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Berlin Replayed: Cinema and Urban Nostalgia in the Postwall Era
by Brigitta B. WagnerScarred by the Second World War, divided during the Cold War, and turned into a massive construction site in the early postwall years, Berlin has dramatically reinvented itself in the new millennium. Film has served a neglected but important function in this transformation.In Berlin Replayed, Brigitta B. Wagner shows how old and new films set in Berlin created a collective urban nostalgia for the city's best, most inclusive, and most conciliatory pasts in the face of its renewed purpose as the all-German capital. Exploring films such as Walter Ruttmann's Berlin: Symphony of a Great City, Wim Wenders's Wings of Desire, Tom Tykwer's Run Lola Run, and Wolfgang Becker's Good Bye, Lenin!, the book establishes that these films don't merely feature the city but actively construct how viewers come to know different Berlins of the past and present. To illustrate how film has repeatedly remade the image of the city, Berlin Replayed focuses on four key periods: the golden 1920s, when the city was a major filmmaking center; the prewall 1950s, when Berlin had two ideologically opposed film industries; the politically transformative late 1980s and early 1990s; and the hyped start of the twenty-first century.By showing how films have helped revive memories of the "good" Berlin and, by extension, the "good" Germany, Berlin Replayed reveals the underappreciated but powerful role film has played in the process of unifying Germany's historical experience and bridging its physical and political divisions.
The Berlin School and Its Global Contexts: A Transnational Art Cinema (Contemporary Approaches to Film and Media Series)
by Jaimey Fisher Marco Abel Lisa Haegele Robert Dassanowsky William Fech Alice Bardan Ira Jaffe Inga Pollmann Roger Cook Michael Sicinski Lutz Koepnick Chris Homewood Brad Prager Gerd Gemünden Roland Végso Hester BaerThe Berlin School and Its Global Contexts: A Transnational Art-Cinema came about in light of the Museum of Modern Art (MOMA)’s 2013 major exhibition of works by contemporary German directors associated with the so-called Berlin School, perhaps Germany’s most important contemporary filmmaking movement. Christoph Hochhäusler, the movement’s keenest spokesperson, stated that "the Berlin School, despite what the label suggests, is not a specifically German phenomenon. All over the world there are filmmakers exploring related terrain." In response to this "transnational turn," editors Marco Abel and Jaimey Fisher have assembled a group of scholars who examine global trends and works associated with the Berlin School. The goal of the collection is to understand the Berlin School as a fundamental part of the series of new wave films around the globe, especially those from the traditional margins of world cinema. For example, Michael Sicinski and Lutz Koepnick explore the relation of the Berlin School to cinema of Southeast Asia, including Apichatpong Weerasethakul and Tsai Ming-liang; Ira Jaffe and Roger Cook take a look at Middle Eastern film, with Nuri Bilge Ceylan and Abbas Kiarostami, respectively. The volume, however, also includes essays engaging with North American filmmakers like Kelly Reichardt and Derek Cianfrance as well as European auteurs like Antonioni, Tarr, Porumboiu, McQueen, and the Dardennes. Bringing German cinema into dialogue with this series of global cinemas emphasizes how the Berlin School manifests—whether aesthetically or thematically, politically or historically—a balancing of national particularity with global flows of various sorts. Abel and Fisher posit that since the vast majority of the films are available with English subtitles (and at times also in other languages) and recent publications on the subject have established critical momentum, this exciting filmmaking movement will continue to branch out into new directions and include new voices. The Berlin School and Its Global Contexts folds German-language cinema back into conversations with international as well as transnational cinema. This volume will be of great interest to scholars of German and global cinema.
Berliners
by Vesper StamperA riveting story about the rivalry between two brothers living on opposite sides of the Berlin wall during its construction in the 1960s, and how their complicated legacy and dreams of greatness will determine their ultimate fate.A city divided. A family fractured. Two brothers caught between past and present.Berlin, 1961. Rudi Möser-Fleischmann is an aspiring photographer with dreams of greatness, but he can't hold a candle to his talented, charismatic twin brother Peter, an ambitious actor. With the sudden divorce of their parents, the brothers find themselves living in different sectors of a divided Berlin; the postwar partition strangely mirroring their broken family. But one night, as the city sleeps, the Berlin Wall is hurriedly built, dividing society further, and Rudi and Peter are forced to choose between playing by the rules and taking their dreams underground. That is, until the truth about their family history and the growing cracks in their relationship threaten to split them apart for good. From National Book Award-nominated, critically acclaimed author-illustrator Vesper Stamper comes a stark look at how resentment and denial can strain the bonds of brotherhood to the breaking point.
Berlioz The Bear
by Jan BrettBerlioz and band are on their way to play a concert. Their wagon gets stuck in a hole in the road and their mule can't get teh wagon out. Critters passing by try to help but the final push is provided by an unlikely character.
Berlioz the Bear
by Jan BrettA "Reading Rainbow" Feature TitleZum, zum, buzz.... zum, zum, buzz...What's that strange buzz coming from the double bass? Berlioz has no time to investigate, because he and his bear orchestra are due at the gala ball in the village square at eight. But Berlioz is so worried about his buzzing bass that he steers the mule and his bandwagon full of magicians into a hole in the road and gets stuck.Time is running out, and if a rooster, a cat, a billy goat, a plow horse, and an ox can't rescue the bandwagon, who can?As the suspense mounts, intricate borders reveal the village animals making their way to the square one by one. When the clock chimes eight, the animals, ready to dance, have filled the square-but there's no sign of Berlioz.Jan Brett's glorious illustrations invite the eye to linger over exquisite details and humorous nuances that enhance the story. This delightful cumulative tale is one that will be looked at again and again.
Bernard Shaw and the Censors: Fights and Failures, Stage and Screen (Bernard Shaw and His Contemporaries)
by Bernard F. Dukore“Dukore’s style is fluid and his wit delightful. I learned a tremendous amount, as will most readers, and Bernard Shaw and the Censors will doubtless be the last word on the topic.”- Michel Pharand, former editor of SHAW: The Journal of Bernard Shaw Studies and author of Bernard Shaw and the French (2001). "This book shows us a new side of Shaw and his complicated relationships to the powerful mechanisms of stage and screen censorship in the long twentieth century.” - - Lauren Arrington, Professor of English, Maynooth University, IrelandA fresh view of Shaw versus stage and screen censors, this book describes Shaw as fighter and failure, whose battles against censorship – of his plays and those of others, of his works for the screen and those of others – he sometimes won but usually lost. We forget usually, because ultimately he prevailed and because his witty reports of defeats are so buoyant, they seem to describe triumphs. We think of him as a celebrity, not an outsider; as a classic, not one of the avant-garde, of which Victorians and Edwardians were intolerant; as ahead of his time, not of it, when he was called “disgusting,” “immoral", and "degenerate.” Yet it took over three decades and a world war before British censors permitted a public performance of Mrs Warren’s Profession. We remember him as an Academy Award winner for Pygmalion, not as an author whose dialogue censors required deletions for showings in the United States. Scrutinizing the powerful stage and cinema censorship in Britain and America, this book focuses on one of its most notable campaigners against them in the last century.
Bernard Shaw, W. T. Stead, and the New Journalism
by Nelson O'Ceallaigh RitschelThis book explores Bernard Shaw’s journalism from the mid-1880s through the Great War—a period in which Shaw contributed some of the most powerful and socially relevant journalism the western world has experienced. In approaching Shaw’s journalism, the promoter and abuser of the New Journalism, W. T. Stead, is contrasted to Shaw, as Shaw countered the sensational news copy Stead and his disciples generated. To understand Shaw’s brand of New Journalism, his responses to the popular press’ portrayals of high profile historical crises are examined, while other examples prompting Shaw’s journalism over the period are cited for depth: the 1888 Whitechapel murders, the 1890-91 O’Shea divorce scandal that fell Charles Stewart Parnell, peace crusades within militarism, the catastrophic Titanic sinking, and the Great War. Through Shaw’s journalism that undermined the popular press’ shock efforts that prevented rational thought, Shaw endeavored to promote clear thinking through the immediacy of his critical journalism. Arguably, Shaw saved the free press.
Bernard Who?: 75 Years of Doing Just About Everything
by Bernard Cribbins James Hogg'Essential' DAILY MAIL CELEBRITY BIOGRAPHIES OF THE YEAR'The book reads like it's Bernard sitting down and telling a story' Steve Wright, BBC Radio 2'A fitting celebration of one of our most versatile and enduring acting talents' Sunday Express'A rollicking good read - charming, unassuming and full of amiable, homespun wit' The OldieThe long-awaited autobiography of national treasure Bernard Cribbins.Bernard Cribbins's life has been an eventful one. In 1943, he left school aged fourteen and joined Oldham Repertory Company where he earned fifteen bob for a seventy-hour week. After being called up for National Service in 1946 he became a paratrooper and spent several months in Palestine being shot at. On returning home, and to the theatre, Bernard was eventually approached by George Martin, then an A&R man for Parlophone Records, who suggested he made a record. Just months away from producing The Beatles, Martin asked Bernard to come to Abbey Road Studios in north London and, after teaching him how to sing into a microphone, they eventually recorded two hit singles - 'The Hole in the Ground' and 'Right Said Fred'. These, together with appearances in now classic films such as Two Way Stretch and The Wrong Arm of the Law (not to mention a certain television programme called Jackanory), catapulted Bernard to stardom and, by the time he started filming The Railway Children in 1970, he was already a national treasure.Since then, Bernard's CV has been an A-Z of the best entertainment that Britain has to offer, and, thanks to programmes such as the aforementioned Jackanory, The Wombles, and, more recently, Old Jack's Boat, he has become the voice of many millions of childhoods. Seventy-five years in the making and packed with entertaining anecdotes, Bernard Who? tells the wonderful story of one of the longest and most celebrated careers in show business.
Bertolt Brecht (Routledge Performance Practitioners)
by Meg MumfordBertolt Brecht’s methods of collective experimentation, and his unique framing of the theatrical event as a forum for change, placed him among the most important contributors to the theory and practice of theatre. His work continues to have a significant impact on performance practitioners, critics and teachers alike. Now revised and reissued, this book combines: an overview of the key periods in Brecht’s life and work a clear explanation of his key theories, including the renowned ideas of Gestus and Verfremdung an account of his groundbreaking 1954 production of The Caucasian Chalk Circle an in-depth analysis of his practical exercises and rehearsal methods. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are an invaluable resource for students and scholars.
Bertrand Tavernier: Interviews (Conversations with Filmmakers Series)
by Lynn A. Higgins and T. Jefferson KlineBertrand Tavernier (1941–2021) was widely considered to be the leading light in a generation of French filmmakers who launched their careers in the 1970s in the wake of the New Wave. In just over forty years, he directed twenty-two feature films in an eclectic range of genres from intimate family portrait to historical drama and neo-Western. Beginning with his debut feature—L’Horloger de Saint-Paul (1974), which won the prestigious Louis Delluc Prize—Tavernier showed himself to be a public intellectual. Like his films, he was deeply engaged with the pressing issues facing France and the world: the consequences of war, colonialism and its continuing aftermath, the price of heroism, and the power of art. A voracious cinephile, he was immensely knowledgeable about world cinema and American film in particular. Tavernier’s roots were in Lyon, the birthplace of the cinema. He founded and presided over the Institut Lumière, which hosts retrospectives and an annual film festival in the factory where the Lumière brothers made the first films. In this collection, containing numerous interviews translated from French and available in English for the first time, he discusses the arc of his career following in the lineage of the Lumière brothers, in that his goal, like theirs, is to “show the world to the world.” It is no surprise, then, that an interview with Tavernier is a treat. Beginning with discussions of his own films, the interviews in this volume cover a vast range of topics. At the core are his thoughts about the ways cinema can inspire the imagination and contribute to the broadest possible public conversation.
Besides the Screen
by Virginia Crisp Gabriel Menotti GonringNew media technologies impact cinema well beyond the screen. This volume speculates about the changes in modes of accessing, distributing, storing and promoting moving images and how they might affect cinematographic experience, economy and historiography.
Bessie (Revised and Expanded Edition)
by Chris AlbertsonThis book-- a revised and expanded edition of the definitive biography of Bessie Smith, known as the "Empress of the Blues"--debunks many of the myths that circulated after her untimely death in 1937. For this new edition, Chris Albertson provides more details of Bessie's early years, new interview material, and a chapter devoted to events and responses that followed the original publication. "The first estimable full-length biography not only of Bessie Smith but of any black musician. "-Whitney Balliett, New Yorker (on the first edition). "A remarkably clear-eyed examination of Smith's personality (and sexuality) and, more important, of the gritty and greedy music business. "-Benjamin Schwarz, Atlantic Monthly. "A vivid portrait of this quintessential American diva. "-Will Friedwald, New York Sun. "The most devastating, provocative, and enlightening work of its kind ever contributed to the annals of jazz literature. "-Leonard Feather, Los Angeles Times (on the first edition). "An exemplary biography . . . [with] a gripping, often moving, narrative. "-John Mole, Times Literary Supplement.
Bessie Smith
by Jackie KayAs a young black girl growing up in Glasgow, Jackie Kay found in Bessie Smith someone with whom she could identify and idolise. Her fascinating and extraordinary Outline mixes fact and fiction, poetry and prose as she relates the tempestuous life of the greatest blues singer who ever lived. She takes us from Bessie's early years in Chattanooga, and her time spent with Ma and Pa Rainey in the Moses Stokes Travelling Show, through her rapid rise to fame and fortune, her raucous and wild lifestyle on the road in her famous yellow Pullman railroad car, to her slide from popularity during the Depression years and her eventual tragic death in a car crash in Clarksdale, Mississippi in 1937.
Best Actress: The History of Oscar®-Winning Women
by Stephen TapertIngrid Bergman. Audrey Hepburn. Elizabeth Taylor. Jane Fonda. Meryl Streep. The list of women who have won the coveted and legendary Academy Award for Best Actress is long and varied. Through this illustrious roster we can trace the history of women in Hollywood, from the rise of Mary Pickford in the early 20th century to the #MeToo and Time’s Up movements of today, which have galvanized women across the world to speak out for equal pay, respect, power, and opportunity. This lavishly illustrated coffee table book offers a vital examination of the first 75 women to have won the Best Actress Oscar over the span of 90 years. From inaugural recipient Janet Gaynor to Frances McDormand’s 2018 acceptance speech that assertively brought women to the forefront, Best Actress: The History of Oscar®-Winning Women serves to promote a new appreciation for the cinematic roles these women won for, as well as the real-life roles many of them played – and still play – in advancing women’s rights and equality. Stories range from Bette Davis’ groundbreaking battle against the studio system; to the cutting-edge wardrobes of Katharine Hepburn, Diane Keaton and Cher; to the historical significance of Halle Berry’s victory; to the awareness raised around sexual violence by the performances of Jodie Foster, Brie Larson, and others. Showcasing a dazzling collection of 200 photographs, many of which have never before been seen or published, Best Actress honors the legacies of these revered and extraordinary women while scrutinizing the roadblocks that they continue to overcome.
The Best Advice I Ever Got: Lessons from Extraordinary Lives
by Katie CouricWhat was the tipping point for Malcolm Gladwell? What unscripted event made Meryl Streep who she is? How did Mario Batali cook up his recipe for success? In this inspiration-packed book, Katie Couric reports from the front lines of the worlds of politics, entertainment, sports, philanthropy, the arts, and business--distilling the ingenious, hard-won insights of leaders and visionaries, who tell us all how to take chances, follow our passions, cope with criticism, and, perhaps most important, commit to something greater than ourselves.Among the many voices to be heard here are financial guru Suze Orman on the benefits of doing what's right, not what's easy; director Steven Spielberg on listening rather than being listened to; quarterback Drew Brees on how his (literal) big break changed his life; and novelist Curtis Sittenfeld on the secrets of a great long-term relationship (she suggests marrying someone less neurotic than you); not to mention:* Michael Bloomberg: "Eighty percent of success is showing up . . . early."* Eric Stonestreet: "Remember that the old lady who's taking forever in line is someone's grandma."* Joyce Carol Oates: "Read widely--what you want to read, and not what someone suggests that you should read."* Jimmy Kimmel: "When in doubt, order the hamburger.'"* Apolo Ohno: "It's not about the forty seconds; it's about the four years, the time it took to get there."* Madeleine K. Albright: "Never play hide-and-seek with the truth."Along the way, Couric reflects on the good advice--and the missteps--that have guided her from her early days as a desk assistant at ABC to her groundbreaking role as the first female anchor of the CBS Evening News. She reveals how the words of Thomas Jefferson helped her deal with her husband's tragic death from cancer, and what encouraged her to leave the security of NBC's Today show for a new adventure at CBS.Delightful, empowering, and moving, The Best Advice I Ever Got is the perfect book for anyone who is thinking about the future, contemplating taking a risk, or daring to make a leap into the great unknown. This book is for all of us, young or old, who want to see how today's best and brightest got it right, got it wrong, and came out on top.
Best Big Sister Ever! (Angelina Ballerina)
by Katharine HolabirdAngelina Ballerina and her friends put on a welcome ballet for Angelina&’s little sister and other new students in this sweet chapter book featuring an all-new, original Angelina Ballerina story and black-and-white illustrations throughout!Angelina Ballerina&’s little sister, Polly, is starting school for the first time. Angelina wants to make her and the other mouselings feel welcome, so she puts on a special ballet show with her friends! This charming chapter book is perfect for Angelina Ballerina fans beginning to read on their own or for reading aloud! © 2023 Helen Craig Ltd and Katharine Holabird. The Angelina Ballerina name and character and the dancing Angelina logo are trademarks of HIT Entertainment Limited, Katharine Holabird, and Helen Craig.
The Best F*cking Activity Book Ever: Irreverent (and Slightly Vulgar) Activities for Adults
by Nicole NarvaezGive boredom the middle finger with this fun, hilarious and slightly profane activity book.Who gives a sh!t about solving puzzles anymore? Say "eff you" to boring activity books with this irreverently vulgar upgrade. Including everything from crude crosswords and off-color coloring pages to wickedly funny word searches and salacious scrambles, this book is full of over 100 impolite activities guaranteed to make you giggle as you kill time and enjoy the activities on an entirely new level. The perfect gift for someone who enjoys both puzzles and slightly naughty humor, The Best F*cking Activity Book Ever will surprise and amuse those special potty mouths who bring the most creative and colorful language into your life. Cheeky with profanity, this is not your grandparents&’ activity book. So strap the f*ck in and tell boredom to eff off!
The Best Film You've Never Seen: 35 Directors Champion the Forgotten or Critically Savaged Movies They Love
by Robert K. ElderRevealing a festival of guilty pleasures, almost-masterpieces, and undeniable classics in need of revival, 35 directors champion their favorite overlooked or critically savaged gems in this guide. The list includes unsung noir films The Chase and Murder by Contract, famous flops Can't Stop the Music and Joe Versus the Volcano, art films L'ange and WR: Mysteries of the Organism, theatrical adaptations The Iceman Cometh and The Homecoming, B-movies Killer Klowns from Outer Space and The Honeymoon Killers, and even Oscar-winners Breaking Away and Some Came Running. The filmmakers, including Guillermo del Toro, John Waters, John Woo, Edgar Wright, and Danny Boyle, defend their choices, wanting these films to be loved, admired, and swooned over, arguing the films deserve a larger audience and their place in movie history be reconsidered. Some were well-loved but are now faded or forgotten, others ran afoul of critics or were just buried after a dismal opening run, and still others never even got proper distribution. A few of these titles qualify as bona fide obscurata, but now most can be found on DVD or streaming from Netflix or Amazon. The filmmakers are the perfect hosts, setting the tone, managing expectations, and often being brutally honest about a film's shortcomings or the reasons why it was lost in the first place.
Best Foot Forward
by Adam Hills*The Sunday Times Bestseller*Adam Hills is one the UK's best-loved comedians. For thirty years he has been performing stand-up, hosting TV shows and winning the hearts of a nation.Taking us from the early days of the Sydney Stand Up scene to hosting his own radio show, touring the world and eventually landing on British TV, Best Foot Forward is a story of a life in comedy. Along the way Adam shares some childhood tales, a few backstage blunders and encounters some fairly famous faces - the likes of Whoopi Goldberg, Billy Connolly, and that guy who sang The Macarena. Yes, him. This is an utterly hilarious and honest collection of stories about Adam's ups and downs in the world of comedy. It's a lesson in following your heart, being positive and discovering that what makes you different also makes you unique.
Best Foot Forward
by Adam Hills*The Sunday Times Bestseller*Adam Hills is one the UK's best-loved comedians. For thirty years he has been performing stand-up, hosting TV shows and winning the hearts of a nation.Taking us from the early days of the Sydney Stand Up scene to hosting his own radio show, touring the world and eventually landing on British TV, Best Foot Forward is a story of a life in comedy. Along the way Adam shares some childhood tales, a few backstage blunders and encounters some fairly famous faces - the likes of Whoopi Goldberg, Billy Connolly, and that guy who sang The Macarena. Yes, him. This is an utterly hilarious and honest collection of stories about Adam's ups and downs in the world of comedy. It's a lesson in following your heart, being positive and discovering that what makes you different also makes you unique.
Best Foot Forward
by Adam HillsAdam Hills was a quiet primary school kid with a prosthetic foot, who did all his homework and only spoke when spoken to. His dad sparked in him a love of comedy and together they'd spend hours watching and listening to the greats like Peter Sellers and Mel Brooks, so, when it was Adam's turn to speak, he made sure he was funny. Once he hit high school, comedy was Adam's obsession (along with a deep love for the South Sydney Rabbitohs). While his mates were listening to Iron Maiden and AC/DC, he was listening to Kenny Everett and Billy Connolly. And when a report card came home with a comment praising his sense of humour, he was far prouder of that than his grades (his mum not so much). Adam's shyness and his missing foot never held him back, though wearing thongs was tricky. While other teens snuck off to meet girls and drink cheap booze, Adam snuck off to see a young Jim Carrey perform. After that, a steady diet of Rodney Rude, Vince Sorrenti and Robin Williams led this sheltered, virginal university student from The Shire to his first stand-up open mic night on his 19th birthday. In Best Foot Forward, Adam describes his early years on the Australian comedy scene sharing gigs with Steady Eddy and Jimeoin, how he coped the first time he died on stage, his early-morning apprenticeship in radio, touring the world's comedy festivals, the magic of Spicks and Specks and his hosting gig for the 2008 Paralympics that led to his ongoing hit UK TV show The Last Leg. Whoopi Goldberg, Barry Humphries, Billy Connolly, Kermit the Frog - Adam's learned from the best. This charming, witty memoir is a lesson in following your heart, being positive and discovering that what makes you different also makes you unique.
Best Foot Forward
by Adam HillsFor thirty years he has been performing stand-up, hosting TV shows and winning the hearts of a nation. Taking us from the early days of the Sydney Stand Up scene to hosting his own radio show, touring the world and eventually landing on British TV, Best Foot Forward is a story of a life in comedy. Along the way Adam shares some childhood tales, a few backstage blunders and encounters some fairly famous faces - the likes of Whoopi Goldberg, Billy Connolly, and that guy who sang The Macarena. Yes, him. This is an utterly hilarious and honest collection of stories about Adam's ups and downs in the world of comedy. It's a lesson in following your heart, being positive and discovering that what makes you different also makes you unique.
The Best in the World: At What I Have No Idea
by Chris JerichoThe two-time bestselling author, wrestler and metal rocker returns with another insightful and hilarious memoir.Inspired by Anton Chigurh, Javier Bardem's character in No Country for Old Men, Chris Jericho decided to put down his guitar, ease off on the red-carpet appearances in Hollywood and return to ring. What followed were the best three years of his wrestling career. A trilogy that began with A LION'S TALE and was followed by the bestselling UNDISPUTED now concludes with a behind-the-scenes account of Jericho becoming WON WRESTLER OF THE YEAR for two consecutive years in 2008 and 2009. The book also features the final word on Jericho's feuds with Shawn Michaels and Rey Mysterio, his run-in with Mickey Rourke, life hanging out with the likes of Ozzy Osbourne, Mike Tyson and Lars Ulrich, and the resurrection of his band Fozzy, which saw them play to huge audiences in the UK and Europe and support Metallica.
The Best in the World
by Chris JerichoThe New York Times bestselling author, wrestler, metal rocker, and over-the-top media personality shares his latest wild and hilarious adventures World Wrestling Entertainment has named Chris Jericho as one of the top ten wrestlers--and one of the top five talkers--of all time. Certainly, the past six years have been spectacular for Jericho. After a sluggish return from his 2005 sabbatical, Jericho found new inspiration in watching No Country for Old Men and completely reinvented his character--ultimately going on to capture three world WWE titles. The Best in the World chronicles some of the incredible and often preposterous highlights of Jericho's recent career, including: How Mickey Rourke challenged Jericho to a match, then backed out Jericho's award-winning feud with Shawn Michaels, which culminated in Jericho knocking out Michael's wife in the ring . . . for real His escape from the 2010 Icelandic volcanoes in a broken-down, European rental-car shuttle His encounters with Bob Barker, Ozzy Osbourne, Metallica, Al Sharpton, and Mike Tyson; and his on-again-off-again relationship with WWE chief Vince McMahonJericho has a one-of-a-kind comedic voice and a knack for getting himself into screwball situations--both in and out of the ring. See for yourself why he is the best in the world.
The Best Jokes Minnie Pearl Ever Told: (Plus some that she overheard!)
by Kevin KenworthyFrom the stage of the Grand Ole Opry to concert halls around the world, and on television's Hee Haw and Prime Time Country, Cousin Minnie Pearl entertained fans and friends with her stories about Grinder's Switch and her jokes. Now you can recall the best of them, such as . . .This week we decided we'd better take Brother up to Nashville and try to get him a job. So I took him to one of the places and the man said he'd give Brother a job. He said, "I can start you at thity dollars a week and in five years you'll get two hundred!" Brother said, "That's fine. I'll be back in five years!" Mr. Smith, a seventy-five-year-old multimillionaire, just married a young, beautiful eighteen-year-old girl. A friend asked, "How did you get an eighteen-year-old to marry you when you're seventy-five?" The man said, "I told her I was ninety-five!" Also included are memories of Minnie by . . .Porter Wagoner, Ralph Emery, Bill Anderson, Johnny Russell, Little Jimmy Dickens, Jimmy C. Newman