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Watching Porn: And Other Confessions of an Adult Entertainment Journalist
by Lynsey GOne feminist’s candid account of her unexpected adventure in the world of porn journalism, and her discovery of an industry that is more nuanced than she ever imagined Lynsey G. never imagined that she would ever work in porn, but at 24 years old, with a degree in English literature and an empty bank account, she found herself reviewing the film East Coast ASSault for an adult magazine in New York City. One interview later and it was official: she was a porn journalist. The job was supposed to be temporary—just a paycheck until she could spark her legitimate writing career—but she loved it and spent nearly a decade describing the nuances of money shots and the effectiveness of sex toys. As both a porn consumer and a porn critic, she was not quite an insider, not quite an outsider, but came to know the industry intimately. She found it so fascinating that she co-founded WHACK! Magazine. Finally, she had a platform to voice her thoughts and observations of the adult film world, as well as educate the rest of us about what really goes on behind the scenes. Eventually, Lynsey was thrust back into the “real” world, but not before realizing that one of the most diverse and nebulous—and profitable—industries on the planet isn’t so quite as different from the rest of the world as she thought. Tantalizing, eye-opening, and witty, Watching Porn is a provocative book about an average girl’s foray into the porn industry and the people who make it what it is, both in front of and behind the camera.
Watching Rape: Film and Television in Postfeminist Culture
by Sarah ProjanskyLooking at popular culture from 1980 to the present, feminism appears to be "over": that is, according to popular critics we are in an era of "postfeminism" in which feminism has supposedly already achieved equality for women. Not so, says Sarah Projansky. In Watching Rape, Projansky undermines this complacent view in her fascinating and thorough analysis of depictions of rape in U.S. film, television, and independent video. Through a cultural studies analysis of such films as Thelma and Louise, Daughters of the Dust, and She's Gotta Have It, and television shows like ER, Ally McBeal, Beverly Hills 90210, and various made-for-tv movies, Projansky challenges us to see popular culture as a part of our everyday lives and practices, and to view that culture critically. How have media defined rape and feminism differently over time? How do popular narratives about rape also communicate ideas about gender, race, class, nationality, and sexuality? And, what is the future of feminist politics, theory, and criticism with regard to issues of sexual violence, postfeminism, and popular media? The first study to address the relationship between rape and postfeminism, and one of the most detailed and thorough analyses of rape in 25 years, Watching Rape is a crucial contribution to contemporary feminism.
Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond
by Dana RengaThis book offers the first comprehensive study of recent, popular Italian television. Building on work in American television studies, audience and reception theory, and masculinity studies, Sympathetic Perpetrators and their Audiences on Italian Television examines how and why viewers are positioned to engage emotionally with—and root for—Italian television antiheroes. Italy’s most popular exported series feature alluring and attractive criminal antiheroes, offer fictionalized accounts of historical events or figures, and highlight the routine violence of daily life in the mafia, the police force, and the political sphere. Renga argues that Italian broadcasters have made an international name for themselves by presenting dark and violent subjects in formats that are visually pleasurable and, for many across the globe, highly addictive. Taken as a whole, this book investigates what recent Italian perpetrator television can teach us about television audiences, and our viewing habits and preferences.
Watching Television Come of Age: The New York Times Reviews by Jack Gould (Focus on American History Series)
by Lewis L. GouldProviding video companionship for isolated housewives, afternoon babysitting for children, and nonstop evening entertainment for the whole family, television revolutionized American society in the post-World War II years. Helping the first TV generation make sense of the new medium was the mission of Jack Gould, television critic of The New York Times from 1947 to 1972. In columns noteworthy for crisp writing, pointed insights, and fair judgment, he highlighted both the untapped possibilities and the imminent perils of television, becoming "the conscience of the industry" for many people.
Watching TV: Six Decades of American Television (Expanded Second Edition)
by Harry Castleman Walter J. PodrazikWatching TV provides a fascinating history of how the personalities, popular shows, and coverage of key events have evolved during the past six decades. Watching TV is the standard history of American television, now updated to include the most recent programming and industry developments.
Watching While Black Rebooted!: The Television and Digitality of Black Audiences
by Eric Pierson Christine Acham Michael Boyce Gillespie Felicia D Henderson TreaAndrea M. Russworm Nghana Lewis Adrien Sebro Alfred L Martin Briana Barner Shelleen Greene Brandy Monk-Payton Beretta E. Smith-Shomade Jacqueline JohnsonWatching While Black Rebooted: The Television and Digitality of Black Audiences examines what watching while Black means in an expanded U.S. televisual landscape. In this updated edition, media scholars return to television and digital spaces to think anew about what engages and captures Black audiences and users and why it matters. Contributors traverse programs and platforms to wrestle with a changing television industry that has exploded and included Black audiences as a new and central target of its visioning. The book illuminates history, care, monetization, and affect. Within these frames, the chapters run the gamut from transmediation, regional relevance, and superhuman visioning to historical traumas and progress, queer possibilities, and how televisual programming can make viewers feel Black. Mostly, the work tackles what the future looks like now for a changing televisual industry, Black media makers, and Black audiences. Chapters rethink such historically significant programs as Roots and Underground, such seemingly innocuous programs as Soul Food, and such contemporary and culturally complicated programs as Being Mary Jane and Atlanta. The book makes a case for the centrality of these programs while always recognizing the racial dynamics that continue to shape Black representation on the small screen. Painting a decidedly introspective portrait across forty years of Black television, Watching While Black Rebooted sheds much-needed light on under examined demographics, broadens common audience considerations, and gives deference to the preferences of audiences and producers of Black-targeted programming.
Watching with The Simpsons: Television, Parody, and Intertextuality (Comedia)
by Jonathan GrayUsing our favourite Springfield family as a case study, Watching with The Simpsons examines the textual and social role of parody in offering critical commentary on other television programs and genres. Jonathan Gray brings together textual theory, discussions of television and the public sphere, and ideas of parody and comedy. Including primary audience research, it focuses on how The Simpsons has been able to talk back to three of television’s key genres - the sitcom, adverts and the news - and on how it holds the potential to short-circuit these genre’s meanings, power, and effects by provoking reinterpretations and offering more media literate recontextualizations. Examining television and media studies theory, the text of The Simpsons, and the show’s audience, Gray attempts to fully situate the show’s parody and humour within the lived realities of its audiences. In doing so, he further explores the possibilities for popular entertainment television to discuss issues of political and social importance. A must read for any student of media studies.
Water for Elephants: A Novel
by Sara GruenJacob Jankowski's 90-year-old mind remembers when he was a young veterinarian, traveling with a Depression-era circus.
Waxing On: The Karate Kid and Me
by Ralph MacchioSince The Karate Kid first crane-kicked its way into the pop culture stratosphere in June 1984, there hasn’t been a week Ralph Macchio hasn’t heard friendly shouts of “Wax on, wax off” or “Sweep the leg!” Now, with Macchio reprising his role as Daniel LaRusso in the #1 ranked Netflix show Cobra Kai, he is finally ready to look back at this classic movie and give the fans something they’ve long craved. <p><p>The book will be Ralph Macchio’s celebratory reflection on the legacy of The Karate Kid in film, pop culture, and his own life. It will be a comprehensive look at a film that shaped him as much as it influenced the world. Macchio will share an insider's perspective of the untold story behind his starring role—the innocence of the early days, the audition process, and the filmmaking experience—as well as take readers through the birth of some of the film’s most iconic moments. <p><p>Ultimately, the book centers on the film itself, focusing on the reason that the characters and themes have endured in such a powerful way and how these personal experiences have impacted Macchio's life. It will bring readers back to the day they met Daniel LaRusso and Mr. Miyagi for the first time, but will also provide a fascinating lens into how our pasts shape all of us and how the past can come back to enrich one's life in surprising and wonderful ways. <p> <b>New York Times Bestseller</b>
The Way Back Home (Wildflower #3)
by Alecia WhitakerMusic sensation Bird Barrett is hitting the road, headlining her first national tour after the launch of her second album. Singing to sold-out crowds can mess with a girl's sense of perspective, though. Luckily, Bird has her older brother, Dylan, and her best friend, Stella, along for the ride to keep her grounded. Then Dylan and Stella pair off as more than friends. Feeling left behind, Bird throws herself completely into her performances, cover shoots, and high-profile interviews. And the more she tries to distract herself with her career, the further she pushes everyone away-including her longtime crush, Adam Dean, who joined the tour as her opener. When Bird breaks down, she'll need help to find her footing again. But has she pushed everyone too far? In a life like this one, a country girl needs her family and friends-and maybe an old flame-most of all. A foot-stompin' finale to Alecia Whitaker's irresistible Wildflower series.
The Way Hollywood Tells It: Story and Style in Modern Movies
by David BordwellAn essay on Hollywood storytelling, showing how storytelling has (and has not) changed since the end of the studio era.
The Way I Heard It: True Tales For The Curious Mind With A Short Attention Span
by Mike RoweExecutive producer and host Mike Rowe presents a delightfully entertaining, seriously fascinating collection of his favorite episodes from America’s #1 short-form podcast, The Way I Heard It, along with a host of personal memories, ruminations, and insights. It’s a captivating must-read. <P><P>The Way I Heard It presents thirty-five mysteries “for the curious mind with a short attention span.” Every one is a trueish tale about someone you know, filled with facts that you don’t. Movie stars, presidents, bloody do-gooders, and villains—they’re all here, waiting to shake your hand, hoping you’ll remember them. <P><P>Delivered with Mike’s signature blend of charm, wit, and ingenuity, their stories are part of a larger mosaic—a memoir full of surprising revelations, sharp observations, and intimate, behind-the-scenes moments drawn from Mike’s own remarkable life and career. <P><P><b>A New York Times Bestseller</b>
The Way I See It: A Look Back at My Life on Little House
by Melissa AndersonThe star of "Little House on the Prairie" takes readers onto the set and inside the world of the iconic series. Filled with personal, revealing anecdotes and memorabilia from the "Little House" years, this book is also a portrait of a child star who became a successful adult actress and a successful adult.
The Way I Was
by Marvin Hamlisch Gerald GardnerMarvin Hamlisch got his start as a rehearsal pianist for Funny Girl with Barbra Streisand, and went on to co-create A Chorus Line, write the Oscar-winning musical score for The Way We Were, and win many other awards for the music he wrote for the stage and screen. Hamlisch is one of only a handful of people to win a Grammy, a Tony, an Oscar, and an Emmy. In this revealing autobiography, written in partnership with noted freelance writer Gerald C. Gardner, Hamlisch tells the story of his childhood, his marriage, and his friendships with stars including Liza Minnelli, Barbra Streisand, and Groucho Marx. The autobiography paints a nostalgic and intimate picture of Broadway and Hollywood. After his death in 2012, Barbra Streisand made a tribute to him in her appearance on the 2013 Oscar broadcast. This book includes moving words from Hamlisch's many celebrity friends during the memorial service held shortly after his death. ABOUT THE AUTHOR Marvin Hamlisch (1944-2012) was an award-winning American composer and conductor. Born in Manhattan to Viennese Jewish parents, Hamlisch was a child prodigy, and was admitted into the Juilliard School at the age of seven. He wrote his first Billboard Hot 100 song at the age of 21. Hamlisch wrote music for several early Woody Allen films, The Spy Who Loved Me, The Way We Were, and the original theme music for Good Morning America--among many other compositions. He also served as Principal Pops Conductor for the Pittsburgh Symphony Orchestra, the Milwaukee Symphony Orchestra, the San Diego Symphony, the Seattle Symphony, and several others. He is one of only a handful of people in the world to win an Emmy, Grammy, Oscar, and Tony. He also won two Golden Globes and a Pulitzer Prize. Hamlisch was awarded the Lifetime Achievement Award at the World Soundtrack Awards in 2009. Gerald C. Gardner is an author, scriptwriter, producer, and screenwriter. He is the author of 22 episodes of The Monkees and 11 episodes of Get Smart, several of which were nominated for Primetime Emmy Awards. He was also a senior writer for the series of live news satire broadcasts That Was the Week That Was. He is also the author of over 30 books.
The Way I Was
by Marvin Hamlisch Gerald GardnerThe EGOT-winning composer of The Way We Were and A Chorus Line recounts his remarkable life from childhood to Broadway and Hollywood. The son of Jewish Viennese immigrants, six-year-old Marvin Hamlisch&’s early musical talent and discipline led him to Julliard, where he studied for more than a decade. From there, Hamlisch got his start as a rehearsal pianist for Funny Girl starring Barbra Streisand. He went on to co-create the classic American musical A Chorus Line and wrote the Oscar Award–winning musical score for The Way We Were. Hamlisch is one of only a handful of people to achieve EGOT status—winning an Emmy, a Grammy, an Oscar, and a Tony. In this autobiography, Hamlisch tells the tale of his life and career, revealing personal stories of his childhood, his marriage, and his friendships with stars including Liza Minnelli, Groucho Marx, and others. It offers an intimate view of his life and a compelling portrait of Broadway and Hollywood through the second half of the twentieth century.
The Way It Hurts
by Patty BlountThere may be two sides to every story, but sometimes there's only one way to set things right...Music is Elijah's life. His band plays loud and hard, and he'll do anything to get them a big break. He needs that success to help take care of his sister, who has special needs. So he'd rather be practicing when his friends drag him to a musical in the next town...until the lead starts to sing.Kristen dreams of a career on stage like her grandmother's. She knows she needs an edge to get into a competitive theater program—and being the star in her high school musical isn't going to cut it. The applause and the attention only encourage her to work harder.Elijah can't take his eyes off of Kristen's performance, and his swooning face is captured on camera and posted with an out-of-context comment. It goes viral. Suddenly, Elijah and Kristen are in a new spotlight as the online backlash spins out of control. And the consequences are bigger than they both could have ever imagined because these threats don't stay online...they follow them into real life.
The Way of Acting
by J. Thomas Rimer Tadashi SuzukiThe most influential contemporary theatre director in Japan, Suzuki provides a thorough and accesible formulation of his ideas and beliefs, and insights into his training methods. Features his compelling adaptation of Clytemnestra--finding an astonishing parallel between ancient Greek and modern Japanese society, Suzuki melds traditional and avant-garde techinques to shed new light on this primal tale.
The Way of the Screenwriter
by Amnon BuchbinderA story is a living thing. And you don't work on a living thing, you work with it. This is the way of the screenwriter, and it is something that writer and director Amnon Buchbinder believes all masterful screenwriters understand intuitively: learning how to work with story through a painstaking process of trial, error, and self exploration. Amnon Buchbinder draws on his knowledge as a teacher and his experience as a script doctor and a story editor to explore this creative process. Along the way he illustrates principles often inspired by the philosophy of Laozi (Lao Tze) with examples drawn from major motion pictures such as Memento and The Piano. For the beginning or seasoned screenwriter who aspires to more than mere competence, Buchbinder illuminates a path towards mastery of the craft. For the lover of the cinematic experience, he opens a curtain to reveal a rarely seen world behind the big screen.
The Way They Were: How Epic Battles and Bruised Egos Brought a Classic Hollywood Love Story to the Screen
by Robert HoflerCoinciding with the 50th anniversary of The Way We Were, this intriguing and impeccably researched book is the first ever account of the making of the classic film starring Barbara Streisand and Robert Redford, revealing the full story behind its genesis and continued controversies, its many deleted scenes, its much-anticipated but never-filmed sequel, and the real-life romance that inspired this groundbreaking love story . . . It&’s one of the greatest movie romances of all time. Fifty years on, the chemistry between Barbra Streisand as Jewish working-class firebrand Katie Morosky and Robert Redford as all-American golden boy Hubbell Gardiner remains potent. Yet the friction and controversy surrounding The Way We Were were so enormous, the movie was nearly never made at all. Impeccably researched and eye-opening, here is the full story behind the challenges, rivalries, and real-life romance surrounding the movie. Even the iconic casting was fraught. Screenwriter Arthur Laurents wrote the role of Katie with Streisand in mind, but finding Hubbell was another matter. Redford was reluctant to play what he perceived as the &“Ken doll&” to Streisand&’s lead, resulting in ten writers—among them Francis Ford Coppola—being called in to rework the script. The first preview was disastrous. Several scenes were cut, angering Streisand and Laurents, yet the new version was a resounding success, and its appeal endures, earning it a regular spot in the AFI&’s annual Top 10 movie romances.The Way They Were also explores the deep, surprising love story that inspired the screenplay—the relationship between Laurents, a Jewish Brooklyn-born college leftist, and his longtime partner, Tom Hatcher. Drawing on Laurents&’s unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and has defined romance ever since.&“A spellbinding behind-the-scenes look at the seminal 1973 film The Way We Were. Hofler&’s prose sparkles, and he successfully blends histrionics with on-screen magic. The captivating result makes clear that the drama happening behind the camera can be just as gripping as what&’s in front of it.&” —Publishers Weekly, Starred Review
The Way We All Became The Brady Bunch: How the Canceled Sitcom Became the Beloved Pop Culture Icon We Are Still Talking About Today
by Kimberly PottsIn celebration of the Brady Bunch's 50th anniversary, TV writer Kimberly Potts writes a Seinfeldia-like definitive history of the show that changed the family sitcom and made an indelible impact on pop culture.There isn't a person in this country who hasn't heard of The Brady Bunch. Whether it's the show they watched growing up, or the one their parents did--whether adored, or great to poke fun at--The Brady Bunch is unarguably one of the most enduring and inspiring TV shows of our time. It's lived a dozen lives, from its original comedy debut and big-screen movies, to the Emmy-winning TV auteurs it has inspired--everyone from Vince Gilligan to Jill Soloway--and promises to live many more. In The Way We All Became the Brady Bunch, TV and pop culture writer Kimberly Potts will draw upon her deep knowledge of and appreciation for The Brady Bunch and television and pop culture history, as well as her contacts, connections, and experience, to provide an industry insider narrative of The Brady Bunch. With fresh interviews, The Way We All Became the Brady Bunch will examine the show's lasting effects on its audience and take readers behind-the-scenes and into the lives of our most beloved characters, all to document why The Brady Bunch was one of the most groundbreaking shows of its time--and why it remains to this day, unforgettable.
The Way You Wear Your Hat: Frank Sinatra and the Lost Art of Livin'
by Bill ZehmeIn The Way You Wear Your Hat, author Bill Zehme presents a masterful assembly of the most personal details and gorgeous minutiae of Frank Sinatra's way of livingmatters of the heart and heartbreak, friendship and leadership, drinking and cavorting, brawling and wooing, tuxedos and snap-brimsall crafted from rare interviews with Sinatra himself as well as many other intimates, including Tony Bennett, Don Rickles, Angie Dickinson, Tony Curtis, and Robert Wagner, in addition to daughters Nancy and Tina Sinatra. Capturing the timeless romance and classic style of the fifties and the loose sixties, The Way You Wear Your Hat is a stunning exploration of the Sinatra mystique.
Wayfaring Stranger (American Autobiography Ser.)
by Burl IvesFirst published in 1948, this autobiography from Burl Ives, whom Carl Sandberg calls “the greatest folk ballad singer of them all,” is as fresh and wholesome as a summer’s breeze out of an Illinois cornfield. His ballads have long been an authentic expression of his land and its people—songs his grandmother taught him in the Midwestern farm country, songs remembered by old-timers in small towns all over the land, songs he heard hobos singing—songs we have come to know and love.In Wayfaring Stranger, writing in the stirring imaginative language of the ballad, Burt Ives tells of a night spent in a haystack with a pig, and of a brief fight with a railroad cop on top of a boxcar. He hitched a ride with Al Capone’s master bootlegger; he barely escaped the clutches of an old maid in Maine; he fell in love on a Great Lakes steamer; he played for evangelists and politicians; in speakeasies and public parks. Always he listened to the people, and he learned their songs. Anywhere he could get an audience, he sang his ballads: Barbara Allen, The Riddle Song, Fair Eleanor, Old Smokey, Silver Dagger, Foggy Foggy Dew.Now in Wayfaring Stranger, he has written his own story—as warm and appealing as the songs he sings.“It’s a fine book, warm, and full-bided, like Burl himself. Burl gives the reader the combination which is in everything he sings: a sense of dignity without pretentiousness, of simplicity without sentimentality. He makes the folk feeling richly alive. Some of his little character sketches remind me of the unforgettable etchings in Sherwood Anderson’s Winesburg. In short, Burl tells stories just the way he plays and sings—naturally, unaffectedly, poignantly.”—Louis Untermeyer
Waylon: An Autobiography
by Waylon Jennings Lenny KayeWaylon Jennings relates the story of his life as a country music star. His beginnings were poor but he became Buddy Holly's protege before sinking into drug abuse and 3 failed marriages. His success came when he met his present wife, Jessi Colter.
Wayne and Ford: The Films, the Friendship, and the Forging of an American Hero
by Nancy SchoenbergerJohn Ford and John Wayne, two titans of classic film, made some of the most enduring movies of all time. The genre they defined—the Western—and the heroic archetype they built still matter today. For more than twenty years John Ford and John Wayne were a blockbuster Hollywood team, turning out many of the finest Western films ever made. Ford, known for his black eye patch and for his hard-drinking, brawling masculinity, was a son of Irish immigrants and was renowned as a director for both his craftsmanship and his brutality. John “Duke” Wayne was a mere stagehand and bit player in “B” Westerns, but he was strapping and handsome, and Ford saw his potential. In 1939 Ford made Wayne a star in Stagecoach, and from there the two men established a close, often turbulent relationship. Their most productive years saw the release of one iconic film after another: Rio Grande, The Quiet Man, The Searchers, She Wore a Yellow Ribbon, The Man Who Shot Liberty Valance. But by 1960 the bond of their friendship had frayed, and Wayne felt he could move beyond his mentor with his first solo project, The Alamo. Few of Wayne’s subsequent films would have the brilliance or the cachet of a John Ford Western, but viewed together the careers of these two men changed moviemaking in ways that endure to this day. Despite the decline of the Western in contemporary cinema, its cultural legacy, particularly the type of hero codified by Ford and Wayne—tough, self-reliant, and unafraid to fight but also honorable, trustworthy, and kind—resonates in everything from Star Wars to today’s superhero franchises. Drawing on previously untapped caches of letters and personal documents, Nancy Schoenberger dramatically narrates a complicated, poignant, and iconic friendship and the lasting legacy of that friendship on American culture.
Waypoints: My Scottish Journey
by Sam HeughanJourney deep into the Scottish Highlands in the first memoir by #1 New York Times bestselling author and award-winning star of Outlander, Sam Heughan—exploring his life and reflecting on the waypoints that define him"I had to believe, because frankly, I had come so far there could be no turning back." In this intimate journey of self-discovery, Sam sets out along Scotland's rugged ninety-six-mile West Highland Way to map out the moments that shaped his views on dreams and ambition, family, friendship, love, and life. The result is a love letter to the wild landscape that means so much to him, full of charming, funny, wise, and searching insights into the world through his eyes. Waypoints is a deeply personal journey that reveals as much about Sam to himself as it does to his readers.