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Physical Theatres: A Critical Reader
by Simon Murray John KeefePhysical Theatres: A Critical Reader is an invaluable resource for students of physically orientated theatre and performance. This book aims to trace the roots and development of physicality in theatre by combining practical experience of the field with a strong historical and theoretical underpinning. In exploring the histories, cross-overs and intersections of physical theatres, this critical Reader provides: six new, specially commissioned essays, covering each of the book’s main themes, from technical traditions to contemporary practises discussion of issues such as the foregrounding of the body, training and performance processes, and the origins of theatre in both play and human cognition a focus on the relationship and tensions between the verbal and the physical in theatre contributions from Augusto Boal, Stephen Berkoff, Étienne Decroux, Bertolt Brecht, David George, J-J. Rousseau, Ana Sanchez Colberg, Michael Chekhov, Jeff Nuttall, Jacques Lecoq, Yoshi Oida, Mike Pearson, and Aristotle.
Physics and Dance
by Emily Coates Sarah DemersA fascinating exploration of our reality through the eyes of a physicist and a dancer—and an engaging introduction to both disciplines From stepping out of our beds each morning to admiring the stars at night, we live in a world of motion, energy, space, and time. How do we understand the phenomena that shape our experience? How do we make sense of our physical realities? Two guides—a former member of New York City Ballet, Emily Coates, and a CERN particle physicist, Sarah Demers—show us how their respective disciplines can help us to understand both the quotidian and the deepest questions about the universe. Requiring no previous knowledge of dance or physics, this introduction covers the fundamentals while revealing how a dialogue between art and science can enrich our appreciation of both. Readers will come away with a broad cultural knowledge of Newtonian to quantum mechanics and classical to contemporary dance. Including problem sets and choreographic exercises to solidify understanding, this book will be of interest to anyone curious about physics or dance.
The Physics of Star Wars: The Science Behind a Galaxy Far, Far Away
by Patrick JohnsonExplore the physics behind the world of Star Wars, with engaging topics and accessible information that shows how we’re closer than ever before to creating technology from the galaxy far, far away—perfect for every Star Wars fan! Ever wish you could have your very own lightsaber like Luke Skywalker and Obi-Wan Kenobi? Or that you could fly through space at the speed of light like Han Solo and Poe Dameron? Well, those ideas aren’t as outlandish as you think. In The Physics of Star Wars, you’ll explore the mystical power of the Force using quantum mechanics, find out how much energy it would take for the Death Star or Starkiller Base to destroy a planet, and discover how we can potentially create our very own lightsabers. The fantastical world of Star Wars may become a reality!
The Physics of the Buffyverse
by Jennifer OuellettePhysics with a Buffy the Vampire Slayer pop-culture chaser In the tradition of the bestselling The Physics of Star Trek, acclaimed science writer Jennifer Ouellette explains fundamental concepts in the physical sciences through examples culled from the hit TV shows Buffy the Vampire Slayer and its spin-off, Angel. The weird and wonderful world of the Buffyverse-where the melding of magic and science is an everyday occurrence-provides a fantastical jumping-off point for looking at complex theories of biology, chemistry, and theoretical physics. From surreal vampires, demons, and interdimensional portals to energy conservation, black holes, and string theory, The Physics of the Buffyverse is serious (and palatable) science for the rest of us. .
Pianist's Progress
by Helen Drees RuttencutterIn Pianist's Progress, Helen Ruttencutter takes the reader behind the scenes in the fiercely competitive music world, vividly depicting a young musician's quest for a career. But ultimately her subject is the dynamics of training and grooming for success.
Piano Notes: The World of the Pianist
by Charles RosenCharles Rosen is one of the world's most talented pianists -- and one of music's most astute commentators. Known as a performer of Bach, Beethoven, Stravinsky, and Elliott Carter, he has also written highly acclaimed criticism for sophisticated students and professionals. In Piano Notes, he writes for a broader audience about an old friend -- the piano itself. Drawing upon a lifetime of wisdom and the accumulated lore of many great performers of the past, Rosen shows why the instrument demands such a stark combination of mental and physical prowess. Readers will gather many little-known insights -- from how pianists vary their posture, to how splicings and microphone placements can ruin recordings, to how the history of composition was dominated by the piano for two centuries. Stories of many great musicians abound. Rosen reveals Nadia Boulanger's favorite way to avoid commenting on the performances of her friends ("You know what I think," spoken with utmost earnestness), why Glenn Gould's recordings suffer from "double-strike" touches, and how even Vladimir Horowitz became enamored of splicing multiple performances into a single recording. Rosen's explanation of the piano's physical pleasures, demands, and discontents will delight and instruct anyone who has ever sat at a keyboard, as well as everyone who loves to listen to the instrument. In the end, he strikes a contemplative note. Western music was built around the piano from the classical era until recently, and for a good part of that time the instrument was an essential acquisition for every middle-class household. Music making was part of the fabric of social life. Yet those days have ended. Fewer people learn the instrument today. The rise of recorded music has homogenized performance styles and greatly reduced the frequency of public concerts. Music will undoubtedly survive, but will the supremely physical experience of playing the piano ever be the same?
Piccadilly: The Circus at the Heart of London
by Midge GilliesThere's nowhere quite like Piccadilly Circus.From the moment they emerge, blinking from the underground station, visitors to Piccadilly Circus face a sensory onslaught. Its streets and alleyways merge into an intoxicating thoroughfare, with the power to propel an individual onwards to adventure, romance, or something more sinister. Ever since its iconic Eros statue appeared in 1893, the junction has been a vibrant meeting place, attracting visitors and pleasure-seekers from all walks of life: political plans and theatrical careers were hatched at its restaurant and café tables, lovers met below the statue of Eros, and to this day tourists pour out of its historic Tube to experience the bright lights of London's nightlife.Piccadilly explores how the area has been shaped by social and historical events - from female suffrage to world wars to technological advancements - and by its colourful cast of characters - from flower girls, shop assistants and sex workers, to film stars, Bright Young Things and conmen (and women).For many, the Circus has represented both a home from home and a brave new world, as campaigners, revellers, opportunists and romantics have all been drawn to Piccadilly's bright lights. This is the story of why Piccadilly Circus continues to mean so much to so many.
Piccadilly: The Circus at the Heart of London
by Midge GilliesA people's history of Piccadilly: London's bustling meeting place for over a century.There's nowhere quite like Piccadilly Circus.From the moment they emerge, blinking from the underground station, visitors to Piccadilly Circus face a sensory onslaught. Its streets and alleyways merge into an intoxicating thoroughfare, with the power to propel an individual onwards to adventure, romance, or something more sinister. Ever since its iconic Eros statue appeared in 1893, the junction has been a vibrant meeting place, attracting visitors and pleasure-seekers from all walks of life: political plans and theatrical careers were hatched at its restaurant and café tables, lovers met below the statue of Eros, and to this day tourists pour out of its historic Tube to experience the bright lights of London's nightlife.Piccadilly explores how the area has been shaped by social and historical events - from female suffrage to world wars to technological advancements - and by its colourful cast of characters - from flower girls, shop assistants and sex workers, to film stars, Bright Young Things and conmen (and women).For many, the Circus has represented both a home from home and a brave new world, as campaigners, revellers, opportunists and romantics have all been drawn to Piccadilly's bright lights. This is the story of why Piccadilly Circus continues to mean so much to so many.(P) 2022 Hodder & Stoughton Limited
The Pick-Up
by Miranda KenneallyMeeting a gorgeous guy in a rideshare headed to Lollapalooza is not how Mari expected her Chicago summer to start. She doesn't believe in dating...but TJ may just change her mind. Can an electric, weekend romance turn into more than just a summer fling?When Mari hails a Ryde to a music festival, the last thing she expects is for the car to pick up a gorgeous guy along the way. Mari doesn't believe in dating—it can only end with a broken heart. Besides, she's only staying at her dad's house in Chicago for the weekend. How close can you get to a guy in three days?TJ wants to study art in college, but his family's expectations cast a long shadow over his dreams. When he meets Mari in the back of a rideshare, he feels alive for the first time in a long time.Mari and TJ enter the festival together and share an electric moment but get separated in a crowd with seemingly no way to find each other. When fate reunites them (with a little help from a viral hashtag), they'll have to decide: was it love at first sight, or the start of nothing more than a weekend fling?
Pickin' on Peachtree: A History of Country Music in Atlanta, Georgia (Music in American Life)
by Wayne W. DanielAtlanta played a major role in launching the country music industry in the early 1920s and remained one of the nation’s leading country music centers for four decades. Also a major recording center for twenty years, the city was visited regularly by representatives of New York record companies who traveled south to scout for singers and musicians. During the 1950s, Atlanta’s television stations drew on the talent that had entertained in the area for years to assemble long-running, popular country music shows. Using fresh and fascinating information gleaned from newspaper archives, personal interviews, and other sources, Wayne W. Daniel takes readers from early fiddling conventions through the beginnings of the country music industry, to the early days of country programming on radio, and on through Atlanta’s importance as a regional recording center. He includes an analysis of the role television has played from the 1950s to the present. “If there are still people around who think country music moved right out of the hills directly to Nashville, Wayne Daniel’s book should disabuse them of that. Atlanta was country music’s real birthplace, and has remained a vital and energetic center; Pickin ’ on Peachtree presents a wealth of new information and research, and establishes the importance of Atlanta in the rise of one of America’s most unique art forms.” -- Charles Wolfe, author of Tennessee Strings and Kentucky Country “In this thoroughly researched history of country music in Atlanta, Wayne Daniel explores the major artists, promoters, and industry executives who gave Atlanta’s country music its luster. . . . No one interested in country music, whether in fiddle conventions of the 1910s, the ‘golden age’ of recordings of the 1920s, the early radio barn dance broadcasts of the 1930s and ’40s, or country music on television in the ’50s and beyond will fail to find something of interest in Pickin ’ on Peachtree. -- Norm Cohen, author of Long Steel Rail: The Railroad in American Folksong Wayne w. Daniel is the author of more than 75 articles in Bluegrass Unlimited, Journal of Country Music, Devil’s Box, and other publications.
The Pickup Artist: The New and Improved Art of Seduction
by Mystery Chris OdomThe world's greatest pickup artist is back! After the bestselling expose The Game pulled back the curtain on Mystery and his culture of professional pickup artists, he became an international phenomenon. Unfortunately, while it's no secret that Mystery's ideas are wildly effective, women have started to catch on. They've seen the show and heard the routines-so now it's time for the next level of game! With techniques honed over fifteen years of trial, error, and ultimate triumph, and following his hit VH1 reality series, the celebrated sensei is back with his latest living-large exploits and a new and improved playbook for the twenty-first-century playboy. As the book begins, Mystery and his crew have withdrawn to their swank Miami mansion to plot their next move. When a new student comes to stay at the house, Mystery draws him deep into the pickup-artist lifestyle and shows him an intimate portrait of the master of seduction. Mystery lays out a complete system of game, and unveils his latest (and fully field-tested) strategies and techniques. The Pickup Artist includes * a list of all the triggers that create-and destroy-attraction * a new way to approach strangers and start a conversation: microcalibrated openers * Mystery's most powerful humor technique, the Absurd-so you'll never run out of things to say again * a full chapter on physical escalation (touching, kissing, "making a move") * the solution to inner-game issues, for when you're not confident enough * and much, much more. Whether he's holding court with eager disciples in South Beach, hanging out with his crew of fellow super-seducers in Las Vegas, or partying it up in the Hollywood Hills, Mystery is never far from where the action is-and never fails to get a piece of it. Now it's your turn. Read The Pickup Artist and get into the game.
Pictorial Illusionism
by J. A. SokalskiDrawing together a wealth of primary sources, J.A. Sokalski examines the aims, inventions, and methods of the pictorial style that defined MacKaye's art. Sokalski shows how MacKaye's famous Madison Square Theatre, which featured a double stage reminiscent of an elevator, created whirling pictorial illusions for fashionable New York. He argues that MacKaye's infamous failure, the colossal Spectatorium theatre for the 1893 Chicago World's Fair, was the most complete realization of this illusionary aesthetic. Sokalski also explores MacKaye's influence on Buffalo Bill Cody and how civil war cycloramas expanded his concept of pictorial space.
Picture: Rodando Con Huston (Modern Library)
by Lillian RossA classic look at Hollywood and the American film industry by The New Yorker's Lillian Ross, and named one of the "Top 100 Works of U.S. Journalism of the Twentieth Century."Lillian Ross worked at The New Yorker for more than half a century, and might be described not only as an outstanding practitioner of modern long-form journalism but also as one of its inventors. Picture, originally published in 1952, is her most celebrated piece of reportage, a closely observed and completely absorbing story of how studio politics and misguided commercialism turn a promising movie into an all-around disaster. The charismatic and hard-bitten director and actor John Huston is at the center of the book, determined to make Stephen Crane’s The Red Badge of Courage—one of the great and defining works of American literature, the first modern war novel, a book whose vivid imagistic style invites the description of cinematic—into a movie that is worthy of it. At first all goes well, as Huston shoots and puts together a two-hour film that is, he feels, the best he’s ever made. Then the studio bosses step in and the audience previews begin, conferences are held, and the movie is taken out of Huston’s hands, cut down by a third, and finally released—with results that please no one and certainly not the public: It was an expensive flop. In Picture, which Charlie Chaplin aptly described as “brilliant and sagacious,” Ross is a gadfly on the wall taking note of the operations of a system designed to crank out mediocrity.
A Picture Book of Harry Houdini (Picture Book Biography)
by David A. Adler Michael S. AdlerHarry Houdini astounded audiences around the globe with his death-defying acts and illusions. With his wife, Bess, often by his side, he freed himself from ropes, handcuffs, straitjackets, and prison cells. Once he even made a ten-thousand-pound elephant vanish into thin air! Yet Harry's life was not always so glamorous. When he was a boy, he shined shoes and did odd jobs to help make ends meet. But a career in magic was always in the cards for Harry. Readers will be mesmerized by this captivating biography of one of the most celebrated escape artists and magicians in history.
Picture Composition
by Peter WardBehind each shot there lies an idea or purpose. When setting up a shot, the camera operator can employ a range of visual techniques that will clearly communicate the idea to an audience. Composition is the bedrock of the operator's craft, yet is seldom taught in training courses in the belief that it is an intuitive, personal skill. Peter Ward shows how composition can be learned, to enhance the quality of your work. Based on the author's own practical experience, the book deals with the methods available for resolving practical production questions such as: Does the shot composition accurately reflect the idea that initiated the shot? Will the content and method of presenting the subject accurately convey the idea? Major innovations in television and film production since the previous edition have affected the styles of composition, such as wide-screen and the use of mini DV cameras. These new technologies and their implications for picture composition are addressed in this new edition. A new colour plate section is also being included to update the section on colour. If you are a practising camera operator, trainee camera operator, student or lecturer on a television or film production course, or simply a video enthusiast wishing to progress to a more professional standard you will find this book essential in enhancing the quality of your work.
The Picture of Abjection: Film, Fetish, and the Nature of Difference
by Tina Chanter“A timely and important project that changes our understanding of the role of abjection both in cultural politics and in the structure of film.” —Ewa Ziarek, State University of New York at BuffaloTina Chanter resolves a fundamental problem in film theory by negotiating a middle path between “gaze theory” approaches to film and spectator studies or cultural theory approaches that emphasize the position of the viewer and thereby take account of race, class, gender, and sexuality. Chanter argues that abjection is the unthought ground of fetishistic theories. If the feminine has been the privileged excluded other of psychoanalytic theory, fueled by the myth of castration and the logic of disavowal, when fetishism is taken up by race theory, or cultural theory, the multiple and fluid registers of abjection are obscured. By mobilizing a theory of abjection, the book shows how the appeal to phallic, fetishistic theories continues to reify the hegemonic categories of race, class, sexuality, and gender, as if they stood as self-evident categories.“An intriguing read, especially for those who favor psychological models of criticism in film theory . . . Recommended.” —Choice
The Pictures (Detective Craine Ser. #1)
by Guy Bolton*Shortlisted for the John Creasey (New Blood) Dagger Award 2017* World-weary Jonathan Craine is a detective at the LAPD who has spent his entire career as a studio &‘fixer&’, covering up crimes of the studio players to protect the billion-dollar industry that built Los Angeles. When one of the producers of The Wizard of Oz is found dead under suspicious circumstances, Craine must make sure the incident passes without scandal and that the deceased&’s widow, the beautiful starlet Gale Goodwin, comes through the ordeal with her reputation unscathed. But against his better instincts, Craine finds himself increasingly drawn to Gale. And when a series of unsavoury truths begin to surface, Craine finds himself at the centre of a conspiracy involving a Chicago crime syndicate, a prostitution racket and a set of stolen pictures that could hold the key to unravelling the mystery.
Pictures at a Revolution: Five Movies and the Birth of the New Hollywood (Playaway Adult Nonfiction Ser.)
by Mark HarrisMark Harris beautifully depicts the epic human drama behind the making of the five movies nominated for Best Picture in 1967-Guess Who's Coming to Dinner, The Graduate, In the Heat of the Night, Doctor Dolittle, and Bonnie and Clyde-and through them, tells the larger story of the cultural revolution that transformed Hollywood, and America, forever.
Pictures at a Revolution: Five Movies and the Birth of the New Hollywood
by Mark HarrisAn epic account of how the revolution hit Hollywood, told through the stories of the five films nominated for the 1967 Academy Awards. In 1963, the studios are churning out westerns, war movies, prudish sex comedies and overblown historical epics, but audiences whose interests have been piqued by an influx of innovative films from abroad are hungering for something more, something new. At Esquire, two young writers hatch a plan to create a movie treatment that they hope will attract the director Francois Truffaut: the story of the gangsters Bonnie Parker and Clyde Barrow. Mike Nichols, an improvisatory comedian turned neophyte theater director, gets his hands on an obscure first novel called The Graduate and wonders if he's ready to make the jump to Hollywood. Warren Beatty, just 26 years old and struggling through a series of flops after the success of Splendor in the Grass, decides to take his career into his own hands, but can't seem to settle on his next move. Dustin Hoffman, sleeping on friends' floors and scrounging for temp work in New York, struggles just to get an off-Broadway audition. Sidney Poitier, after two dozen movies, still yearns for something that seems completely unattainable: a good role. And 20th Century Fox, on the brink of financial catastrophe, puts all its hopes in a genre--the family musical--that will revitalize the company and then nearly destroy it again. Pictures at a Revolution tracks five movies--the milestones Bonnie and Clyde, The Graduate, the popular hits Guess Who's Coming To Dinner and In the Heat of the Night, and the big-budget disaster Doctor Dolittle--on their five-year journey to Oscar night in the spring of 1968. It follows their fortunes through the last days of the studio system and the first sparks of a cultural upheaval that would launch maverick new stars and directors, topple more than one industry titan from his pedestal, and redefine what American movies could be. In 1967, moviegoers witnessed the arrival of taboo-shattering sex and violence on screen, the debuts of Dustin Hoffman and Faye Dunaway, the return of Katharine Hepburn and the poignant farewell of Spencer Tracy, the audacious risks taken by Warren Beatty, Arthur Penn, Mike Nichols and Norman Jewison, and Hollywood's agonized attempt to grapple with an incendiary moment in American race relations, with results that would change Sidney Poitier's career forever. By tracing the gambles, the stumbles, the clashes and the creative partnerships that produced these films, Mark Harris captures both the twilight of old Hollywood and the dawn of a new golden age in studio film making. Based on unprecedented access to the actors, directors, screenwriters, producers and executives whose movies defined the era, as well a wealth of previously unexplored archival material, Pictures at a Revolution is an utterly original, revealing, and entertaining history of a true cultural watershed.
Pictures in the Air: The Story of the National Theatre of the Deaf
by Stephen C. BaldwinNow available in paperback; ISBN 1-56368-140-4
Pictures of Poverty: The Works of George R. Sims and Their Screen Adaptations (Kintop Studies In Early Cinema Ser.)
by Lydia JakobsFrom Charles Dickens's Oliver Twist to George Sims's How the Poor Live, illustrated accounts of poverty were en vogue in Victorian Britain. Poverty was also a popular subject on the screen, whether in dramatic retellings of well-known stories or in 'documentary' photographs taken in the slums. London and its street life were the preferred setting for George Robert Sims's rousing ballads and the numerous magic lantern slide series and silent films based on them. Sims was a popular journalist and dramatist, whose articles, short stories, theatre plays and ballads discussed overcrowding, drunkenness, prostitution and child poverty in dramatic and heroic episodes from the lives and deaths of the poor. Richly illustrated and drawing from many previously unknown sources, Pictures of Poverty is a comprehensive account of the representation of poverty throughout the Victorian period, whether disseminated in newspapers, illustrated books and lectures, presented on the theatre stage or projected on the screen in magic lantern and film performances. Detailed case studies reveal the intermedial context of these popular pictures of poverty and their mobility across genres. With versatile author George R. Sims as the starting point, this study explores the influence of visual media in historical discourses about poverty and the highly controversial role of the Victorian state in poor relief.
Picturing American Modernity: Traffic, Technology, and the Silent Cinema
by Kristen WhisselIn Picturing American Modernity, Kristen Whissel investigates the relationship between early American cinema and the experience of technological modernity. She demonstrates how between the late 1890s and the eve of the First World War moving pictures helped the U. S. public understand the possibilities and perils of new forms of "traffic" produced by industrialization and urbanization. As more efficient ways to move people, goods, and information transformed work and leisure at home and contributed to the expansion of the U. S. empire abroad, silent films presented compelling visual representations of the spaces, bodies, machines, and forms of mobility that increasingly defined modern life in the United States and its new territories. Whissel shows that by portraying key events, achievements, and anxieties, the cinema invited American audiences to participate in the rapidly changing world around them. Moving pictures provided astonishing visual dispatches from military camps prior to the outbreak of fighting in the Spanish-American War. They allowed audiences to delight in images of the Pan-American Exposition, and also to mourn the assassination of President McKinley there. One early film genre, the reenactment, presented spectators with renditions of bloody battles fought overseas during the Philippine-American War. Early features offered sensational dramatizations of the scandalous "white slave trade," which was often linked to immigration and new forms of urban work and leisure. By bringing these frequently distant events and anxieties "near" to audiences in cities and towns across the country, the cinema helped construct an American national identity for the machine age.
Picturing Indians: Native Americans in Film, 1941-1960
by Liza BlackStanding at the intersection of Native history, labor, and representation, Picturing Indians presents a vivid portrait of the complicated experiences of Native actors on the sets of midcentury Hollywood Westerns. This behind-the-scenes look at costuming, makeup, contract negotiations, and union disparities uncovers an all-too-familiar narrative of racism and further complicates filmmakers&’ choices to follow mainstream representations of &“Indianness.&” Liza Black offers a rare and overlooked perspective on American cinema history by giving voice to creators of movie Indians—the stylists, public relations workers, and the actors themselves. In exploring the inherent racism in sensationalizing Native culture for profit, Black also chronicles the little-known attempts of studios to generate cultural authenticity and historical accuracy in their films. She discusses the studios&’ need for actual Indians to participate in, legitimate, and populate such filmic narratives. But studios also told stories that made Indians sound less than Indian because of their skin color, clothing, and inability to do functions and tasks considered authentically Indian by non-Indians. In the ongoing territorial dispossession of Native America, Native people worked in film as an economic strategy toward survival. Consulting new primary sources, Black has crafted an interdisciplinary experience showcasing what it meant to &“play Indian&” in post–World War II Hollywood.
Picturing Prince: An Intimate Portrait
by Steve ParkePICTURING PRINCE sees the late icon's former art director, STEVE PARKE, revealing stunning intimate photographs of the singer from his time working at Paisley Park. At least half of the images in the book are exclusively published here for the first time; most other images in the book are rare to the public eye.Alongside these remarkable images are fifty engaging, poignant and often funny written vignettes by Parke, which reveal the very human man behind the reclusive superstar: from shooting hoops to renting out movie theatres at 4am; from midnight requests for camels to meaningful conversations that shed light on Prince as a man and artist. STEVE PARKE started working with Prince in 1988, after a mutual friend showed Prince some of Steve's photorealistic paintings. He designed everything from album covers and merchandise to sets for Prince's tours and videos. Somewhere in all of this, he became Paisley Park's official art director. He began photographing Prince at the request of the star himself, and continued to do so for the next several years. The images in this book are the arresting result of this collaboration.
Picturing Prince: An Intimate Portrait
by Steve ParkePICTURING PRINCE sees the late icon's former art director, STEVE PARKE, revealing stunning intimate photographs of the singer from his time working at Paisley Park. At least half of the images in the book are exclusively published here for the first time; most other images in the book are rare to the public eye.Alongside these remarkable images are fifty engaging, poignant and often funny written vignettes by Parke, which reveal the very human man behind the reclusive superstar: from shooting hoops to renting out movie theatres at 4am; from midnight requests for camels to meaningful conversations that shed light on Prince as a man and artist. STEVE PARKE started working with Prince in 1988, after a mutual friend showed Prince some of Steve's photorealistic paintings. He designed everything from album covers and merchandise to sets for Prince's tours and videos. Somewhere in all of this, he became Paisley Park's official art director. He began photographing Prince at the request of the star himself, and continued to do so for the next several years. The images in this book are the arresting result of this collaboration.