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Not Your Average Zombie: Rehumanizing the Undead from Voodoo to Zombie Walks
by Chera KeeThe zombie apocalypse hasn’t happened—yet—but zombies are all over popular culture. From movies and TV shows to video games and zombie walks, the undead stalk through our collective fantasies. What is it about zombies that exerts such a powerful fascination? In Not Your Average Zombie, Chera Kee offers an innovative answer by looking at zombies that don’t conform to the stereotypes of mindless slaves or flesh-eating cannibals. Zombies who think, who speak, and who feel love can be sympathetic and even politically powerful, she asserts. Kee analyzes zombies in popular culture from 1930s depictions of zombies in voodoo rituals to contemporary film and television, comic books, video games, and fan practices such as zombie walks. She discusses how the zombie has embodied our fears of losing the self through slavery and cannibalism and shows how “extra-ordinary” zombies defy that loss of free will by refusing to be dehumanized. By challenging their masters, falling in love, and leading rebellions, “extra-ordinary” zombies become figures of liberation and resistance. Kee also thoroughly investigates how representations of racial and gendered identities in zombie texts offer opportunities for living people to gain agency over their lives. Not Your Average Zombie thus deepens and broadens our understanding of how media producers and consumers take up and use these undead figures to make political interventions in the world of the living.
Not a Genuine Black Man: Or, How I Claimed My Piece of Ground in the Lily-White Suburbs
by Brian CopelandWhen Brian Copeland's family moved from Oakland to San Leandro, California, hoping for a better life, he had to undergo tragic difficulties of being black in a white world as a child.
Not a Genuine Black Man: Or, How I Claimed My Piece of Ground in the Lily-White Suburbs
by Brian CopelandBased on the longest-running one-man show in San Francisco history--now coming to Off-Broadway--a hilarious, poignant, and disarming memoir of growing up black in an all-white suburb In 1972, when Brian Copeland was eight, his family moved from Oakland to San Leandro, California, hoping for a better life. At the time, San Leandro was 99.4 percent white, known nationwide as a racist enclave. This reputation was confirmed almost immediately: Brian got his first look at the inside of a cop car, for being a black kid walking to the park with a baseball bat. Brian grew up to be a successful comedian and radio talk show host, but racism reemerged as an issue--only in reverse--when he received an anonymous letter: "As an African American, I am disgusted every time I hear your voice because YOU are not a genuine Black man!" That letter inspired Copeland to revisit his difficult childhood, resulting in a hit one-man show that has been running for nearly two years--which has now inspired a book. In this funny, surprising, and ultimately moving memoir, Copeland shows exactly how our surroundings make us who we are.
Not in Front of the Audience: Homosexuality On Stage
by Nicholas de JonghFirst published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Not that You Asked ...
by Andrew A. RooneyFrom the book jacket: Andy Rooney's syndicated newspaper columns and cantankerous "60 Minutes" essays have made him one of the best known curmudgeons in America. Rooney writes about, well, almost everything, boasting in the introduction to Not That You Asked . . .: "There's something in this book that will irritate almost everyone." m The Critics Publishers Weekly The whiny, white-haired leprechaun who dispenses cranky advice on CBS-TV's 60 Minutes as if his bromides about life's minor annoyances are raw pearls of wisdom will entertain his fans with this latest assemblage. Rooney, author of four previous books, has fun with easy targets such as the decline of romance, dull textbooks, the U.S. postal service, the dearth of good conversation, unwanted Christmas gifts and the Miss America contest. He skewers Americans' suspicious stance toward the Soviets (``I never met a Russian as mean and macho as Rambo'') and pinpoints the use of sexist language (``No men ever get wed in the New York Times , just women''). Rooney has a knack of talking out of both sides of his mouth when discussing topics such as the arms race, student protest, global eco-catastrophe and the animal rights movement. Ambling from class reunions to credit cards, dogs, cats and the joys of spring in the city, these calculatedly curmudgeonly pieces touch on phenomena with which almost everybody can identify.
Not the Girl Next Door: Joan Crawford, a Personal Biography (Applause Bks.)
by Charlotte ChandlerIn this fascinating new biography of screen legend Joan Crawford, Charlotte Chandler draws on exclusive and remarkably candid interviews with Crawford herself and with others who knew her, including first husband Douglas Fairbanks, Jr., and Crawford's daughter Cathy. As a result, this biography is fresh and revealing, a brand-new look at one of Hollywood's most acclaimed stars. Joan Crawford was born Lucille LeSueur in San Antonio, Texas, in 1908 (as she always insisted, though other sources disagreed). Her father abandoned the family, and her mother soon remarried; Lucille was now known as Billie Cassin. Young Billie loved to dance and achieved her early success in silent films playing a dancer. Her breakthrough role came in Our Dancing Daughters. Soon married to Hollywood royalty, Douglas Fairbanks, Jr. (who called her "Billie"), she was a star in her own right, playing opposite John Barrymore and a stellar cast in M-G-M's Grand Hotel. Crawford was cast opposite another young star, Clark Gable, in several films. They would sometimes play lovers on screen -- and off as well. After her marriage to Fairbanks broke up, Crawford married actor Franchot Tone. That marriage soon began to show strains, and Crawford was sometimes seen riding with Spencer Tracy, who gave her a horse she named Secret. Crawford left M-G-M for Warners, and around the time she married her third husband, Phillip Terry, she won her Oscar for best actress (one of three times she was nominated) in Mildred Pierce. But by the 1950s the film roles dried up. Crawford and Terry had divorced, and Crawford married her fourth husband, Pepsi-Cola executive Alfred Steele. In 1962, she and longtime cinematic rival Bette Davis staged a brief comeback in the macabre but commercial What Ever Happened to Baby Jane? Following Steele's death, Crawford became a director of Pepsi- Cola while she continued raising her four adopted children. Although her daughter Christina would publish the scathing memoir Mommie Dearest after Crawford's death, Chandler offers a contrasting portrait of Crawford, drawing in part on reminiscences of younger daughter Cathy among others. Not the Girl Next Door is perhaps Charlotte Chandler's finest Hollywood biography yet, an intimate portrait of a great star who was beautiful, talented, glamorous, and surprisingly vulnerable.
Not the Life It Seems: The True Lives of My Chemical Romance
by Tom BryantThe definitive biography of post-hardcore rock band My Chemical Romance, based on exclusive, unpublished interviews by the journalist who knew the band best. . My Chemical Romance is the Nirvana of the post-hardcore generation. As the most significant band in alternative rock on both sides of the Atlantic for the past decade, My Chemical Romance has sold five million albums and played to packed arenas worldwide. In March 2013, their sudden break-up shocked the industry and made headline news in top music media around the world. Not the Life It Seems is the true story of My Chemical Romance, a saga of the persistence, dreams, and dark forces that drive a band. Illuminated by more than twenty-four hours of firsthand interviews with the band members and those closest to them, it tells the story of an intensely private band in intimate detail.
Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance
by John Rouse James Martin HardingAlmost without exception, studies of the avant-garde take for granted the premise that the influential experimental practices associated with the avant-garde began primarily as a European phenomenon that in turn spread around the world. These ten original essays, especially commissioned for Not the Other Avant-Garde, forge a radically new conception of the avant-garde by demonstrating the many ways in which the first- and second-wave avant-gardes were always already a transnational phenomenon, an amalgam of often contradictory performance traditions and practices developed in various cultural locations around the world, including Africa, the Middle East, Mexico, Argentina, India, and Japan. Essays from leading scholars and critics-including Marvin Carlson, Sudipto Chatterjee, John Conteh-Morgan, Peter Eckersall, Harry J. Elam Jr., Joachim Fiebach, David G. Goodman, Jean Graham-Jones, Hannah Higgins, and Adam Versényi-suggest collectively that the very concept of the avant-garde is possible only if conceptualized beyond the limitations of Eurocentric paradigms. Not the Other Avant-Garde is groundbreaking in both avant-garde studies and performance studies and will be a valuable contribution to the fields of theater studies, modernist studies, art history, literature, and music history.
Not to be Missed: Fifty-four Favorites from a Lifetime of Film
by Kenneth TuranAs a child in 1950s Brooklyn, Kenneth Turan often turned to television programs like "Million Dollar Movie" on WOR-TV. Featuring a much-loved theme song from Gone with the Wind, "Million Dollar Movie" would run one feature film twice a day, every day, all week. It was there that he developed a life-long love of the world of the movies.One of the most discerning critics writing today, Kenneth Turan offers insights that are sure to delight and inspire movie-lovers of all kinds in his latest book, Unforgettable. As sophisticated and illuminating as the films they discuss, Turan's sketches are a blend of cultural analysis, historical anecdote and sordid Hollywood controversy, astute critical appraisals, all suffused with his abiding love for the silver screen.Turan's favorite films range across all genres, low and high. From All About Eve to Seven Samurai to Spirited Away, these are now timeless films-classic and contemporary, familiar and obscure, with big budgets and small-each as interesting as the lives of the authors and actors that made the usually two-or-so-hour-long cinematic experience itself.Ernst Lubitsch loved to act out the scenes he was shooting in front of his cast. Laurence Olivier's torrid love affair with Vivien Leigh was the only reason he agreed to play the part of Mr. Darcy in Pride and Prejudice. John Boorman once said that "watching film is very like dreaming," and truly, the highly-stylized violence of Point Blank dares its audience to reconsider what they've seen on the screen.
Not to be Rude: Intemperate outbursts from one nutty broad!
by Sarina RowellNot to be Rude is a painfully assembled collection of writing by Sarina Rowell from cult humour websites The Scrivener's Fancy and Imagined Slights. Here, all in one place, for the first and last time, she goes into bat for the unfairly maligned - thirtysomething, Nicole Kidman, fashion models and being 'childless by choice'; and goes into bat against the unfairly non-maligned - tapas restaurants, second-hand booksellers, live performances and Audrey Hepburn. If you loved the BBC production of Pride and Prejudice with Colin Firth, you won't love Not to be Rude, and will, furthermore, be demonstrating your own terrible taste. 'Pretty damned funny.' -TONY MARTIN (the comedian, not the cyclist)
Note Found in a Bottle: My Life As A Drinker
by Susan CheeverBorn into a world ruled and defined by the cocktail hour, in which the solution to any problem could be found in a dry martini or another glass of wine, Susan Cheever led a life both charmed and damned. She and her father, the celebrated writer John Cheever, were deeply affected and troubled by alcohol. Addressing for the first time the profound effects that alcohol had on her life, in shaping of her relationships with men and in influencing her as a writer, Susan Cheever delivers an elegant memoir of clear-eyed candor and unsettling immediacy. She tells of her childhood obsession with the niceties of cocktails and all that they implied -- sociability, sophistication, status; of college days spent drinking beer and cheap wine; of her three failed marriages, in which alcohol was the inescapable component, of a way of life that brought her perilously close to the edge. At once devastating and inspiring, Note Found in a Bottle offers a startlingly intimate portrait of the alcoholic's life -- and of the corageous journey to recovery.
Note by Note: A Celebration of the Piano Lesson
by Tricia TunstallIn this luminous book, Tricia Tunstall explores the enduring fascination of the piano lesson. Even as everything else about the world of music changes, the piano lesson retains its appeal. Drawing on her own lifelong experience as a student and teacher, Tunstall writes about the mysteries and delights of piano teaching and learning. What is it that happens in a piano lesson to make it such a durable ritual? In a world where music is heard more often on the telephone and in the elevator than in the concert hall, why does the piano lesson still have meaning in the lives of children? What does it matter whether one more child learns to play Bach's Minuet in G? Note by Note is in part a memoir in which Tunstall recalls her own childhood piano teachers and their influence. As she observes, the piano lesson is unlike the experience of being coached on an athletic team or taught in a classroom, in that it is a one-on-one, personal communication. Physically proximate, mutually concentrating on the transfer of a skill that is often arduous, complicated and frustrating, teacher and student occasionally experience breakthroughs-moments of joy when the student has learned something, mastered a musical passage or expressed a feeling through music. The relationship is not only one-way: teaching the piano is a lifelong endeavor of particular intensity and power. Anyone who has ever studied the piano-or wanted to-will cherish this gem of a book.
Note to Self
by Connor FrantaFrom the award-winning and New York Times bestselling author of A Work in Progress comes a collection of Connor Franta's most intimate, raw, honest, and inspiring reflections on his own life as he's living it right now, as well as his observations about contemporary culture. Told through narrative, poetry, photography, and illustrations, this is a must-have for every fan.In his New York Times bestselling memoir, A Work in Progress, Connor Franta shared his journey from small-town Midwestern boy to full-fledged Internet sensation. Exploring his past with humor and astounding insight, Connor reminded his fans of why they first fell in love with him on YouTube—and revealed to newcomers how he relates to his millions of dedicated followers. Now, two years later, Connor is ready to bring to light a side of himself he&’s rarely shown on or off camera. In this diary-like look at his life since A Work in Progress, Connor talks about his battles with clinical depression, social anxiety, self-love, and acceptance; his desire to maintain an authentic self in a world that values shares and likes over true connections; his struggles with love and loss; and his renewed efforts to be in the moment—with others and himself. Told through short essays, letters to his past and future selves, poetry, and original photography, Note to Self is a raw, in-the-moment look at the fascinating interior life of a young creator turning inward in order to move forward.
Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia (Routledge Advances in Theatre & Performance Studies)
by Morgan Lloyd Malcolm Aida Patient Kimberly A. Williams Laura KresslyThis collection of short, accessible essays serves as a supplementary text to Morgan Lloyd Malcolm’s play, Emilia. Critically acclaimed and beloved by audiences, this innovative and ground-breaking show is a speculative history, an imaginative (re)telling of the life of English Renaissance poet Aemilia Bassano Lanyer. This book features essays by theatre practitioners, activists, and scholars and informed by intersectional feminist, critical race, queer, and postcolonial analyses will enable students and their teachers across secondary school and higher education to consider the play’s major themes from a wide variety of theoretical and interdisciplinary perspectives. This volume explores the current events and cultural contexts that informed the writing and performing of Emilia between 2017 and 2019, various aspects of the professional London productions, critical and audience responses, and best practices for teaching the play to university and secondary school students. It includes a foreword by Emilia playwright Morgan Lloyd Malcolm This book will be of great interest to students and scholars of theatre, arts activism, feminist literature, and theory.
Notes From An Accidental Band Geek
by Erin DionneFrom the author of Models Don’t Eat Chocolate Cookies comes a middle grade novel hailed by Linda Urban as "A perfect blend of laugh out loud funny and real-world heart. ” Elsie Wyatt wants to be an orchestra superstar, like her dad and grandfather. The first step? Get into a super-selective summer music camp. In order to qualify, Elsie must "expand her musical horizons” by joining her high school’s marching band. Not only does this mean wearing a plumed hat and polyester pants, but it also means she can’t play her own instrument, can’t sit down, and can’t seem to say the right thing to anyone...let alone Jake, the cute trumpet player she meets on the first day. Plus, everything she does seems to cause a disaster. Surviving marching band is going to be way harder than Elsie thought. For fans of funny, realistic, every-girl novels like Wendy Mass’s 13 Gifts and Lisa Greenwald’s My Life in Pink & Green. "It has humor, heart, and a touch of romance that will provide ample fodder for booktalks. ”-School Library Journal "Marching-band kids everywhere will enjoy this believable celebration of a life-changing, musical rite of passage. ”-Kirkus .
Notes From An Odin Actress: Stones of Water
by Julia Varley‘As an actress I sit, speak, run, sweat and, simultaneously, I represent someone who sits, speaks, runs and sweats. As an actress, I am both myself and the character I am playing. I exist in the concreteness of the performance and, at the same time, I need to be alive in the minds and senses of the spectators. How can I speak of this double reality?’ – Julia Varley This is a book about the experience of being an actress from a professional and female perspective. Julia Varley has been a member of Odin Teatret for over thirty years, and Notes from an Odin Actress is a personal account of her work with Eugenio Barba and this world-renowned theatre company. This is a unique window onto the in-depth exercises and day-to-day processes of an Odin member. It is a journal to enlighten anyone interested in the performances, the discoveries and the hard physical work that accompany a life in theatre.
Notes On Directing: 130 Lessons In Leadership From The Director's Chair
by Frank Hauser Russell ReichSome years ago, Frank Hauser, then a retired freelance director, and writer Russell Reich, his former student, self-published Notes on Directing in hardcover. It was immediately acclaimed as “a gem-witty and full of insight;” “so sensible, so complete, and so right;” and “amazingly illuminating” by the likes of Judi Dench, Edward Albee, and Terry Teachout. Gathered over Frank Hauser's long career, and polished to a sharp edge by Russell Reich, the 130 "Notes" address a wide range of topics, from understanding the script and defining the director's role, to casting, how to handle a first read-through of a script, rules for rehearsal, how to talk to actors, how to get a laugh, and the key elements of staging. Filled with enduring good advice expressed in assertive, no-nonsense language, and supported with explanatory commentary, insightful quotes and examples, and six valuable appendices, this deceptively slim book has the impact of a privileged apprenticeship, providing deep insight into the hidden process of creating a live, shared experience. For the student or professional engaged in a directing or acting career, the executive or manager looking for inspiring new ideas on leadership, or the arts lover wanting insight into the creative process, this book will be an invaluable experience. This new edition includes an interview with the co-author.
Notes from the Hard Shoulder
by James MayTop Gear presenter and columnist for the Daily Telegraph James May brings together another brilliant collection of his most controversial and humorous writing. From tales of motoring adventures through India, Russia and Iceland, to classic articles on essential subjects such as driving songs and haunted car parks, these gems from the number one car connoisseur will take readers on a motoring journey that will amuse and entertain in equal measure.
Notes from the Underwire: Adventures from My Awkward and Lovely Life
by Quinn CummingsMeet Quinn Cummings. Former child star, mother, and modern woman, she just wants to be a good person. Quinn grew up in Los Angeles, a city whose patron saint would be a sixteen-year-old with a gold card and two trips to rehab under her belt. Quinn does crossword puzzles, eats lentils without being forced, and longs to wear a scarf without looking like a Camp Fire Girl. And she tries very hard to be the Adult--the one everybody calls for a ride to the airport--but somehow she always comes up short.In Notes from the Underwire, Quinn's smart and hilarious debut, she tackles the domestic and the delightfully absurd, proving that all too often they're one and the same. From fighting off a catnip-addled cat to mortal conflict with a sewing machine, Quinn provides insight into her often chaotic, seldom-perfect universe--a universe made even less perfect when the goofy smile of past celebrity shows its occasional fang. The book, like the author herself, is good hearted, keenly observant, and blisteringly funny. In other words, really good company.
Notes from the Upside Down: An Unofficial Guide to Stranger Things
by Guy AdamsJump inside the world of Stranger Things and discover everything you need to know about the hit TV show.Grab your Eggo waffles and get ready for a visit to Hawkins, Indiana—just don’t forget the fairy lights! If you devoured Stranger Things on Netflix and you’re looking to fill the demogorgon-sized hole in your life, then look no further than Notes from the Upside Down. This fan-tastic guide has every fact you could ever wish for—from insights into the origins of the show, including the mysterious Montauk Project conspiracy theory; a useful eighties playlist (because, of course); and much more. If you’ve ever wondered why Spielberg is such a huge influence, which Stephen King books you need to read (hint: pretty much all of them), or how State Trooper David O’Bannon earned his name, then this book is for you. Entertaining, informative, and perfect for fans of eighties pop culture, Notes from the Upside Down is the Big Mac of unofficial guides to Stranger Things—super-sized and special sauce included.
Notes on Television: Notes on Television
by Lee SiegelTelevision has taken firm hold of American life ever since the first flickering images replaced the disembodied voices innocently crackling from the radio. Ever present and evolving, television thrives at the crossroads of commerce, art, and entertainment. In Not Remotely Controlled cultural critic Lee Siegel collects his reportage and musings on this most hybrid medium. Whether chronicling the history of the "cop” drama, revealing the inherent irony in Donald Trump’s character on "The Apprentice,” or shedding light on those unheralded gems that Neilsen ratings swept away prematurely, Siegel gives each episode, series, or documentary the attention and respect usually reserved for high-art and dusty literature. Going far beyond mere pans and praise, Siegel has given long-overdue attention to America’s most pervasive art form: television.
Notes on a Cowardly Lion: The Biography of Bert Lahr
by John LahrJohn Lahr&’s stunning and complex biography of his father, the legendary actor and comedian Bert Lahr Notes on a Cowardly Lion is John Lahr&’s masterwork: an all-encompassing biography of his father, the comedian and performer Bert Lahr. Best known as the Cowardly Lion in MGM&’s classic The Wizard of Oz, Lahr was a consummate artist whose career spanned burlesque, vaudeville, Broadway, and Hollywood. While he could be equally raucous and polished in public, Lahr was painfully insecure and self-absorbed in private, keeping his family at arm&’s length as he quietly battled his inner demons. Told with an impressive objectivity and keen understanding of the construction—and destruction—of the performer, Notes on a Cowardly Lion is more than one man&’s quest to understand his father; it is an extraordinary examination of a life in American show business.
Notes on the Cinematograph
by J.M.G. Le Clézio Jonathan Griffin Robert BressonThe French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actors--models, as he called them--and deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped, Pickpocket, Diary of a Country Priest, and Lancelot of the Lake. From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake. Notes on the Cinematograph distills the essence of Bresson's theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for students of the cinema, will also prove an inspiration, much like Rilke's Letters to a Young Poet, for anyone who responds to the claims of the imagination at its most searching and rigorous.
Nothin' Comes Easy: The Life of Rodney Dangerfield
by Michael Seth StarrThe first-ever biography of the legendary comic and the most improbable rise to fame in the history of American comedy. Getting there wasn&’t always a laughing matter. Rodney Dangerfield&’s fidgety delivery, self-deprecating humor, and catchphrase &“I don&’t get no respect&” made him a comedy icon in nightclubs, on television, and in movies. But Rodney&’s long road to stardom was as rocky as his real life. Born Jacob Cohen in 1921 to a coldhearted mother and absentee father, anxiety-prone Jacob found escape from reality by writing and performing jokes. It led to ten years going nowhere in the &“toilets&” of the club circuit. What followed was marriage, fatherhood, selling aluminum siding, and depression, self-doubt, and debt. That&’s when he decided to give comedy one last shot . . . Back in the clubs and thanks to a fortuitous prime-time set on The Ed Sullivan Show, at the age of 45, the newly christened Rodney Dangerfield was an &“overnight&” success. It was the greatest second act in the history of show business. Rodney mined his insecurities, personal and professional setbacks, and dismal childhood into comedy gold on The Tonight Show Starring Johnny Carson, The Dean Martin Show, The Joey Bishop Show, The Merv Griffin, and The Mike Douglas Show. A generation of new fans discovered him in a string of hit comedies, including Caddyshack, Easy Money, Back to School—he even popped up in Oliver Stone&’s Natural Born Killers. And behind that iconic comedy persona was a caring, compassionate man who took in a hard-luck friend for the rest of his life; a dedicated father who almost single-handedly raised two children; and a selfless and supportive mentor to such up-and-comers as Jerry Seinfeld, Jim Carrey, and George Carlin. Nobody didn&’t love him. An honest, moving, and funny portrait of the real Rodney Dangerfield, Nothin&’ Comes Easy gives the legend, the man, the father, and the friend all the respect he deserves.
Nothin' to Lose: The Making of KISS 1972–1975
by Ken Sharp Paul Stanley Gene SimmonsNothin' to Lose: The Making of KISS (1972-1975) chronicles, for the first time, the crucial formative years of the legendary rock band KISS, culminating with the groundbreaking success of their classic 1975 album Alive! and the smash single "Rock and Roll All Nite," a song that nearly four decades later remains one of rock's most enduring anthems. Drawing on more than two hundred interviews, the book offers a captivating and intimate fly-on-the-wall account of their launch, charting the struggles and ultimate victories that led them to the threshold of superstardom.Constructed as an oral history, the book includes original interviews with Paul Stanley, Gene Simmons, Ace Frehley, and Peter Criss, as well as with producers; engineers; management; record company personnel; roadies; club owners; booking agents; concert promoters; costume, stage, and art designers; rock photographers; publicists; and key music journalists.Many of KISS's musical contemporaries from the time, most of whom shared concert bills with the band on their early tours, also lend their perspective via new interviews; these include Bob Seger, Alice Cooper, and Ted Nugent, as well as members of Aerosmith, Black Sabbath, Rush, Slade, Blue Öyster Cult, Mott the Hoople, Journey, REO Speedwagon, Styx, Raspberries, The James Gang, The New York Dolls, Iggy & the Stooges, The Ramones, Suzi Quatro, Argent, and Uriah Heep, among others.The result is an indelible and irresistible portrait of a band on the rise and of the music scene they changed forever.