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They Live
by Wilson D. HarlanTraces the development of They Live from its comic book roots to its legacy as a cult masterpiece while evaluating the film in light of paranoid/postmodern theory
They Live (Cultographies)
by D. Harlan WilsonBorn out of the cultural flamboyance and anxiety of the 1980s, They Live (1988) is a hallmark of John Carpenter's singular canon, combining the aesthetics of multiple genres and leveling an attack against the politics of Reaganism and the Cold War. The decision to cast the professional wrestler "Rowdy" Roddy Piper as his protagonist gave Carpenter the additional means to comment on the hypermasculine attitudes and codes indicative of the era. This study traces the development of They Live from its comic book roots to its legacy as a cult masterpiece while evaluating the film in light of the paranoid/postmodern theory that matured in the decidedly "Big 80s." Directed by a reluctant auteur, the film is examined as a complex work of metafiction that calls attention to the nature of cinematic production and reception as well as the dynamics of the cult landscape.
They Might Be Giants' Flood (33 1/3 Ser. #88)
by S. Alexander Reed Elizabeth SandiferFor a few decades now, They Might Be Giants’ album Flood has been a beacon (or at least a nightlight) for people who might rather read than rock out, who are more often called clever than cool. Neither the band’s hip origins in the Lower East Side scene nor Flood’s platinum certification can cover up the record’s singular importance at the geek fringes of culture. Flood’s significance to this audience helps us understand a certain way of being: it shows that geek identity doesn’t depend on references to Hobbits or Spock ears, but can instead be a set of creative and interpretive practices marked by playful excess—a flood of ideas. The album also clarifies a historical moment. The brainy sort of kids who listened to They Might Be Giants saw their own cultural options grow explosively during the late 1980s and early 1990s amid the early tech boom and America’s advancing leftist social tides. Whether or not it was the band’s intention, Flood’s jubilant proclamation of an identity unconcerned with coolness found an ideal audience at an ideal turning point. This book tells the story.
They Shouldn't Have Killed His Dog: The Complete Uncensored Ass-Kicking Oral History of John Wick, Gun Fu, and the New Age of Action
by Edward Gross Mark A. AltmanThere have been iconic moments in the action movie genre over the years, but nothing has come close to matching the kinetic, balletic gun-fu of the John Wick films.In They Shouldn’t Have Killed His Dog: The Complete Uncensored Ass-Kicking Oral History of John Wick, Gun-Fu and The New Age of Action, bestselling authors Mark A. Altman and Edward Gross take you behind the scenes of a franchise that includes three films with more on the way, while exploring the action classics that led to John Wick as well as the films it inspired, like Atomic Blonde. They bring you right into the middle of the action of the John Wick films, detailing how the seemingly impossible was achieved through exclusive interviews with the cast, writers, directors, producers, stuntmen, fight choreographers, cinematographers, studio executives, editors, critics, and more. Together, they break down key action sequences while also providing a look back at the road the action genre has taken that led to John Wick, and a look at the character itself, an anti-hero who carries on the grand tradition of Clint Eastwood’s Man with No Name, but with a twist — and a never-ending supply of ammo — while showcasing the enduring appeal of the action movie as well as John Wick’s unique reinvention of the genre.
They Told Me Not to Take that Job: Tumult, Betrayal, Heroics, and the Transformation of Lincoln Center
by Reynold LevyReynold Levy joined Lincoln Center in 2002. When he did so America’s leading arts venue was routinely described in terms like this: "Behind the scenes, however, Lincoln Center is a community in deep distress, riven by conflict over a grandiose $1 billion redevelopment plan... instead of uniting the Center’s constituent arts organizations behind a common goal, the project has pitted them against one another in open warfare more reminiscent of the shoot-out at the OK Corral than of a night at the opera. 'To say that it is a mess is putting it mildly,’ says Johanna Fiedler, the author and a former staff member at the Metropolitan Opera. 'There is nobody running the show right now. ’” (Leslie Bennetts, New York Magazine¸ February 4, 2002) To choose to be President of Lincoln Center of one’s own free will was regarded by Reynold Levy’s friends and mentors as bordering on a self-destructive act. Rivalries abounded. Personalities clashed. Egos reigned. Reputations were badly damaged. And many of the tensions were dramatically played out in public and assiduously reported by a delighted press. Levy had just spent six years traipsing through much of the Third World and many failed states as the President of the International Rescue Committee (IRC), one of the world’s leading refugee assistance organizations. Having dealt with the Democratic Republic of Congo, Rwanda, and Serbia, even Joe Volpe, the volcanic manager of the Metropolitan Opera seemed hardly daunting. Lincoln Center, its key figures with their bombast and betrayals was not South Sudan. So he set to, and during his presidency transformed Lincoln Center’s entire 16-acre campus including the city block from Broadway to Amsterdam Avenue. With the new Alice Tully Hall, the expansion of The Juilliard School, two new screening rooms and an education center for the Film Society, new dance studios for the School of American Ballet, came a beautifully designed, graceful welcome to Lincoln Center’s main campus, one filled with light and life. There were new green spaces, new restaurants, a totally wifi’d campus that displayed 21st Century technology indoors and out. And a remodeled, utterly transformed, privately owned public space called the David Rubenstein Atrium, named after its principal donor, a new Lincoln Center Commons, opened free of charge to the public 365 days a year. This book reveals the real story behind the 1. 2 billion dollar reinvention of Lincoln Center, and all the trials and triumphs along the way. It contains unique lessons for leaders in all kinds of organizations, cautionary tales for employees, volunteers and donors, and inspiring clarity for anyone who wants to lead an institution they believe in so that it can become the best version of itself.
They Went Another Way: A Hollywood Memoir
by Bruce Eric KaplanA darkly comic memoir about being a working creative person in a world that is growing ever more dysfunctional, by acclaimed New Yorker cartoonist and television writer Bruce Eric Kaplan.In January 2022, Bruce Eric Kaplan found himself confused and upset by the state of the world and the state of his life as a television writer in Los Angeles. He started a journal to keep from going mad, which eventually became They Went Another Way.The book’s through line traces his attempt to get a television project set up in the increasingly Byzantine world of Hollywood. But as he details the project’s ups and downs, Kaplan finds himself ruminating not only on show business but also on today’s political and social issues, on old movies and TV shows and music, on his family, on his friends, on his past, on his failing heating system, and on all the dead birds that keep showing up in his backyard.This hilarious and surprisingly moving book is about life—about art, about love, about alienation, about connection, about ugliness and beauty, about disappointment, wonder, and hope. In short, it is about everything.
They'll Never Put That on the Air: The New Age of TV Comedy
by Allan NeuwirthIn the 1950s, Lucille Ball couldn't even say the word "pregnant" on TV. But by the 1990s, Carrie Bradshaw and her posse could say everything there is to say about sex-and demonstrate most of it. How have broadcast standards changed from the dawn of television till today? Through interviews with the creators of landmark shows, author Allan Neuwirth traces that history, revealing how the upheaval of the 1960s led to edgier fare such as The Smothers Brothers Comedy Hour; how counterculture baby boomers made Saturday Night Live-style satire possible; how stand-up comedians changed the sitcom landscape; how UPN and the WB raised eyebrows with comedies aimed at minorities; and much more. In this age of FCC crackdowns, They'll Never Put That on the Air is as timely as it is entertaining and informative. Firsthand accounts of life in the TV trenches from producers and writers Handy "genealogy chart" traces TV comedy from the 1950s to today Insider author is an award-winning producer, director, and writer of TV comedy
They're Playing Our Song: A Memoir
by Carole Bayer SagerA New York Times bestseller from Grammy and Academy Award–winning songwriter Carole Bayer Sager shares &“a delightful and funny tell-all crammed with famous names and famous songs&” (Steve Martin), from her fascinating (and sometimes calamitous) relationships to her collaborations with the greatest composers and musical artists of our time.For five decades, Carole Bayer Sager has been among the most admired and successful songwriters at work, responsible for her lyrical contributions to some of the most popular songs in the English language, including &“Nobody Does It Better,&” &“A Groovy Kind of Love,&” &“Don&’t Cry Out Loud,&” and the theme from the movie Arthur, &“The Best That You Can Do&” (about getting caught between the moon and New York City). She has collaborated with (and written for) a dizzying number of stars, including Peter Allen, Ray Charles, Celine Dion, Bob Dylan, Neil Diamond, Clint Eastwood, Aretha Franklin, Whitney Houston, Michael Jackson, Carole King, Melissa Manchester, Reba McEntire, Bette Midler, Dolly Parton, Carly Simon, Frank Sinatra, and Barbra Streisand. But while her professional life was filled with success and fascinating people, her personal life was far more difficult and dramatic. In this memoir that &“reads like a candid conversation over a bottle of Mersault on a breezy Bel Air night&” (Vanity Fair), Carole Bayer Sager tells the surprisingly frank and darkly humorous story of a woman whose sometimes crippling fears and devastating relationships inspired many of the songs she would ultimately write. &“This exceptionally candid memoir&” (Los Angeles Times) will fascinate anyone interested in the craft of songwriting and the joy of collaboration, but They&’re Playing Our Song is also a deeply personal account of how love and heartbreak made her the woman, and the writer, she is. &“Carole Bayer Sager is simply the finest….and this book is one of the best, most lasting songs she has ever written&” (Carly Simon).
Thicker than Water
by Kerry WashingtonAward-winning actor, director, producer, and activist Kerry Washington shares the deeply moving journey of her life so far, and the bravely intimate story of discovering her truth. While on a drive in Los Angeles, on a seemingly average afternoon, Kerry Washington received a text message that would send her on a life-changing journey of self-discovery. In an instant, her very identity was torn apart, with everything she thought she knew about herself thrown into question.In Thicker than Water, Washington gives readers an intimate view into both her public and private worlds - as a mother, daughter, wife, artist, advocate, and trailblazer. Chronicling her upbringing and life's journey thus far, she reveals how she faced a series of challenges and setbacks, effectively hid childhood traumas, met extraordinary mentors, managed to grow her career and crossed the threshold into stardom and political advocacy, ultimately discovering her truest self and, with it a deeper sense of belonging. Throughout this profoundly moving and beautifully written memoir, Washington attempts to answer the questions so many have struggled with: Who am I? What is my truest and most authentic self? How do I find a deeper sense of connection and belonging? With grace and honesty, she inspires readers to search for - and find - themselves.
Thicker than Water
by Kerry WashingtonAward-winning actor, director, producer, and activist Kerry Washington shares the deeply moving journey of her life so far, and the bravely intimate story of discovering her truth. While on a drive in Los Angeles, on a seemingly average afternoon, Kerry Washington received a text message that would send her on a life-changing journey of self-discovery. In an instant, her very identity was torn apart, with everything she thought she knew about herself thrown into question.In Thicker than Water, Washington gives readers an intimate view into both her public and private worlds - as a mother, daughter, wife, artist, advocate, and trailblazer. Chronicling her upbringing and life's journey thus far, she reveals how she faced a series of challenges and setbacks, effectively hid childhood traumas, met extraordinary mentors, managed to grow her career and crossed the threshold into stardom and political advocacy, ultimately discovering her truest self and, with it a deeper sense of belonging. Throughout this profoundly moving and beautifully written memoir, Washington attempts to answer the questions so many have struggled with: Who am I? What is my truest and most authentic self? How do I find a deeper sense of connection and belonging? With grace and honesty, she inspires readers to search for - and find - themselves.
Thicker than Water: A Memoir
by Kerry WashingtonAward-winning actor, director, producer, and activist Kerry Washington shares the deeply moving journey of her life so far, and the "beautiful" story of discovering her truth in this instant New York Times bestseller (Oprah Winfrey). While on a drive in Los Angeles, on a seemingly average afternoon, Kerry Washington received a text message that would send her on a life-changing journey of self-discovery. In an instant, her very identity was torn apart, with everything she thought she knew about herself thrown into question. In Thicker than Water, Washington gives readers an intimate view into both her public and private worlds—as a mother, daughter, wife, artist, advocate, and trailblazer. Chronicling her upbringing and life&’s journey thus far, she reveals how she faced a series of challenges and setbacks, effectively hid childhood traumas, met extraordinary mentors, managed to grow her career, and crossed the threshold into stardom and political advocacy, ultimately discovering her truest self and, with it, a deeper sense of belonging. Throughout this profoundly moving and beautifully written memoir, Washington attempts to answer the questions so many have struggled with: Who am I? What is my truest and most authentic self? How do I find a deeper sense of connection and belonging? With grace and honesty, she inspires readers to search for—and find—themselves.
Things I Couldn't Tell My Mother: My Autobiography
by Sue Johnston'There was a lot that we kept from my mother. My dad would say to me as a teenager "Don't tell your mother." We couldn't face the disapproval.'Sue Johnston always seemed to be disappointing her mother. As a girl she never stayed clean and tidy like her cousins. As she grew older, she spent all her piano lesson money on drinks for her mates down the pub, and when she discovered The Cavern she was never at home. The final straw was when Sue left her steady job at a St Helen's factory to try her hand at that unsteadiest of jobs: acting. Yet when Sue was bringing up her own child alone, her mother was always there to help. And playing her much-loved characters Sheila Grant in Waking the Dead and Barbara in The Royle Family- although her mum wouldn't say she was proud as such, she certainly seemed to approve. And in her mother's final months, it was Sue she needed by her side.The relationship with your mother is perhaps the most precious and fraught of any woman's life. When she began writing, Sue set out to record 'all the big things, and all the small things. Everything I wanted to tell my mother but felt I never could'. The result is a warm, poignant and often very funny memoir by one of Britain's favourite actresses.
Things I Overheard While Talking to Myself
by Alan AldaPicking up where his bestselling memoir, Never Have Your Dog Stuffed, left off–having been saved by emergency surgery after nearly dying on a mountaintop in Chile–beloved actor and acclaimed author Alan Alda offers an insightful and funny look at some impossible questions he’s asked himself over the years: What do I value? What, exactly, is the good life? (And what does that even mean?) Here, Alda listens in on things he’s heard himself saying at critical points in his life–from the turbulence of the sixties, to his first Broadway show, to the birth of his children, to the ache of September 11, and beyond. Reflecting on the transitions in his life and in all our lives, he notices that “doorways are where the truth is told,” and wonders if there’s one thing–art, activism, family, money, fame–that could lead to a “life of meaning. ” In a book that is candid, wise, and as questioning as it is incisive, Alda amuses and moves us with his uniquely hilarious meditations on questions great and small.
Things I Should Have Said
by Jamie Lynn SpearsIn this intimate national bestselling memoir, actress and musician Jamie Lynn Spears opens up for the first time, telling her unfiltered story on her own terms. You&’ve read the headlines, but you don&’t know Jamie Lynn Spears. The world first met Jamie Lynn as a child star, when it was her job to perform, both on set and for the press. She spent years escaping into different characters—on All That, Zoey 101, and even in the role as Britney&’s kid sister. But as she grew up, faced a teen pregnancy, raised her daughter on her own, pursued a career, and learned to stand on her own two feet, the real Jamie Lynn started to take center stage - a raw, blemished, and imperfect woman, standing in her own power. Despite growing up in one of America's most tabloid-famous families, Jamie Lynn has never told her story in her own words. In Things I Should Have Said, she talks frankly about the highs and lows, sharing what it was like traveling the world as a kid, how she moved into acting and performing herself, what life as a child star took from her, and the life-changing reality of becoming a teen mom. She talks about how she finally found love and how the mistakes she has made have taught her more than anything else. She also shares vulnerably about how the ATV accident that nearly took her daughter's life brought her back to her faith and caused her to reevaluate and redirect her life. Frank, courageous, and inspiring, Things I Should Have Said is a portrait of a wife, momma, sister, daughter, actress, and musician doing the best she could to show up for herself and teach her daughters to have the courage to love every part of themselves, too.
Things I'd Tell My Child
by Katie Piper Diane PiperWhether you're only just becoming a mum for the first time or you have children who are growing up faster than you could have ever imagined, motherhood can feel like the most joyful and yet the most daunting of times. But you're not alone. From the moment I knew my first baby was a girl I started to plan, hope and dream. I couldn't wait to experience that special bond, but I also wondered how I'd feel about being a working mum, how I'd hold on to the person I am. I also knew that the world has changed so much since I was growing up. What advice, values and role models would help give my daughter the confidence and strength to cope with all that might come her way - and to give her an open mind and warm heart? And how would I guide her through the issues girls face today? This is my journey in motherhood: my experiences, hopes and fears - with my mum's stories of raising me, a parenting expert's advice and empowering exercises - to guide you from those first wobbly moments to being a happy, healthy mum and raising feisty, independent children who aren't afraid to be themselves - and to go for the life they want. Katie PiperFrom Mother to Daughter is about motherhood, about what you learn as a mother and the things you would tell your daughter and most of all it's Katie and Diane' Piper's celebration of the incredible power of mother-daughter relationships.
Things The Grandchildren Should Know
by dba E Mark Oliver EverettMark Oliver Everett's upbringing was 'ridiculous, sometimes tragic and always unsteady'. His father - a quantum mechanic who worked for the Pentagon - was a genius who had corresponded with Einstein aged 13. He rarely spoke, and following his own miserable childhood had eccentric ideas of how children should be brought up. Mark - known as 'E' - and his older sister Liz were raised in a house with no rules, with parents who had 'a kind of seventies swinging marriage'. Lacking any real sense of authority, E had to raise himself, not always with the greatest success. His love of music helped pull him through, and by his early 20s he was on the brink of stardom with his first album - Beautiful Freak. But then tragedy struck - having already lost his father to a heart attack, his sister and mother both died in short succession - Liz from an overdose, and his mother from cancer. It was the kind of brutal loss that could destroy someone, but somehow E survived, and channelled his experiences into his music. In THINGS THE GRANDCHILDREN SHOULD KNOW he tells his story - one that is surprisingly full of hope, humour and wry wisdom.
Thinking Past ‘Post-9/11’: Home, Nation and Transnational Desires in Pakistani English Novels and Hindi Films
by Jayana JainThis book offers new ways of constellating the literary and cinematic delineations of Indian and Pakistani Muslim diasporic and migrant trajectories narrated in the two decades after the 9/11 attacks. Focusing on four Pakistani English novels and four Indian Hindi films, it examines the aesthetic complexities of staging the historical nexus of global conflicts and unravels the multiple layers of discourses underlying the notions of diaspora, citizenship, nation and home. It scrutinises the “flirtatious” nature of transnational desires and their role in building glocal safety valves for inclusion and archiving a planetary vision of trauma. It also provides a fresh perspective on the role of Pakistani English novels and mainstream Hindi films in tracing the multiple origins and shifts in national xenophobic practices, and negotiating multiple modalities of political and cultural belonging. It discusses various books and films including The Reluctant Fundamentalist, Burnt Shadows, My Name is Khan, New York, Exit West, Home Fire, AirLift and Tiger Zinda Hai. In light of the twentieth anniversary of 9/11 attacks, current debates on terror, war, paranoid national imaginaries and the suspicion towards migratory movements of refugees, this book makes a significant contribution to the interdisciplinary debates on border controls and human precarity. A crucial work in transnational and diaspora criticism, it will be of great interest to researchers of literature and culture studies, media studies, politics, film studies, and South Asian studies.
Thinking Through Script Analysis
by Suzanne Burgoyne Patricia DowneyBurgoyne and Downey's text in Script Analysis covers all aspects of the traditional course, but in a framework that extends the subject beyond the needs of this course. <P><P>While instructing students in the process of turning a written text into a performance, it uses the broad tool of critical thinking to provide students with tools that they will then be able to use in theater as well as in their studies in other courses -- as well as in their lives. <P><P>Bringing the higher level thinking skills to script analysis enlivens the course while broadening its appeal to students who may well come from outside the theater major. <P><P> The tools brought to bear throughout the book include challenging misconceptions, structuring the thought process, drawing from everyday life examples, carefully building skills one upon another as the student masters them, encouraging students in group work, and providing direction in managing the student's thought and creative processes. <P><P>The book thus uses the scope of script analysis to improve skills in close reading, critical thinking, effective writing, productive group work, and "mental management."
Thinking Through the Arts
by Wendy SchillerThinking Through the Arts draws together a number of different approaches to teaching young children that combine the experience of thinking with the act of expression through art. Developed as an inclusive, broad-ranging and user-friendly text, Thinking Through the Arts presents the unique insight of teachers as researchers, and counters the view that art is emotionally-based and therefore irrelevant to thinking and learning. The areas covered include drama, dance, music, arts environments, technologies, museums and galleries, literacy, cognition, international influences, curriculum development, research and practice. Early childhood and primary teachers and students alike will find this book is an invaluable source of new insights for their own teaching.
Thinking While Black: Translating the Politics and Popular Culture of a Rebel Generation
by Daniel McNeilThis uniquely interdisciplinary study of Black cultural critics Armond White and Paul Gilroy spans continents and decades of rebellion and revolution. Drawing on an eclectic mix of archival research, politics, film theory, and pop culture, Daniel McNeil examines two of the most celebrated and controversial Black thinkers working today. Thinking While Black takes us on a transatlantic journey through the radical movements that rocked against racism in 1970s Detroit and Birmingham, the rhythms of everyday life in 1980s London and New York, and the hype and hostility generated by Oscar-winning films like 12 Years a Slave. The lives and careers of White and Gilroy—along with creative contemporaries of the post–civil rights era such as Bob Marley, Toni Morrison, Stuart Hall, and Pauline Kael—should matter to anyone who craves deeper and fresher thinking about cultural industries, racism, nationalism, belonging, and identity.
Thinking about Movies: Watching, Questioning, Enjoying
by William Luhr Peter LehmanA complete introduction to analyzing and enjoying a wide variety of movies, for film students and movie lovers alike Thinking About Movies: Watching, Questioning, Enjoying, Fourth Edition is a thorough overview of movie analysis designed to enlighten both students and enthusiasts, and heighten their enjoyment of films. Readers will delve into the process of thinking about movies critically and analytically, and find how doing so can greatly enhance the pleasure of watching movies. Divided roughly into two parts, the book addresses film studies within the context of the dynamics of cinema, before moving on to a broader analysis of the relationship of films to the larger social, cultural, and industrial issues informing them. This updated fourth edition includes an entirely new section devoted to a complete analysis of the film adaptation of The Girl with the Dragon Tattoo, along with many in-depth discussions of important films such as Citizen Kane and Silence of the Lambs. The chapter on television integrates a major expansion distinguishing between television in the digital era of the convergence of the entertainment and technology industries in comparison to the era of broadcast analogue television. The final chapter places film within the current context of digital culture, globalization, and the powerful rise of China in film production and exhibition. The authors clearly present various methodologies for analyzing movies and illustrate them with detailed examples and images from a wide range of films from cult classics to big-budget, award-winning movies. This helps viewers see new things in movies and also better understand and explain why they like some better than others. Thinking About Movies: Watching, Questioning, Enjoying, Fourth Edition is ideal for film students immersed in the study of this important, contemporary medium and art form as well as students and readers who have never taken a class on cinema before.
Thinking about Video Games
by David S. HeinemanThe growth in popularity and complexity of video games has spurred new interest in how games are developed and in the research and technology behind them. David Heineman brings together some of the most iconic, influential, and interesting voices from across the gaming industry and asks them to weigh in on the past, present, and future of video games. Among them are legendary game designers Nolan Bushnell (Pong) and Eugene Jarvis (Defender), who talk about their history of innovations from the earliest days of the video game industry through to the present; contemporary trailblazers Kellee Santiago (Journey) and Casey Hudson (Mass Effect), who discuss contemporary relationships between those who create games and those who play them; and scholars Ian Bogost (How to Do Things With Videogames) and Edward Castronova (Exodus to the Virtual World), who discuss how to research and write about games in ways that engage a range of audiences. These experts and others offer fascinating perspectives on video games, game studies, gaming culture, and the game industry more broadly.
Thinking in Jazz: The Infinite Art of Improvisation
by Paul F. BerlinerThinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea.
Thinking in Pictures: Dramatic Structure in D. W. Griffith's Biograph Films
by Joyce E. JesionowskiThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1987.
Thinking in the Dark: Cinema, Theory, Practice
by Murray Pomerance Johannes Von Moltke Daniel Morgan R. Barton Palmer Dudley Andrew Tom Conley Sarah Keller Colin Williamson Steven Rybin Steven Woodward Jeremy Blatter Professor William Rothman Tom Gunning Gilberto Perez Professor Kristen Hatch Dominic Lennard Alex Clayton Nathan Holmes Will Scheibel Jonah Corne Professor William Brown Professor Matthew SolomonToday's film scholars draw from a dizzying range of theoretical perspectives--they're just as likely to cite philosopher Gilles Deleuze as they are to quote classic film theorist André Bazin. To students first encountering them, these theoretical lenses for viewing film can seem exhilarating, but also overwhelming. Thinking in the Dark introduces readers to twenty-one key theorists whose work has made a great impact on film scholarship today, including Rudolf Arnheim, Sergei Eisenstein, Michel Foucault, Siegfried Kracauer, and Judith Butler. Rather than just discussing each theorist's ideas in the abstract, the book shows how those concepts might be applied when interpreting specific films by including an analysis of both a classic film and a contemporary one. It thus demonstrates how theory can help us better appreciate films from all eras and genres: from Hugo to Vertigo, from City Lights to Sunset Blvd., and from Young Mr. Lincoln to A.I. and Wall-E. The volume's contributors are all experts on their chosen theorist's work and, furthermore, are skilled at explaining that thinker's key ideas and terms to readers who are not yet familiar with them. Thinking in the Dark is not only a valuable resource for teachers and students of film, it's also a fun read, one that teaches us all how to view familiar films through new eyes. Theorists examined in this volume are: Rudolf Arnheim, Béla Balázs, Roland Barthes, André Bazin, Walter Benjamin, Judith Butler, Stanley Cavell, Michel Chion, Gilles Deleuze, Jean Douchet, Sergei Eisenstein, Jean Epstein, Michel Foucault, Siegfried Kracauer, Jacques Lacan, Vachel Lindsay, Christian Metz, Hugo Münsterberg, V. F. Perkins, Jacques Rancière, and Jean Rouch.