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Audrey in Rome

by Sciascia Gambaccini

Assembled by Audrey Hepburn's son Luca Dotti, Audrey in Rome is an intimate collection of almost two hundred candid photographs of the beloved actress and much-imitated style icon during the twenty-year period she made Rome her home.A private album of rare snapshots—many never published before—of Audrey Hepburn in her everyday life as a citizen of the Eternal City, Audrey in Rome is a treasure for every fan of her films and her impeccable, timeless style. With an introduction by Dotti that reveals Audrey's private side and three photo-filled chapters organized by decade, the book captures the actress as she strolls around the city alone and with family and friends, walks her Yorkie, Mr. Famous, has breakfast in Piazza Navona, visits the local florist, and more. The book also contains set photographs of the films she made during her Rome years (Roman Holiday, War and Peace, The Nun's Story, Breakfast at Tiffany's) and of the famous clothes and accessories that helped create her iconic look. Irresistible as the actress herself, Audrey in Rome opens the door to Hepburn's personal world.

Audrey, Wait!

by Robin Benway

The wait is over for the paperback of this irresistible, fast-paced, hit-worthy debut! When funny, charming, absolutely-normal Audrey Cuttler dumps her boyfriend Evan, he writes a song about her that becomes a number-one hit?and rockets Audrey to stardom! Suddenly, tabloid paparazzi are on her tail and Audrey can barely hang with her friends at concerts or the movies without getting mobbed?let alone score a date with James, her adorable coworker at the Scooper Dooper. Her life will never be the same?at least, not until Audrey confronts Evan live on MTV and lets the world know exactly who she is!

Audrey, Wait!

by Robin Benway

California high school student Audrey Cuttler dumps self-involved Evan, the lead singer of a little band called "The Do-Gooders". Evan writes, "Audrey, Wait!," a break-up song that's so good it rockets up the billboard charts. And Audrey is suddenly famous! Now rabid fans are invading her school. People is running articles about her arm-warmers. The lead singer of the Lolitas wants her as his muse. (And the Internet is documenting her every move!) Audrey can't hang out with her best friend or get with her new crush without being mobbed by fans and paparazzi. Take a wild ride with Audrey as she makes headlines, has outrageous amounts of fun, confronts her ex on MTV, and gets the chance to show the world who she really is.

August Na (The Ninth of August)

by Manoranjan Das Arun Kumar Mohanty Jatindra Kumar Nayak

The Ninth of August: An English translation by Arun Kumar Mohanty and Jatindra Kumar Nayak of Manoranjan Das's original Oriya play August Na. Sahitya Akademi, New Delhi (2005).

August Strindberg (Routledge Modern and Contemporary Dramatists)

by Eszter Szalczer

Dramatist, theatre practitioner, novelist, and painter, August Strindberg’s diverse dramatic output embodied the modernist sensibility. He was above all one of the most radical innovators of Western theatre. This book provides an insightful assessment of Strindberg’s vital contribution to the dramatic arts, while placing his creative process and experimental approach within a wider cultural context. Eszter Szalczer explores Strindberg’s re-definition of drama as a fluid, constantly evolving form that profoundly influenced playwriting and theatrical production from the German Expressionists to the Theatre of the Absurd. Key productions of Strindberg’s plays are analysed, examining his theatre as a living voice that continues to challenge audiences, critics, and even the most innovative directors. August Strindberg provides an essential and accessible guide to the playwright’s work and illustrates the influence of his drama on our understanding of contemporary theatre.

August Wilson: A Casebook (Casebooks on Modern Dramatists #Vol. 15)

by Marilyn Elkins

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

August Wilson: A Life

by Patti Hartigan

The &“masterful&” (The Wall Street Journal), &“invaluable&” (Los Angeles Times) first authoritative biography of August Wilson, the most important and successful American playwriting of the late 20th century, by a theater critic who knew him.August Wilson wrote a series of ten plays celebrating African American life in the 20th century, one play for each decade. No other American playwright has completed such an ambitious oeuvre. Two of the plays became successful films, Fences, starring Denzel Washington and Viola Davis; and Ma Rainey&’s Black Bottom, starring Viola Davis and Chadwick Boseman. Fences and The Piano Lesson won the Pulitzer Prize for Drama; Fences won the Tony Award for Best Play, and years after Wilson&’s death in 2005, Jitney earned a Tony Award for Best Revival of a Play. Through his brilliant use of vernacular speech, Wilson developed unforgettable characters who epitomized the trials and triumphs of the African American experience. He said that he didn&’t research his plays but wrote them from &“the blood&’s memory,&” a sense of racial history that he believed African Americans shared. Author and theater critic Patti Hartigan traced his ancestry back to slavery, and his plays echo with uncanny similarities to the history of his ancestors. She interviewed Wilson many times before his death and traces his life from his childhood in Pittsburgh (where nine of the plays take place) to Broadway. She also interviewed scores of friends, theater colleagues and family members, and conducted extensive research to tell the &“absorbing, richly detailed&” (Chicago Tribune) story of a writer who left an indelible imprint on American theater and opened the door for future playwrights of color.

Augusta's WGAC Radio: The Voice of the Garden City for Seventy Years

by Debra Reddin van Tuyll Scott Hudson

WGAC is the No. 1-rated radio station in Augusta. It has weathered the transition in American radio from local stations with local programming to corporately owned stations that feature syndicated programming, and it has been able to do so without giving up its local character. As a news-talk radio station today, WGAC is the first place most Augustans go to find out what is happening nationally and locally, and its morning drive-time and afternoon drive-time show hosts and news personnel are some of the most beloved and respected media figures in Augusta. This book will trace the history of this community landmark from its infancy to its status today as a community institution. It will highlight the people who have created the programming for which WGAC is known and also the people like James Brown who have used the station to launch important careers. The book will also discuss Fuqua's broadcasting technology innovations such as advances in acoustics engineering and early television technology. The history will also cover the station's decades-long support of the Master's Golf Tournament, which has led to it becoming the official radio station of the Master's.

Augustine (Contemporary Theatre Studies #Vol. 20)

by Anna Furse

First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

Aunt Chip and the Great Triple Creek Dam Affair

by Patricia Polacco

Aunt Chip saves the town of Triple Creek, where everyone has forgotten how to read because of the invasion of television.

Aural/Oral Dramaturgies: Theatre in the Digital Age

by Duška Radosavljević

Aural/Oral Dramaturgies: Theatre in the Digital Age focuses on the ‘aural turn’ in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound -- ‘post-verbatim’ theatre, 'amplified storytelling' (works using microphones and headphones), and ‘gig theatre’ that incorporates live music performance. Its main argument is that the dramaturgical underpinnings of these works contribute to an understanding of theatre as an extra-literary activity, greater than the centrality of the script that traditionally dominated many historical discussions. This quality is usually expressed in terms of the corporeality in dance and physical theatre, but the aural/oral turn gives an alternative viewpoint on the interplay between text and performance. The book's case studies draw on the ways in which a range of theatre companies engage with the dramaturgy of speech and sound in their work. It is further accompanied by a specially curated collection of digital resources, including interviews, conversations, and presentations from artists and academics. This is a key text for scholars, students, and practitioners of contemporary performance, and anyone working with dramaturgies of orality and aurality in today’s performance environment.

Aurelie: A Faerie Tale

by Heather Tomlinson

Heartsick at losing her two dearest companions, Princess Aurelie finds comfort in the glorious music of the faeries, but the duties of the court call her, as do the needs of her friends.

Auschwitz-TV: Reflexionen des Holocaust in Fernsehserien (Serienkulturen: Analyse – Kritik – Bedeutung)

by Marcus Stiglegger

Die Miniserie Holocaust, deren Ausstrahlung 1978 in den USA ca. 100 Millionen Zuschauer verfolgten, erreichte in West-Deutschland ein Jahr später etwa ein Publikum von 16 Millionen. Der Band leitet die Entstehung von Marvin J. Chomskys Holocaust aus der Tradition der TV-Familiensagas (z. B. Roots) her und untersucht nah am Material, welches Bild der historischen Ereignisse diese Fernsehserie und spätere Produktionen inszenieren. Zudem wird die Auswirkung der Serie bis heute verfolgt und veranschaulicht.

Auseinandersetzung mit Brecht: Theater machen im einundzwanzigsten Jahrhundert

by Bill Gelber

Dieses Buch ist ein Plädoyer für Bertolt Brechts anhaltende Bedeutung in einer Zeit, in der die Ereignisse des 21. Jahrhunderts nach einer studierten Art und Weise schreien, Theater für den sozialen Wandel zu produzieren. Hier wird ein einzigartiger Schritt-für-Schritt-Prozess für die Umsetzung von Brechts Arbeitsweisen auf der Bühne vorgestellt, wobei die 2015 an der Texas Tech University entstandene Produktion von Brechts "Mutter Courage und ihre Kinder" als Modell für die Erkundung dient. Besondere Brecht-Konzepte - das Epos, die Verfremdung, die Fabel, der Gestus, die Historisierung, die Literarisierung, das "Nicht...aber", das Arrangement und die Trennung der Elemente - werden erläutert und auf Szenen und Stücke angewendet. Brechts komplizierte Beziehung zu Konstantin Stanislawski wird auch in Bezug auf ihre unterschiedlichen Ansichten über das Schauspiel erforscht. Für Theaterpraktiker und -pädagogen ist dieser Band eine Aufzeichnung des pädagogischen Engagements, eine empirische Studie von Brechts Werk in der Aufführung an einer höheren Bildungseinrichtung mit Studenten und Absolventen.

Austerity and the Public Role of Drama: Performing Lives-in-Common

by Victor Merriman

This book asks what, if any, public role drama might play under Project Austerity – an intensification phase of contemporary liberal political economy. It investigates the erosion of public life in liberal democracies, and critiques the attention economy of deficit culture, by which austerity erodes life-in-common in favour of narcissistic performances of life-in-public. It argues for a social order committed to human flourishing and deliberative democracy, as a counterweight to the political economy of austerity. It demonstrates, using examples from England, Ireland, Italy, and the USA, that drama and the academy pursue shared humane concerns; the one, a critical art form, the other, a social enabler of critical thought and progressive ideas. A need for dialogue with emergent forms of collective consciousness, new democratic practices and institutions, shapes a manifesto for critical performance, which invites universities and cultural workers to join other social actors in imagining and enabling ethical lives-in-common.

Austin in the Jazz Age

by Richard Zelade

Though renowned, Austin's contemporary music scene pales in comparison with the explosion of creative talent the city spawned during the Jazz Age. Dozens of musicians who started out in the capital city attained national and international fame--but music was just one form of artistic expression that marked that time of upheaval. World War I's death and destruction bred a vehement rejection of the status quo. In its place, an enthusiastic adherence to life lived without question or consequence took root. The sentiment found fertile soil in Austin, with the University of Texas at the epicenter. Students indulged in the debauchery that typified the era, scandalizing Austin and Texas at large as they introduced a freewheeling, individualistic attitude that now defines the city. Join author Richard Zelade in a raucous investigation of the day and its most outstanding and outlandish characters.

Australian Animation: An International History

by Dan Torre Lienors Torre

This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history.

Australian Genre Film (Routledge Advances in Film Studies)

by Kelly McWilliam

Australian Genre Film interrogates key genres at the core of Australia’s so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop. The book examines what characterises Australian cinema and its output in this new golden age, as contributors ask to what extent Australian genre film draws on widely understood (and largely Hollywood-based) conventions, as compared to culturally specific conventions of genre storytelling. As such, this book offers a comprehensive and up-to-date survey of Australian genre film, undertaken through original analyses of 13 significant Australian genres: action, biopics, comedy, crime, horror, musical, road movie, romance, science fiction, teen, thriller, war, and the Western. This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media studies, cultural studies, Australian studies, and sociology.

Australian National Cinema

by Tom O'Regan

Tom O'Regan's book is the first of its kind on Australian post-war cinema. It takes as its starting point Bazin's question 'What is cinema?'and asks what the construct of a 'national' cinema means. It looks at the broader concept from a different angle, taking film beyond the confines of 'art' into the broader cultural world. O'Regan's analysis situates Australian cinema in its historical and cultural perspective producing a valuable insight into the issues that have been raised by film policy, the cinema market place and public discourse on film production strategies. Since 1970 Australian film has enjoyed a revival. This book contains detailed critiques of the key films of this period and uses them to illustrate the recent theories on the international and Australian cinema industries. Its conclusions on the nature of the nation's cinema and the discourses within it are relevant within a far wider context; film as a global phenomenon.

Australian Screen in the 2000s

by Mark David Ryan Ben Goldsmith

This book provides coverage of the diversity of Australian film and television production between 2000 and 2015. In this period, Australian film and television have been transformed by new international engagements, the emergence of major new talents and a movement away with earlier films' preoccupation with what it means to be Australian. With original contributions from leading scholars in the field, the collection contains chapters on particular genres (horror, blockbusters and comedy), Indigenous Australian film and television, women's filmmaking, queer cinema, representations of history, Australian characters in non-Australian films and films about Australians in Asia, as well as chapters on sound in Australian cinema and the distribution of screen content. The book is both scholarly and accessible to the general reader. It will be of particular relevance to students and scholars of Anglophone film and television, as well as to anyone with an interest in Australian culture and creativity.

Australian Tragic: Gripping tales from the dark side of our history

by Jack Marx

A compelling collection of tales from Australia's dark heart - of catastrophe and misfortune, intrigue and passion, betrayal and tragedy.AUSTRALIAN TRAGIC ranges across our past and our present: the heartbreaking story of the fire at Luna Park; the unstoppable opportunist who snatched innocent men and women from Palm Island to be part of P. T. Barnum's 'Greatest Show on Earth'; a world-class boxer who lost his battle with alcohol and ended up in an unmarked American grave; a man who heroically survived a war to find himself crushed and defeated by events much closer to home; and a new story - of an echo from Ned Kelly at Stringybark Creek, in our own time ... Heartbreaking and shocking, gothic and weird, these fascinating stories are all true, and told to remind us of the Australia we don't know, the one that simmers with love and hate, of hopes raised and futures dashed, unheralded and unnoticed . . . until now.

Australian Westerns in the Fifties: Kangaroo, Hopalong Cassidy on Tour, and Whiplash

by Derham Groves

Australian Western in the Fifties: Kangaroo, Hopalong Cassidy on Tour, and Whiplash looks at Australian Westerns from three points of view—film, personal appearance, and television at the beginning, middle, and end of the 1950s, the American Western’s golden age. It looks at three significant but “forgotten” cases: (1) Kangaroo: The Australian Story, the first Technicolor film made in Australia, produced by the Hollywood movie studio 20th Century Fox, directed by the Academy Award-winning filmmaker Lewis Milestone, starring Maureen O’Hara, Peter Lawford, and Richard Boone. (2) The successful goodwill tour of Australia by the Hollywood actor William Boyd who played the film, radio, and television cowboy Hopalong Cassidy. (3) The British-American produced black-and-white TV series Whiplash, made in Australia and starring the Hollywood actor Peter Graves. The American filmmakers’ ignorance of Australia meant they learned the hard way there was more to Australian Westerns than simply replacing the prairie with the bush, bison with kangaroos, and Native Americans with Aboriginals. Indeed, the depiction of place and the presentation of Aboriginal culture are two of the most intriguing aspects of Australian Westerns. In retelling the filmmakers’ stories, a unique picture of the Australian film and television industry and everyday life during the 1950s is revealed.

Australia's Sweetheart: The amazing story of forgotten Hollywood star Mary Maguire

by Michael Adams

This is the fascinating story of Mary Maguire, a 1930s Australian ingenue who sailed for Hollywood and a fabulous life, only to have her career cut short by scandal and tragedy. Packed with celebrity, history and gossip, AUSTRALIA'S SWEETHEART is perfect for readers of SHEILA and THE RIVIERA SET.Mary Maguire was Australia's first teenage movie star and she captivated Hollywood in the mid 1930s. Mary lived on three continents and was celebrated in Melbourne, Brisbane, Sydney, Los Angeles and London. Her life was lived in parallel with seminal incidents of the twentieth century: the Spanish Flu; the Great Depression; the Bodyline series; Australia's early radio, talkies and aviation; Hollywood's Golden Era; the British aristocracy's embrace of European fascism; London's Blitz; and post-war American culture and politics. Mary knew everyone, from Douglas Jardine, Don Bradman, Errol Flynn and Ronald Reagan, to William Randolph Hearst, Maureen O'Sullivan, Judy Garland and Queen Elizabeth II.AUSTRALIA'S SWEETHEART in an irresistible never-before-told story that captures the glamour of Hollywood and the turbulent times of the twentieth century, with a young woman at its centre. If you loved THE AMAZING MRS LIVESEY, Robert Wainwright's SHEILA and MISS MURIEL MATTERS, you will adore AUSTRALIA'S SWEETHEART.

Authentic Movement: A Collection of Essays - Volume Two

by Patrizia Pallaro

Praise for the first volume: `It is very valuable to have [this collection of articles] all together in one place...a rich repository of insights and experiences for all the somatic disciplines. It is a wonderful collection of articles.' - Somatics 1999/2000 This second volume on Authentic Movement - a new discipline aiding the creative process in choreography, writing, theatre performance, dance, graphic and expressive arts, as well as spirituality - is an engaging and dynamic collection of scholarly essays, personal stories, practical suggestions and resources. It reflects cutting edge work on creative expression, meditative discipline and psychotherapeutic endeavour. Part I comprises five chapters written by the most prominent Authentic Movement practitioners and teachers and introducing the foundations and principles of Authentic Movement. In Part II, the contributors return to the source of Authentic Movement - the psychotherapeutic setting - and provide an in-depth examination of the personal processes in the therapeutic relationship and the potential of Authentic Movement to facilitate personal growth and change. Part III traces the development of Authentic Movement as a spiritual path and as interface with other spiritual practices. Part IV provides an overview of new developments in Authentic Movement, Part V offers inspiring personal accounts and Part VI provides guidelines drawn from practice as well as tools and resources. These latter chapters sow the seeds for a new understanding and directions for the developments of Authentic Movement. This authoritative text is indispensable for practitioners of Authentic Movement, students and teachers working in the field of dance therapy, art therapists, all creative arts therapists and body psychoanalysts.

The Authenticity Industries: Keeping it "Real" in Media, Culture, and Politics

by Michael Serazio

In recent decades, authenticity has become an American obsession. It animates thirty years' worth of reality TV programming and fuels the explosive virality of one hot social media app after another. It characterizes Donald Trump's willful disregard for political correctness (and proofreading) and inspires multinational corporations to stake activist claims in ways that few "woke" brands ever dared before. It buttresses a multibillion-dollar influencer industry of everyday folks shilling their friends with #spon-con and burnishes the street cred of rock stars and rappers alike. But, ironically, authenticity's not actually real: it's as fabricated as it is ubiquitous. In The Authenticity Industries, journalist and scholar Michael Serazio combines eye-opening reporting and lively prose to take readers behind the scenes with those who make "reality"—and the ways it tries to influence us. Drawing upon dozens of rare interviews with campaign consultants, advertising executives, tech company leadership, and entertainment industry gatekeepers, the book slyly investigates the professionals and practices that make people, products, and platforms seem "authentic" in today's media, culture, and politics. The result is a spotlight on the power of authenticity in today's media-saturated world and the strategies to satisfy this widespread yearning. In theory, authenticity might represent the central moral framework of our time: allaying anxieties about self and society, culture and commerce, and technology and humanity. It infects and informs our ideals of celebrity, aesthetics, privacy, nostalgia, and populism. And Serazio reveals how these pretenses are crafted, backstage, for audiences, consumers, and voters.

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