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Warhol: A Life As Art
by Blake GopnikThe definitive biography of a fascinating and paradoxical figure, one of the most influential artists of his—or any—age To this day, mention the name “Andy Warhol” to almost anyone and you’ll hear about his famous images of soup cans and Marilyn Monroe. But though Pop Art became synonymous with Warhol’s name and dominated the public’s image of him, his life and work are infinitely more complex and multi-faceted than that. In Warhol, esteemed art critic Blake Gopnik takes on Andy Warhol in all his depth and dimensions. “The meanings of his art depend on the way he lived and who he was,” as Gopnik writes. “That’s why the details of his biography matter more than for almost any cultural figure,” from his working-class Pittsburgh upbringing as the child of immigrants to his early career in commercial art to his total immersion in the “performance” of being an artist, accompanied by global fame and stardom—and his attempted assassination. The extent and range of Warhol’s success, and his deliberate attempts to thwart his biographers, means that it hasn’t been easy to put together an accurate or complete image of him. But in this biography, unprecedented in its scope and detail as well as in its access to Warhol’s archives, Gopnik brings to life a figure who continues to fascinate because of his contradictions—he was known as sweet and caring to his loved ones but also a coldhearted manipulator; a deep-thinking avant-gardist but also a true lover of schlock and kitsch; a faithful churchgoer but also an eager sinner, skeptic, and cynic. Wide-ranging and immersive, Warhol gives us the most robust and intricate picture to date of a man and an artist who consistently defied easy categorization and whose life and work continue to profoundly affect our culture and society today.
Warm Up (Orca Limelights)
by Sara LeachJasmine used to love dance. Now she struggles to hold on to that love as her dance team trains for a big competition. Her teammates are bickering, and when their teacher suggests that Jasmine might not have what it takes to be on the team, Jasmine is ready to quit. At a particularly rough practice, she channels her anger into her moves, surprising everyone, including herself, with how well she dances. But the team is still falling apart, and it’s up to Jasmine to figure out a way to get her teammates to work together and celebrate the joy of dance.
Warner Bros: The Making of an American Movie Studio
by David ThomsonBehind the scenes at the legendary Warner Brothers film studio, where four immigrant brothers transformed themselves into the moguls and masters of American fantasyWarner Bros charts the rise of an unpromising film studio from its shaky beginnings in the early twentieth century through its ascent to the pinnacle of Hollywood influence and popularity. The Warner Brothers—Harry, Albert, Sam, and Jack—arrived in America as unschooled Jewish immigrants, yet they founded a studio that became the smartest, toughest, and most radical in all of Hollywood. David Thomson provides fascinating and original interpretations of Warner Brothers pictures from the pioneering talkie The Jazz Singer through black-and-white musicals, gangster movies, and such dramatic romances as Casablanca, East of Eden, and Bonnie and Clyde. He recounts the storied exploits of the studio’s larger-than-life stars, among them Al Jolson, James Cagney, Bette Davis, Errol Flynn, Humphrey Bogart, James Dean, Doris Day, and Bugs Bunny. The Warner brothers’ cultural impact was so profound, Thomson writes, that their studio became “one of the enterprises that helped us see there might be an American dream out there.”
Warner Bros.: 100 Years of Storytelling
by Mark VieiraIn this official centennial history of the greatest studio in Hollywood, unforgettable stars, untold stories, and rare images from the Warner Bros. vault bring a century of entertainment to vivid life.The history of Warner Bros. is not just the tale of a legendary film studio and its stars, but of classic Hollywood itself, as well as a portrait of America in the last century. It&’s a family story of Polish-Jewish immigrants—the brothers Warner—who took advantage of new opportunities in the burgeoning film industry at a time when four mavericks could invent ways of operating, of warding off government regulation, and of keeping audiences coming back for more during some of the nation's darkest days. Innovation was key to their early success. Four years after its founding, the studio revolutionized moviemaking by introducing sound in The Jazz Singer (1927). Stars and stories gave Warner Bros. its distinct identity as the studio where tough guys like Humphrey Bogart and strong women like Bette Davis kept people on the edge of their seats. Over the years, these acclaimed actors and countless others made magic on WB&’s soundstages and were responsible for such diverse classics as Casablanca, A Streetcar Named Desire, A Star Is Born, Bonnie & Clyde, Malcolm X, Caddyshack, Purple Rain, and hundreds more. It&’s the studio that put noir in film with The Maltese Falcon and other classics of the genre, where the iconic Looney Tunes were unleashed on animation, and the studio that took an unpopular stance at the start of World War II by producing anti-Nazi films. Counter-culture hits like A Clockwork Orange and The Exorcist carried the studio through the 1970s and '80s. Franchise phenomena like Harry Potter, the DC universe, and more continue to shape a cinematic vision and longevity that is unparalleled in the annals of film history. These stories and more are chronicled in this comprehensive and stunning volume. Copyright © 2023 Warner Bros. Entertainment Inc.
Warning Shadows: Home Alone with Classic Cinema
by Gary GiddinsA brilliantly insightful and witty examination of beloved and little-known films, directors, and stars by one of America's most esteemed critics. In his illuminating new work, Gary Giddins explores the evolution of film, from the first moving pictures and peepshows to the digital era of DVDs and online video-streaming. New technologies have changed our experience of cinema forever; we have peeled away from the crowded theater to be home alone with classic cinema. Recounting the technological developments that films have undergone, Warning Shadows travels through time and across genres to explore the impact of the industry's most famous classics and forgotten gems. Essays such as "Houdini Escapes! From the Vaults! Of the Past!," "Edward G. Robinson, See," and "Prestige and Pretension (Pride and Prejudice)" capture the wit and magic of classic cinema. Each chapter--ranging from the horror films of Hitchcock to the fantastical frames of Disney--provides readers with engaging analyses of influential films and the directors and actors who made them possible.
Warped Factors: A Neurotic's Guide to the Universe
by Walter Koenig"Beneath the tinsel of Hollywood," Oscar Levant once said, "is the real tinsel." Beneath that lies a cornucopia of absurd behavior and bizarre experiences that rival the most creative silver screen fiction. As a young transplant from New York in the 1950s and '60s Walter Koenig quickly came to know Hollywood as a place of energy and opportunity where life's uncertainties loomed large. Launching an acting career in this unpredictable cultural cauldron, he wound his way through various misadventures before finding he had attained a degree of success that surprised even him. This is Koenig's story--from growing up as the neurotic child of Russian immigrants in 1940s Manhattan through his rise to Star Trek fame as Pavel Chekov, Russian navigator of the U.S.S. Enterprise, and beyond. Not a typical Hollywood memoir, Warped Factors is anything but aloof. Koenig's very human narrative is full of the kind of insecurities and quirks anyone can relate to. With wry wit, striking candor, and a true gift for storytelling, Koenig takes us on a sometimes bumpy but often hilarious trip through his galaxy. Blind faith and a healthy sense of irony seem to sustain him as he relates a steady stream of anecdotes, including: *** * Pitching a story to an NBC producer who is in the midst of an out-of-body experience; * Having a loaded gun placed in his ear by a jealous manager; * Performing a controversial play that was interrupted by someone believed to be a member of the American Nazi party dressed in the uniform of a Chicken Delight delivery boy; * Getting fired from a CBS movie of the week for staring at the director; * Being mistaken for a bellhop during a public appearance in his Star Trek uniform; * Declining a Star Trek convention attendee's invitation to help sacrifice a chicken in her hotel room. Of course, this amusing memoir also takes us behind the scenes of Star Trek, with fresh perspectives not only on the cast members themselves but also on the development and evolution of the megalithic sci-fi legend. In fact, Koenig includes a number of the script ideas he himself pitched over the years, including a proposed outline for Star Trek VI (one that saw the deaths of several main crew members, including Kirk) and several for The Next Generation series. Also included are Koenig's notes to producer Harve Bennett on Star Trek IT. The Wrath of Khan, as well as his commentary on several other projects. Finally, Koenig offers candid reflections not only on the Star Trek years but on his life and career since. Most notable are his well-received stints on stage and his current role as the insidious Alfred Bester on television's Babylon S. Enjoying both critical and popular success, Koenig has once again confirmed his enduring position in science fiction's acting pantheon.
Warren Beatty: A Private Man
by Suzanne Finstad"Whatever you have read or heard about me through articles or gossip, forget it. I am nothing like that Warren Beatty. I am nothing like what you have read." --Warren Beatty. Warren Beatty guarded his privacy even before he became a movie star, when he burst onto the screen in 1961 as the earnestly handsome all-American boy in Splendor in the Grass. When he started acting, Beatty kept secret the fact that actress Shirley MacLaine, already a star, was his older sister. Over time, he has cultivated a mystique, giving few interviews and instructing others not to talk about him. Until now. Through years of groundbreaking research, lauded biographer Suzanne Finstad gained unprecedented access to Beatty's family, close friends, and film colleagues, including such luminaries in the arts and politics as Jane Fonda, Goldie Hawn, Leslie Caron, Robert Towne, Mike Nichols, and Senators John McCain, George McGovern, and Gary Hart. Weaving hundreds of these candid interviews, photographs from private albums, personal letters, diaries, and the previously unpublished papers of the late Natalie Wood and mentors such as directors Elia Kazan and George Stevens, playwrights Clifford Odets and William Inge, and agent Charles Feldman, Warren Beatty unveils the real Beatty--a complex, sensitive visionary torn between the "fairly puritanical, football-playing boy" from Virginia and his Hollywood playboy image. Finstad paints a rich, fascinating portrait of the secretive film legend, taking us back to the "unrealized genius" parents who molded arguably the most famous brother and sister in Hollywood history, tracing the family influences and events in Beatty's past that directly inspired McCabe & Mrs. Miller, Shampoo, Heaven Can Wait, Reds, Ishtar, Dick Tracy, Bugsy, Love Affair, and Bulworth, and led to his political activism, culminating in a near-bid for the White House. Finstad constructs the definitive, myth-shattering account of Beatty's evolution from Hollywood's enfant terrible to producer of the revolutionary Bonnie and Clyde, launching him as the premier actor/director/writer/producer of his generation, the only person to twice earn Oscar nominations in all five major categories. Here also is the truth about Beatty the lover, setting the record straight on his storied relationships with such iconic actresses and beauties as Jane Fonda, Joan Collins, Natalie Wood, Leslie Caron, Julie Christie, Goldie Hawn, Michelle Phillips, Diane Keaton, Isabelle Adjani, and Madonna. Finstad's astute insights illuminate Beatty's private struggle to attain happiness, his complicated bond with his sister, Shirley, and the deeper reasons why, at fifty-four, the archetypal bachelor married actress Annette Bening. Stunningly researched, engrossing, and exquisitely detailed, Warren Beatty: A Private Man gives us a new understanding of the enigmatic, fiercely intelligent star who embodies the American dream.
Warrior Queen: The Totally Unauthorized Story of Joanie Laurer
by Scott EdelmanLADIES FIRST--OR ELSE! With her body of death, quick-fire moves, and show-no-mercy attitude, Joanie Laurer, also known as "Chyna," has definitely earned her nickname: The Ninth Wonder of the World. Not content to play with the girls, Joanie has belted her way into the men's division where she more than holds her own--while knocking countless guys to the mat. Raw and riveting, this is the incredible story of Joanie Laurer's awesome climb to the pinnacle of a sport she's made her own. NINTH WONDER OF THE WORLD They never know what hit 'em From the Paperback edition.
Warrior Women: Gender, Race, and the Transnational Chinese Action Star
by Lisa FunnellFinalist for the 2014 ForeWord IndieFab Book of the Year Award in the Women's Studies CategoryBronze Medalist, 2015 Independent Publisher Book Awards in the Women Issues CategoryWinnerof the 2015 Emily Toth Award presented by the Popular Culture Association & American Culture AssociationWarrior Women considers the significance of Chinese female action stars in martial arts films produced across a range of national and transnational contexts. Lisa Funnell examines the impact of the 1997 transfer of Hong Kong from British to Chinese rule on the representation of Chinese identities—Hong Kong Chinese, mainland Chinese, Chinese American, Chinese Canadian—in action films produced domestically in Hong Kong and, increasingly, in cooperation with mainland China and Hollywood. Hong Kong cinema has offered space for the development of transnational Chinese screen identities that challenge the racial stereotypes historically associated with the Asian female body in the West. The ethnic/national differentiation of transnational Chinese female stars—such as Pei Pei Cheng, Charlene Choi, Gong Li, Lucy Liu, Shu Qi, Michelle Yeoh, and Zhang Ziyi—is considered part of the ongoing negotiation of social, cultural, and geopolitical identities in the Chinese-speaking world.
Warrior Zone (Reality Show)
by Kristen SaBerreWhen Fiona enters a physical feats TV competition, she is excited to see how she matches up against other athletes from around the country. She works hard and beats out many of her competitors. But when she reaches the final round, she finds that the show has been rigged all along. The producers take her off-screen to tell her that one of the other contestants has been chosen to win and that she needs to pretend to lose—or she won't win any money. Fiona must choose between competing fairly or playing by the producers' rules.
The Warrior's Camera: The Cinema of Akira Kurosawa - Revised and Expanded Edition
by Stephen PrinceThe Japanese film director Akira Kurosawa, who died at the age of 88, has been internationally acclaimed as a giant of world cinema. Rashomon, which won both the Venice Film Festival's grand prize and an Academy Award for best foreign-language film, helped ignite Western interest in the Japanese cinema. Seven Samurai and Yojimbo remain enormously popular both in Japan and abroad. In this newly revised and expanded edition of his study of Kurosawa's films, Stephen Prince provides two new chapters that examine Kurosawa's remaining films, placing him in the context of cinema history. Prince also discusses how Kurosawa furnished a template for some well-known Hollywood directors, including Martin Scorsese, Steven Spielberg, and George Lucas. Providing a new and comprehensive look at this master filmmaker, The Warrior's Camera probes the complex visual structure of Kurosawa's work. The book shows how Kurosawa attempted to symbolize on film a course of national development for post-war Japan, and it traces the ways that he tied his social visions to a dynamic system of visual and narrative forms. The author analyzes Kurosawa's entire career and places the films in context by drawing on the director's autobiography--a fascinating work that presents Kurosawa as a Kurosawa character and the story of his life as the kind of spiritual odyssey witnessed so often in his films. After examining the development of Kurosawa's visual style in his early work, The Warrior's Camera explains how he used this style in subsequent films to forge a politically committed model of filmmaking. It then demonstrates how the collapse of Kurosawa's efforts to participate as a filmmaker in the tasks of social reconstruction led to the very different cinematic style evident in his most recent films, works of pessimism that view the world as resistant to change.
Warriors, Witches, Whores: Women in Israeli Cinema
by Rachel S. HarrisWarriors, Witches, Whores: Women in Israeli Cinema is a feminist study of Israel’s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women’s marginalization within Israeli society. While no one can deny Israel’s Western women’s advancements, feminist filmmakers frequently turn to Israel’s less impressive underbelly as sources for their inspiration. Their films have focused on sexism, the negative impact of militarism on women’s experience, rape culture, prostitution, and sexual abuse. These films also tend to include subjects from society’s geographical periphery and social margins, such as female foreign workers, women, and refugees. Warriors, Witches, Whoresis divided into three major sections and each considers a different form of feminist engagement. The first part explores films that situate women in traditionally male spheres of militarism, considering the impact of interjecting women within hegemonic spaces or reconceptualizing them in feminist ways. The second part recovers the narratives of women’s experience that were previously marginalized or silenced, thereby creating a distinct female space that offers new kinds of storytelling and cinematic aesthetics that reflect feminist expressions of identity. The third part offers examples of feminist activism that reach beyond the boundaries of the film to comment on social issues, particularly those which affect women. This section demonstrates how feminists use film (and work within the film industry) in order to women’s position in society. While there are thematic overlaps between the chapters, each section marks structural differences in the modes of feminist response. Warriors, Witches, Whores considers the ways social and political power have impacted the representation of women and looks to how feminist filmmakers have fought against these inequities behind the camera, in the stories they tell, and in the ways women are depicted on screen. Students and scholars of film, gender, or cultural studies will appreciate this approachable monograph.
The Wars We Took to Vietnam: Cultural Conflict and Storytelling
by Milton J. BatesWhat Americans refer to as the Vietnam War embraces much more than the conflict with North Vietnam. Milton J. Bates considers the other conflicts that Americans brought to that war: the divisions stemming from differences in race, class, sex, generation, and frontier ideology. In exploring the rich vein of writing and film that emerged from the Vietnam War era, he strikingly illuminates how these stories reflect American social crises of the period.Some material examined here is familiar, including the work of Michael Herr, Tim O'Brien, Philip Caputo, Susan Sontag, Francis Ford Coppola, and Oliver Stone. Other material is less well known—Neverlight by Donald Pfarrer and De Mojo Blues by A. R. Flowers, for example. Bates also draws upon an impressive range of secondary readings, from Freud and Marx to Geertz and Jameson.As the products of a culture in conflict, Vietnam memoirs, novels, films, plays, and poems embody a range of political perspectives, not only in their content but also in their structure and rhetoric. In his final chapter Bates outlines a "politico-poetics" of the war story as a genre. Here he gives special attention to our motives—from the deeply personal to the broadly cultural—for telling war stories.
Was It Yesterday?: Nostalgia in Contemporary Film and Television (SUNY series, Horizons of Cinema)
by Matthew LeggattBringing together prominent transatlantic film and media scholars, Was It Yesterday? explores the impact of nostalgia in twenty-first century American film and television. Cultural nostalgia, in both real and imagined forms, is dominant today, but what does the concentration on bringing back the past mean for an understanding of our cultural moment, and what are the consequences for viewers? This book questions the nature of this nostalgic phenomenon, the politics associated with it, and the significance of the different periods, in addition to offering counterarguments that see nostalgia as prevalent throughout film and television history. Considering such films and television shows as La La Land, Westworld, Stranger Things, and American Hustle, the contributors demonstrate how audiences have spent more time over the last decade living in various pasts.
Was Michael Jackson Framed?
by Mary A. FischerThis is it! The original GQ story that became an international sensation by exploring, for the first time in the media, the other side-the defense side-- of the 1993 Michael Jackson scandal. Today, it remains a sought-after story by the superstar's fans around the world.Until now, the original, unedited version of the GQ article has not been available. Now, two years after Michael Jackson's death, in the midst of a resurgence of his music and popularity, the official GQ story is being released, with a new cover and foreword written by the author, award-winning journalist Mary A. Fischer.As the media rushed to judgment about the '93 allegations-that Jackson had molested a 13-year-old boy-no one bothered to look in depth at Jackson's adult accusers. GQ senior writer Mary A. Fischer, known for investigating controversial, under-reported stories, took on the assignment.She spent months delving into the backgrounds of Evan Chandler and his attorney Barry K. Rothman, Jackson's main accusers. What emerged from Fischer's examination, based on court documents, business records and scores of interviews, some with confidential sources who would only meet in out of the way places, was a persuasive argument that Jackson molested no one and that he himself may have been the victim of a well-conceived plan to extract money from him.More than that, it was a classic story of greed, ambition, misconceptions on the part of police and prosecutors, a lazy and sensation-seeking media and the use of a powerful, hypnotic drug.Today, it remains an important, relevant story about how a case was simply invented. And now, for the first time in over a decade, it is available to Michael Jackson fans everywhere.
Wash Day
by Barbara H. ColeEvery wash day Miss Ett does the laundry while Grandpa keeps the children entertained by telling stories about his army days. As he plays his trumpet, they march around in time and sing along to the music. Set during the Great Depression, Wash Day tells the tale of Grandpa passing on his trumpet and his love of music to the next generation. Wash Day is a touching story about the way love and friendship can overcome the barriers of age and race to bring joy and strength to everyone.
Wash Your Fins, Baby Shark (Baby Shark)
by John John BajetSing and dance along with Baby Shark, in this catchy tune all about hand washing!Sing, dance, and read along to this brand-new song as Baby Shark and the whole shark family washes their fins! A fun tool for kids and caregivers alike, this story will have little ones singing along to the important steps of hand-washing, from squirting soap, lathering up, and drying off. Hand-washing will fly by as you sing along at home or at school, and this catchy tune is sure to help little ones remember the hand-washing steps and make sure they're washing for the right amount of time. Featuring a step-by-step guide for little hands and cleanliness tips from Baby Shark, this fun story has eye-popping illustrations and a tune you won't be able to stop singing. A must-have for every home!
Wash Your Fins, Baby Shark / Lávate las aletas, Bebé Tiburón (Baby Shark)
by John John BajetSing and dance along with Baby Shark, in this catchy tune all about hand washing!¡Canta, baila y lee con esta canción nuevecita mientras Bebé Tiburón y toda su familia se lavan las aletas! Esta historia es una divertida herramienta tanto para los niños como para los cuidadores, y hará que los pequeños canten mientras se lavan las manos, desde que se enjabonan hasta que se secan. El tiempo pasará volando mientras cantan, en casa o en la escuela, y esta melodía pegadiza hará a los pequeños recordar los pasos para lavarse las manos y garantizará que le dediquen a esto el tiempo correcto. Esta historia presenta una guía paso a paso con consejos de Bebé Tiburón para tener limpias las pequeñas manos, con ilustraciones llamativas y una melodía que no podrán parar de cantar. ¡Algo imprescindible para todos los hogares!Sing, dance, and read along to this brand-new song as Baby Shark and the whole shark family washes their fins! A fun tool for kids and caregivers alike, this story will have little ones singing along to the important steps of hand-washing, from squirting soap, lathering up, and drying off. Hand-washing will fly by as you sing along at home or at school, and this catchy tune is sure to help little ones remember the hand-washing steps and make sure they're washing for the right amount of time. Featuring a step-by-step guide for little hands and cleanliness tips from Baby Shark, this fun story has eye-popping illustrations and a tune you won't be able to stop signing. A must-have for every home!
Washington, D.C., Film and Television
by Tracey Gold BennettFor generations, movies and television have been sources of entertainment that have shaped the country's consciousness. Washington, DC, Film and Television chronicles popular and obscure films and television programs that feature Washington, DC. Sharing the sites, neighborhoods, institutions, and monuments that filmmakers used as their settings, this exciting title takes readers behind the scenes of classic movies, including Mr. Smith Goes to Washington, Houseboat, and The Exorcist. Familiar television programs that transmitted local news and information are featured alongside photographs of some of Hollywood's greatest stars. With the nation's capital as a backdrop, the landscape, architecture, and history of Washington have always and will continue to make it an aesthetically exciting and authentic locale for the many story lines of Hollywood.
Waste of Space
by Gina Damico<p>Cram ten hormonal teens into a spaceship and blast off: that’s the premise for the ill-conceived reality show Waste of Space. The kids who are cast know everything about drama—and nothing about the fact that the production is fake. Hidden in a desert warehouse, their spaceship replica is equipped with state-of-the-art special effects dreamed up by the scientists partnering with the shady cable network airing the show. <p>And it’s a hit! Millions of viewers are transfixed. But then, suddenly, all communication is severed. Trapped and paranoid, the kids must figure out what to do when this reality show loses its grip on reality.
Wasting Time on the Internet
by Kenneth GoldsmithUsing clear, readable prose, conceptual artist and poet Kenneth Goldsmith’s manifesto shows how our time on the internet is not really wasted but is quite productive and creative as he puts the experience in its proper theoretical and philosophical context.Kenneth Goldsmith wants you to rethink the internet. Many people feel guilty after spending hours watching cat videos or clicking link after link after link. But Goldsmith sees that “wasted” time differently. Unlike old media, the internet demands active engagement—and it’s actually making us more social, more creative, even more productive.When Goldsmith, a renowned conceptual artist and poet, introduced a class at the University of Pennsylvania called “Wasting Time on the Internet”, he nearly broke the internet. The New Yorker, the Atlantic, the Washington Post, Slate, Vice, Time, CNN, the Telegraph, and many more, ran articles expressing their shock, dismay, and, ultimately, their curiosity. Goldsmith’s ideas struck a nerve, because they are brilliantly subversive—and endlessly shareable.In Wasting Time on the Internet, Goldsmith expands upon his provocative insights, contending that our digital lives are remaking human experience. When we’re “wasting time,” we’re actually creating a culture of collaboration. We’re reading and writing more—and quite differently. And we’re turning concepts of authority and authenticity upside-down. The internet puts us in a state between deep focus and subconscious flow, a state that Goldsmith argues is ideal for creativity. Where that creativity takes us will be one of the stories of the twenty-first century.Wide-ranging, counterintuitive, engrossing, unpredictable—like the internet itself—Wasting Time on the Internet is the manifesto you didn’t know you needed.
Watch Me
by Anjelica HustonPicking up where A Story Lately Told leaves off, when Anjelica Huston is 22 years old, Watch Me chronicles her glamorous and eventful Hollywood years. She tells the story of falling in love with Jack Nicholson and her adventurous, turbulent, high-profile, spirited 17-year relationship with him and his intoxicating circle of friends. She writes about learning the art and craft of acting, about her Academy Award-winning portrayal of Maerose Prizzi in Prizzi's Honour, about her collaborations with many of the greatest directors in Hollywood, including Woody Allen, Wes Anderson, Richard Condon, Bob Rafelson, Francis Ford Coppola and Stephen Frears. She writes movingly and beautifully about the death of her father, the legendary director John Huston and her marriage to sculptor Robert Graham.
Watching Anime, Reading Manga
by Fred Patten Carl MacekAnime's influence can be found in every corner of American media, from film and television to games and graphic arts. And Fred Patten is largely responsible. He was reading manga and watching anime before most of the current generation of fans was born. In fact, it was his active participation in fan clubs and his prolific magazine writing that helped create a market and build American anime fandom into the vibrant community it is today. Watching Anime, Reading Manga gathers together a quarter-century of Patten's lucid observations on the business of anime, fandom, artists, Japanese society and the most influential titles. Illustrated with original fanzine covers and archival photos. Foreword by Carl Macek (Robotech). Fred Patten lives in Los Angeles."Watching Anime, Reading Manga is a worthwhile addition to your library; it makes good bathroom browsing, cover-to-cover reading, and a worthwhile reference for writing or researching anime and manga, not to mention a window into the history of fandom in the United States." -- SF Site
Watching Arabic Television in Europe: From Diaspora to Hybrid Citizens
by Christina SladeWhat are Arabic Europeans watching on television and how does it affect their identities as Europeans? New evidence from seven capitals shows that, far from being isolated in ethnic media ghettoes, they are critical news consumers in Arabic and European languages and engaged citizens.
Watching Jim Crow: The Struggles Over Mississippi TV, 1955-1969
by Steven D. ClassenIn the early 1960s, whenever the Today Show discussed integration, wlbt-tv, the nbc affiliate in Jackson, Mississippi, cut away to local news after announcing that the Today Show content was "network news . . . represent[ing] the views of the northern press. " This was only one part of a larger effort by wlbt and other local stations to keep African Americans and integrationists off Jackson's television screens. Watching Jim Crow presents the vivid story of the successful struggles of African Americans to achieve representation in the tv programming of Jackson, a city many considered one of the strongest bastions of Jim Crow segregation. Steven D. Classen provides a detailed social history of media activism and communications policy during the civil rights era. He focuses on the years between 1955--when Medgar Evers and the naacp began urging the two local stations, wlbt and wjtv, to stop censoring African Americans and discussions of integration--and 1969, when the U. S. Court of Appeals issued a landmark decision denying wlbt renewal of its operating license. During the 1990s, Classen conducted extensive interviews with more than two dozen African Americans living in Jackson, several of whom, decades earlier, had fought to integrate television programming. He draws on these interviews not only to illuminate their perceptions--of the civil rights movement, what they accomplished, and the present as compared with the past--but also to reveal the inadequate representation of their viewpoints in the legal proceedings surrounding wlbt's licensing. The story told in Watching Jim Crow has significant implications today, not least because the Telecommunications Act of 1996 effectively undid many of the hard-won reforms achieved by activists--including those whose stories Classen relates here.