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The Voice of Newfoundland
by Jeff WebbSimilar to the CBC and BBC, the Broadcasting Corporation of Newfoundland was a public broadcaster that was at the centre of a cultural and political change from 1939 to 1949, during which Newfoundland faced wartime challenges and engaged in a constitutional debate about whether to become integrated into Canada. The Voice of Newfoundland studies these changes by taking a close look at the Broadcasting Corporation of Newfoundland's radio programming and the responses of their listeners. Making excellent use of program recordings, scripts, and letters from listeners, as well as government and corporate archives, Jeff A. Webb examines several innovative programs that responded to the challenges of the Great Depression and Second World War. Webb explores the roles that radio played in society and culture during a vibrant and pivotal time in Newfoundland's history, and demonstrates how the broadcaster's decision to air political debates was pivotal in Newfoundlanders's decision to join Canada and to become part of North American consumer society. An engaging study rich in details of some of twentieth-century Newfoundland's most fascinating figures, The Voice of Newfoundland is a remarkable history of its politics and culture and an important analysis of the influence of the media and the participation of listeners.
The Voice of Technology: Soviet Cinema's Transition to Sound, 1928–1935
by Lilya KaganovskyAs cinema industries around the globe adjusted to the introduction of synch-sound technology, the Soviet Union was also shifting culturally, politically, and ideologically from the heterogeneous film industry of the 1920s to the centralized industry of the 1930s, and from the avant-garde to Socialist Realism. In The Voice of Technology: Soviet Cinema’s Transition to Sound, 1928–1935, Lilya Kaganovsky explores the history, practice, technology, ideology, aesthetics, and politics of the transition to sound within the context of larger issues in Soviet media history. Industrialization and centralization of the cinema industry greatly altered the way movies in the Soviet Union were made, while the introduction of sound radically influenced the way these movies were received. Kaganovsky argues that the coming of sound changed the Soviet cinema industry by making audible, for the first time, the voice of State power, directly addressing the Soviet viewer. By exploring numerous examples of films from this transitional period, Kaganovsky demonstrates the importance of the new technology of sound in producing and imposing the "Soviet Voice."
The Voice of Technology: Soviet Cinema's Transition to Sound, 1928–1935
by Lilya KaganovskyA deeply researched exploration of the technology, aesthetics, and politics of Soviet film during the transition from silent to sound. As cinema industries around the globe adjusted to the introduction of synch-sound technology, the Soviet Union was also shifting culturally, politically, and ideologically from the heterogeneous film industry of the 1920s to the centralized industry of the 1930s, and from the avant-garde to Socialist Realism. In The Voice of Technology: Soviet Cinema&’s Transition to Sound, 1928–1935, Lilya Kaganovsky explores the history, practice, technology, ideology, aesthetics, and politics of the transition to sound within the context of larger issues in Soviet media history. Industrialization and centralization of the cinema industry greatly altered the way movies in the Soviet Union were made, while the introduction of sound radically altered the way these movies were received. Kaganovsky argues that the coming of sound changed the Soviet cinema industry by making audible, for the first time, the voice of State power, directly addressing the Soviet viewer. By exploring numerous examples of films from this transitional period, Kaganovsky demonstrates the importance of the new technology of sound in producing and imposing the &“Soviet Voice.&” &“Kaganovsky&’s research is impeccable. Not only does she reference virtually all English-language writing on her subject, she also has combed the archives, unearthing personal stories, government records, filmmakers&’ notes, press reviews from the period, and other previously untranslated documents.&” —CineMontage
The Voice: A Memoir
by Thomas Quasthoff Kirsten Stoldt WittenbornThe Voice is the profoundly inspiring memoir of one of the most sought after and admired classical singers in the world--a man who has arrived at the summit of his artistry by overcoming extraordinarily daunting odds. Thomas Quasthoff, the German bass baritone, stands a shade over four feet tall, his severely underdeveloped arms and hands the result of thalidomide poisoning while he was in his mother's womb. But through stunning determination enlivened by an impish sense of human, Quasthoff has overcome his physical limitations and Dickensian childhood, cultivating his musical genius and thrilling classical music lovers with his sublime voice. What shines through Quasthoff's astonishing story is his staunch refusal to wallow in self-pity, to see himself as a victim. Whether he is evoking a harrowing childhood marked by multiple agonizing surgeries, relating folksy family anecdotes, expressing his devotion to his students as a professor of voice, expounding on his love of jazz and American popular music (he is a great admirer of Stevie Wonder), or unburdening himself of his wickedly outspoken views on art and disability, Quasthoff's unerring sense of humanity, boisterous conviviality, and fierce honesty are always on display. The Voice is utterly winning--a memoir to both marvel at and enjoy.
The Voiceover Artist
by Dave ReidySimon Davies suffers a crippling stutter inherited from his father. At the age of seven, he decides to stop speaking completely-eventually rendering his vocal cords useless from atrophy. <P><P>Unable to speak, Simon finds solace in the voices piping through his bedside radio.Eighteen years later, Simon rebuilds his voice and learns to mostly manage his stutter with a series of subtle tics he's developed to loosen his vocal cords. He moves to Chicago and pursues his lifelong dream of becoming a voice on the radio-a voiceover artist. Meanwhile, his younger brother Connor, in every way more confident and charming than Simon, attempts to take his prodigious talent for improv comedy from the barroom stages of Chicago to the television studios of 30 Rockefeller Plaza in New York City. Coming out of his years of silence, Simon seeks to balance his relationship with his brother, forcing Connor to examine what brotherhood and success mean to him.Told in a series of first-person narratives by the characters who weave in and out of Simon's life, The Voiceover Artist considers the complexities of family and celebrates the heart with which we fight to fulfill our dreams.
The Volksbuhne Movement: A History
by Cecil DaviesThis publication is the first comprehensive account in English of the history of the Freie Volksb^D"hne, founded in Berlin in 1890 through the interaction of Social Democracy and Theatrical Naturalism. Cecil Davies details the nationwide growth of the Volksb^D"hne Movement during the 1920s through the 1990s - including Germany's stormy history up to World War I, the problems associated with building the Volksbühne's own theatre, and the reunification of Germany. Weight is given to the contributions of major figures in the movement such as Bruno Wille, Siegfried Nestriepke, and Erwin Piscator.
The Wages Of History: Emotional Labor On Public History's Front Lines (Public History In Historical Perspective Ser.)
by Amy M. TysonAnyone who has encountered costumed workers at a living history museum may well have wondered what their jobs are like, churning butter or firing muskets while dressed in period clothing. In The Wages of History, Amy Tyson enters the world of the public history interpreters at Minnesota's Historic Fort Snelling to investigate how they understand their roles and experience their daily work. Drawing on archival research, personal interviews, and participant observation, she reframes the current discourse on history museums by analyzing interpreters as laborers within the larger service and knowledge economies. <p><p> Although many who are drawn to such work initially see it as a privilege—an opportunity to connect with the public in meaningful ways through the medium of history—the realities of the job almost inevitably alter that view. Not only do interpreters make considerable sacrifices, both emotional and financial, in order to pursue their work, but their sense of special status can lead them to avoid confronting troubling conditions on the job, at times fueling tensions in the workplace. <p> This case study also offers insights—many drawn from the author's seven years of working as an interpreter at Fort Snelling—into the way gendered roles and behaviors from the past play out among the workers, the importance of creative autonomy to historical interpreters, and the ways those on public history's front lines both resist and embrace the site's more difficult and painful histories relating to slavery and American Indian genocide.
The Wall Will Tell You: The Forensics of Screenwriting
by Hampton FancherA completely original guide to the screenwriter's art -- as only the writer of Blade Runner could concieve it.The master speaks, in this unique guide for screenwriters -- and writers and artists of all kinds. In short paragraphs--oracular and enigmatic, hardhitting and concrete--the man Forbes called a "creative genius" writes a guide book like none other for the aspiring screenwriter. Learn how to write living, breathing characters, exciting action and plot, and develop your own artistic vision. And learn how to never compromise that vision, most importantly, with yourself.
The Wall of Life: Pictures and Stories from This Marvelous Lifetime
by Shirley MacLaineAcademy Award-winning actress and New York Times bestselling author Shirley MacLaine shares a dazzling memoir in photographs, chronicling her extraordinary life with 150+ images from her personal archiveWith more than seventy years on the silver screen, Shirley MacLaine has, as she says, seen it all, done it all, been everywhere, and met everyone. Since making her Hollywood debut in 1955, her popularity has only grown as she&’s amassed a stunning collection of awards and written multiple bestselling memoirs.Now, at ninety years old, MacLaine has more stories to tell and the pictures to bring them to life. By introducing readers to her extensive photo collection—which she calls her &“wall of life&”—MacLaine reveals both intimate family memories and images with some of the most significant figures from entertainment and politics. With wit and charm, she reflects on each photo, exploring ambition, love, friendship, motherhood, art, political activism, curiosity, and more.Charting the course of her remarkable life and career, MacLaine shares both early memories (her childhood with her brother, Warren Beatty; her decision to leave for New York City at age sixteen; her early work dancing on Broadway) as well as remembrances of her days in the public eye (campaigning for George McGovern, traveling to meet political luminaries, starring in legendary film roles, and developing an interest in spirituality).Along the way, readers gain greater insight into figures such as Frank Sinatra, Dean Martin, Bob Fosse, Jack Nicholson, the Dalai Lama, Fidel Castro, Mikhail Baryshnikov, and many more. Whether she's sharing what advice Elvis Presley asked her for, how she consoled close friend Elizabeth Taylor after the death of her husband, or which head of state she discussed UFOs with, MacLaine offers her most visual and delightful book yet, giving readers an unprecedented glance into a life like no other.
The War Against the BBC: How an Unprecedented Combination of Hostile Forces Is Destroying Britain's Greatest Cultural Institution... And Why You Should Care
by Patrick Barwise Peter YorkThere's a war on against the BBC. It is under threat as never before. And if we lose it, we won't get it back.The BBC is our most important cultural institution, our best-value entertainment provider, and the global face of Britain. It's our most trusted news source in a world of divisive disinformation. But it is facing relentless attacks by powerful commercial and political enemies, including deep funding cuts - much deeper than most people realise - with imminent further cuts threatened. This book busts the myths about the BBC and shows us how we can save it, before it's too late.
The War Magician: The Man Who Conjured Victory In The Desert
by David FisherJasper Maskelyne was a world famous magician and illusionist in the 1930s. When war broke out, he volunteered his services to the British Army and was sent to Eygpt where the desert war had just begun. He used his skills to save the vital port of Alexandria from German bombers and to 'hide' the Suez Canal from them. He invented all sorts of camouflage methods to make trucks look like tanks and vice versa. Working for military intelligence, he put on a stage show inside the Royal Palace in Cairo in order to locate an enemy spy's radio transmitter. On Malta he developed 'the world's first portable holes': fake bomb craters used to fool the Germans into thinking they had hit their targets. His war culminated in the brilliant deception plan that won the Battle of El Alamein: the creation of an entire dummy army in the middle of the desert. Originally published in 1985. British spelling and punctuation is used.
The Warrior's Camera: The Cinema of Akira Kurosawa - Revised and Expanded Edition
by Stephen PrinceThe Japanese film director Akira Kurosawa, who died at the age of 88, has been internationally acclaimed as a giant of world cinema. Rashomon, which won both the Venice Film Festival's grand prize and an Academy Award for best foreign-language film, helped ignite Western interest in the Japanese cinema. Seven Samurai and Yojimbo remain enormously popular both in Japan and abroad. In this newly revised and expanded edition of his study of Kurosawa's films, Stephen Prince provides two new chapters that examine Kurosawa's remaining films, placing him in the context of cinema history. Prince also discusses how Kurosawa furnished a template for some well-known Hollywood directors, including Martin Scorsese, Steven Spielberg, and George Lucas. Providing a new and comprehensive look at this master filmmaker, The Warrior's Camera probes the complex visual structure of Kurosawa's work. The book shows how Kurosawa attempted to symbolize on film a course of national development for post-war Japan, and it traces the ways that he tied his social visions to a dynamic system of visual and narrative forms. The author analyzes Kurosawa's entire career and places the films in context by drawing on the director's autobiography--a fascinating work that presents Kurosawa as a Kurosawa character and the story of his life as the kind of spiritual odyssey witnessed so often in his films. After examining the development of Kurosawa's visual style in his early work, The Warrior's Camera explains how he used this style in subsequent films to forge a politically committed model of filmmaking. It then demonstrates how the collapse of Kurosawa's efforts to participate as a filmmaker in the tasks of social reconstruction led to the very different cinematic style evident in his most recent films, works of pessimism that view the world as resistant to change.
The Wars We Took to Vietnam: Cultural Conflict and Storytelling
by Milton J. BatesWhat Americans refer to as the Vietnam War embraces much more than the conflict with North Vietnam. Milton J. Bates considers the other conflicts that Americans brought to that war: the divisions stemming from differences in race, class, sex, generation, and frontier ideology. In exploring the rich vein of writing and film that emerged from the Vietnam War era, he strikingly illuminates how these stories reflect American social crises of the period.Some material examined here is familiar, including the work of Michael Herr, Tim O'Brien, Philip Caputo, Susan Sontag, Francis Ford Coppola, and Oliver Stone. Other material is less well known—Neverlight by Donald Pfarrer and De Mojo Blues by A. R. Flowers, for example. Bates also draws upon an impressive range of secondary readings, from Freud and Marx to Geertz and Jameson.As the products of a culture in conflict, Vietnam memoirs, novels, films, plays, and poems embody a range of political perspectives, not only in their content but also in their structure and rhetoric. In his final chapter Bates outlines a "politico-poetics" of the war story as a genre. Here he gives special attention to our motives—from the deeply personal to the broadly cultural—for telling war stories.
The Washington Post Pulitzers: Criticism, Sarah Kaufman
by Sarah KaufmanRecipient of the Pulitzer Prize for Criticism. Sarah Kaufman covers one of the high arts&’ most illustrious forms—dance. What emerges from her criticism is always fresh and thought-provoking. From exploring Cary Grant as an overlooked artist to her bold assessment of The Nutcracker, Kaufman tackles the subject of dance and movement with daring honesty and dazzling creativity.
The Way Back Home (Wildflower #3)
by Alecia WhitakerMusic sensation Bird Barrett is hitting the road, headlining her first national tour after the launch of her second album. Singing to sold-out crowds can mess with a girl's sense of perspective, though. Luckily, Bird has her older brother, Dylan, and her best friend, Stella, along for the ride to keep her grounded. Then Dylan and Stella pair off as more than friends. Feeling left behind, Bird throws herself completely into her performances, cover shoots, and high-profile interviews. And the more she tries to distract herself with her career, the further she pushes everyone away-including her longtime crush, Adam Dean, who joined the tour as her opener. When Bird breaks down, she'll need help to find her footing again. But has she pushed everyone too far? In a life like this one, a country girl needs her family and friends-and maybe an old flame-most of all. A foot-stompin' finale to Alecia Whitaker's irresistible Wildflower series.
The Way Hollywood Tells It: Story and Style in Modern Movies
by David BordwellAn essay on Hollywood storytelling, showing how storytelling has (and has not) changed since the end of the studio era.
The Way I Heard It: True Tales For The Curious Mind With A Short Attention Span
by Mike RoweExecutive producer and host Mike Rowe presents a delightfully entertaining, seriously fascinating collection of his favorite episodes from America’s #1 short-form podcast, The Way I Heard It, along with a host of personal memories, ruminations, and insights. It’s a captivating must-read. <P><P>The Way I Heard It presents thirty-five mysteries “for the curious mind with a short attention span.” Every one is a trueish tale about someone you know, filled with facts that you don’t. Movie stars, presidents, bloody do-gooders, and villains—they’re all here, waiting to shake your hand, hoping you’ll remember them. <P><P>Delivered with Mike’s signature blend of charm, wit, and ingenuity, their stories are part of a larger mosaic—a memoir full of surprising revelations, sharp observations, and intimate, behind-the-scenes moments drawn from Mike’s own remarkable life and career. <P><P><b>A New York Times Bestseller</b>
The Way I See It: A Look Back at My Life on Little House
by Melissa AndersonThe star of "Little House on the Prairie" takes readers onto the set and inside the world of the iconic series. Filled with personal, revealing anecdotes and memorabilia from the "Little House" years, this book is also a portrait of a child star who became a successful adult actress and a successful adult.
The Way I Was
by Marvin Hamlisch Gerald GardnerMarvin Hamlisch got his start as a rehearsal pianist for Funny Girl with Barbra Streisand, and went on to co-create A Chorus Line, write the Oscar-winning musical score for The Way We Were, and win many other awards for the music he wrote for the stage and screen. Hamlisch is one of only a handful of people to win a Grammy, a Tony, an Oscar, and an Emmy. In this revealing autobiography, written in partnership with noted freelance writer Gerald C. Gardner, Hamlisch tells the story of his childhood, his marriage, and his friendships with stars including Liza Minnelli, Barbra Streisand, and Groucho Marx. The autobiography paints a nostalgic and intimate picture of Broadway and Hollywood. After his death in 2012, Barbra Streisand made a tribute to him in her appearance on the 2013 Oscar broadcast. This book includes moving words from Hamlisch's many celebrity friends during the memorial service held shortly after his death. ABOUT THE AUTHOR Marvin Hamlisch (1944-2012) was an award-winning American composer and conductor. Born in Manhattan to Viennese Jewish parents, Hamlisch was a child prodigy, and was admitted into the Juilliard School at the age of seven. He wrote his first Billboard Hot 100 song at the age of 21. Hamlisch wrote music for several early Woody Allen films, The Spy Who Loved Me, The Way We Were, and the original theme music for Good Morning America--among many other compositions. He also served as Principal Pops Conductor for the Pittsburgh Symphony Orchestra, the Milwaukee Symphony Orchestra, the San Diego Symphony, the Seattle Symphony, and several others. He is one of only a handful of people in the world to win an Emmy, Grammy, Oscar, and Tony. He also won two Golden Globes and a Pulitzer Prize. Hamlisch was awarded the Lifetime Achievement Award at the World Soundtrack Awards in 2009. Gerald C. Gardner is an author, scriptwriter, producer, and screenwriter. He is the author of 22 episodes of The Monkees and 11 episodes of Get Smart, several of which were nominated for Primetime Emmy Awards. He was also a senior writer for the series of live news satire broadcasts That Was the Week That Was. He is also the author of over 30 books.
The Way I Was
by Marvin Hamlisch Gerald GardnerThe EGOT-winning composer of The Way We Were and A Chorus Line recounts his remarkable life from childhood to Broadway and Hollywood. The son of Jewish Viennese immigrants, six-year-old Marvin Hamlisch&’s early musical talent and discipline led him to Julliard, where he studied for more than a decade. From there, Hamlisch got his start as a rehearsal pianist for Funny Girl starring Barbra Streisand. He went on to co-create the classic American musical A Chorus Line and wrote the Oscar Award–winning musical score for The Way We Were. Hamlisch is one of only a handful of people to achieve EGOT status—winning an Emmy, a Grammy, an Oscar, and a Tony. In this autobiography, Hamlisch tells the tale of his life and career, revealing personal stories of his childhood, his marriage, and his friendships with stars including Liza Minnelli, Groucho Marx, and others. It offers an intimate view of his life and a compelling portrait of Broadway and Hollywood through the second half of the twentieth century.
The Way It Hurts
by Patty BlountThere may be two sides to every story, but sometimes there's only one way to set things right...Music is Elijah's life. His band plays loud and hard, and he'll do anything to get them a big break. He needs that success to help take care of his sister, who has special needs. So he'd rather be practicing when his friends drag him to a musical in the next town...until the lead starts to sing.Kristen dreams of a career on stage like her grandmother's. She knows she needs an edge to get into a competitive theater program—and being the star in her high school musical isn't going to cut it. The applause and the attention only encourage her to work harder.Elijah can't take his eyes off of Kristen's performance, and his swooning face is captured on camera and posted with an out-of-context comment. It goes viral. Suddenly, Elijah and Kristen are in a new spotlight as the online backlash spins out of control. And the consequences are bigger than they both could have ever imagined because these threats don't stay online...they follow them into real life.
The Way They Were: How Epic Battles and Bruised Egos Brought a Classic Hollywood Love Story to the Screen
by Robert HoflerThe first ever account of the making of the cinematic classic The Way We Were starring Barbara Streisand and Robert Redford, revealing the full story behind its genesis and continued controversies, its many deleted scenes, its much-anticipated but never-filmed sequel, and the real-life romance that inspired this groundbreaking love story… It&’s one of the greatest movie romances of all time. Fifty years on, the chemistry between Barbra Streisand as Jewish working-class firebrand Katie Morosky and Robert Redford as all-American golden boy Hubbell Gardiner remains potent. Yet the friction and controversy surrounding The Way We Were were so enormous, the movie was nearly never made at all. Impeccably researched and eye-opening, here is the full story behind the challenges, rivalries, and real-life romance surrounding the movie. Even the iconic casting was fraught. Screenwriter Arthur Laurents wrote the role of Katie with Streisand in mind, but finding Hubbell was another matter. Redford was reluctant to play what he perceived as the &“Ken doll&” to Streisand&’s lead, resulting in ten writers—among them Francis Ford Coppola—being called in to rework the script. The first preview was disastrous. Several scenes were cut, angering Streisand and Laurents, yet the new version was a resounding success, and its appeal endures, earning it a regular spot in the AFI&’s annual Top 10 movie romances.The Way They Were also explores the deep, surprising love story that inspired the screenplay—the relationship between Laurents, a Jewish Brooklyn-born college leftist, and his longtime partner, Tom Hatcher. Drawing on Laurents&’s unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and has defined romance ever since.
The Way We All Became The Brady Bunch: How the Canceled Sitcom Became the Beloved Pop Culture Icon We Are Still Talking About Today
by Kimberly PottsIn celebration of the Brady Bunch's 50th anniversary, TV writer Kimberly Potts writes a Seinfeldia-like definitive history of the show that changed the family sitcom and made an indelible impact on pop culture.There isn't a person in this country who hasn't heard of The Brady Bunch. Whether it's the show they watched growing up, or the one their parents did--whether adored, or great to poke fun at--The Brady Bunch is unarguably one of the most enduring and inspiring TV shows of our time. It's lived a dozen lives, from its original comedy debut and big-screen movies, to the Emmy-winning TV auteurs it has inspired--everyone from Vince Gilligan to Jill Soloway--and promises to live many more. In The Way We All Became the Brady Bunch, TV and pop culture writer Kimberly Potts will draw upon her deep knowledge of and appreciation for The Brady Bunch and television and pop culture history, as well as her contacts, connections, and experience, to provide an industry insider narrative of The Brady Bunch. With fresh interviews, The Way We All Became the Brady Bunch will examine the show's lasting effects on its audience and take readers behind-the-scenes and into the lives of our most beloved characters, all to document why The Brady Bunch was one of the most groundbreaking shows of its time--and why it remains to this day, unforgettable.
The Way You Wear Your Hat: Frank Sinatra and the Lost Art of Livin'
by Bill ZehmeIn The Way You Wear Your Hat, author Bill Zehme presents a masterful assembly of the most personal details and gorgeous minutiae of Frank Sinatra's way of livingmatters of the heart and heartbreak, friendship and leadership, drinking and cavorting, brawling and wooing, tuxedos and snap-brimsall crafted from rare interviews with Sinatra himself as well as many other intimates, including Tony Bennett, Don Rickles, Angie Dickinson, Tony Curtis, and Robert Wagner, in addition to daughters Nancy and Tina Sinatra. Capturing the timeless romance and classic style of the fifties and the loose sixties, The Way You Wear Your Hat is a stunning exploration of the Sinatra mystique.
The Way of Acting
by J. Thomas Rimer Tadashi SuzukiThe most influential contemporary theatre director in Japan, Suzuki provides a thorough and accesible formulation of his ideas and beliefs, and insights into his training methods. Features his compelling adaptation of Clytemnestra--finding an astonishing parallel between ancient Greek and modern Japanese society, Suzuki melds traditional and avant-garde techinques to shed new light on this primal tale.