie Miéville and Jean-Luc Godard that figure a self-reproducing virgin who hears herself while remaining a virgin, unseen.
Maternal Performance: Feminist Relations (Contemporary Performance InterActions)
by Lena Šimić Emily Underwood-LeeMaternal Performance: Feminist Relations bridges the fields of performance, feminism, maternal studies, and ethics. It loosely follows the life course with chapters on maternal loss, pregnancy, birth, aftermath, maintenance, generations, and futures. Performance and the maternal have an affinity as both are lived through the body of the mother/artist, are played out in real time, and are concerned with creating ethical relationships with an other – be that other the child, the theatrical audience, or our wider communities. The authors contend that maternal performance takes the largely hidden, private and domestic work of mothering and makes it worthy of consideration and contemplation within the public sphere.
Math Goes to the Movies
by Burkard Polster Marty RossMel Gibson teaching Euclidean geometry, Meg Ryan and Tim Robbins acting out Zeno's paradox, Michael Jackson proving in three different ways that 7 x 13 = 28. These are just a few of the intriguing mathematical snippets that occur in hundreds of movies. Burkard Polster and Marty Ross pored through the cinematic calculus to create this thorough and entertaining survey of the quirky, fun, and beautiful mathematics to be found on the big screen. Math Goes to the Movies is based on the authors' own collection of more than 700 mathematical movies and their many years using movie clips to inject moments of fun into their courses. With more than 200 illustrations, many of them screenshots from the movies themselves, this book provides an inviting way to explore math, featuring such movies as:• Good Will Hunting• A Beautiful Mind• Stand and Deliver• Pi• Die Hard• The Mirror Has Two FacesThe authors use these iconic movies to introduce and explain important and famous mathematical ideas: higher dimensions, the golden ratio, infinity, and much more. Not all math in movies makes sense, however, and Polster and Ross talk about Hollywood's most absurd blunders and outrageous mathematical scenes. Interviews with mathematical consultants to movies round out this engaging journey into the realm of cinematic mathematics.This fascinating behind-the-scenes look at movie math shows how fun and illuminating equations can be.
Matinee Melodrama
by Scott HigginsLong before Batman, Flash Gordon, or the Lone Ranger were the stars of their own TV shows, they had dedicated audiences watching their adventures each week. The difference was that this action took place on the big screen, in short adventure serials whose exciting cliffhangers compelled the young audience to return to the theater every seven days. Matinee Melodrama is the first book about the adventure serial as a distinct artform, one that uniquely encouraged audience participation and imaginative play. Media scholar Scott Higgins proposes that the serial's incoherent plotting and reliance on formula, far from being faults, should be understood as some of its most appealing attributes, helping to spawn an active fan culture. Further, he suggests these serials laid the groundwork not only for modern-day cinematic blockbusters like Star Wars and Raiders of the Lost Ark, but also for all kinds of interactive media that combine spectacle, storytelling, and play. As it identifies key elements of the serial form--from stock characters to cliffhangers--Matinee Melodrama delves deeply into questions about the nature of suspense, the aesthetics of action, and the potentials of formulaic narrative. Yet it also provides readers with a loving look at everything from Zorro's Fighting Legion to Daredevils of the Red Circle, conveying exactly why these films continue to thrill and enthrall their fans.
Matrix and Philosophy: Welcome to the Desert of the Real
by William IrwinThe thought-provoking essays discuss different facets of the primary philosophical puzzle of The Matrix: Can we be sure the world is really there, and if not, what should we do about it? Other chapters address issues of religion, lifestyle, pop culture, the Zeitgeist, the nature of mind and matter, and the reality of fiction.
The Matrix of Visual Culture: Working with Deleuze in Film Theory (Cultural Memory in the Present)
by Patricia PistersThis book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images and time-images. We live in a matrix of visual culture that is always moving and changing. Each image is always connected to an assemblage of affects and forces. This book presents a model, as well as many concrete examples, of how to work with Deleuze in film theory. It asks questions about the universe as metacinema, subjectivity, violence, feminism, monstrosity, and music. Among the contemporary films it discusses within a Deleuzian framework are Strange Days, Fight Club, and Dancer in the Dark.
A Matter of Appearance: A Memoir
by Emily WellsA dazzling memoir of chronic illness that explores the fraught intersection between pain, language, and gender, by a debut author.Emily Wells spent her childhood dancing through intense pain she assumed was normal for a ballerina pushing her body to its limits. For years, no doctor could tell Wells what was wrong with her, or they told her it was all in her head.In A Matter of Appearance, Wells traces her journey as she tries to understand and define the chronic pain she has lived with all her life. She draws on the critical works of Freud, Sontag, and others to explore the intersection between gender, pain, and language, and she traces a direct line from the &“hysteria patients&” at the Salpêtrière Hospital in nineteenth-century Paris to the contemporary New Age healers in Los Angeles, her stomping ground. At the crux of Wells&’ literary project is the dilemma of how to diagnose an experience that is both private and public, subjective and quantifiable, and how to express all this in words.&“Gorgeously written and brilliantly argued, A Matter of Appearance uses chronic illness as a lever to investigate the life of a body. It&’s complex, inconclusive, and incredibly clear-eyed. Moving fluidly between histories of psychoanalysis, desire, ambition, pathology, Wells reminds us of the liminal state we all live in between sickness and health.&”—Chris Kraus, author of Aliens & Anorexia and Summer of Hate
A Matter of Facts: One Man's Journey into the Nation's Quiz Obsession
by Shaun WilliamsonA journey into the obsessive world of quizzing. Includes stories from Shaun's past such as tales from his time playing Barry in Eastenders; the discovery of a long-lost son; hiding from an angry Mike Reid in a broom cupboard; acting with Ricky Gervais and David Bowie, and the loss of his boyhood friend in 9/11.Actor and celebrity quizzer Shaun Williamson lifts the lid on a National drug that everyone hooked on: quizzing. A Matter of Facts is a personal journey into the world of quizzes. At the start Shaun enters the World Quiz Grand Prix, pitching his knowledge against the Nation's finest minds, including Eggheads and Chasers... he fails. Unperturbed, he sets out to improve his skills through memory training, practice and even hypnosis in an attempt to move himself up the rankings of the quizzing elite. Shaun's adventure sees him get his old quizzing 'band' back together to see if he can triumph in the leagues. As he does so, he meets many characters and experiences the wonderful vagaries of the pub quiz - discovering its place, not just in communities, but in people's lives. He also reminisces about his life before acting as an alcoholic postman, a stalled naval career,a Pontins blue coat and his journey to becoming Barry in EastEnders. Over the course of year Shaun aims to end his journey at a victorious return to the Grand Prix... can his experiences and new-found knowledge end in victory? A Matter of Facts is a fun, fascinating and heart-warming read that will be adored by those who enjoy a regular meeting of alcohol and trivia.
A Matter of Facts: One Man's Journey into the Nation's Quiz Obsession
by Shaun WilliamsonA journey into the obsessive world of quizzing. Includes stories from Shaun's past such as tales from his time playing Barry in Eastenders; the discovery of a long-lost son; hiding from an angry Mike Reid in a broom cupboard; acting with Ricky Gervais and David Bowie, and the loss of his boyhood friend in 9/11.Actor and celebrity quizzer Shaun Williamson lifts the lid on a National drug that everyone hooked on: quizzing. A Matter of Facts is a personal journey into the world of quizzes. At the start Shaun enters the World Quiz Grand Prix, pitching his knowledge against the Nation's finest minds, including Eggheads and Chasers... he fails. Unperturbed, he sets out to improve his skills through memory training, practice and even hypnosis in an attempt to move himself up the rankings of the quizzing elite. Shaun's adventure sees him get his old quizzing 'band' back together to see if he can triumph in the leagues. As he does so, he meets many characters and experiences the wonderful vagaries of the pub quiz - discovering its place, not just in communities, but in people's lives. He also reminisces about his life before acting as an alcoholic postman, a stalled naval career,a Pontins blue coat and his journey to becoming Barry in EastEnders. Over the course of year Shaun aims to end his journey at a victorious return to the Grand Prix... can his experiences and new-found knowledge end in victory?A Matter of Facts is a fun, fascinating and heart-warming read that will be adored by those who enjoy a regular meeting of alcohol and trivia.
The Matter of Images: Essays on Representations
by Richard DyerNow published in a revised second edition, The Matter of Images searches through the resonances of the term ‘representation’, analysing images in terms of why they matter, what they are made of, and the material realities they refer to. Richard Dyer’s analyses consider representations of ‘out’ groups and traditionally dominant groups alike, and encompass the eclectic texts of contemporary culture, from queers to straights, political correctness, representations of Empire and films including Gilda, Papillon and The Night of the Living Dead. Essays new to the second edition discuss Lillian Gish as the ultimate white movie star, the representation of whiteness in the South in Birth of a Nation, and society’s fascination with serial killers. The Matter of Images is distinctive in its commitment to writing politically about contemporary culture, while insisting on the importance of understanding the formal qualities and complexity of the images it investigates.
The Matter of Vision: Affective Neurobiology And Cinema
by Peter WyethCinematic analysis has often supported the notion that cinema can be understood by drawing parallels with language. Peter Wyeth contends that this analytical framework often fails to consider the fundamental fact of cinema's visual nature. In The Matter of Vision, Wyeth seeks to redress this oversight by grounding his analysis in neuroscience and evolutionary biology, finding herein the potential for a qualitatively superior understanding of the cinematic medium.
Matthew Meets the Man
by Travis NicholsMatthew Swanbeck has a classic problem. Back in seventh grade, his dad talked him into playing the trumpet instead of the drums. Now he's a lowly brass player in the school marching band. Until one day he has an epiphany: He can start his own band, play in all the cool rock venues, even go on tour . . . if only he can scrape together the cash to buy a drum set. But how will he ever get the money together when The Man thwarts him at every turn, taking taxes out of his paycheck, forcing him to mow the lawn for a measly $10 a week, and creating all of those rules that get in the way of dreams? It's one teen against the system in this light-hearted look at the challenges and rewards of chasing your dreams.
Maud Powell, Pioneer American Violinist
by Karen A. Shaffer Neva G. GreenwoodBiography of the first American violinist to gain international rank.
Maurice (Queer Film Classics #8)
by David GrevenMaurice, James Ivory’s 1987 adaptation of the E.M. Forster novel, follows an Edwardian man’s journey from the awakening of his desire for and love of men to self-acceptance. One of the most politically resistant films of the 1980s, Maurice dared to depict a young man’s coming-out story and a happy ending for its lovers, Maurice and Alec.James Ivory and producer Ismail Merchant, a couple whose cinema is synonymous with period film adaptation, released Maurice during the first AIDS decade, a time of flagrant transatlantic homophobia. Criticism following its release described Ivory as a superficial and staid director, while the film was received as a regression to the uncinematic and overly faithful style that characterized the early adaptations by Merchant Ivory Productions. Offering a close reading of Forster’s novel and an analysis of Ivory’s distinctive visual style, Richard Robbins’s indelible score, and the performances of James Wilby, Hugh Grant, and Rupert Graves, David Greven argues that the film is a model of sympathetic adaptation. This study champions the film as the finest of the Merchant Ivory works, making a case for Ivory’s underappreciated talents as a director of great subtlety and intelligence, and for the film as one worth recuperating from its detractors.Understanding Maurice as a fully realized work of art and adaptation, this volume offers insight into how a stunning novel of gay love became a classic of queer film.
Maverick Movies: New Line Cinema and the Transformation of American Film
by Daniel HerbertA free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.Maverick Movies tells the improbable story of New Line Cinema, a company that cut a remarkable path through the American film industry and movie culture. Founded in 1967 as an art film distributor, New Line made a small fortune running John Waters's Pink Flamingos at midnight screenings in the 1970s and found reliable returns with the Nightmare on Elm Street franchise in the 1980s. By 2001, the company competed with the major Hollywood studios and reached global box office success with the Lord of the Rings franchise. Blurring boundaries between high and low culture, between independent film and Hollywood, and between the margins and the mainstream, New Line Cinema epitomizes Hollywood's shift in focus from the mass audience fostered by the classic studios to the multitude of niche audiences sought today.
Mavericks and Other Traditions in American Music
by Michael BroylesFrom colonial times to the present, American composers have lived on the fringes of society and defined themselves in large part as outsiders. In this stimulating book Michael Broyles considers the tradition of maverick composers and explores what these mavericks reveal about American attitudes toward the arts and about American society itself. Broyles starts by examining the careers of three notably unconventional composers: William Billings in the eighteenth century, Anthony Philip Heinrich in the nineteenth, and Charles Ives in the twentieth. All three had unusual lives, wrote music that many considered incomprehensible, and are now recognized as key figures in the development of American music. Broyles goes on to investigate the proliferation of eccentric individualism in all types of American music--classical, popular, and jazz--and how it has come to dominate the image of diverse creative artists from John Cage to Frank Zappa. The history of the maverick tradition, Broyles shows, has much to tell us about the role of music in American culture and the tension between individualism and community in the American consciousness.
Max Clifford: Read All About It
by Angela Levin Max Clifford'Max knows more secrets of the rich and famous than anyone in the world'Piers MorganMax Clifford is the media guru everyone calls when they want to know about a celebrity story or a celebrity's relationship with the media. Starting out as a junior member of the press department at EMI, he has become one of the most influential figures in today's society, and a household name. What is less known is the other side to Max: the stories he keeps out of the papers; his stand against corruption; his mischievous sense of humour; his dedication to helping people from all walks of life;his love for his wife of nearly forty years who tragically died of cancer; and his devotion to his daughter Louise who, at six,was diagnosed with juvenile rheumatoid arthritis and is permanently disabled. The essential memoir for those interested in both PR and celebrity.
Max Factor: The Man Who Changed the Faces of the World
by Fred E. BastenNice women never wore makeup. Even the word was taboo in polite society--until Max Factor entered the scene. Born in Poland in 1877, Factor worked as a beautician for the Russian royal family, the Romanovs. In 1904, he fled to America, where he opened a cosmetics store in Los Angeles. Creating makeup originally for silent films, then the talkies, and, ultimately, color motion pictures, Factor designed looks for Katharine Hepburn, Rita Hayworth, Bette Davis, and countless other beauties of the day. Soon women everywhere wanted to look like their favorite glamorous stars, and Factor was there to help, bringing his innovative cosmetics to the general public. He revolutionized the world of beauty by producing many firsts: false eyelashes, lip gloss, foundation, eye shadow, the eyebrow pencil, concealer, wand-applicator mascara, and water-resistant makeup. A true innovator, he also introduced the concept of color harmony and the celebrity-endorsed cosmetics advertising that forms the glamorous backbone of the modern industry. Max Factor was the father of modern makeup. This is his extraordinary story.
Max Factor and Hollywood: A Glamorous History
by Erika ThomasThe story of the makeup artist who changed the film industry—and the world of modern cosmetics. Includes photos. When Polish wigmaker and cosmetician Max Factor arrived in Los Angeles at the dawn of the motion picture industry, &“make-up&” had been associated only with stage performers and ladies of the oldest profession. Appalled by the garish paints worn by actors, Factor introduced the first &“flexible&” greasepaint for film in 1914. With a few careful brush strokes, a lot of innovation, and the kind of luck that can happen only in Hollywood, Max Factor changed the meaning of glamour. His innovations can be experienced in every tube of lipstick, palette of eye shadow, and bottle of nail lacquer used today. Join author Erika Thomas as she reveals the makeup guru's expert beauty tips and the story of how he created the most iconic golden-era looks that are as relevant today as they were nearly a century ago.