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The Technique of Film and Video Editing: History, Theory, and Practice

by Ken Dancyger

This updated sixth edition of The Technique of Film and Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Ken Dancyger puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice across a range of genres, including action, comedy, drama, documentary and experimental forms, featuring analysis of dozens of classic and contemporary films. This new sixth edition includes new chapters on the influence of other media on the editing form, on the importance of surprise in editing, on the contributions of Robert Altman to the art of editing and on the experimental documentary. This edition also includes expanded coverage in technology, creative sound, point of view, and the long take. New case studies explore Whiplash (2014), Room (2015), Lincoln (2012), Tangerine (2015), The Beaches of Agnès (2008), American Sniper (2014), Son of Saul (2015), The Revenant (2015), and many more.

The Television Entrepreneurs: Social Change and Public Understanding of Business

by Raymond Boyle Lisa W. Kelly

With business seemingly everywhere on television, from the risks of the retail and restaurant trade to pitching for investment or competing to become the next 'apprentice', The Television Entrepreneurs draws upon popular business-oriented shows such as The Apprentice and Dragons' Den to explore the relationship between television and business. Based on extensive interviews with key industry and business figures and drawing on new empirical research into audience perceptions of business, this book examines our changing relationship with entrepreneurship and the role played by television in shaping our understanding of the world of business. The book identifies the key structural shifts in both the television industry and the wider economy that account for these changing representations, whilst examining the extent to which television's developing interest in business and entrepreneurial issues is simply a response to wider social and economic change in society. Does a more commercial and competitive television marketplace, for instance, mean that the medium itself, through a particular focus on drama, entertainment and performance, now plays a key role in re-defining how society frames its engagements with business, finance, entrepreneurship, risk and wealth creation? Mapping the narratives of entrepreneurship constructed by television and analysing the context that produces them, The Television Entrepreneurs investigates how the television audience engages with such programmes and the possible impact these may have on public understanding of the nature of business.

The Television Handbook

by Jeremy Orlebar

The Television Handbook is a critical introduction to the practice and theory of television. The book examines the state of television today, explains how television is made and how production is organised, and discusses how critical thinking about programmes and genres can illuminate their meanings. This book also explores how developments in technology and the changing structure of the television industry will lead the medium in new directions. The Television Handbook gives practical advice on many aspects of programme making, from an initial programme idea through to shooting and the post-production process. The book includes profiles giving insight into how personnel in the television industry - from recent graduates to television executives - think about their work. The Television Handbook offers chapters on the vigorous debates about what is meant by quality television, how news and factual programmes are responding to interactive technologies, and how formats such as Reality/Talent TV have risen in prominence. It also considers how drama, sport and music television can be discussed and interpreted. The Television Handbook includes: Profiles of TV news and drama producers, editors and TV studio personnel Case histories of important TV genres and series Practical programme making advice Explanations of key theoretical perspectives in television studies

The Television Will be Revolutionized

by Amanda D. Lotz

Choice Outstanding Academic Title for 2008After occupying a central space in American living rooms for the past fifty years, is television, as we've known it, dead? The capabilities and features of that simple box have been so radically redefined that it's now nearly unrecognizable. Today, viewers with digital video recorders such as TiVo may elect to circumvent scheduling constraints and commercials. Owners of iPods and other portable viewing devices are able to download the latest episodes of their favorite shows and watch them whenever and wherever they want. Still others rent television shows on DVD, or download them through legal and illegal sources online. But these changes have not been hastening the demise of the medium. They are revolutionizing it. The Television Will Be Revolutionized examines television at the turn of the twenty-first century &#8212:what Amanda D. Lotz terms the "post-network" era. Television, both as a technology and a tool for cultural storytelling, remains as important today as ever, but it has changed in fundamental ways as the result of technological innovations, proliferating cable channels targeting ever more specific niche audiences, and evolving forms of advertising such as product placement and branded entertainment. Many of the conventional practices and even the industry's basic business model are proving unworkable in this new context, resulting in a crisis in norms and practices.Through interviews with those working in the industry, attendance of various industry summits and meetings, surveys of trade publications, and consideration of an extensive array of popular television shows, Lotz takes us behind the screen to explore what is changing, why it's changing, and why these changes matter.

The Tempest (Short, Sharp Shakespeare Stories #28)

by Anna Claybourne

Be not afeard; the isle is full of noises...A powerful storm, a dramatic shipwreck, an enchanted island, a sorcerer's daughter and a handsome prince... Listen on, through magic and mystery, to discover the spell-binding story at the heart of The Tempest, one of Shakespeare's best-loved plays.As well as the story, this audiobook contains information about the background to The Tempest, its major themes, language, and Shakespeare's life during the time he was writing the play. Magic, and its meaning in 16th century England, are also examined, to give some context in which the play was written.The Short, Sharp Shakespeare series consists of six books that retell Shakespeare's most famous plays in modern English. Fun sound effects and atmospheric music accompany each narration, making them a great introduction to "the Bard" for children.(P) 2023 Hodder & Stoughton Limited

The Temptation of Despair

by Werner Sollors

In Germany the end of World War II calls forth images of obliterated cities, hungry refugees, and ghostly monuments to Nazi crimes. Drawing on diaries, photographs, essays, reports, fiction and film, Werner Sollors makes visceral the sorrow and anger, guilt and pride, despondency and resilience of a defeated people--and the paradoxes of occupation.

The Tempting of Thomas Carrick (Cynster #33)

by Stephanie Laurens

#1 New York Times bestselling author Stephanie Laurens returns to Scotland with a tale of two lovers irrevocably linked by destiny.<P><P> Thomas Carrick is driven to control all aspects of his life. The wealthy owner of Carrick Enterprises, located in bustling Glasgow, he is one of that city's most eligible bachelors and intends to select a wife from the many young ladies paraded before him. He wants to take that next step along his self-determined path, yet no one captures his eye, nor his attention…not the way Lucilla Cynster did.<P> Thomas has avoided his clan's estate because it borders Lucilla's home, but disturbing reports from his clansmen force him to return. His uncle, the laird, is ailing, a family is desperately ill, and the healer is unconscious and dying. Duty leaves Thomas no choice but to seek help from the last woman he wants to face.<P> Strong-willed and passionate, Lucilla has been waiting for Thomas to return and claim his place by her side. She knows he is her fated lover, husband, protector, and mate just as she is his one true love. Though his return wasn't on her account, Lucilla is willing to seize whatever chance Fate hands her.<P> Thomas can never forget Lucilla, or the connection that seethes between them, but to marry her would mean embracing a life he does not want.<P> Lucilla sees that Thomas has yet to accept the inevitability of their union. But how can he ignore a bond such as theirs—one so much stronger than reason? Lucilla is as determined as only a Cynster can be to fight for the future she knows can be theirs. And while she cannot command him, she has powerful enticements she's willing to wield in the tempting of Thomas Carrick. <P> A neo-Gothic tale of passionate romance laced with mystery, set in the uplands of southwestern Scotland

The Terrible Legend of Kuluch and Olwen

by Meg Thacher

Prince Kuluch has been cursed by his evil stepmother! Now he is in love with the daughter of a giant. Follow Kuluch as he completes the list of tasks from the giant with the help of knights, King Arthur, and even ants! Will he be able to marry the love of his life?

The Terrible Tryouts (Bad News Ballet #1)

by Jahnna N. Malcolm

[from the back cover] "Who thought they'd be friends? McGee, Gwen, Mary Bubnik, Zan, and Rocky are five misfit ballerinas. Zan would rather be reading a good book, and Mary Bubnik is a dancing klutz. Gwen prefers Twinkles to plies; McGee's busy with her ice hockey team...and Rocky is just too cool for leotards and pink tights. Too bad their mothers think ballet is good for them. The girls would never have been friends...if they hadn't gotten stuck together trying out for parts in a professional ballet! Can McGee and her new friends turn themselves into real ballerinas? They'd better--or it's bad news for the gang and their ballet!" This is just the beginning of the funny situations of these ballet school friends who like each other more than they like ballet. The Bookshare collection has the whole series. Check out #2 Battle of the Bunheads, #3 Stupid Cupids, #4 Who Framed Mary Bubnik, #5 Blubberina, #6 Save D.A.D., #7 The King and Us, #8 Camp Clodhopper, #9 Boo Who?, and #10 A Dog Named Toe Shoe, with more to come.

The Texas Chain Saw Massacre

by James Rose

As well as providing a summary of the making of the film, James Rose discusses the extraordinary censorship history of the film in the UK (essentially banned for two decades) and provides a detailed textual analysis of the film

The Texas Chain Saw Massacre

by James Rose

No-one who has ever seen the original The Texas Chain Saw Massacre (1974) is ever likely to forget the experience. An intense fever dream (or nightmare), it is remarkable for its sense of sustained threat and depiction of an insane but nonetheless (dys)functional family on the furthest reaches of society who have regressed to cannibalism in the face of economic hardship. As well as providing a summary of the making of the film, James Rose discusses the extraordinary censorship history of the film in the UK (essentially banned for two decades) and provides a detailed textual analysis of the film with particular reference to the concept of 'the Uncanny'. He also situates the film in the context of horror film criticism (the 'Final Girl' character) and discusses its influence and subsequent sequels and remakes.

The Texas Chain Saw Massacre

by Stefan Jaworzyn

In 1974, a low-budget, no-star horror movie was unleashed on the world, causing panic among the censors and provoking glee from its intended audience. The Texas Chain Saw Massacre is still as powerful today as when it was first seen almost thirty years ago, and will return to the screens in a high profile remake this Halloween. Now, in this long-awaited companion to Tobe Hooper's groundbreaking film, Stefan Jaworzyn gives us the inside story of one of the most successful, controversial and influential horror films ever made, as well as in-depth coverage of the three sequels, various documentaries and other movies also based on the life of serial killer Ed Gein. Packed with exclusive interviews, rare and unseen pictures, and with a foreword from the chainsaw-wielding Leatherface himself, Gunnar Hansen!

The Texas Chain Saw Massacre (Devil's Advocates Ser.)

by James Rose

No-one who has ever seen the original The Texas Chain Saw Massacre (1974) is ever likely to forget the experience. An intense fever dream (or nightmare), it is remarkable for its sense of sustained threat and depiction of an insane but nonetheless (dys)functional family on the furthest reaches of society who have regressed to cannibalism in the face of economic hardship. As well as providing a summary of the making of the film, James Rose discusses the extraordinary censorship history of the film in the UK (essentially banned for two decades) and provides a detailed textual analysis of the film with particular reference to the concept of 'the Uncanny’. He also situates the film in the context of horror film criticism (the 'Final Girl’ character) and discusses its influence and subsequent sequels and remakes.

The Texas Chain Saw Massacre: The Film That Terrified a Rattled Nation

by Joseph Lanza

When Tobe Hooper’s low-budget slasher film, The Texas Chainsaw Massacre, opened in theaters in 1974, it was met in equal measure with disgust and reverence. The film—in which a group of teenagers meet a gruesome end when they stumble upon a ramshackle farmhouse of psychotic killers—was outright banned in several countries and was pulled from many American theaters after complaints of its violence. Despite the mixed reception from critics, it was enormously profitable at the domestic box office and has since secured its place as one of the most influential horror movies ever made. In The Texas Chainsaw Massacre and Its Terrifying Times, cultural critic Joseph Lanza turns his attentions to the production, reception, social climate, and impact of this controversial movie that rattled the American psyche. Joseph Lanza transports the reader back to the tumultuous era of the 1970s defined by political upheaval, cultural disillusionment, and the perceived decay of the nuclear family in the wake of Watergate, the onslaught of serial killers in the US, as well as mounting racial and sexual tensions. The Texas Chainsaw Massacre and Its Terrifying Times sets the themes of the film against the backdrop of the political and social American climate to understand why the brutal slasher flick connected with so many viewers. As much a book about the movie as the moment, Joseph Lanza has created an engaging and nuanced work that grapples with the complications of the American experience.

The Theater Cat

by Marilyn Helmer

For generations, the LeChats had kept the mouse problem in the Old Lighthouse Theater under control. But Purrcey LeChat doesn't want to hunt mice—he wants to see his name up in lights!

The Theater of Electricity: Technology and Spectacle in the Late 19th Century

by Ulf Otto

Since the 1880s, electrical energies started circulating in European theaters, generated from fossil fuels in urban power plants. A mysterious force, which was still traded as romantic life force by some and for others had already come to stand in for progress, entered performance venues. Engineering knowledge, control techniques and supply chains changed fundamentally how theater was made and thought of. The mechanical image machine from Renaissance and Baroque times was transformed into a thermodynamic engine. Modern theater turned out to be electrified theater. – Retracing what happened backstage before the Avantgarde took to the front stage, this book proposes to write the genealogy of theaters modernity as a cultural history of theater technology.

The Theatre Arts Audition Book for Men

by Annika Bluhm

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

The Theatre Arts Audition Book for Women

by Annika Bluhm

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

The Theatre of Howard Barker

by Charles Lamb

In this second, fully revised edition of his acclaimed study of Barker's work, Charles Lamb sets out to make emotional sense of the characters and their interactions. This is a detailed exploration of the 'scene of seduction' - the challenge, the secret, the abject and the catastrophic, processes which dominate Barker's work. For Lamb, the power of Barker's plays is to be found in the exposure to the irrational and its promotion of a state of unknowing. This revised edition includes: * a new interview with Barker;* a revised introduction, * an updated bibliography * a full production chronology. For students of Barker and for actors and directors working with this unique material, Lamb's book is a vital and illuminating text.

The Theatre of Imagining: A Cultural History of Imagination in the Mind and on the Stage

by Ulla Kallenbach

This book is the first comprehensive analysis of the fascinating and strikingly diverse history of imagination in the context of theatre and drama. Key questions that the book explores are: How do spectators engage with the drama in performance, and how does the historical context influence the dramaturgy of imagination? In addition to offering a study of the cultural history and theory of imagination in a European context including its philosophical, physiological, cultural and political implications, the book examines the cultural enactment of imagination in the drama text and offers practical strategies for analyzing the aesthetic practice of imagination in drama texts. It covers the early modern to the late modernist period and includes three in-depth case studies: William Shakespeare’s Macbeth (c.1606); Henrik Ibsen’s A Doll’s House (1879); and Eugène Ionesco’s The Killer (1957).

The Theatre of Les Waters: More Like the Weather

by Scott T. Cummings

The Theatre of Les Waters: More Like the Weather combines original writings from Les Waters with short essays by a wide range of his collaborators, creating a personal and multi-faceted portrait of an influential director, revered mentor, and inspirational theatre artist. The book begins with a critical introduction of Waters’s work, followed by essays written by a wide range of Waters's collaborators over the past four decades. These essays are framed by shorter pieces of writing by Waters himself: reflections, inspirations, observations, and personal anecdotes. At the heart of this book lies the notion that the director’s central position in theatrical production is defined by collaboration and that a study of directing should take into account how a director works with playwrights, designers, actors, stage managers, and dramaturgs to turn artistic vision into concrete reality on stage. An insightful resource for early career or student directors in theatre programs, The Theatre of Les Waters sheds light on the art of theatre directing by exploring the work of a major theatre artist whose accomplished career sits at the heart of American theatre in the 21st century. Drawing on aspects of memoir, case study, interview, miscellany, biography, and criticism, this is also an enlightening read for anyone with an interest in how theatre artists bring their creative vision to life.

The Theatre of Luis Valdez (4x45)

by Michael M. Chemers

The Theatre of Luis Valdez focuses on the life and work of American playwright and director Luis Valdez, probably best known for his landmark 1979 play Zoot Suit – the first play by a Latinx playwright to appear on Broadway – and founder of El Teatro Campesino, the oldest surviving community theatre in the United States. Built around first-hand discussions of Valdez’s work, this collection gives an in-depth understanding of where ‘the godfather of Chicano theatre’ fits in the grand scheme of American drama and performance. Collaborators Edward James Olmos and Alma Martinez talk about working with Valdez and El Teatro Campesino; scholar Leticia Garcia interviews Jorge Huerta, the leading authority on Chicanx and Latinx theatre on the impact of Valdez work; and Luis Valdez himself contributes a lecture on all aspects of his craft from political resistance and the migrant experience to actor training and dramatic form. A concise and accessible study, 4x45 || Luis Valdez is the go-to resource for scholars, students and theatre practitioners looking for an introduction to this seminal figure in modern American performance.

The Theatre of Nuclear Science: Weapons, Power, and the Scientists Behind it All (Routledge Advances in Theatre & Performance Studies)

by Jeanne P Tiehen

The Theatre of Nuclear Science theoretically explores theatrical representations of nuclear science to reconsider a science that can have consequences beyond imagination. Focusing on a series of nuclear science plays that span the twentieth and twenty-first centuries, and including performances of nuclear science in museums, film, and media, Jeanne Tiehen argues why theatre and its unique qualities can offer important perspectives on this imperative topic. This book will be of great interest to students and scholars of theatre, politics, and literature.

The Theatre of Richard Maxwell and the New York City Players (Routledge Advances in Theatre & Performance Studies)

by Sarah Gorman

The theatre of Richard Maxwell and the New York City Players has received significant international recognition over the past ten years. The company has received three OBIEs, for House (1999), Drummer Wanted (2002) and Good Samaritans (2005). Maxwell received a Guggenheim Fellowship in 2010 and has been commissioned by venues in the United States, the United Kingdom, Germany, Austria, the Netherlands, France, Belgium and Ireland. Although his productions generate a plethora of reviews, there is a deficit of material providing a critical and sustained engagement with his work. The aim of this book is to provide a critical survey of Maxwell’s work since 1992, including his early participation in Cook County Theater Department. Touching upon the acting, production and rehearsal processes of NYC Player’s work, and Maxwell's representations of space, community, race, and gender, this volume provides scholars with an important overview of a key figure in contemporary drama.

The Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio: From Icon to Iconoclasm, From Word to Image, From Symbol to Allegory

by Dorota Semenowicz

This book focuses on Romeo Castellucci’s theatrical project, exploring the ethical and aesthetic framework determined by his reflection on the nature of the image. But why does a director whose fundamental artistic tool is the image deny this key conceptual notion? Rooted in his conscious distancing from iconoclasm in the 1980s, Castellucci frequently replaces this notion with the words ‘symbol’, ‘form’ and ‘idea’.

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