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There's Work to Be Done.: Words to Live (and Die) By from the Dutton Ranch
by Adams MediaFor the millions of Yellowstone fans, the official quote book There&’s Work to Be Done. captures the advice they live by, the exchanges they remember, and the lines they love to recite.&“There&’s work to be done.&” —Rip Wheeler, Season 1, Episode 6, &“The Remembering&” The characters of Yellowstone don&’t mince words. And that&’s just the way fans like it. From John Dutton&’s sage advice to Beth&’s pointed barbs, the show&’s iconic lines and exchanges live on long after each episode ends. There&’s Work to Be Done. captures those famous—and infamous—quotes in a collection that&’ll brand any Yellowstone fan as a true diehard. With more than 75 quotes and stills from Seasons 1 through 5, they&’ll be able to relive and recite lines such as: -&“You are the trailer park. I am the tornado.&” —Beth Dutton, Season 3, Episode 5, &“Cowboys and Dreamers&” -&“You find out real fast who&’s willing to ride for the brand when they learn they gotta wear it.&” —John Dutton, Season 5, Episode 8, &“A Knife and No Coin&” -&“My tomorrows are all yours.&” —Rip Wheeler, Season 3, Episode 4, &“Going Back to Cali&” -&“Gonna go do some cowboy sh*t now.&” —Walker, Season 5, Episode 7, &“The Dream Is Not Me&” Time to get the work done and ride for the brand with this official Yellowstone quote book.
Theresienstadt: Historiography and Sociological Analyses
by Hans-Georg Soeffner Lara Pellner Marija StanisavljevićIn the ghetto, transit and concentration camp Theresienstadt, film recordings were made with the forced participation of the deportees and became known under the title "Theresienstadt - A Documentary from the Jewish Settlement Area". As a particularly perfidious part of National Socialist propaganda, these recordings continue to have an impact to the present day: Deniers of the National Socialist genocide still refer to this film today. In this anthology, the special position of Theresienstadt is examined on various levels. In addition to the analysis of eyewitness interviews, sociological, philosophical, and historiographical reflections on the circumstances, conditions, and peculiarities of Terezin are included.
Theresienstadt – Filmfragmente und Zeitzeugenberichte: Historiographie und soziologische Analysen (Wissen, Kommunikation und Gesellschaft)
by Lara Pellner Hans-Georg Soeffner Marija StanisavljevicIm Ghetto, Durchgangs- und Konzentrationslager Theresienstadt sind, unter erzwungener Beteiligung der Deportierten, filmische Aufzeichnungen entstanden und unter dem Titel „Theresienstadt – Ein Dokumentarfilm aus dem jüdischen Siedlungsgebiet“ bekannt geworden. Als besonders perfider Teil nationalsozialistischer Propaganda wirken diese Aufnahmen bis in die Gegenwart nach: Leugner des nationalsozialistischen Genozids verweisen bis heute auf diesen Film. Im Rahmen des Sammelbandes wird die Sonderstellung Theresienstadts auf unterschiedlichen Ebenen beleuchtet. Neben der Analyse von Zeitzeugeninterviews finden sich soziologische, philosophische und geschichtswissenschaftliche Betrachtungen der Umstände, Zustände und Besonderheiten Theresienstadts.
These Are My People: The Merle Kilgore Story
by Mark RickertWhat would it be like to be a part of country music history? Singer/sngwriter and manager Merle Kilgore could have told you. He awed his fans with tales of his life in the music business, always with a supporting cast of impossibly famous friends. At age fourteen Merle carried the guitar for Hank Williams Sr. Four years later he wrote his first song, and Webb Pierce turned it into a million-seller. He double-dated with Elvis Presley, wrecked hotel rooms with Johnny Cash, held seances with Johnny Horton, and convinced Audrey Williams to put Hank Jr. on the road at fourteen-years-old. Merle became a prolific songwriter, entering the Nashville Songwriters Hall of Fame. He co-wrote his signature accomplishment, Ring of Fire with June Carter Cash. This work is listed by CMT as one of the top four all-time country music songs. These are just a few of the amazing stories of Merle's life, showcased in These Are My People, written by his grandson Mark Rickert.
These Are Not the Words
by Amanda West LewisNew York City in the 1960s is the humming backdrop for this poignant, gritty story about a girl who sees her parents as flawed human beings for the first time, and finds the courage to make a fresh start. Missy’s mother has gone back to school to pursue her dream of becoming an artist. Missy’s father works in advertising and takes Missy on secret midnight excursions to Harlem and the Village so she can share his love of jazz. The two write poems for each other — poems that gradually become an exchange of apologies as Missy’s father’s alcohol and drug addiction begins to take over their lives. When Missy’s mother finally decides that she and her daughter must make a fresh start, Missy has to leave her old apartment, her school, her best friend and her cats and become a latchkey kid while her mother gets a job. But she won’t give up on trying to save her family, even though this will involve a hard journey from innocence to action, and finally acceptance. Based on the events and people of her own childhood, Amanda Lewis’s gorgeous novel is driven by Missy’s irresistible, optimistic voice, buoyed by the undercurrents of poetry and music. Key Text Features poems dialogue literary references epigraph vignettes
These Aren't My Pants: The Dumbest and Dimmest from the Files of America's Dumbest Criminals
by Daniel R. Butler Alan RayI always ask a suspect, "Do you have any drugs tonight?" The suspect always says, "No, officer" with an incredible innocence and look of disbelief. Then I pat him down and I find a bag of crack, a Saturday Night Special, and a switchblade knife. He tells me he's never seen these things before. When I explain that they just came out of the pants he is wearing, without hesitating, the suspect always says, "But these aren't my pants!" One 300-pound dumb criminal got in even more trouble. Pointing to his 90-pound girlfriend, he explained, "They are hers. She used to be much larger." The police had to intervene to save the man from his petite but outraged friend. These Aren't My Pants! is a collection of 320 of the dumbest stories from the four best-selling America's Dumbest Criminals books and the popular television show along with 40 all-new stories. Every 6.8 seconds another dumb crime is committed. Here is the ultimate collection of the most incredibly stupid and painfully dumb attempts at crime including... * The accused vending-machine thief who paid his $400 bail entirely in quarters * The bank robber who had to go back to the bank for the car keys he had left on the counter * The woman who invalidated her winning $5,000 lottery ticket by altering it to match the $20 prize number * The two suspects on trial who raised their hands when the prosecutor asked the victim if those guilty were in the courtroom
These Boots Are Made for Walkin': A Children's Picture Book (LyricPop #0)
by Lee Hazlewood Rachel MossLee Hazlewood's tough-talkin' hit song (popularized by Nancy Sinatra) is adapted into a playful children's book about the inner life of a jealous cat. These boots are made for walking And that's just what they'll do One of these days
They Call Me Supermensch: A Backstage Pass to the Amazing Worlds of Film, Food, and Rock'n'Roll
by Shep GordonIn the course of his storied career as a manager, agent, and producer, Shep Gordon has worked with—and befriended—some of the biggest names in the entertainment industry, from Alice Cooper to Bette Davis, Raquel Welch to Groucho Marx, Blondie to Jimi Hendrix, Sylvester Stallone to Salvador Dalí, Luther Vandross to Teddy Pendergrass. He is also credited with inventing the “celebrity chef,” and has worked with Nobu Matsuhisa, Emeril Lagasse, Wolfgang Puck, Roger Vergé, and many others. In this wonderfully engaging memoir, the captivating entertainment legend recalls his life, from his humble beginnings as a shy, unambitious kid growing up on Long Island to his unexpected rise as one of the most influential and respected personalities in show business, revered for his kindness, charisma—and fondness for a good time. Gordon shares riotous anecdotes and outrageous accounts of his freewheeling, globe-trotting experiences with some of the biggest celebrities of the past five decades, including his first meeting with Janis Joplin in 1968, when the raspy singer punched him in the face. Told with incomparable humor and heart, They Call Me Supermensch is a sincere, hilarious, behind-the-scenes look at the worlds of music and entertainment from a consummate Hollywood insider.
They Come Over Here: Asking Famous People Where They're Really From
by Phil WangComedian Phil Wang takes us through a funny and incisive look at race and belonging. Inspired by his forthcoming book Sidesplitter, Phil and a panel of guests explore the subjects of food, music, politics, nature and empire, and what they mean in today's multicultural society.Guests include comedian and Budpod co-host Pierre Novellie, singer-songwriter Emmy the Great, bestselling author and journalist Sathnam Sanghera, celebrity pastry chef Cherish Finden and many more. (P)2021 Hodder & Stoughton Limited
They Live
by D WilsonTraces the development of They Live from its comic book roots to its legacy as a cult masterpiece while evaluating the film in light of paranoid/postmodern theory
They Live (Cultographies)
by D. Harlan WilsonBorn out of the cultural flamboyance and anxiety of the 1980s, They Live (1988) is a hallmark of John Carpenter's singular canon, combining the aesthetics of multiple genres and leveling an attack against the politics of Reaganism and the Cold War. The decision to cast the professional wrestler "Rowdy" Roddy Piper as his protagonist gave Carpenter the additional means to comment on the hypermasculine attitudes and codes indicative of the era. This study traces the development of They Live from its comic book roots to its legacy as a cult masterpiece while evaluating the film in light of the paranoid/postmodern theory that matured in the decidedly "Big 80s." Directed by a reluctant auteur, the film is examined as a complex work of metafiction that calls attention to the nature of cinematic production and reception as well as the dynamics of the cult landscape.
They Live
by Wilson D. HarlanTraces the development of They Live from its comic book roots to its legacy as a cult masterpiece while evaluating the film in light of paranoid/postmodern theory
They Shouldn't Have Killed His Dog: The Complete Uncensored Ass-Kicking Oral History of John Wick, Gun Fu, and the New Age of Action
by Edward Gross Mark A. AltmanThere have been iconic moments in the action movie genre over the years, but nothing has come close to matching the kinetic, balletic gun-fu of the John Wick films.In They Shouldn’t Have Killed His Dog: The Complete Uncensored Ass-Kicking Oral History of John Wick, Gun-Fu and The New Age of Action, bestselling authors Mark A. Altman and Edward Gross take you behind the scenes of a franchise that includes three films with more on the way, while exploring the action classics that led to John Wick as well as the films it inspired, like Atomic Blonde. They bring you right into the middle of the action of the John Wick films, detailing how the seemingly impossible was achieved through exclusive interviews with the cast, writers, directors, producers, stuntmen, fight choreographers, cinematographers, studio executives, editors, critics, and more. Together, they break down key action sequences while also providing a look back at the road the action genre has taken that led to John Wick, and a look at the character itself, an anti-hero who carries on the grand tradition of Clint Eastwood’s Man with No Name, but with a twist — and a never-ending supply of ammo — while showcasing the enduring appeal of the action movie as well as John Wick’s unique reinvention of the genre.
They Told Me Not to Take that Job: Tumult, Betrayal, Heroics, and the Transformation of Lincoln Center
by Reynold LevyReynold Levy joined Lincoln Center in 2002. When he did so America’s leading arts venue was routinely described in terms like this: "Behind the scenes, however, Lincoln Center is a community in deep distress, riven by conflict over a grandiose $1 billion redevelopment plan... instead of uniting the Center’s constituent arts organizations behind a common goal, the project has pitted them against one another in open warfare more reminiscent of the shoot-out at the OK Corral than of a night at the opera. 'To say that it is a mess is putting it mildly,’ says Johanna Fiedler, the author and a former staff member at the Metropolitan Opera. 'There is nobody running the show right now. ’” (Leslie Bennetts, New York Magazine¸ February 4, 2002) To choose to be President of Lincoln Center of one’s own free will was regarded by Reynold Levy’s friends and mentors as bordering on a self-destructive act. Rivalries abounded. Personalities clashed. Egos reigned. Reputations were badly damaged. And many of the tensions were dramatically played out in public and assiduously reported by a delighted press. Levy had just spent six years traipsing through much of the Third World and many failed states as the President of the International Rescue Committee (IRC), one of the world’s leading refugee assistance organizations. Having dealt with the Democratic Republic of Congo, Rwanda, and Serbia, even Joe Volpe, the volcanic manager of the Metropolitan Opera seemed hardly daunting. Lincoln Center, its key figures with their bombast and betrayals was not South Sudan. So he set to, and during his presidency transformed Lincoln Center’s entire 16-acre campus including the city block from Broadway to Amsterdam Avenue. With the new Alice Tully Hall, the expansion of The Juilliard School, two new screening rooms and an education center for the Film Society, new dance studios for the School of American Ballet, came a beautifully designed, graceful welcome to Lincoln Center’s main campus, one filled with light and life. There were new green spaces, new restaurants, a totally wifi’d campus that displayed 21st Century technology indoors and out. And a remodeled, utterly transformed, privately owned public space called the David Rubenstein Atrium, named after its principal donor, a new Lincoln Center Commons, opened free of charge to the public 365 days a year. This book reveals the real story behind the 1. 2 billion dollar reinvention of Lincoln Center, and all the trials and triumphs along the way. It contains unique lessons for leaders in all kinds of organizations, cautionary tales for employees, volunteers and donors, and inspiring clarity for anyone who wants to lead an institution they believe in so that it can become the best version of itself.
They'll Never Put That on the Air: The New Age of TV Comedy
by Allan NeuwirthIn the 1950s, Lucille Ball couldn't even say the word "pregnant" on TV. But by the 1990s, Carrie Bradshaw and her posse could say everything there is to say about sex-and demonstrate most of it. How have broadcast standards changed from the dawn of television till today? Through interviews with the creators of landmark shows, author Allan Neuwirth traces that history, revealing how the upheaval of the 1960s led to edgier fare such as The Smothers Brothers Comedy Hour; how counterculture baby boomers made Saturday Night Live-style satire possible; how stand-up comedians changed the sitcom landscape; how UPN and the WB raised eyebrows with comedies aimed at minorities; and much more. In this age of FCC crackdowns, They'll Never Put That on the Air is as timely as it is entertaining and informative. Firsthand accounts of life in the TV trenches from producers and writers Handy "genealogy chart" traces TV comedy from the 1950s to today Insider author is an award-winning producer, director, and writer of TV comedy
They're Playing Our Song: A Memoir
by Carole Bayer SagerA New York Times bestseller from Grammy and Academy Award–winning songwriter Carole Bayer Sager shares &“a delightful and funny tell-all crammed with famous names and famous songs&” (Steve Martin), from her fascinating (and sometimes calamitous) relationships to her collaborations with the greatest composers and musical artists of our time.For five decades, Carole Bayer Sager has been among the most admired and successful songwriters at work, responsible for her lyrical contributions to some of the most popular songs in the English language, including &“Nobody Does It Better,&” &“A Groovy Kind of Love,&” &“Don&’t Cry Out Loud,&” and the theme from the movie Arthur, &“The Best That You Can Do&” (about getting caught between the moon and New York City).She has collaborated with (and written for) a dizzying number of stars, including Peter Allen, Ray Charles, Celine Dion, Bob Dylan, Neil Diamond, Clint Eastwood, Aretha Franklin, Whitney Houston, Michael Jackson, Carole King, Melissa Manchester, Reba McEntire, Bette Midler, Dolly Parton, Carly Simon, Frank Sinatra, and Barbra Streisand.But while her professional life was filled with success and fascinating people, her personal life was far more difficult and dramatic. In this memoir that &“reads like a candid conversation over a bottle of Mersault on a breezy Bel Air night&” (Vanity Fair), Carole Bayer Sager tells the surprisingly frank and darkly humorous story of a woman whose sometimes crippling fears and devastating relationships inspired many of the songs she would ultimately write.&“This exceptionally candid memoir&” (Los Angeles Times) will fascinate anyone interested in the craft of songwriting and the joy of collaboration, but They&’re Playing Our Song is also a deeply personal account of how love and heartbreak made her the woman, and the writer, she is. &“Carole Bayer Sager is simply the finest….and this book is one of the best, most lasting songs she has ever written&” (Carly Simon).
Thicker than Water
by Kerry WashingtonAward-winning actor, director, producer, and activist Kerry Washington shares the deeply moving journey of her life so far, and the bravely intimate story of discovering her truth. While on a drive in Los Angeles, on a seemingly average afternoon, Kerry Washington received a text message that would send her on a life-changing journey of self-discovery. In an instant, her very identity was torn apart, with everything she thought she knew about herself thrown into question.In Thicker than Water, Washington gives readers an intimate view into both her public and private worlds - as a mother, daughter, wife, artist, advocate, and trailblazer. Chronicling her upbringing and life's journey thus far, she reveals how she faced a series of challenges and setbacks, effectively hid childhood traumas, met extraordinary mentors, managed to grow her career and crossed the threshold into stardom and political advocacy, ultimately discovering her truest self and, with it a deeper sense of belonging. Throughout this profoundly moving and beautifully written memoir, Washington attempts to answer the questions so many have struggled with: Who am I? What is my truest and most authentic self? How do I find a deeper sense of connection and belonging? With grace and honesty, she inspires readers to search for - and find - themselves.
Thicker than Water
by Kerry WashingtonAward-winning actor, director, producer, and activist Kerry Washington shares the deeply moving journey of her life so far, and the bravely intimate story of discovering her truth. While on a drive in Los Angeles, on a seemingly average afternoon, Kerry Washington received a text message that would send her on a life-changing journey of self-discovery. In an instant, her very identity was torn apart, with everything she thought she knew about herself thrown into question.In Thicker than Water, Washington gives readers an intimate view into both her public and private worlds - as a mother, daughter, wife, artist, advocate, and trailblazer. Chronicling her upbringing and life's journey thus far, she reveals how she faced a series of challenges and setbacks, effectively hid childhood traumas, met extraordinary mentors, managed to grow her career and crossed the threshold into stardom and political advocacy, ultimately discovering her truest self and, with it a deeper sense of belonging. Throughout this profoundly moving and beautifully written memoir, Washington attempts to answer the questions so many have struggled with: Who am I? What is my truest and most authentic self? How do I find a deeper sense of connection and belonging? With grace and honesty, she inspires readers to search for - and find - themselves.
Thicker than Water: A Memoir
by Kerry WashingtonAward-winning actor, director, producer, and activist Kerry Washington shares the deeply moving journey of her life so far, and the "beautiful" story of discovering her truth in this instant New York Times bestseller (Oprah Winfrey). While on a drive in Los Angeles, on a seemingly average afternoon, Kerry Washington received a text message that would send her on a life-changing journey of self-discovery. In an instant, her very identity was torn apart, with everything she thought she knew about herself thrown into question. In Thicker than Water, Washington gives readers an intimate view into both her public and private worlds—as a mother, daughter, wife, artist, advocate, and trailblazer. Chronicling her upbringing and life&’s journey thus far, she reveals how she faced a series of challenges and setbacks, effectively hid childhood traumas, met extraordinary mentors, managed to grow her career, and crossed the threshold into stardom and political advocacy, ultimately discovering her truest self and, with it, a deeper sense of belonging. Throughout this profoundly moving and beautifully written memoir, Washington attempts to answer the questions so many have struggled with: Who am I? What is my truest and most authentic self? How do I find a deeper sense of connection and belonging? With grace and honesty, she inspires readers to search for—and find—themselves.
A Thief In The Theater: A Kit Mystery (American Girl Mysteries)
by Sarah Masters BuckeyIn 1935, while preparing to write a newspaper story about a theater production of Macbeth in her hometown of Cincinnati, twelve-year-old Kit discovers that a thief is stealing from the box office.
The Thin Red Line (Philosophers on Film)
by David DaviesThe Thin Red Line is the third feature-length film from acclaimed director Terrence Malick, set during the struggle between American and Japanese forces for Guadalcanal in the South Pacific during World War Two. It is a powerful, enigmatic and complex film that raises important philosophical questions, ranging from the existential and phenomenological to the artistic and technical. This is the first collection dedicated to exploring the philosophical aspects of Malick’s film. Opening with a helpful introduction that places the film in context, five essays, four of which were specially commissioned for this collection, go on to examine the following: the exploration of Heideggerian themes – such as being-towards-death and the vulnerability of Dasein’s world – in The Thin Red Line how Malick’s film explores and cinematically expresses the embodied nature of our experience of, and agency in, the world Malick’s use of cinematic techniques, and how the style of his images shapes our affective, emotional, and cognitive responses to the film the role that images of nature play in Malick’s cinema, and his ‘Nietzschean’ conception of human nature. The Thin Red Line is essential reading for students interested in philosophy and film or phenomenology and existentialism. It also provides an accessible and informative insight into philosophy for those in related disciplines such as film studies, literature and religion. Contributors: Simon Critchley, Hubert Dreyfus and Camilo Prince, David Davies, Amy Coplan, Iain Macdonald.
The Thing (Devil's Advocates)
by Jez ConollyConsigned to the deep freeze of critical and commercial reception upon its release in 1982, The Thing has bounced back spectacularly to become one of the most highly regarded productions from the 1980s 'Body Horror' cycle of films, experiencing a wholesale and detailed reappraisal that has secured its place in the pantheon of modern cinematic horror. Thirty years on, and with a recent prequel reigniting interest, Jez Conolly looks back to the film's antecedents and forward to the changing nature of its reception and the work that it has influenced. The themes discussed include the significance of The Thing's subversive antipodal environment, the role that the film has played in the corruption of the onscreen monstrous form, the qualities that make it an exemplar of the director's work and the relevance of its legendary visual effects despite the advent of CGI. Topped and tailed by a full plot breakdown and an appreciation of its notoriously downbeat ending, this exploration of the events at US Outpost 31 in the winter of 1982 captures The Thing's sub-zero terror in all its gory glory.
The Thing
by Jez ConollyConolly looks back to the film's antecedents and to the changing nature of its reception and the work that it has influenced
The Thinga-ma-jigger is Coming Today! (CITH Knows a Lot About That)
by Tish RabeThe Cat in the Hat Knows a Lot About That! makes its Little Golden Books debut in this rollicking rhymed story with Read & Listen audio narration introducing the cast of the new PBS KIDS television show! There&’s the Cat (of course), Sally and Nick, Things One and Two, the Fish, and the miraculously malleable Thinga-ma-jigger—the vehicle that transports the characters on their adventures on, under, and above the Earth!This ebook contains Read & Listen audio narration.
The Thinga-ma-jigger is Coming Today! (CITH Knows a Lot About That)
by Tish RabeThe Cat in the Hat Knows a Lot About That! makes its Little Golden Books debut in this rollicking rhymed story introducing the cast of the new PBS Kids television show! There&’s the Cat (of course), Sally and Nick, Things One and Two, the Fish, and the miraculously malleable Thinga-ma-jigger—the vehicle that transports the characters on their adventures on, under, and above the Earth! For $3.99, this is the perfect sturdy little hardcover book to introduce readers to the new show.