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The RBG Workout: How She Stays Strong . . . and You Can Too!
by Bryant JohnsonA fun, fully illustrated exercise book that details Ruth Bader Ginsburg's workout, written by her trainer.Have you ever wondered what keeps Justice Ruth Bader Ginsburg, one of the Supreme Court&’s favorite octogenarians, so sprightly? She owes it in part to the twice-weekly workouts she does with her personal trainer, Bryant Johnson, a man she's called &“the most important person&” in her life. Now you too can work out with Justice Ginsburg&’s trainer in the comfort of your home with The RBG Workout. From planks to squats to (full) push-ups, this simple but challenging workout—illustrated with four-color illustrations of the justice in workout gear—will have you getting fit in no time. With tips from the bench, and sidebars with Bryant&’s folksy wisdom on getting fit and staying healthy, this delightful book is a perfect gift for anyone looking to emulate one of America&’s most admired women.
Re: A Theoretical and Practical Guide (Worlds of Performance)
by Gabrielle Cody Rebecca SchneiderRe: Direction is an extraordinary resource for practitioners and students on directing. It provides a collection of ground-breaking interviews, primary sources and essays on 20th century directing theories and practices around the world. Helpfully organized into four key areas of the subject, the book explores: * theories of directing * the boundaries of the director's role * the limits of categorization * the history of the theatre and performance art. Exceptionally useful and thought-provoking introductory essays by editors Schneider and Cody guide you through the wealth of materials included here. Re: Direction is the kind of book anyone interested in theatre history should own, and which will prove an indispensable toolkit for a lifetime of study.
Re-Enacting the Past: Heritage, Materiality and Performance
by Mads Daugbjerg, Rivka Syd Eisner and Britta Timm KnudsenWhat is re-enactment and how does it relate to heritage? Re-enactments are a ubiquitous part of popular and memory culture and are of growing importance to heritage studies. As concept and practice, re-enactments encompass a wide range of forms: from the annual ‘Viking Moot’ festival in Denmark drawing thousands of participants and spectators, to the (re)staged war photography of An-My Lê, to the Titanic Memorial Cruise commemorating the centennial of the ill-fated voyage, to the symbolic retracing of the Berlin Wall across the city on 9 November 2014 to mark the 25th anniversary of its toppling.Re-enactments involve the sensuousness of bodily experience and engagement, the exhilarating yet precarious combination of imagination with ‘historical fact’, in-the-moment negotiations between and within temporalities, and the compelling drive to re-make, or re-presence, the past. As such, re-enactments present a number of challenges to traditional understandings of heritage, including taken-for-granted assumptions regarding fixity, conservation, originality, ownership and authenticity. Using a variety of international, cross-disciplinary case studies, this volume explores re-enactment as practice, problem, and/or potential, in order to widen the scope of heritage thinking and analysis toward impermanence, performance, flux, innovation and creativity.This book was originally published as a special issue of the International Journal of Heritage Studies.
Re-Imagining DEFA: East German Cinema in its National and Transnational Contexts
by Seán Allan Sebastian HeiduschkeBy the time the Berlin Wall collapsed, the cinema of the German Democratic Republic—to the extent it was considered at all—was widely regarded as a footnote to European film history, with little of enduring value. Since then, interest in East German cinema has exploded, inspiring innumerable festivals, books, and exhibits on the GDR’s rich and varied filmic output. In Re-Imagining DEFA, leading international experts take stock of this vibrant landscape and plot an ambitious course for future research, one that considers other cinematic traditions, brings genre and popular works into the fold, and encompasses DEFA’s complex post-unification “afterlife.”
(Re)Imagining Humane Global Governance
by Richard FalkIn this important and path-breaking book, esteemed scholar and public intellectual Richard Falk explores how we can re-imagine the system of global governance to make it more ethical and humane. Divided into three parts, this book firstly scrutinizes the main aspects of Global Governance including, Geopolitics, The Future of International law, Climate Change and Nuclear weapons, 9/11, Global Democracy and the UN. In the last part, Falk moves the discussion on to the search for Progressive Politics, the Israel/Palestinian conflict and the World Order Models Project. Drawing on, but also rethinking the normative tradition in international relations, he examines the urgent challenges that we must face to counter imperialism, injustice, global poverty, militarism and environmental disaster. In so doing, he outlines the radical reforms that are needed on an institutional level and within global civil society if we are to realize the dream of a world that is more just, equitable and peaceful. This important work will be of interest to all students and scholars of global politics and international relations.
Re-performance, Mourning and Death: Specters of the Past (Adaptation in Theatre and Performance)
by Sarah JuliusThis book examines the recent trend for re-performance and how this impacts on the relationship between live performance and death. Focusing specifically on examples of performance art the text analyses the relationship between performance, re-performance and death, comparing the process of re-performance to the process of mourning and arguing that both of these are processes of adaptation and survival. Using a variety of case studies, including performances by Ron Athey, Julie Tolentino, Martin O’Brien, Sheree Rose, Jo Spence and Hannah Wilke, the book explores performances which can be considered acts of re-performance, as well as performances which examine some of the critical concerns of re-performance, including notions of illness, loss and death. By drawing upon both philosophical and performance studies discourses the text takes a novel approach to the relationship between re-performance, mourning and death.
Re-Purposing Suzuki: A Hybrid Approach to Actor Training
by Maria PorterRe-Purposing Suzuki: A Hybrid Approach to Actor Training introduces a system of text analysis that synthesizes physical, psychological, and vocal components in order to truthfully embody heightened texts and contexts. By understanding how the author has re-purposed Suzuki and other physical training methods, as well as Stanislavski, readers will gain an awareness of how to analyze a particular training method by extrapolating its key components and integrating it into a holistic, embodied approach to text analysis. The book explores a method of physical scoring via Rules of the Body and Rules of Composition, as well as a method of approaching heightened texts from Greek drama to post-modern playwrights that draws on the individual actor’s imagination and experience and integrates voice, mind, and body. Readers will be able to either replicate this approach, or apply the logic of its building blocks to assemble their own personal creative process applicable to a variety of performance genres. This is a source book for actors, theatre students, practitioners, and educators interested in assembling tools derived from different sources to create alternative approaches to actor training. While the process outlined in the book evolves in a classroom setting, the components of the pedagogy can also be practiced by individuals who are interested in finding new ways to explore text and character and bring them into their own personal practice.
Re-reading the Monstrous-Feminine: Art, Film, Feminism and Psychoanalysis (Routledge Advances in Film Studies)
by Nicholas Chare Jeanette Hoorn Audrey YueThis book provides a critical reappraisal of Barbara Creed’s ground-breaking work of feminist psychoanalytic film scholarship, The Monstrous-Feminine, which was first published in 1993. The Monstrous-Feminine married psychoanalytic thinking with film analysis in radically new ways to provide an invaluable corrective to conventional approaches to the study of women in horror films, with their narrow emphasis on woman’s victimhood. This volume, which will mark 25 years since the publication of The Monstrous-Feminine, brings together essays by international scholars working across a variety of disciplines who take up Creed’s ideas in new ways and fresh contexts or, more broadly, explore possible futures for feminist and/or psychoanalytically informed art history and film theory.
Re-run the Fun: My Life as Pat Sharp
by Pat Sharp Darren Richman Luke Catterson'The perfect antidote to 2020' Huffington Post'A must-read if you like funny things' Greg James'I had no idea Pat Sharp's life story would be so hilarious and I strongly suspect neither did he' Nish KumarPat Sharp is a man out of time.For those of a certain generation, he is an iconic figure synonymous with good fun, great hair and excess gunge. For others, he's just that bloke with a mullet. Fame is a fickle beast and, since the cancellation of Fun House in 1999 ('Just ten years into its run, when it was finally finding its feet'), Pat has become a reclusive figure, only emerging from his splendid isolation to pop up on things like I'm A Celebrity: Get Me Out Of Here, Never Mind the Buzzcocks and Come Dine with Me. Until now.With time on his hands and now reliant on a faulty memory, Pat has expertly blended fact and . . . fiction: revealing all about his adventures with David Hassselhoff at the Berlin Wall in 1989; how he broke up a fight between Damon Albarn and Liam Gallagher at a house party; the time he suggested Geri's dress be a Union Jack; and much more.A definitive work (based on very little fact) that anatomises the cultural trends of the '80s and '90s, Re-run the Fun is just the kind of sorta-biography we need in these turbulent times. Finally, the Great British public can learn what life is like just about in sight of the top - the highs, the lows and the hair tips.'It's easy to forget, as I had, that Pat Sharp is so much more than an iconic haircut and a helter-skelter - and this well overdue book goes into hilarious, largely-fabricated detail about Pat's critical role in shaping our world today' Rick Edwards'No previous knowledge of Pat Sharp is required' Paul Sinha
Re-run the Fun: My Life as Pat Sharp
by Pat Sharp Darren Richman Luke Catterson'The perfect antidote to 2020' Huffington Post'A must-read if you like funny things' Greg James'I had no idea Pat Sharp's life story would be so hilarious and I strongly suspect neither did he' Nish KumarPat Sharp is a man out of time.For those of a certain generation, he is an iconic figure synonymous with good fun, great hair and excess gunge. For others, he's just that bloke with a mullet. Fame is a fickle beast and, since the cancellation of Fun House in 1999 ('Just ten years into its run, when it was finally finding its feet'), Pat has become a reclusive figure, only emerging from his splendid isolation to pop up on things like I'm A Celebrity: Get Me Out Of Here, Never Mind the Buzzcocks and Come Dine with Me. Until now.With time on his hands and now reliant on a faulty memory, Pat has expertly blended fact and . . . fiction: revealing all about his adventures with David Hassselhoff at the Berlin Wall in 1989; how he broke up a fight between Damon Albarn and Liam Gallagher at a house party; the time he suggested Geri's dress be a Union Jack; and much more.A definitive work (based on very little fact) that anatomises the cultural trends of the '80s and '90s, Re-run the Fun is just the kind of sorta-biography we need in these turbulent times. Finally, the Great British public can learn what life is like just about in sight of the top - the highs, the lows and the hair tips.'It's easy to forget, as I had, that Pat Sharp is so much more than an iconic haircut and a helter-skelter - and this well overdue book goes into hilarious, largely-fabricated detail about Pat's critical role in shaping our world today' Rick Edwards'No previous knowledge of Pat Sharp is required' Paul Sinha
Re-run the Fun: My Life as Pat Sharp
by Pat Sharp Darren Richman Luke Catterson'The perfect antidote to 2020' Huffington Post'A must-read if you like funny things' Greg James'I had no idea Pat Sharp's life story would be so hilarious and I strongly suspect neither did he' Nish KumarPat Sharp is a man out of time.For those of a certain generation, he is an iconic figure synonymous with good fun, great hair and excess gunge. For others, he's just that bloke with a mullet. Fame is a fickle beast and, since the cancellation of Fun House in 1999 ('Just ten years into its run, when it was finally finding its feet'), Pat has become a reclusive figure, only emerging from his splendid isolation to pop up on things like I'm A Celebrity: Get Me Out Of Here, Never Mind the Buzzcocks and Come Dine with Me. Until now.With time on his hands and now reliant on a faulty memory, Pat has expertly blended fact and . . . fiction: revealing all about his adventures with David Hassselhoff at the Berlin Wall in 1989; how he broke up a fight between Damon Albarn and Liam Gallagher at a house party; the time he suggested Geri's dress be a Union Jack; and much more.A definitive work (based on very little fact) that anatomises the cultural trends of the '80s and '90s, Re-run the Fun is just the kind of sorta-biography we need in these turbulent times. Finally, the Great British public can learn what life is like just about in sight of the top - the highs, the lows and the hair tips.'It's easy to forget, as I had, that Pat Sharp is so much more than an iconic haircut and a helter-skelter - and this well overdue book goes into hilarious, largely-fabricated detail about Pat's critical role in shaping our world today' Rick Edwards'No previous knowledge of Pat Sharp is required' Paul Sinha
Re-viewing Fascism: Italian Cinema, 1922–1943
by Jacqueline Reich and Piero GarofaloWhen Benito Mussolini proclaimed that "Cinema is the strongest weapon," he was telling only half the story. In reality, very few feature films during the Fascist period can be labeled as propaganda. Re-viewing Fascism considers the many films that failed as "weapons" in creating cultural consensus and instead came to reflect the complexities and contradictions of Fascist culture. The volume also examines the connection between cinema of the Fascist period and neorealism—ties that many scholars previously had denied in an attempt to view Fascism as an unfortunate deviation in Italian history. The postwar directors Luchino Visconti, Roberto Rossellini, and Vittorio de Sica all had important roots in the Fascist era, as did the Venice Film Festival. While government censorship loomed over Italian filmmaking, it did not prevent frank depictions of sexuality and representations of men and women that challenged official gender policies. Re-viewing Fascism brings together scholars from different cultural and disciplinary backgrounds as it offers an engaging and innovative look into Italian cinema, Fascist culture, and society.
Reach for the Skai: How to Inspire, Empower, and Clapback
by Skai JacksonActress and activist Skai Jackson shares her lessons on life and her rise to stardom in this vibrant memoir about self-acceptance, girl empowerment, and the classy clapback.Actress and activist Skai Jackson is a star! Her rise to fame started on the popular Disney Channel shows Bunk'd and Jessie. Her cool sense of style led her to create her own fashion line. And her success has made her a major influencer, with millions of followers on Instagram, who isn't afraid to stand up for what she believes in.But being a teen celebrity isn't always glamorous. For the first time, Skai discusses the negative experiences that sometimes come with living in the spotlight--the insecurities about her appearance, the challenges of separating her real personality from her TV roles, and the bullying she's faced both personally and professionally. She knows firsthand the struggles tweens and teens face today, and she has found her calling as an antibullying activist, known as the queen of the classy clapback.Skai is a positive force and a role model for inspiring change and embracing differences in others. Her story will encourage girls and boys alike to believe in themselves and to have the courage to reach for the sky and follow their dreams.
Reach for the Stars #1
by Cindy JefferiesChloe loves singing and spends hours practicing in her bedroom, miming into her hairbrush in front of thousands of imaginary fans. So when she gets the chance to audition for Rockley Park- the school for budding pop stars-Chloe's determined to make the cut. But first she has to persuade her parents that her ambition is for real. She knows it's going to be tough, but life in the music biz isn't all glitz and glamour. Will Chloe get to live her dream at Fame School?
Reactivations: Essays on Performance and Its Documentation
by Philip AuslanderMost people agree that witnessing a live performance is not the same as seeing it on screen; however, most of the performances we experience are in recorded forms. Some aver that the recorded form of a performance necessarily distorts it or betrays it, focusing on the relationship between the original event and its recorded versions. By contrast, Reactivations focuses on how the audience experiences the performance, as opposed to its documentation. How does a spectator access and experience a performance from its documentation? What is the value of performance documentation? The book treats performance documentation as a specific discursive use of media that arose in the middle of the 20th century alongside such forms of performance as the Happening and that is different, both discursively and as a practice, from traditional theater and dance photography. Philip Auslander explores the phenomenal relationship between the spectator who experiences the performance from the document and the document itself. The document is not merely a secondary iteration of the original event but a vehicle that gives us meaningful access to the performance itself as an artistic work.
Read My Lips: Stories of a Hollywood Life
by Sally KellermanAcademy Award and Golden Globe nominee Sally Kellerman pulls back the curtain on the legendary Hollywood decades of the 60s and 70s, with no paparazzi, no traffic, and no 24-hour entertainment news.
A Reader in Animation Studies
by Jayne PillingCartoons—both from the classic Hollywood era and from more contemporary feature films and television series—offer a rich field for detailed investigation and analysis. Contributors draw on theories and methodology from film, television, and media studies, art history and criticism, and feminism and gender studies.
Reader in Comedy: An Anthology of Theory and Criticism
by Magda Romanska Alan AckermanThis unique anthology presents a selection of over seventy of the most important historical essays on comedy, ranging from antiquity to the present, divided into historical periods and arranged chronologically. Across its span it traces the development of comic theory, highlighting the relationships between comedy, politics, economics, philosophy, religion, and other arts and genres. Students of literature and theatre will find this collection an invaluable and accessible guide to writing from Plato and Aristotle through to the twenty-first century, in which special attention has been paid to writings since the start of the twentieth century. The book is arranged in five sections, each featuring an introduction providing concise and informed historical and theoretical frameworks for the texts from the period: - Antiquity and the Middle Ages - The Renaissance - Restoration to Romanticism - The Industrial Age - The Twentieth and Early Twenty-First Centuries Among the many authors included are: Plato, Aristotle, Horace, Donatus, Dante Alighieri, Erasmus, Trissino, Sir Thomas Elyot, Thomas Wilson, Sir Philip Sidney, Ben Jonson, Battista Guarini, Molière, William Congreve, John Dryden, Henry Fielding, Samuel Johnson, Oliver Goldsmith, Jean Paul Richter, William Hazlitt, Charles Lamb, Søren Kierkegaard, Charles Baudelaire, Bernard Shaw, Mark Twain, Henri Bergson, Constance Rourke, Northrop Frye, Jacques Derrida, Mikhail Bakhtin, Georges Bataille, Simon Critchley and Michael North. As the selection demonstrates, from Plato and Aristotle to Henri Bergson and Sigmund Freud, comedy has attracted the attention of serious thinkers. Bringing together diverse theories of comedy from across the ages, the Reader reveals that, far from being peripheral, comedy speaks to the most pragmatic aspects of human life.
Reader's Digest Dumb Dad Stories: Ludicrous tales of remarkably foolish people doing spectacularly stupid things
by Editors of Readers DigestThe Editors of Reader’s Digest present a hilarious collection of real people doing dumb things. Every day in America we are bombarded by stupidity; sometimes we just shake our heads, but most of the time we get a good laugh out of the really dumb things people do and say. In this collection of dumb stories we poke a little fun at the unbelievably dumb things that happen in our lives and have a good chuckle along the way. For example: You’re a dumb criminal if…you’re not picky about your office locations. Christopher Exley of Everett, Washington, was arrested for conducting a drug deal over the phone—in the bathroom of the Everett Police Department. During my brother-in-law’s first performance review, his boss said, “I’m not quite sure what it is you do here. But whatever it is, could you do it faster?” --Jeanie Waara, Philip, SD In an attempt to balance work and motherhood, I delegated the grocery shopping to my young babysitter. But the job proved a tad daunting. One day while I was at work, she texted me from the supermarket. “Can’t find Brillo pads,” she wrote. “All they have are Tampax and Kotex.” --Kimberly Clark, Alpharetta, GA I overheard an elderly gentleman tell his friend that he couldn’t meet him the next day because he had to go to the hospital for an autopsy. His friend was sympathetic: I had one of those last year. Luckily it wasn’t serious.” --Tracy Moralee, Hitchin, Great Britain
Reading and Writing a Screenplay: Fiction, Documentary and New Media
by Isabelle RaynauldReading and Writing a Screenplay takes you on a journey through the many possible ways of writing, reading and imagining fiction and documentary projects for cinema, television and new media. It explores the critical role of a script as a document to be written and read with both future readers and the future film it will be giving life to in mind. The book explores the screenplay and the screenwriting process by approaching the film script in three different ways: how it is written, how it is read and how it can be rewritten. Combining contemporary screenwriting practices with historical and academic context, Isabelle Raynauld provides key analytical tools and reading strategies for conceptualizing and scripting projects based on the impact different writing styles can have on readers, with various examples ranging from early cinema to new media and new platforms throughout. This title offers an alternative, thought-provoking and inspiring approach to reading and writing a screenplay that is ideal for directors, producers, actors, students, aspiring screenwriters and readers interested in understanding how an effective screenplay is created.
Reading and Writing Disability Differently: The Textured Life of Embodiment
by Tanya TitchkoskyIn this study, Titchkosky analyzes the depiction of disabled people in the mass media. Through an examination of everyday texts such as news stories and government surveys, she uncovers and critiques a Western cultural assumption that sees disability as a clear-cut "problem" in need of a solution. Titchkosky (disability studies, U. of Toronto) is also the author of Disability, Self, and Society (2003). Annotation ©2007 Book News, Inc., Portland, OR (booknews.com)
Reading between Designs: Visual Imagery and the Generation of Meaning in The Avengers, The Prisoner, and Doctor Who
by Piers D. Britton Simon J. BarkerFrom the alien worlds of Star Trek to the realistic operating room of ER, the design of sets and costumes contributes not only to the look and mood of television shows, but even more importantly to the creation of memorable characters. Yet, until now, this crucial aspect of television creativity has received little critical attention, despite the ongoing interest in production design within the closely allied discipline of film studies.<P><P>In this book, Piers Britton and Simon Barker offer a first analytical study of scenic and costume design for television drama series. They focus on three enduringly popular series of the 1960s--The Avengers, The Prisoner, and Doctor Who--and discuss such topics as the sartorial image of Steed in The Avengers, the juxtaposition of picturesque and fascistic architecture in The Prisoner, and the evolution of the high-tech interior of Doctor Who's TARDIS. Interviews with the series' original designers and reproductions of their original drawings complement the authors' analysis, which sheds new light on a variety of issues, from the discourse of fashion to that of the heritage industry, notions of "Pop" and retro, and the cultural preoccupation with realism and virtual reality.
Reading Cavell's The World Viewed: A Philosophical Perspective on Film
by Marian Keane William RothmanIn their thoughtful study of one of Stanley Cavell's greatest yet most neglected books, William Rothman and Marian Keane address this eminent philosopher's many readers, from a variety of disciplines, who have neither understood why he has given film so much attention, nor grasped the place of The World Viewed within the totality of his writings about film. Rothman and Keane also reintroduce The World Viewed to the field of film studies. When the new field entered universities in the late 1960s, it predicated its legitimacy on the conviction that the medium's artistic achievements called for serious criticism and on the corollary conviction that no existing field was capable of the criticism filmed called for. The study of film needed to found itself, intellectually, upon a philosophical investigation of the conditions of the medium and art of film. Such was the challenge The World Viewed took upon itself. However, film studies opted to embrace theory as a higher authority than our experiences of movies, divorcing itself from the philosophical perspective of self-reflection apart from which, The World Viewed teaches, we cannot know what movies mean, or what they are. Rotham and Keane now argue that the poststructuralist theories that dominated film studies for a quarter of a century no longer compel conviction, Cavell's brilliant and beautiful book can provide a sense of liberation to a field that has forsaken its original calling. read in a way that acknowledges its philosophical achievement, The World Viewed can show the field a way to move forward by rediscovering its passion for the art of film. Reading Cavell's The World Viewed will prove invaluable to scholars and students of film and philosophy, and to those in other fields, such as literary studies and American studies, who have found Cavell's work provocative and fruitful.
Reading Contemporary Serial Television Universes: A Narrative Ecosystem Framework (Routledge Advances in Television Studies)
by Paola Brembilla Ilaria A. De PascalisReading Contemporary Serial Television Universes provides a new framework—the metaphor of the narrative ecosystem—for the analysis of serial television narratives. Contributors use this metaphor to address the ever-expanding and evolving structure of narratives far beyond their usual spatial and temporal borders, in general and in reference to specific series. Other scholarly approaches consider each narrative as composed of modular elements, which combine to create a bigger picture. The narrative ecosystem approach, on the other hand, argues that each portion of the narrative world contains all of the main elements that characterize the world as a whole, such as narrative tensions, production structures, creative dynamics and functions. The volume details the implications of the narrative ecosystem for narrative theory and the study of seriality, audiences and fandoms, production, and the analysis of the products themselves.
Reading Habits in the COVID-19 Pandemic: An Applied Linguistic Perspective
by Abigail Boucher Marcello Giovanelli Chloe Harrison Robbie Love Caroline GodfreyThis book presents and analyses the results of the Lockdown Library Project survey, using a range of quantitative and qualitative approaches to provide a unique insight into the ways in which the first UK COVID-19 lockdown affected public reading habits. The authors begin by outlining the background to the study, the research methodology and design, and an overview of the headlines of the data, before going on to survey the literature on the relationship between pandemics, literature (especially the role played by genre and popular fiction) and reading habits. They then examine how participants reported that the lockdown period had affected the amount that they read; how they accessed books and discussed their reading with others; the use of reading as a coping strategy; and returning to re-read books that offered familiarity, reliability, and nostalgia. Finally, the concluding chapter brings together the overall findings of the project and briefly outlines future work in the field. This book will be of interest to academics in fields such as literary and genre studies, applied linguistics, corpus linguistics, stylistics, health humanities, and sociology, as well as practitioners working in education, in bibliotherapy, and in libraries.