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Tissues, Cultures, Art (Palgrave BioArt)
by Ionat Zurr Oron CattsTissues, Cultures, Art narrates the twenty-five years of collaborative and sometimes provocative artistic practice and scholarly thought of Catts & Zurr, who pioneered the use of regenerative biology techniques to create Semi-Living art using living cells, tissues, and technological surrogate bodies. Through hands-on work in biological laboratories, the authors researched concepts such as partial-life and DNA-Chauvinism and explored the fantasies of living in a technologically mediated victimless utopia. The authors delve into life’s resistance to reductionism, systemisation and control, asking whether there is something unique to life without the need to resort to metaphysics. Their practices reach beyond the confines of art and are often cited as precursors to the cellular agriculture and biofabrication industries. Through a hybrid of personal reflections, poetics, and anecdotes with a more rigorous, scholarly approach – all illustrated with artworks - the authors present a critical view on the use of life as a raw material for human manipulation.
Title and Deed / Oh, the Humanity and other good intentions
by Will Eno"A haunting and often fiercely funny meditation on life as a state of permanent exile... The marvel of Mr. Eno's voice is how naturally it combines a carefully sculptured lyricism with sly, poker-faced humor. Everyday phrases and familiar platitudes-'Don't ever change,' 'Who knows'-are turned inside out or twisted into blunt, unexpected punch lines punctuating long rhapsodic passages that leave you happily word-drunk." -Charles Isherwood, New York Times on Title and Deed"Title and Deed is daring within its masquerade of the mundane, spectacular within its minimalism and hilarious within its display of po-faced bewilderment. It is a clown play that capers at the edge of the abyss... Eno's voice is unique; his play is stage poetry of a high order. You can't see the ideas coming in Title and Deed. When they arrive-tiptoeing in with a quiet yet startling energy-you don't quite know how they got there. In this tale's brilliant telling, it is not the narrator who proves unreliable but life itself. The unspoken message of Eno's smart, bleak musings seems to be: enjoy the nothingness while you can." -John Lahr, New Yorker"Eno is a supreme monologist, using a distinctive, edgy blend of non sequiturs and provisional statements to explore the fragility of our existence... There are a lot of words, but they are always exquisitely chosen... Oh, the Humanity reveals that we are beautiful walking tragedies blinking with absurd optimism into the camera lens of history." -Lyn Gardner, GuardianKnown for his wry humor and deeply moving plays, Will Eno's "gift for articulating life's absurd beauty and its no less absurd horrors may be unmatched among writers of his generation" (New York Times). This new volume of the acclaimed playwright's work includes five short plays about being alive-Behold the Coach, in a Blazer, Uninsured; Ladies and Gentlemen, the Rain; Enter the Spokeswoman, Gently; The Bully Composition; and Oh, the Humanity-as well as Title and Deed, a haunting and severely funny solo rumination on life as everlasting exile.WILL ENO is a fellow of Residency Five at Signature Theatre Company in New York. His play The Open House premiered at Signature in 2014, and received an Obie Award, the Lucille Lortel Award for Best Play, and a Drama Desk Special Award. His play The Realistic Joneses premiered at Yale Repertory Theatre in 2012, and was produced on Broadway in 2014, for which he and the cast received a Drama Desk Special Award. His play Title and Deed premiered at Signature in 2012 and was presented at the Edinburgh Fringe Festival in 2014. Both Title and Deed and The Realistic Joneses were included in the New York Times Best Plays List of 2012. Gnit, an adaption of Ibsen's Peer Gynt, premiered at Actors Theatre of Louisville in 2013. Middletown, winner of the Horton Foote Prize, premiered at the Vineyard Theatre in New York in 2010, and was then produced at Steppenwolf Theatre Company in Chicago in 2011. Thom Pain (based on nothing) was a finalist for the 2005 Pulitzer Prize and has been translated into many languages. The Flu Season premiered at the Gate Theatre in London in 2003, and later received the Oppenheimer Award for best New York debut production by an American writer. Tragedy: a tragedy premiered at the Gate Theatre in 2001, and was subsequently produced by Berkeley Repertory Theatre in 2008. Mr. Eno lives in Brooklyn with his wife Maria Dizzia and their daughter Albertine.
Title Sequences as Paratexts: Narrative Anticipation and Recapitulation
by Michael BetancourtIn his third book on the semiotics of title sequences, Title Sequences as Paratexts, theorist Michael Betancourt offers an analysis of the relationship between the title sequence and its primary text—the narrative whose production the titles credit. Using a wealth of examples drawn from across film history—ranging from White Zombie (1931), Citizen Kane (1940) and Bullitt (1968) to Prince of Darkness (1987), Mission: Impossible (1996), Sucker Punch (2011) and Guardians of the Galaxy, Vol. 2 (2017)—Betancourt develops an understanding of how the audience interprets title sequences as instances of paranarrative, simultaneously engaging them as both narrative exposition and as credits for the production. This theory of cinematic paratexts, while focused on the title sequence, has application to trailers, commercials, and other media as well.
TMI: My Life in Scandal
by Perez Hilton Leif Eriksson Martin SvenssonThe story of how Mario Lavandeira became Perez Hilton, the world's first and biggest celebrity blogger. With Perez's help, many promising young artists reached the masses – Katy Perry, Adele, Amy Winehouse, and Lady Gaga, to name a few. Soon Perez was a Hollywood insider, but after a dramatic fallout with Lady Gaga, his blog became increasingly mean. When people called him a bully and a hypocrite for outing gay celebrities, Perez was forced to reevaluate not only his alter ego, but also himself. TMI reveals the man behind the blog in a new, revealing, and still juicy memoir.
To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse
by Howard FishmanA biography of the mythic singer songwriter Connie Converse, who mysteriously disappeared after recording her debut album and was never seen again.When musician and New Yorker contributor Howard Fishman first heard Connie Converse's voice, he was convinced she could not be real. Her recordings were too out of place for the 1950s to make sense - a singer who bridged the gap between traditional Americana and the singer-songwriter movement that exploded a decade later with Bob Dylan and Joni Mitchell.Howard was determined to know more about this artist and how she slipped through the cracks of music history but there was one problem: in 1974, at the age of fifty, Connie simply drove off one day and was never heard from again.After a dozen years of research, Fishman expertly weaves a narrative of her life and music, and of how it has come to speak to him as both an artist and a person. He discovers fans who Connie's music touched deeply and still remember the lyrics to songs they'd heard only once or twice over 50 years ago.It is by turns a hopeful, inspiring, melancholy, and chilling story of dark family secrets, taciturn New England traditions, a portrait of 1950s Greenwich Village, and of a woman who fiercely strove for independence when the odds were against her. Ultimately, Fishman shows that Connie was a significant outsider artist, a missing link pre-empting the reflective, complex, arresting music that transformed the 1960s and music forever.(P) 2023 Penguin Audio
To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse
by Howard FishmanThe mysterious true story of Connie Converse - a mid-century New York singer and songwriter whose haunting music never gained widespread recognition - and one writer's quest to understand her life.When musician and New Yorker contributor Howard Fishman first heard a Connie Converse recording, he was convinced she could not be real. Her music was too out of place for the 1950s to make sense - a singer who bridged the gap between traditional Americana, pop standards, and the singer-songwriter movement that exploded a decade later with Bob Dylan and Joni Mitchell.Fishman was determined to know more about this artist and how she slipped through the cracks of music history but there was one problem: in 1974, at the age of fifty, Converse simply drove off one day and was never heard from again.After a dozen years of research, Fishman expertly weaves a narrative of her life and music, and of how it has come to speak to him as both an artist and a person.It is by turns a hopeful, inspiring, melancholy, and chilling story of dark family secrets, taciturn New England traditions, a portrait of 1950s Greenwich Village, of a visionary intellect and talent, and a woman who fiercely strove for independence when the odds were against her. Ultimately, Fishman places Converse in the canon as a vital, overlooked trailblazer, a missing link pre-empting the reflective, complex, arresting music that transformed the 1960s and music forever.
To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse
by Howard FishmanThe mysterious true story of Connie Converse—a mid-century New York City songwriter, singer, and composer whose haunting music never found broad recognition—and one writer&’s quest to understand her lifeThis is the mesmerizing story of an enigmatic life. When musician and New Yorker contributor Howard Fishman first heard Connie Converse&’s voice on a recording, he was convinced she could not be real. Her recordings were too good not to know, and too out of place for the 1950s to make sense—a singer who seemed to bridge the gap between traditional Americana (country, blues, folk, jazz, and gospel), the Great American Songbook, and the singer-songwriter movement that exploded a decade later with Bob Dylan and Joni Mitchell. And then there was the bizarre legend about Connie Converse that had become the prevailing narrative of her life: that in 1974, at the age of fifty, she simply drove off one day and was never heard from again. Could this have been true? Who was Connie Converse, really? Supported by a dozen years of research, travel to everywhere she lived, and hundreds of extensive interviews, Fishman approaches Converse&’s story as both a fan and a journalist, and expertly weaves a narrative of her life and music, and of how it has come to speak to him as both an artist and a person. Ultimately, he places her in the canon as a significant outsider artist, a missing link between a now old-fashioned kind of American music and the reflective, complex, arresting music that transformed the 1960s and music forever. But this is also a story of deeply secretive New England traditions, of a woman who fiercely strove for independence and success when the odds were against her; a story that includes suicide, mental illness, statistics, siblings, oil paintings, acoustic guitars, cross-country road trips, 1950s Greenwich Village, an America marching into the Cold War, questions about sexuality, and visionary, forward thinking about race, class, and conflict. It&’s a story and subject that is by turn hopeful, inspiring, melancholy, and chilling.
To Be a Playwright
by Janet NeiprisFirst Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
To Be an Actress: Labor and Performance in Anna May Wong's Cross-Media World (Feminist Media Histories #7)
by Yiman WangA free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Between 1919 and 1961, pioneering Chinese American actress Anna May Wong established an enduring legacy that encompassed cinema, theater, radio, and American television. Born in Los Angeles, yet with her US citizenship scrutinized due to the Chinese Exclusion Act, Wong—a defiant misfit—innovated nuanced performances to subvert the racism and sexism that beset her life and career. In this critical study of Wong's cross-media and transnational career, Yiman Wang marshals extraordinary archival research and a multifocal approach to illuminate a lifelong labor of performance. Viewing Wong as a performer and worker, not just a star, To Be an Actress adopts a feminist decolonial perspective to speculatively meet her as an interlocutor while inviting a reconsideration of racialized, gendered, and migratory labor as the bedrock of the entertainment industries.
To Be Like Gods: Dance in Ancient Maya Civilization
by Looper Matthew G.The Maya of Mexico and Central America have performed ritual dances for more than two millennia. Dance is still an essential component of religious experience today, serving as a medium for communication with the supernatural. During the Late Classic period (AD 600-900), dance assumed additional importance in Maya royal courts through an association with feasting and gift exchange. These performances allowed rulers to forge political alliances and demonstrate their control of trade in luxury goods. The aesthetic values embodied in these performances were closely tied to Maya social structure, expressing notions of gender, rank, and status. Dance was thus not simply entertainment, but was fundamental to ancient Maya notions of social, religious, and political identity. Using an innovative interdisciplinary approach, Matthew Looper examines several types of data relevant to ancient Maya dance, including hieroglyphic texts, pictorial images in diverse media, and architecture. A series of case studies illustrates the application of various analytical methodologies and offers interpretations of the form, meaning, and social significance of dance performance. Although the nuances of movement in Maya dances are impossible to recover, Looper demonstrates that a wealth of other data survives which allows a detailed consideration of many aspects of performance. To Be Like Gods thus provides the first comprehensive interpretation of the role of dance in ancient Maya society and also serves as a model for comparative research in the archaeology of performance.
To Be Loved: The Music, the Magic, the Memories of Motown
by Berry GordyThe story of Motown Records and how it changed the course of American music, as told by its founder—&“an African American culture hero of historic stature&” (The New York Times). Berry Gordy Jr., who once considered becoming a boxer, started a record company with a family loan of $800 in 1959. Gordy&’s company, Motown Records, went on to create some of the most popular music of all time. By the time he sold the company nearly thirty years later, it was worth $61 million and had produced musical legends including Jackie Wilson, Smokey Robinson and the Miracles, the Temptations, Marvin Gaye, Diana Ross and the Supremes, Stevie Wonder, and the Jackson 5. Here, the revolutionary who shattered the color barrier in the American entertainment industry and forever changed the way the world hears music, shares his story of ambition and vision. From humble beginnings, Gordy amassed a fortune and became a musical kingmaker in the cultural heydays of the 1960s and &’70s. Quelling rumors and detailing his relationships with the artists he managed, Gordy pens &“a vivid recreation of a great period and a seminal company in popular music&” (Kirkus Reviews).
To Be or Not to Be: Shakespeare's Soliloquies
by William ShakespeareA unique collection of Shakespeare's soliloquies, each introduced by concise and informative editorial notes. This is an edition to complement the highly successful SHAKESPEARE'S SONNETS and is published in commemoration of Shakespeare's birthday. Aperfect book for Shakespeare lovers and enthusiasts.
To Be, or Not… to Bop
by Dizzy Gillespie Al FraserThis book is a complete, authentic, and authoritative autobiography of Dizzy Gillespie (1917-1993), a jazz musician, ever published.
To Be A Playwright (Routledge Revivals)
by Janet NeiprisOriginally published in 2005, To Be A Playwright is an insightful and detailed guide to the craft of playwriting. Part memoir and part how-to guide, this useful book outlines the tools and techniques necessary to the aspiring playwright. Comprised of a collection of memoirs and lectures which blend seamlessly to deliver a practical hands-on guide to playwriting, this book illuminates the elusive challenges confronting creators of dynamic expression and offers a roadmap to craft of playwrighting.
To Be Taught, If Fortunate: A Novella
by Becky ChambersIn the future, instead of terraforming planets to sustain human life, explorers of the galaxy transform themselves.*FROM THE SUNDAY TIMES BESTSELLING AUTHOR* At the turn of the twenty-second century, scientists make a breakthrough in human spaceflight. Through a revolutionary method known as somaforming, astronauts can survive in hostile environments off Earth using synthetic biological supplementations. They can produce antifreeze in sub-zero temperatures, absorb radiation and convert it for food, and conveniently adjust to the pull of different gravitational forces. With the fragility of the body no longer a limiting factor, human beings are at last able to explore neighbouring exoplanets long suspected to harbour life.Ariadne is one such explorer. On a mission to ecologically survey four habitable worlds fifteen light-years from Earth, she and her fellow crewmates sleep while in transit, and wake each time with different features. But as they shift through both form and time, life back on Earth has also changed. Faced with the possibility of returning to a planet that has forgotten those who have left, Ariadne begins to chronicle the wonders and dangers of her journey, in the hope that someone back home might still be listening.(P) 2019 Hodder & Stoughton Ltd
To Be Young, Gifted and Black: Lorraine Hansberry in her Own Words
by Lorraine HansberryAn informal autobiography by the author of "Raisin in the Sun", with an introduction by James Baldwin.
To Create
by Felicia PrideTo Create is a collection of illuminating interviews with an eclectic set of black artists-including Harry Belafonte, Method Man, Nikki Giovanni, Edwidge Danticat, Edward P. Jones, Booker T. Mattison, and more-as conducted by the writer, entrepreneur, educator, and consultant Felicia Pride. This is an honest, inspiring series of conversations in which Pride and her fellow artists talk openly about the challenges and rewards of working creatively across a multitude of platforms.Over the course of dozens of frank discussions with writers, activists, and media creators, Pride elicits sincere firsthand perspectives on the struggle to find-or to create, if it's not there-a niche for one's voice in the media landscape. The personable and fluid interview style allows the artists to follow their threads of dialogue to unique, intimate revelations.The interviews transition smoothly between similar themes, touching on the do-it-yourself mentality of creating; practical musings on media careers; as well as theoretical discussions on art, legacy, and community. Additionally, many of the artists, musicians, and authors discuss finding career longevity through a multi-platform approach, the connection between the personal and political in art, and the ongoing conflict between art and commerce. This is one of the most candid and diversified interview collections within the African-American community, but it is also a stirring look into what it means to be a creator.
To Dance, to Live: A Biography of Thalia Mara (Willie Morris Books in Memoir and Biography)
by Carolyn J. BrownThalia Mara’s story spans the history of dance in the twentieth century and the rise of the arts in her adopted city of Jackson, Mississippi. As an adolescent Mara (1911–2003) studied with renowned Russian teacher Adolph Bolm, who recommended she go at age sixteen to Paris for further study. During a tour in Europe and South America, she met her partner in dance and life, Arthur Mahoney, and they dazzled the world with their breathtaking performances during the 1930s and '40s. The two were named codirectors of Jacob’s Pillow in 1947, gracing the cover of Life magazine that year. Later they started two schools of dance in New York City, but despite much success, they closed due to lack of funding. That misfortune, however, was Jackson’s boon as it led Mara to the second phase of her career: reviving the Jackson Ballet Company and bringing the USA International Ballet Competition (IBC) to the state.Thalia Mara was recognized at the end of her life not only for the USA IBC’s decision to locate in Jackson, but also for her efforts as a patron of the arts. Her extraordinary fundraising and planning attracted international performers to the city in the 1980s and '90s. To Dance, to Live: A Biography of Thalia Mara gives the first full account of a life devoted to the arts.
To Ease My Troubled Mind: The Authorised Unauthorised History of Billy Childish
by Ted KesslerIn 1977, 17-year-old Steven Hamper was a stonemason in the dockyards of Chatham, Kent. His heart, however, beat in sync with the punk rock tremors of the era, seduced by its celebration of amateurism. So, in a gesture of revolutionary defiance, he took a 3lb club hammer and smashed his hand, vowing to never work again. In doing so, Steven Hamper metamorphosed into Billy Childish, a true renaissance man.Childish has since remained steadfastly true to punk's DIY cred, becoming one of the most recognisable and authentic voices in whichever artistic endeavour he undertakes. He has released over one hundred and fifty albums of raw rock and roll, punk, blues and folk, written many volumes of searing poetry as well as several autobiographical novels. But what he is perhaps best known for in recent years is his painting, for which he is now critically, commercially and internationally feted. He hasn't changed course in any of his disciplines, though. The world just caught up with the sheer volume of his brutally honest work.To Ease My Troubled Mind is a mosaic portrait collated over a year of interviews with Childish, as well as with close family, ex-girlfriends, bandmembers past and present, friends, foes, collaborators, even his therapist. It is an unflinching, yet frequently spiritual and funny portrait of an artist whose obstacle-strewn upbringing formed the backbone of his work: raised in a broken home and abused as a child, Childish was an undiagnosed dyslexic in remedial class at school who is nevertheless now Britain's most prolific and uncompromising creative force.
To Elvis with Love
by Lena CanadaLoneliness of a young Swedish nurse's aid trainee named Lena and of an orphan girl named Karen with cerebral palsy is alleviated when they meet and form a close bond. When Karen shares her secret love of Elvis with Lena, they embark on a difficult quest to make contact with him. The story tells of the deep emotional struggles of Lena and Karen--their joys and sorrows, told with sensitivity and compassion.
To Embody the Marvelous: The Making of Illusions in Early Modern Spain
by Esther FernándezIn its exploration of puppetry and animation as the performative media of choice for mastering the art of illusion, To Embody the Marvelous engages with early modern notions of wonder in religious, artistic, and social contexts. From jointed, wood-carved figures of Christ, saintly marionettes that performed hagiographical dramas, experimental puppets and automata in Cervantes' Don Quixote, and the mechanical sets around which playwright Calderón de la Barca devised secular magic shows to deconstruct superstitions, these historical and fictional artifacts reenvisioned religious, artistic, and social notions that led early modern society to critically wrestle with enchantment and disenchantment. The use of animated performance objects in Spanish theatrical contexts during the sixteenth and seventeenth centuries became one of the most effective pedagogical means to engage with civil society. Regardless of social strata, readers and spectators alike were caught up in a paradigm shift wherein belief systems were increasingly governed by reason—even though the discursive primacy of supernatural doxa and Christian wonder remained firmly entrenched. Thanks to their potential for motion, religious and profane puppets, automata, and mechanical stage props deployed a rationalized sense of wonder that illustrates the relationship between faith and reason, reevaluates the boundaries of fiction in art and entertainment cultures, acknowledges the rise of science and technology, and questions normative authority.
To Free the Cinema: Jonas Mekas and the New York Underground
by David E. JamesJonas Mekas, one of the driving forces behind New York's alternative film culture from the 1950s through the 1980s, made for an unlikely counterculture hero: a Lithuanian emigr and fervent nationalist from an agrarian family, he had not grown up with either capitalist commercialism or the postwar rebellion against it. By focusing on his sensitivity to political struggle, however, leading film commentators here offer fascinating insights into Mekas's career as a writer, film distributor, and film-maker, while exploring the history of independent cinema in New York since World War II. <P><P>This collection of essays, interviews, and photographs addresses such topics as Mekas's column in the Village Voice, his foundation and editorship of Film Culture, his role in the establishment of Anthology Film Archives and The Film-Makers Co-op (the major distribution center for independent film), his interaction with other artists, including John Lennon and Yoko Ono, and finally the critical assessment of his own films, from Guns of the Trees and The Brig in the sixties to the diary films that followed Walden. The contributors to this volume are Paul Arthur, Vyt Bakaitis, Stan Brakhage, Robert Breer, Rudy Burckhardt, David Curtis, Richard Foreman, Tom Gunning, Bob Harris, J. Hoberman, David E. James, Marjorie Keller, Peter Kubelka, George Kuchar, Richard Leacock, Barbara Moore, Peter Moore, Scott Nygren, John Pruitt, Lauren Rabinovitz, Michael Renov, Jeffrey K. Ruoff, and Maureen Turim.
To Infinity and Beyond: A Journey of Cosmic Discovery
by Neil DeGrasse Tyson Lindsey Nyx WalkerThis enlightening illustrated narrative by the world's most celebrated astrophysicist explains the universe from the solar system to the farthest reaches of space with authority and humor. No one can make the mysteries of the universe more comprehensible and fun than Neil deGrasse Tyson. Drawing on mythology, history, and literature alongside his trademark wit and charm-Tyson and StarTalk senior producer Lindsey Nyx Walker bring planetary science down to Earth and principles of astrophysics within reach. In this entertaining book, illustrated with vivid photographs and art, readers travel through space and time, starting with the Big Bang and voyaging to the far reaches of the universe and beyond. Along the way, science greets pop culture as Tyson explains the triumphs-and bloopers-in Hollywood's blockbusters- all part of an entertaining ride through the cosmos. The book begins as we leave Earth, encountering new truths about our planet's atmosphere, the nature of sunlight, and the many missions that have demystified our galactic neighbors. But the farther out we travel, the weirder things get. What's a void and what's a vacuum? How can light be a wave and a particle at the same time? When we finally arrive in the blackness of outer space, Tyson takes on the spookiest phenomena of the cosmos- parallel worlds, black holes, time travel, and more. For science junkies and fans of the conundrums that astrophysicists often ponder, To Infinity and Beyond is an enlightening adventure into the farthest reaches of the cosmos.
To Kill A Mockingbird: Screenplay And Related Readings
by Horton Foote Harper Lee McDougal-Littell StaffA small-town Southern lawyer loses friends and social position when he defends a black man unjustly accused of rape, but gains the esteem of his motherless children.
To Pixar and Beyond: My Unlikely Journey with Steve Jobs to Make Entertainment History
by Lawrence LevyA Sunday Times Best Book of the Year 2017 One day in November 1994, Lawrence Levy received a phone call out of the blue from Steve Jobs, whom he&’d never met, offering him a job running Pixar, a little-known company that had already lost Jobs $50 million. With Pixar&’s prospects looking bleak, it was with some trepidation that Levy accepted the position. After a few weeks he discovered that the situation was even worse than he&’d imagined. Pixar&’s advertising division just about broke even, its graphics software had few customers, its short films didn&’t make any money and, on top of all that, Jobs was pushing to take the company public. Everything was riding on the studio&’s first feature film, codenamed Toy Story, and even then it would have to be one of the most successful animated features of all time… Full of wisdom on bringing business and creativity together, and recounting the touching story of Levy&’s enduring friendship with Jobs, To Pixar and Beyond is a fascinating insider&’s account of one of Hollywood&’s greatest success stories.