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Transnational Trailblazers of Early Cinema: Sarah Bernhardt, Gabrielle Réjane, Mistinguett (Cinema Cultures in Contact #5)
by Prof. Victoria Harriet DuckettA free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. At the forefront of the entertainment industries of the late nineteenth and early twentieth centuries were singular actors: Sarah Bernhardt, Gabrielle Réjane, and Mistinguett. Talented and formidable women with global ambitions, these performers forged connections with audiences across the world while pioneering the use of film and theatrics to gain international renown. Transnational Trailblazers of Early Cinema traces how these women emerged from the Parisian periphery to become world-famous stars. Building upon extensive archival research in France, England, and the United States, Victoria Duckett argues that, through intrepid business prowess and the use of early multimedia to cultivate their celebrity image, these three artists strengthened ties between countries, continents, and cultures during pivotal years of change.
Transnationalism and Imperialism: Endurance of the Global Western Film (New Directions in National Cinemas)
by Hervé Mayer David RocheWhile Western films can be seen as a mode of American exceptionalism, they have also become a global genre. Around the world, Westerns exemplify colonial cinema, driven by the exploration of racial and gender hierarchies and the progress and violence shaped by imperialism.Transnationalism and Imperialism: Endurance of the Global Western Film traces the Western from the silent era to present day as the genre has circulated the world. Contributors examine the reception and production of American Westerns outside the US alongside the transnational aspects of American productions, and they consider the work of minority directors who use the genre to interrogate a visual history of oppression. By viewing Western films through a transnational lens and focusing on the reinterpretations, appropriations, and parallel developments of the genre outside the US, editors Hervé Mayer and David Roche contribute to a growing body of literature that debunks the pervasive correlation between the genre and American identity.Perfect for media studies and political science, Transnationalism and Imperialism reveals that Western films are more than cowboys; they are a critical intersection where issues of power and coloniality are negotiated.
The Trap
by Tadeusz RosewiczFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Trap Jam (Lorimer SideStreets)
by Steven BarwinOlivia spends her nights drumming in a band, hanging out in clubs and drinking, and her days hungover at school. When her bandmate Lucas catches Olivia talking to her friend Raymond in the women's washroom, he beats up Raymond in a jealous rage. When Lucas tells Olivia that Raymond's criminal brother is looking for them for payback, they go on the run together. Lucas keeps Olivia drunk and off-balance, telling her he loves her and pressuring her to have sex with him. When Olivia finally discovers that the story about Raymond's brother is a lie, she realizes she has to get out of Lucas's obsessive trap. Distributed in the U.S by Lerner Publishing Group.
Tras el personaje público
by José ClimentJordi Carrillo de Albornoz (Jordi Wild), Amarna Miller, Rocío Vidal (La Gata de Schrödinger), Luis Miguel Amor (Revenant), Rocío Camacho, Paul Alone, Carlos Santana (DotCSV), Javier Ivanyer (eh!), Elena Bueno, Nekane, Lisa JusticeDark, Luis Montilla (profesor de instituto) y David de Sousa (creativo publicista) son los invitados a este coloquio. Tras el personaje público aborda los pensamientos y reflexiones de los protagonistas del escenario online a través de entrevistas íntimas: ¿cómo se percibe la sociedad desde un altar de cientos de miles de seguidores?, ¿cuál es el precio de la fama?, ¿qué hay tras el personaje público? Comunicadores que han encontrado en la exposición mediática su forma de ganarse la vida, profesionales publicitarios responsables de las principales campañas de nuestro país y el testimonio de un docente en plena transformación digital.
Tras la pista invisible: 8 misterios sin resolver narrados por Paulettee
by PauletteeUn libro para verdaderos Misters.. Una maleta abandonada en medio del zócalo en Ciudad de México, tres hermanos que salieron a la playa y nunca volvieron, la muerte de una reconocida actriz o el fatídico desenlace de una secta religiosa son apenas una parte de lo que los Misters podrán encontrar en Tras la pista invisible, el primer libro de relatos de Paulettee, la reina del misterio. La crítica ha dicho: 'Celebro y sigo el contenido digital de Paulettee desdesiempre porque tiene investigación y esfuerzo periodístico, y este libro es la prueba de ello: ocho historias, narradas de manera ágil, que dejarán los pelos de punta a quienes las lean. (Y a quienes aún tienen pelo, claro)'. Daniel Samper Ospina
Trash: The Evil Twin
by Cherie Bennett Jeff GottesfeldCherie Bennett's thrilling series about interns who work for the trashiest TV talk show in history continues, as Chelsea's terrible secret is aired on national television--and Karma's family asks her to make a scary sacrifice!
Trash: A Queer Film Classic
by Jon DaviesTrash, one of three inaugural titles in Arsenal Pulp Press' new film book series Queer Film Classics, delves into the legendary 1970 film that was arguably the greatest collaboration between director Paul Morrissey and producer Andy Warhol.<P> The film Trash is a down-and-out domestic melodrama about a decidedly eccentric couple: Joe, an impotent junkie (played by Warhol film regular Joe Dallesandro), and Holly, Joe's feisty and sexually frustrated girlfriend (played by trans Warhol superstar Holly Woodlawn). Joe is the hunky yet passive center around whom proud Holly orbits; while Morrissey intended to show that "there's no difference between a person using drugs and a piece of refuse," Woodlawn's incredible turn reverses his logic: she makes trash as precious as human beings.<P> The book examines the film in the context of Morrissey and Warhol's legendary partnership, with a special focus on Woodlawn's acclaimed performance: a glorious embodiment of "trash" and glamour that was so stunning, director George Cukor led a campaign (albeit unsuccessful) to win her an Oscar nomination.
Trash: African Cinema From Below
by Kenneth W. HarrowHighlighting what is melodramatic, flashy, low, and gritty in the characters, images, and plots of African cinema, Kenneth W. Harrow uses trash as the unlikely metaphor to show how these films have depicted the globalized world. Rather than focusing on topics such as national liberation and postcolonialism, he employs the disruptive notion of trash to propose a destabilizing aesthetics of African cinema. Harrow argues that the spread of commodity capitalism has bred a culture of materiality and waste that now pervades African film. He posits that a view from below permits a way to understand the tropes of trash present in African cinematic imagery.
Trash and Limits in Latin American Culture
by Micah McKayThe ecological, social, and aesthetic functions of garbage in literature and film from Argentina to Mexico This book looks at the role of waste in Latin American cultural texts from the twentieth and twenty-first centuries and makes the case for foregrounding trash as an object of analysis in literary and cultural studies in Spanish America and Brazil. By considering how writers and filmmakers engage with the theme, Micah McKay argues that garbage illuminates key limits related to the region’s experience with contemporary capitalism. Recognizing trash as an important social reality, McKay traces its appearance in a diverse range of products: novels and documentary films with dumps as settings, short stories whose main characters are garbage pickers, and works that portray writing as a process of piecing together found materials. McKay argues that waste and the problems it poses are key to understanding marginalization, political struggle, and the production of aesthetic value. Drawing on insights from material ecocriticism, discard studies, and biopolitics, McKay theorizes that trash opens a space of reflection on what it means to be human, the possibilities for building community amid catastrophe, gendered notions of labor and care, and the pitfalls of neoliberal environmentalism. McKay shows how trash in literature and film helps readers and viewers contemplate the limits of how we inhabit the planet. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Trash Cinema: The Lure of the Low (Short Cuts)
by Guy BarefootThis volume explores the lower reaches of cinema and its paradoxical appeal. It looks at films from the B-movies of the 1930s to the mockbusters of today, and from the New York underground to the genre variations of Turkey's Yesilçam studios (and their YouTube afterlife). Critically examining the reasons for studying, denigrating, or celebrating the detritus of film history, it also considers the place of a trash aesthetic within and beyond 1960s American avant-garde and looks at the cult of trash in the fanzines of the 1980s. It draws on debates about cult, paracinema, and camp, arguing that trash cinema exists in relation to these but brings with it a particular history that includes the ordinary as well as the strange. Trash Cinema places these debates, and the strand of self-proclaimed low culture that emerged in the second half of the twentieth century, within a historical and international perspective. It focuses on American cinema history but addresses Eurotrash reception as well as the related field of garbology, examining trash cinema as a distinct but fluid category.
Trauma and Disability in Mad Max: Beyond the Road Warrior’s Fury
by Mick Broderick Katie EllisThis book explores the inter-relationship of disability and trauma in the Mad Max films (1979-2015). George Miller’s long-running series is replete with narratives and imagery of trauma, both physical and emotional, along with major and minor characters who are prominently disabled. The Mad Max movies foreground representations of the body – in devastating injury and its lasting effects – and in the broader social and historical contexts of trauma, disability, gender and myth.Over the franchise’s four-decade span significant social and cultural change has occurred globally. Many of the images of disability and trauma central to Max’s post-apocalyptic wasteland can be seen to represent these societal shifts, incorporating both decline and rejuvenation. These shifts include concerns with social, economic and political disintegration under late capitalism, projections of survival after nuclear war, and the impact of anthropogenic climate change.Drawing on screen production processes, textual analysis and reception studies this book interrogates the role of these representations of disability, trauma, gender and myth to offer an in-depth cultural analysis of the social critiques evident within the fantasies of Mad Max.
Trauma Cinema: Documenting Incest and the Holocaust
by Janet WalkerTrauma Cinema focuses on a new breed of documentary films and videos that adopt catastrophe as their subject matter and trauma as their aesthetic. Incorporating oral testimony, home-movie footage, and documentary reenactment, these documentaries express the havoc trauma wreaks on history and memory. Janet Walker uses incest and the Holocaust as a double thematic focus and fiction films as a point of comparison. Her astute and original examination considers the Hollywood classic Kings Row and the television movie Sybil in relation to vanguard nonfiction works, including Errol Morris's Mr. Death, Lynn Hershman's video diaries, and the chilling genealogy of incest, Just, Melvin. Both incest and the Holocaust have also been featured in contemporary psychological literature on trauma and memory. The author employs theories of post traumatic stress disorder and histories of the so-called memory wars to illuminate the amnesias, fantasies, and mistakes in memory that must be taken into account, along with corroborated evidence, if we are to understand how personal and public historical meaning is made.Janet Walker’s engrossing narrative demonstrates that the past does not come down to us purely and simply through eyewitness accounts and tangible artifacts. Her incisive analysis exposes the frailty of memory in the face of disquieting events while her joint consideration of trauma cinema and psychological theorizing radically reconstructs the roadblocks at the intersection of catastrophe, memory, and historical representation.
Trauma in American Popular Culture and Cult Texts, 1980-2020
by Sean TraversThis book examines trauma in late twentieth- and twenty-first century American popular culture. Trauma has become a central paradigm for reading contemporary American culture. Since the early 1980s, an extensive range of genres increasingly feature traumatised protagonists and traumatic events. From traumatised superheroes in Hollywood blockbusters to apocalyptic-themed television series, trauma narratives abound. Although trauma is predominantly associated with high culture, this project shows how popular culture has become the most productive and innovative area of trauma representation in America. Examining film, television, animation, video games and cult texts, this book develops a series of original paradigms through which to understand trauma in popular culture. These include: popular trauma texts’ engagement with postmodern perspectives, formal techniques termed ‘competitive narration’, ‘polynarration’ and ‘sceptical scriptotherapy’, and perpetrator trauma in metafictional games.
Trauma-Informed Art Activities for Early Childhood: Using Process Art to Repair Trauma and Help Children Thrive
by Anna ReynerWhy Art & Trauma? By making their own choices as they engage in sensory art experiences, children gain confidence, release stress, express emotions, and develop critical-thinking skills. Art offers a unique opportunity for children to safely experiment with the physical world and re-wire their brains to reduce the negative effects of trauma, all while learning to identify as creative thinkers. This highly illustrated and easy-to-use resource supports trauma-informed work with children ages 3-8. It delves into both the theory and practice of therapeutic art and includes 21 original art lessons and 60 art techniques, all presented visually for ease of use. Both text and illustrations demonstrate how to create a safe, non-retraumatizing environment for children to experience safety, connection and calm. Ideal for implementing into classroom environments, including preschools, kindergarten, early primary grades, afterschool programs, child counselling centers and community-based youth programs, this professional resource is perfectly adaptable for a variety of educational and therapeutic contexts.
Traumatic Imprints: Cinema, Military Psychiatry, and the Aftermath of War
by Noah TsikaForced to contend with unprecedented levels of psychological trauma during World War II, the United States military began sponsoring a series of nontheatrical films designed to educate and even rehabilitate soldiers and civilians alike. Traumatic Imprints traces the development of psychiatric and psychotherapeutic approaches to wartime trauma by the United States military, along with links to formal and narrative developments in military and civilian filmmaking. Offering close readings of a series of films alongside analysis of period scholarship in psychiatry and bolstered by research in trauma theory and documentary studies, Noah Tsika argues that trauma was foundational in postwar American culture. Examining wartime and postwar debates about the use of cinema as a vehicle for studying, publicizing, and even what has been termed “working through” war trauma, this book is an original contribution to scholarship on the military-industrial complex.
Travelin’ Man: On the Road and Behind the Scenes with Bob Seger
by John Mellencamp Gary Graff Kid Rock Tom WeschlerNow in paperback: a photo-driven insider's look at Bob Seger's career from the early days to his breakthrough as a world-famous musician.
Traveling Auteurs: The Geopolitics of Postwar Italian Cinema (New Directions in National Cinemas)
by Luca CaminatiWhat tensions characterized the relationships between cinema, European Leftists, and emerging postcolonial ideologies after World War II? In Traveling Auteurs, author Luca Caminati analyzes the work of influential Italian filmmakers Roberto Rossellini, Pier Paolo Pasolini, and Michelangelo Antonioni as they engaged politically and aesthetically with the global landscapes and politics of the Cold War period. As documentaries, the films considered in this book record specific manifestations of political sensibilities of the twentieth century. As bodies of work, they reveal that the traveling auteurs who made them were symptomatic actors in complex geopolitical networks. As cultural objects reflecting and shaping contemporaneous debates, they provoke a complex afterlife at home and abroad. In the three chapters dedicated to Rossellini in India, Pasolini in Africa and the Middle East, and Antonioni in China, Caminati pays particular attention both to the reception that these films had in the countries where they were shot and to their legacies in Italian film history. As it follows the entanglements of filmmakers, artists, and activists involved as allies or direct witnesses to momentous political change, this book sheds new light on anticolonial struggles, the reaffirmation of the Non-Aligned Movement, and the consolidation of the Chinese Communist Party.
Traveling in French Cinema
by Sylvie Blum-ReidTravel narratives abound in French cinema since the 1980s. This study delineates recurrent travel tropes in films such as departures and returns, the chase, the escape, nomadic wandering, interior voyages, the unlikely travel, rituals, pilgrimages, migrants' narratives and emergencies, women's travel, and healing narratives.
Traveling with Che Guevara: The Making of a Revolutionary (Shooting Script Ser.)
by Alberto GranadoPublished for the first time in the U.S.—one of the two diaries on which the movie The Motorcycle Diaries is based—the moving and at times hilarious account of Che Guevara and Alberto Granado's eight-month tour of South America in 1952.In 1952 Alberto Granado, a young doctor, and his friend Ernesto Guevara, a 23-year-old medical student from a distinguished Buenos Aires family, decided to explore their continent. They set off from Cordoba in Argentina on a Norton 500cc motorbike and traveled through Chile, Peru, Colombia, and Venezuela. The duo's adventures vary from the suspenseful (stowing away on a cargo ship, exploring Incan ruins) to the comedic (falling in love, drinking, fighting...) to the serious (volunteering as firemen and at a leper colony). They worked as day laborers along the way—as soccer coaches, medical assistants, and furniture movers. The poverty and exploitation of the native population started the process that was to turn Ernesto—the debonair, fun-loving student—into Che, the revolutionary who had a profound impact on the history of several nations.Originally published in Spanish in Cuba in 1978, the first English translation was published by Random House UK in 2003. The movie, based on Granado's and Che's diaries, directed by Walter Salles (Central Station, Behind the Sun), was produced by Robert Redford and others. Shown at the Sundance Film Festival, it generated great reviews and a frenzied auction for distribution rights, which was won by Focus Features. Granado, now 82, was a consultant to Salles during the production. 10 b/w photos.
Travelling to Work
by Michael PalinAs in Halfway to Hollywood and The Python Years, Travelling to Work contains a decade's worth of unedited, unabridged diary entries from multi-talented funnyman Michael Palin. In this volume, the last Palin has agreed to publish, the former Python documents his experience hosting a series of BBC travel documentaries even as he continues to develop new dimensions as a writer and actor. Python faithful will love Palin's candid comments and wry wit even as they are awed by his dogged work ethic and myriad accomplishments. From his work for the BBC to his dramatic portrayal of the headmaster on Alan Bleasdale's award-winning drama GBH, to his success as screenwriter, playwright and novelist, these pages display a true modern-day Renaissance Man. Included as well are behind the scenes stories from the making of Fierce Creatures, the tumultuous follow-up to A Fish Called Wanda, along with Palin's reflections on dealings with his manager, editors and publishers--enough insider information to please any show business enthusiast. In short, Travelling to Work is a roller-coaster ride driven by the Palin hallmarks curiosity, a sense of adventure and unflappable cool demonstrating he is truly, in his own words, 'someone grounded and safe who can be tempted into almost anything.'
Travelling to Work: Diaries 19881998 (Michael Palin Diaries #3)
by Michael PalinThe third volume of Michael Palin's celebrated diaries.TRAVELLING TO WORK is a roller-coaster ride driven by the Palin hallmarks of curiosity and sense of adventure. Michael was not the BBC's first choice for the travel series AROUND THE WORLD IN 80 DAYS, but after its success, the public naturally wanted more. Palin, however, had other plans. There was his film AMERICAN FRIENDS, a role in Alan Bleasdale's award-winning drama GBH, the staging of his West End play THE WEEKEND, a first novel, HEMINGWAY'S CHAIR, and a lead role in FIERCE CREATURES. He did find time for two more travel series, POLE TO POLE in 1991 and FULL CIRCLE in 1996, and wrote two bestselling books to accompany them. These ten years in different directions offer riches on every page.
Travelling to Work: Diaries 1988–1998
by Michael PalinThe third volume of Michael Palin's celebrated diaries.TRAVELLING TO WORK is a roller-coaster ride driven by the Palin hallmarks of curiosity and sense of adventure. Michael was not the BBC's first choice for the travel series AROUND THE WORLD IN 80 DAYS, but after its success, the public naturally wanted more. Palin, however, had other plans. There was his film AMERICAN FRIENDS, a role in Alan Bleasdale's award-winning drama GBH, the staging of his West End play THE WEEKEND, a first novel, HEMINGWAY'S CHAIR, and a lead role in FIERCE CREATURES. He did find time for two more travel series, POLE TO POLE in 1991 and FULL CIRCLE in 1996, and wrote two bestselling books to accompany them. These ten years in different directions offer riches on every page.
Travelling to Work: Diaries 1988–1998
by Michael PalinTRAVELLING TO WORK is the third volume of Michael Palin's widely acclaimed diaries. After the Python years and a decade of filming, writing and acting, Palin's career takes an unexpected direction into travel, which will shape his working life for the next 25 years. Yet, as the diaries reveal, he remained ferociously busy on a host of other projects throughout this whirlwind period.TRAVELLING TO WORK opens in September 1988 with Michael travelling down the Adriatic on the first leg of a modern-day AROUND THE WORLD IN 80 DAYS. He was not the BBC's first choice for the series, but after its success and that of the accompanying book the public naturally wanted more. Palin, though, has other plans. Following the tumultuous success of A FISH CALLED WANDA, he is in demand as an actor. His next film, AMERICAN FRIENDS, is based on his great-grandfather's diaries. Next he takes on his most demanding role as the head teacher in Alan Bleasdale's award-winning drama series GBH. There is also his West End play, THE WEEKEND, and a first novel, HEMINGWAY'S CHAIR, and a lead role in FIERCE CREATURES, the much-delayed follow-up to WANDA. Michael describes himself as 'drawn to risk like a moth to a flame. Someone grounded and safe who can be tempted into almost anything.' He duly finds time for two more travel series, POLE TO POLE in 1991, FULL CIRCLE in 1996, and two more bestselling books to accompany them.These latest Diaries show a man grasping every opportunity that came his way, and they deal candidly with the doubts and setbacks that accompany this prodigious word-rate. As ever, his family life, with three children growing up fast, is there to anchor him.TRAVELLING TO WORK is a roller-coaster ride driven by the Palin hallmarks of curiosity and sense of adventure. These ten years in different directions offer riches on every page to his ever-growing army of readers.Unabridged edition, written and read by Michael Palin(p) 2014 Orion Publishing Group
The Travels of Media and Cultural Products: Cultural Transduction (Routledge Studies in Media and Cultural Industries)
by Enrique Uribe-JongbloedThis book presents the Cultural Transduction framework as a conceptual tool to understand the processes that media and cultural products undergo when they cross cultural and national borders. Using a series of examples from pop culture, including films, television series, video games, memes and other digital products, this book provides the reader with a wider understanding of the procedures, interests, roles, assumptions and challenges, which foster or hinder the travels of media and cultural products. Compiling in one single narrative a series of case studies, theoretical debates and international examples, the book looks at a number of exchanges and transformations enabled by both traditional media trade and the internet. It reflects on the increase of cultural products crossing over regional, national and international borders in the form of video games and TV formats, through music and video distribution platforms or via digital social media networks, to highlight discussions about the characteristics of border-crossing digital production. The cultural transduction framework is developed from discussions in communication and media studies, as well as from debates in adaptation and translation studies, to map out the travels of media and cultural products from an interdisciplinary perspective. It provides a tool to analyse the markets, products, people and processes that enable or constrain the movement of products across borders, for those interested in the practical aspects that underlie the negotiation and transformation of products inserted into different cultural market settings. This volume provides a new framework for understanding the travels of cultural products, which will be of use to students and scholars in the area of media industry studies, business studies, digital media studies, international media law and economics.