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Never Far from Dancing: Ballet artists in new roles
by Barbara NewmanA series of interviews with some of the foremost dancers in twentieth-century ballet, Never Far from Dancing reflects on the paths that their careers have taken since they retired from the stage. Barbara Newman has expertly edited each of her interviews to read as a monologue, addressing every aspect of ballet, from its styles and technical demands to its personalities, its celebrated roles and, most of all, to what happens when the dancing stops. While ballet invites all manner of writing from critics, admirers and academics, the thoughts and experiences of the dancers themselves are seldom recorded. Here, those who scaled the heights of their art hand down their wisdom and recount lives spent in this most enduring of art forms.
Never Give Up
by Catherine HapkaCould Star's wish be coming true? Star is touring Italy when she gets exciting news: The police have a new lead on her family's disappearance! Star is desperate to fly to Florida where the clues have turned up, but her manager, Mike, won't let her go because of her commitments, and because he doesn't want her getting in the investigators' way. Star is so angry she sneaks off -- in rocker Eddie Urbane's tour jet! Now Mike is furious with Star, and the media is having a field day. Will star and manager ever forgive each other, or is the tour ruined before it's barely begun?
Never Grow Up
by Jackie ChanA candid, thrilling memoir from one of the most recognizable, influential, and beloved cinematic personalities in the world.Everyone knows Jackie Chan. Whether it&’s from Rush Hour, Shanghai Noon, The Karate Kid, or Kung Fu Panda, Jackie is admired by generations of moviegoers for his acrobatic fighting style, comic timing, and mind-bending stunts. In 2016—after fifty-six years in the industry, over 200 films, and many broken bones—he received an honorary Academy Award for his lifetime achievement in film. But at 64 years-old, Jackie is just getting started. Now, in Never Grow Up, the global superstar reflects on his early life, including his childhood years at the China Drama Academy (in which he was enrolled at the age of six), his big breaks (and setbacks) in Hong Kong and Hollywood, his numerous brushes with death (both on and off film sets), and his life as a husband and father (which has been, admittedly and regrettably, imperfect). Jackie has never shied away from his mistakes. Since The Young Master in 1980, Jackie&’s films have ended with a bloopers reel in which he stumbles over his lines, misses his mark, or crashes to the ground in a stunt gone south. In Never Grow Up, Jackie applies the same spirit of openness to his life, proving time and time again why he&’s beloved the world over: he&’s honest, funny, kind, brave beyond reckoning and—after all this time—still young at heart.
Never Have Your Dog Stuffed: And Other Things I've Learned
by Alan AldaHe’s one of America’s most recognizable and acclaimed actors–a star on Broadway, an Oscar nominee for The Aviator, and the only person to ever win Emmys for acting, writing, and directing, during his eleven years on M*A*S*H. Now Alan Alda has written a memoir as elegant, funny, and affecting as his greatest performances.<P><P> “My mother didn’t try to stab my father until I was six,” begins Alda’s irresistible story. The son of a popular actor and a loving but mentally ill mother, he spent his early childhood backstage in the erotic and comic world of burlesque and went on, after early struggles, to achieve extraordinary success in his profession. <P> Yet Never Have Your Dog Stuffed is not a memoir of show-business ups and downs. It is a moving and funny story of a boy growing into a man who then realizes he has only just begun to grow. <P> It is the story of turning points in Alda’s life, events that would make him what he is–if only he could survive them.<P> From the moment as a boy when his dead dog is returned from the taxidermist’s shop with a hideous expression on his face, and he learns that death can’t be undone, to the decades-long effort to find compassion for the mother he lived with but never knew, to his acceptance of his father, both personally and professionally, Alda learns the hard way that change, uncertainty, and transformation are what life is made of, and true happiness is found in embracing them.<P> Never Have Your Dog Stuffed, filled with curiosity about nature, good humor, and honesty, is the crowning achievement of an actor, author, and director, but surprisingly, it is the story of a life more filled with turbulence and laughter than any Alda has ever played on the stage or screen.
Never Judge a Book by its Cover: The Autobiography
by Lisa RileyThe story behind the nation's new darling - the former EMMERDALE and STRICTLY COME DANCING star, Lisa Riley.Lisa Riley won the hearts of the nation as she danced for her life, now it's time to read her life...NEVER JUDGE A BOOK BY ITS COVER is the inspirational and moving story of how a fairytale came true. From her beginnings in Bury, Lisa went on to become the darling of television and stage. But it was on STRICTLY COME DANCING that she wowed the nation with her energy, sparkle and never-ending enthusiasm.This talented lass from Bury has, at last, brought a real woman's figure to our screens and allowed women to say, 'this is me: take it or leave it'.Lisa's message is clear: whatever size you are, and whatever life throws at you, be who you want to be and stay true to yourself!
Never Judge a Book by its Cover: The Autobiography
by Lisa RileyThe story behind the nation's new darling - the former EMMERDALE and STRICTLY COME DANCING star, Lisa Riley.Lisa Riley won the hearts of the nation as she danced for her life, now it's time to read her life...NEVER JUDGE A BOOK BY ITS COVER is the inspirational and moving story of how a fairytale came true. From her beginnings in Bury, Lisa went on to become the darling of television and stage. But it was on STRICTLY COME DANCING that she wowed the nation with her energy, sparkle and never-ending enthusiasm.This talented lass from Bury has, at last, brought a real woman's figure to our screens and allowed women to say, 'this is me: take it or leave it'.Lisa's message is clear: whatever size you are, and whatever life throws at you, be who you want to be and stay true to yourself!
Never Make the Same Mistake Twice: Lessons on Love and Life Learned the Hard Way
by Nene Leakes Denene MillnerOutrageous, captivating, and unafraid to tell it like it is, Nene Leakes shares her wild journey from a scandalous past to the pinnacle of reality television stardom. Lauded by her fans for her refreshing honesty, infectiously genuine style, and clever sense of humor, Nene is an empowered, self-made woman who has not forgotten where she came from and knows exactly where she wants to go. In this straight-talking and provocative memoir Nene charts her journey from family black sheep to single mother to making good and realizing her dreams. With her charm and bold, self-possessed voice, Nene tackles her painful childhood; the abuse she suffered at the hands of a violent boyfriend; her struggle to support her firstborn son; and her path to true love, self-acceptance, and pride. In Never Make the Same Mistake Twice, Nene dishes on her cast mates; takes on the rumors about her past; and shares hard-earned and inspiring life lessons in her fierce, no-nonsense, and irreverent style.
Never Say No
by Jan Foreman Mark ForemanThe question Mark and Jan Foreman are most often asked is: How did you raise your kids?Never Say No takes you on a personal journey to learn first-hand how they raised Jon and Tim of Switchfoot. They share practical advice for instilling wonder in a media-saturated culture, cultivating specific gifts, and balancing structure with individual choice. Our purpose as parents is the same as our child's: to live creatively beyond ourselves, bringing the love, beauty and nature of God to this world. Let the adventure begin.
Never Shut Up: The Life, Opinions, and Unexpected Adventures of an NFL Outlier
by Marcellus WileyEx-NFL player, gentleman scholar, and Fox Sports personality Marcellus Wiley sucks you into a world of inner-city violence, Ivy League intrigue, and pro-football escapades that's one part touching, one part hilarious, and all parts impossible to put down. <P><P>Marcellus Wiley has never had a problem expressing his opinion, whether it was growing up in Compton with a football tucked under his arm, or going to college at Columbia University, where he learned to survive Advanced Calculus and self-important pseudo-intellectuals. Or making it to the NFL against all odds, where he put together a ten-year career of massive paydays, massive painkillers, and massive sacks of everyone from Steve Young to Peyton Manning. <P><P>Now, in Never Shut Up, Fox Sports' hottest rising persona doesn't hold back as he goes off on everything that's controversial with the game today, from concussions to political protests to inherent violence that's worse than the hood he grew up in. Not because he hates football, but because he wants to save it. <P><P>Marcellus has never held back, even when a lot of people wanted him to. Now, he's letting it all hang out--right there on each page. Way more than just another book about the latest NFL scandals, this warm, moving, and genuinely funny story of awkward transitions, family loyalty, fame, fortune, and failure will make you fall in love with Marcellus--and football--all over again. <P><P>In Never Shut Up, Marcellus will take you on a truly unique journey from Crenshaw to Broadway to the Buffalo Bills and back again, sometimes making you laugh, sometimes making you cry, but always leaving you entertained.
Nevertheless: A Memoir
by Alec Baldwin“A thorough and sophisticated effort to answer an interesting question: How did an indifferently raised, self-flagellating kid from a just-making-ends-meet, desultorily functioning Long Island family, in Massapequa, turn into Alec Baldwin, gifted actor, familiar public figure, impressively thoughtful person, notorious pugilist? . . . Beautifully written and unexpectedly moving . . . . Baldwin writes with great knowledge about old films, the art of acting, what he has learned from other actors, and about the differences among television, film and theater. . . . He’s a highly literate and fluent writer.”—New York TimesOne of the most accomplished and outspoken actors today chronicles the highs and lows of his life in this beautifully written, candid memoir.Over the past three decades, Alec Baldwin has established himself as one of Hollywood’s most gifted, hilarious, and controversial leading men. From his work in popular movies, including Beetlejuice, Working Girl, Glengarry Glen Ross, The Cooler, and Martin Scorsese’s The Departed to his role as Jack Donaghy on Tina Fey’s irreverent series 30 Rock—for which he won two Emmys, three Golden Globes, and seven Screen Actors Guild Awards—and as Republican presidential candidate Donald Trump on Saturday Night Live, he’s both a household name and a deeply respected actor.In Nevertheless, Baldwin transcends his public persona, making public facets of his life he has long kept private. In this honest, affecting memoir, he introduces us to the Long Island child who felt burdened by his family’s financial strains and his parents’ unhappy marriage; the Washington, DC, college student gearing up for a career in politics; the self-named "Love Taxi" who helped friends solve their romantic problems while neglecting his own; the young soap actor learning from giants of the theatre; the addict drawn to drugs and alcohol who struggles with sobriety; the husband and father who acknowledges his failings and battles to overcome them; and the consummate professional for whom the work is everything. Throughout Nevertheless, one constant emerges: the fearlessness that defines and drives Baldwin’s life. Told with his signature candor, astute observational savvy, and devastating wit, Nevertheless reveals an Alec Baldwin we have never fully seen before.
New African Cinema
by Valérie K. OrlandoNew African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valérie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films. Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Sembène’s Ceddo (Senegal, 1977), Sarah Maldoror’s Sambizanga (Angola, 1972), Assia Djebar’s La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Zézé Gamboa’s The Hero (Angola, 2004) and Abderrahmane Sissako’s Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging.
The New Age of Electronic Dance Music and Club Culture (Music Business Research)
by Martin Lücke Anita JóriThis book offers a comprehensive overview of electronic dance music (EDM) and club culture. To do so, it interlinks a broad range of disciplines, revealing their (at times vastly) differing standpoints on the same subject. Scholars from such diverse fields as cultural studies, economics, linguistics, media studies, musicology, philosophy, and sociology share their perspectives. In addition, the book features articles by practitioners who have been active on the EDM scene for many years and discuss issues like gender and diversity problems in general, and the effects of gentrification on club culture in Berlin. Although the book’s main focus is on Berlin, one of the key centers of EDM and club culture, its findings can also be applied to other hotspots. Though primarily intended for researchers and students, the book will benefit all readers interested in obtaining an interdisciplinary overview of research on electronic dance music.
The New American West in Literature and the Arts: A Journey Across Boundaries (Routledge Interdisciplinary Perspectives on Literature)
by Amaia Ibarraran-BigalondoThe story of the American West is that of a journey. It is the story of a movement, of a geographical and human transition, of the delineation of a route that would soon become a rooted myth. The story of the American West has similarly journeyed across boundaries, in a two-way movement, sometimes feeding the idea of that myth, sometimes challenging it. This collection of essays relates to the notion of the traveling essence of the myth of the American West from different geographical and disciplinary standpoints. The volume originates in Europe, in Spain, where the myth traveled, was received, assimilated, and re-presented. It intends to travel back to the West, in a two-way cross-cultural journey, which will hopefully contribute to the delineation of the New—always self-renewing—American West. It includes the work of authors of both sides of the Atlantic ocean who propose a cross-cultural, transdisciplinary dialogue upon the idea, the geography and the representation of the American West.
New Approaches to Cinematic Space (Routledge Advances in Film Studies)
by Filipa Rosário Iván Villarmea ÁlvarezNew Approaches to Cinematic Space aims to discuss the process of creation of cinematic spaces through moving images and the subsequent interpretation of their purpose and meaning. Throughout seventeen chapters, this edited collection will attempt to identify and interpret the formal strategies used by different filmmakers to depict real or imaginary places and turn them into abstract, conceptual spaces. The contributors to this volume will specifically focus on a series of systems of representation that go beyond the mere visual reproduction of a given location to construct a network of meanings that ultimately shapes our spatial worldview.
New Approaches to Contemporary Adaptation (Contemporary Approaches to Film and Media Series)
by Betty Kaklamanidou Thomas Leitch Eurydice Da Silva Christina Wilkins Simon Brown Stacey Abbott Thomas Britt Nicole Pizarro Karin Boklund-Lagopoulou Joakim Hermansson Ursula-Helen KassavetiIn New Approaches to Contemporary Adaptation, editor Betty Kaklamanidou defiantly claims that "all films are adaptations." The wide-ranging chapters included in this book highlight the growing and evolving relevance of the field of adaptation studies and its many branding subfields. Armed with a wealth of methodologies, theoretical concepts, and sophisticated paradigms of case-studies analyses of the past, these scholars expand the field to new and exciting realms. With chapters on data, television, music, visuality, and transnationalism, this anthology aims to complement the literature of the field by asking answers to outstanding questions while proposing new ones: Whose stories have been adapted in the last few decades? Are films that are based on "true stories" simply adaptations of those real events? How do transnational adaptations differ from adaptations that target the same national audiences as the texts they adapt? What do long-running TV shows actually adapt when their source is a single book or novel? To attempt to answer these questions, New Approaches to Contemporary Adaptation is organized in three parts. Part 1, "External Influences on Adaptation," delves into matters surrounding film adaptations without primarily focusing on textual analysis of the final cinematic product. Part 2, "Millennial TV and Franchise Adaptations," demonstrates that the contemporary television landscape has become fruitful terrain for adaptation studies. Part 3, "ElasTEXTity and Adaptation," explores different thematic approaches to adaptation studies and how adaptation extends beyond traditional media. Spanning media and the globe, contributors complement their research with tools from sociology, psychoanalysis, gender studies, race studies, translation studies, and political science. Kaklamanidou makes it clear that adaptation is vital to sharing important stories and mythologies, as well as passing knowledge to new generations. The aim of this anthology is to open up the field of adaptation studies by revisiting the object of analysis and proposing alternative ways of looking at it. Scholars of cultural, gender, film, literary, and adaptation studies will find this collection innovative and thought-provoking.
New Approaches to Gone With the Wind (Southern Literary Studies)
by James A. CrankSince its publication in 1936, Gone with the Wind has held a unique position in American cultural memory, both for its particular vision of the American South in the age of the Civil War and for its often controversial portrayals of race, gender, and class. New Approaches to "Gone with the Wind" offers neither apology nor rehabilitation for the novel and its Oscar-winning film adaptation. Instead, the nine essays provide distinct, compelling insights that challenge and complicate conventional associations. Racial and sexual identity form a cornerstone of the collection: Mark C. Jerng and Charlene Regester each examine Margaret Mitchell's reframing of traditional racial identities and the impact on audience sympathy and engagement. Jessica Sims mines Mitchell's depiction of childbirth for what it reveals about changing ideas of femininity in a postplantation economy, while Deborah Barker explores transgressive sexuality in the film version by comparing it to the depiction of rape in D. W. Griffith's earlier silent classic, Birth of a Nation. Other essays position the novel and film within the context of their legacy and their impact on national and international audiences. Amy Clukey and James Crank inspect the reception of Gone with the Wind by Irish critics and gay communities, respectively. Daniel Cross Turner, Keaghan Turner, and Riché Richardson consider its aesthetic impact and mythology, and the ways that contemporary writers and artists, such as Natasha Trethewey and Kara Walker, have engaged with the work. Finally, Helen Taylor sums up the pervading influence that Gone with the Wind continues to exert on audiences in both America and Britain. Through an emphasis on intertextuality, sexuality, and questions of audience and identity, these essayists deepen the ongoing conversation about the cultural impact and influence of this monumental work. Flawed in many ways yet successful beyond its time, Gone with the Wind remains a touchstone in southern studies.
New Approaches to Islam in Film (Routledge Studies in Religion and Film)
by Kristian PetersenMany global film industries fail in expanding the role of Muslims on screen. Too often they produce a dichotomy between "good" and "bad" Muslims, limiting the narrative domain to issues of national security, war, and terrorism. Naturally, much of the previous scholarship on Muslims in film focused on stereotypes and the politics of representation. This collection of essays, from an international panel of contributors, significantly expands the boundaries of discussion around Muslims in film, asking new questions of the archive and magnifying analyses of particular cultural productions. The volume includes the exploration of regional cinemas, detailed analysis of auteurs and individual films, comparison across global cinema, and new explorations that have not yet entered the conversation. The interdisciplinary collection provides an examination of the multiple roles Islam plays in film and the various ways Muslims are depicted. Across the chapters, key intersecting themes arise that push the limits of how we currently approach issues of Muslims in cinema and ventures to lead us in new directions for future scholarship. This book adds new depth to the matrix of previous scholarship by revisiting methodological structures and sources, as well as exploring new visual geographies, transnational circuits, and approaches. It reframes the presiding scholarly conventions in five novel trajectories: considering new sources, exploring new communities, probing new perspectives, charting new theoretical directions, and offering new ways of understanding conflict in cinema. As such, it will be of great use to scholars working in Islamic Studies, Film Studies, Religious Studies, and Media.
New Arctic Cinemas: Media Sovereignty and the Climate Crisis
by Anna Westerstahl StenportFor centuries, the Arctic was visualized as an unchanging, stable, and rigidly alien landscape, existing outside twenty-first-century globalization. It is now impossible to ignore the ways the climate crisis, expanding resource extraction, and Indigenous political mobilization in the circumpolar North are constituent parts of the global present. New Arctic Cinemas presents an original, comparative, and interventionist historiography of film and media in twenty-first-century Scandinavia, Greenland, Russia, Canada, and the United States to situate Arctic media in the place it rightfully deserves to occupy: as central to global environmental concerns and Indigenous media sovereignty and self-determination movements. The works of contemporary Arctic filmmakers, from Zacharias Kunuk and Alethea Arnaquq-Baril to Amanda Kernell and Inuk Silis Høegh, reach worldwide audiences. In examining the reach and influence of these artists and their work, Scott MacKenzie and Anna Westerstahl Stenport reveal a global media system of intertwined production contexts, circulation opportunities, and imaginaries—all centering the Arctic North.
New Argentine and Brazilian Cinema
by Jens Andermann Álvaro Fernández BravoReality Effects brings together the reflections of leading film scholars and critics from Latin America, the UK and the United States on the re-emergence of the real as a prime concern in contemporary Argentine and Brazilian film, and as a main reason for the acclaim both cinematographies have won among international audiences in recent years.
The New Arts Entrepreneur: Navigating the Arts Ecologies (Discovering the Creative Industries)
by Gary BeckmanThe New Arts Entrepreneur is the first uniquely designed pedagogy for arts entrepreneurship educators and students. Melding an arts-first approach with understandable entrepreneurial concepts and newly formulated tools, the text helps arts students to envision themselves as an entrepreneurial CEO, not simply another random entrepreneur flailing through a maze of well-worn entrepreneurial suggestions that don't fit. At the core of the text are the entrepreneurial ecologies of the arts. The ecologies provide a framework to envision an entrepreneurial horizon for almost any arts-based business, included those ventures seeking to impact the production of art. In addition to this revolutionary framework, the text also introduces tools designed to compliment the ecologies. Designed with arts students in mind, it accomplishes two critical tasks not found in other textbooks: venture sustainability and decision-making. This newly developed approach focuses on the decision-making required to sustain new arts ventures and will be of interest to arts students from all disciplines.
New Austrian Film
by Robert Von Dassanowsky Oliver C. SpeckOut of a film culture originally starved of funds have emerged rich and eclectic works by film-makers that are now achieving the international recognition that they deserve: Barbara Albert, Michael Haneke, Ulrich Seidl, and Stefan Ruzowitzky, to give four examples. This comprehensive critical anthology, by leading scholars of Austrian film, is intended to introduce and make accessible this much under-represented phenomenon. Although the book covers the full development of the Austrian new wave it focuses on the period that has brought it global attention: 1998 to the present. New Austrian Film is the only book currently available on this topic and will be an essential reference work for academics, students and filmmakers, interested in modern Austrian film.
The New Biographical Dictionary of Film: Sixth Edition
by David ThomsonFor almost thirty years, David Thomson's Biographical Dictionary of Film has been not merely "the finest reference book ever written about movies" (Graham Fuller, Interview), not merely the "desert island book" of art critic David Sylvester, not merely "a great, crazy masterpiece" (Geoff Dyer, The Guardian), but also "fiendishly seductive" (Greil Marcus, Rolling Stone).This new edition updates the older entries and adds 30 new ones: Darren Aronofsky, Emmanuelle Beart, Jerry Bruckheimer, Larry Clark, Jennifer Connelly, Chris Cooper, Sofia Coppola, Alfonso Cuaron, Richard Curtis, Sir Richard Eyre, Sir Michael Gambon, Christopher Guest, Alejandro Gonzalez Inarritu, Spike Jonze, Wong Kar-Wai, Laura Linney, Tobey Maguire, Michael Moore, Samantha Morton, Mike Myers, Christopher Nolan, Dennis Price, Adam Sandler, Kevin Smith, Kiefer Sutherland, Charlize Theron, Larry Wachowski and Andy Wachowski, Lew Wasserman, Naomi Watts, and Ray Winstone.In all, the book includes more than 1300 entries, some of them just a pungent paragraph, some of them several thousand words long. In addition to the new "musts," Thomson has added key figures from film history-lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noël Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more. Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as "a work of imagination in its own right." Now better than ever-a masterwork by the man playwright David Hare called "the most stimulating and thoughtful film critic now writing."
The New Biographical Dictionary of Film
by David Thomson'This book is both more and less than history, a work of imagination in its own right, a piece of movie literature that turns fact into romance. ' Gavin Lambert was reviewing the first edition of David Thomson's monumental work in 1975. In the eight years since the third edition was published, careers have waxed and waned, reputations been made and lost, great movies produced, trends set and scorned. This fourth edition has 200 entirely new entries and every original entry has been re-examined. Thus the roster of directors, actors, producers, screenwriters and camera men is both historical and contemporary, with old masters reappraised in terms of how their work has lasted. Each of the 1,000 profiles is keenly perceptive, provocative critical essay. Striking the perfect balance between personal bias and factual reliability, David Thomson - novelist, critic, biographer and unabashed film addict - has given us an enormously rich reference book, a brilliant reflection on the art and artists of the cinema.
The New Biographical Dictionary Of Film 5Th Ed
by David ThomsonThis book is both more and less than history, a work of imagination in its own right, a piece of movie literature that turns fact into romance.' Gavin Lambert was reviewing the first edition of David Thomson's monumental work in 1975. In the eight years since the third edition was published, careers have waxed and waned, reputations been made and lost, great movies produced, trends set and scorned.This fourth edition has 200 entirely new entries and every original entry has been re-examined. Thus the roster of directors, actors, producers, screenwriters and cameramen is both historical and contemporary, with old masters reappraised in terms of how their work has lasted.Each of the 1,000 profiles is a keenly perceptive, provocative critical essay. Striking the perfect balance between personal bias and factual reliability, David Thomson - novelist, critic, biographer and unabashed film addict - has given us an enormously rich reference book, a brilliant reflection on the art and artists of the cinema.
The New Biographical Dictionary Of Film 6th Edition
by David ThomsonWith more than one hundred new entries, from Amy Adams, Benedict Cumberbatch and Cary Joji Fukunaga to Joaquin Phoenix, Mia Wasikowska and Robin Wright, and completely updated, here from David Thomson - 'The greatest living writer on the movies' (John Banville, New Statesman); 'Our most argumentative and trustworthy historian of the screen' (Michael Ondaatje) - is the latest edition of The New Biographical Dictionary of Film, which topped Sight & Sound's poll of international critics and writers as THE BEST FILM BOOK EVER WRITTEN.