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Ways In

by Gilbert H. Muller John A. Williams

Bridging the gap between literary and composition theory, Ways In is a concise, integrated guide to critical reading, thinking, and writing about literature.

Ways of Seeing in the Neoliberal State: A Controversial Play and Its Contexts

by Asbjørn Skarsvåg Grønstad

This book focuses on the theme of counter-surveillance in art through a multi-faceted engagement with the highly controversial Norwegian play Ways of Seeing. Denounced by the prime minister and subject to a police investigation, the play gained notoriety when it featured footage showing the homes of the country’s financial and political elite as part of its scenography. The book provides a thorough consideration of the work’s reception context before elucidating its relation to the politics of neoliberalism. What is foregrounded in this analysis are, first, the use of an aesthetics of sousveillance to visualize the material infrastructure of racism and right-wing populism, second, the tangled interrelations of art and law, third, questions of censorship and artistic freedom, and fourth, the promotion of an alternative mode of political governance – grounded in feminism and ecological awareness – through the example of the Rojava experiment.

The Ways of the Word: Episodes in Verbal Attention

by Garrett Stewart

In The Ways of the Word, Garrett Stewart steps aside from theory to focus on the sheer pleasure of attentive reading and the excitement of recognizing the play of syllables and words upon which the best literary writing is founded. Emerging out of teaching creative writing and a broader effort to convene writers and critics, Stewart's "episodes in verbal attention" track the means to meaning through the byways of literary wording.Through close engagement with literary passages and poetic instances whose imaginative demands are their own reward, Stewart gathers exhibits from dozens of authors: from Dickinson, Dickens, and DeLillo to Whitman, Woolf, and Colson Whitehead. In the process, idiom, tense, etymology, and other elements of expressive language and its phonetic wordplay are estranged and heard anew. The Ways of the Word fluidly and intuitively reveals a verbal alchemy that is as riveting as it is elusive and mysterious.

Ways to Fall Asleep: 100 Hacks for When You Can't Get to Sleep

by Pyramid

Keep this book by your bedside as the ultimate aid for nodding off in no time.In this handy little book you'll find a whole range of tips, tricks and relaxing activities to help you switch off and unwind. From dot-to-dots and colouring-in to meditations and yoga poses, you'll find all you need to wind down at the end of a stressful day and relax in preparation for a restful night's sleep.

Ways to Fall Asleep: 100 Hacks for When You Can't Get to Sleep

by Ways to Fall Asleep

Keep this book by your bedside as the ultimate aid for nodding off in no time.In this handy little book you'll find a whole range of tips, tricks and relaxing activities to help you switch off and unwind. From dot-to-dots and colouring-in to meditations and yoga poses, you'll find all you need to wind down at the end of a stressful day and relax in preparation for a restful night's sleep.

Wayward Feeling: Audio-Visual Culture and Aesthetic Activism in Post-Rainbow South Africa (African & Diasporic Cultural Studies)

by Helene Strauss

Inventive new methods of audio-visual mediation and aesthetic activism have been giving shape, since at least the mid-2000s, to feelings of despair, disappointment, and rage at the injustice that South Africa’s colonial and apartheid histories continue to trail in their wake. Wayward Feeling reveals how racism, sexism, and other forms of structural disenfranchisement have continued to assert themselves in affective terms, and how these terms have been recast in spaces both public and intimate in "post-rainbow" times. Helene Strauss argues that the tension between aspiration and achievability has yielded modes of feeling that increasingly disrupt the thrall of post-apartheid nation-building and reconciliation myths, even as wide-spread attachment to the utopian ideals of the anti-apartheid struggle continues to shape dissenting political organising and cultural production. Drawing on a variety of audio-visual forms – including video installations, conceptual artwork, documentary film, live art, and sonic installations – Wayward Feeling examines some of the affective resources that people in contemporary South Africa have been drawing on to make difficult lives more bearable.

A Wayward Quest: The Autobiography of Theresa Helburn

by Theresa Helburn

A WAYWARD QUEST, which was first published in 1960, is the autobiography of a woman who for forty years was one of the most important figures in the American theater—and who loved every minute of it. Small, vivacious, imaginative, Theresa Helburn was a wonderfully attractive person who at one time or another knew most of the great talents of the century—from Gertrude Stein and Isadora Duncan (her youthful heroines during a sojourn in Paris) to G. B. Shaw and Eugene O’Neill. Her consuming interest in the theater, her convictions about its past and present and dreams for its future, form the background of her story, against this runs a sparkling stream of stories and anecdotes about people and plays she knew and loved.

We All Shine On: John, Yoko, and Me

by Elliot Mintz

A personal and revealing look at the last ten years of John Lennon&’s life and his partnership with Yoko Ono, written by the friend who knew them best In 1972, Elliot Mintz installed a red light in his bedroom in Laurel Canyon. When it started flashing, it meant that either John Lennon or Yoko Ono—or sometimes both—were calling him. Which they did almost every day for nearly ten years, engaging Mintz in hours-long late-night phone conversations that all but consumed him for the better part of a decade. In We All Shine On, Mintz—a former radio and television host in Los Angeles—recounts the story of how their unlikely friendship began and where it led him over the years, revealing the ups and downs of a wild, touching, heartbreaking, and sometimes shocking relationship. Mintz takes readers inside John and Yoko&’s inner sanctums, including their expansive seventh-floor apartment in New York&’s fabled Dakota building, where Mintz was something of a semipermanent fixture, ultimately becoming the Lennons' closest and most trusted confidant. Mintz was with John and Yoko through creative highs, relationship and private challenges, fascinating interactions with the other former Beatles, and the happiest moment of their lives together, the birth of their son, Sean. He was also by Yoko&’s side during the aftermath of John&’s assassination on the doorstep of the Dakota—not merely a witness to it all, but a key figure in the drama of John and Yoko&’s extraordinary lives. We All Shine On is a must-read for Beatles and Lennon fans, offering an up close and intimate view of one of the most celebrated artists of the twentieth century, as well as one of the most fascinating marriages. But it&’s also a relationship story that just about everyone can relate to, a tale about partnership, loyalty, and trust, and most of all, the lasting legacy of a true and deep friendship.

We Are Experiencing a Slight Delay: (tips, tales, travels)

by Gary Janetti

A Town & Country Must-Read Book of Summer 2024!"A delightful and sharp-witted tour through a lifetime’s worth of travel exploits and misadventures. . . . Readers are bound to catch the travel bug." — Publishers WeeklyIn this hilarious and often touching collection, the New York Times bestselling author, television writer, and producer takes us with him on travels across the globe.Gary Janetti has gained a devoted following, with a huge audience on social media, and two bestselling collections of essays under his belt. His new collection will prompt laughter but also delighted recognition as Janetti tackles the absurdity and glory of travel.In We Are Experiencing a Slight Delay, he shares stories of his varied trips around the world. Tag along as he enjoys an unexpectedly transformative stay at a rigorous Italian spa where he and his husband go from deep grumpiness to exaltation. Take a ride on the Orient Express to Venice and discover a surprising side of London, including a hilarious dinner with actress Maggie Smith. And pull up a deck chair to watch the entertainment as Gary embarks on a family cruise on the Queen Mary 2.Interspersed with recollections of his trips are personal meditations on dining alone as well as journeys to such diverse destinations as Mykonos, Australia, a Noma pop-up, and other glamorous spots. Gary is unabashedly frank about his very exacting travel needs, and delivers practical advice on all aspects of the traveler’s life, from very precise packing instructions, suggestions on how to get upgrades, and restaurant and hotel recommendations in his favorite cities.Aspirational, charmingly acerbic, and as diverting as the best vacation can be, delivering both laughs and moments of sharp recognition, Gary’s funny collection is the perfect getaway companion, for both seasoned nomads and curious armchair travelers.

We Are Having This Conversation Now: The Times of AIDS Cultural Production

by Alexandra Juhasz Theodore Kerr

We Are Having This Conversation Now offers a history, present, and future of AIDS through thirteen short conversations between Alexandra Juhasz and Theodore Kerr, scholars deeply embedded in HIV responses. They establish multiple timelines of the epidemic, offering six foundational periodizations of AIDS culture, tracing how attention to the crisis has waxed and waned from the 1980s to the present. They begin the book with a 1990 educational video produced by a Black health collective, using it to consider organizing intersectionally, theories of videotape, empowerment movements, and memorialization. This video is one of many powerful yet overlooked objects that the pair focus on through conversation to understand HIV across time. Along the way, they share their own artwork, activism, and stories of the epidemic. Their conversations illuminate the vital role personal experience, community, cultural production, and connection play in the creation of AIDS-related knowledge, archives, and social change. Throughout, Juhasz and Kerr invite readers to reflect and find ways to engage in their own AIDS-related culture and conversation.

We Are Inevitable

by Gayle Forman

A heartbreaking story about finding yourself and your people, from the bestselling author of If I Stay, a major film starring Chloë Grace Moretz. For fans of The Perks of Being a Wallflower, John Green and Nick and Norah&’s Infinite Playlist.'I got this whole-body feeling . . . it was like a message from future me to present me, telling me that in some way we weren&’t just bound to happen, that we had, in some sense, already happened. It felt . . . inevitable.' So far, the inevitable hasn&’t worked out so well for Aaron Stein. While his friends have gone to college and moved on with their lives, Aaron&’s been left behind in the Cascade Mountains of Washington State, running a failing bookshop with his dad, Ira. What he needs is a lucky break, the good kind of inevitable. And then he meets Hannah. Incredible Hannah – magical, musical, brave and clever. Could she be the answer? And could they – their relationship, their meeting – possibly be the inevitable Aaron&’s been waiting for?

We Are the Brontë Sisters (Xavier Riddle and the Secret Museum)

by Brooke Vitale

An 8x8 with 2 sticker sheets based on an episode from the PBS KIDS animated television series Xavier Riddle and the Secret Museum starring the Brontë sisters.Based on the children's book series Ordinary People Change the World by New York Times bestselling author Brad Meltzer and illustrator Christopher Eliopoulos, the series will introduce kids to inspiring historical figures and the character virtues that helped them succeed. When Brad runs out of ideas for his latest story, the Secret Museum sends him, Xavier, and Yadina to meet the Brontë sisters! Together, they use their imaginations to create new, wonderful, and incredibly fun stories. This episode-based 8x8 will focus on the traits that made our heroes great--the traits that kids can aspire to in order to live heroically themselves.

We Are the Mutants: The Battle for Hollywood from Rosemary's Baby to Lethal Weapon

by Kelly Roberts, Michael Grasso and Richard McKenna

An offbeat odyssey through the most daring and disruptive phase of American cinema since the advent of sound — during the most transformative and tumultuous period of American history since the Civil War.We Are the Mutants is a critical reassessment of what is arguably the most discussed and beloved stretch of movies in Hollywood history.Documenting the period between the arrival of US combat troops in Vietnam and the end of President Ronald Reagan&’s second term, it forgoes the usual and restrictive exemplars of &“auteur cinema,&” and instead focuses on an eclectic selection of films and genres — horror, documentary, disaster, vigilante action, neo-noir, post-apocalyptic sci-fi — to track this period's tumultuous transformation in American life, culture, and politics.Covering everything from Rosemary&’s Baby and Enter the Dragon to Escape from New York and Fatal Attraction, and from manufactured blockbusters and studio sleepers to forgotten Bs and cult classics, We Are the Mutants re-writes the history of modern American cinema, and in doing so, the history of America itself.

We Are the Song

by Catherine Bakewell

A lush and beautiful fantasy set in a world where music is magic and the fate of many thrones lies with one girl…Twelve-year-old Elissa has been raised in seclusion as a devotee of the Mother Goddess. She is a special child, a blessed child, a child who can sing miracles into being. Her voice can heal wounds, halt landslides, cure hunger—and even end wars. But there are those who would use her gift for darker things. And when Elissa finds herself the farthest from home she&’s ever been—along with her vain and jealous music tutor, Lucio—she will have to develop the judgment to decide who wants to use her song to heal… and who wants to use her song to hurt.

We Can't Keep Meeting Like This

by Rachel Lynn Solomon

A wedding harpist disillusioned with love and a hopeless romantic cater-waiter flirt and fight their way through a summer of weddings in this effervescent romantic comedy from the acclaimed author of Today Tonight Tomorrow.Quinn Berkowitz and Tarek Mansour&’s families have been in business together for years: Quinn&’s parents are wedding planners, and Tarek&’s own a catering company. At the end of last summer, Quinn confessed her crush on him in the form of a rambling email—and then he left for college without a response. Quinn has been dreading seeing him again almost as much as she dreads another summer playing the harp for her parents&’ weddings. When he shows up at the first wedding of the summer, looking cuter than ever after a year apart, they clash immediately. Tarek&’s always loved the grand gestures in weddings—the flashier, the better—while Quinn can&’t see them as anything but fake. Even as they can&’t seem to have one civil conversation, Quinn&’s thrown together with Tarek wedding after wedding, from performing a daring cake rescue to filling in for a missing bridesmaid and groomsman. Quinn can&’t deny her feelings for him are still there, especially after she learns the truth about his silence, opens up about her own fears, and begins learning the art of harp-making from an enigmatic teacher. Maybe love isn&’t the enemy after all—and maybe allowing herself to fall is the most honest thing Quinn&’s ever done.

We Danced All Night: My Life Behind the Scenes with Alan Jay Lerner

by Doris Shapiro

Mrs. Shapiro's 14 years as an assistant to Alan Jay Lerner, from before "My Fair Lady" to "On a Clear Day You Can See Forever."

We Don't Need Roads

by Caseen Gaines

A behind-the-scenes look at the making of the wildly successful and beloved Back to the Future trilogy, just in time for the 30th anniversary Long before Marty McFly and Doc Brown traveled through time in a flying DeLorean, director Robert Zemeckis, and his friend and writing partner Bob Gale, worked tirelessly to break into the industry with a hit. During their journey to realize their dream, they encountered unprecedented challenges and regularly took the difficult way out.For the first time ever, the story of how these two young filmmakers struck lightning is being told by those who witnessed it. We Don't Need Roads includes original interviews with Zemeckis, Gale, Christopher Lloyd, Lea Thompson, Huey Lewis, and over fifty others who contributed to one of the most popular and profitable film trilogies of all time.With a focus not only on the movies, but also the lasting impact of the franchise and its fandom, We Don't Need Roads is the ultimate read for anyone who has ever wanted to ride a Hoverboard, hang from the top of a clock tower, travel through the space-time continuum, or find out what really happened to Eric Stoltz after the first six weeks of filming. So, why don't you make like a tree and get outta here - and start reading! We Don't Need Roads is your density.

We Eat Our Own: A Novel

by Kea Wilson

An ambitious debut novel by an original young writer, We Eat Our Own blurs the lines between life and art with the story of a film director's unthinkable experiment in the Amazon.When a nameless, struggling actor in 1970s New York gets the call that an enigmatic director wants him for an art film set in the Amazon, he doesn't hesitate: he flies to South America, no questions asked. He quickly realizes he's made a mistake. He's replacing another actor who quit after seeing the script--a script the director now claims doesn't exist. The movie is over budget. The production team seems headed for a breakdown. The air is so wet that the celluloid film disintegrates. But what the actor doesn't realize is that the greatest threat might be the town itself, and the mysterious shadow economy that powers this remote jungle outpost. Entrepreneurial Americans, international drug traffickers, and M-19 guerillas are all fighting for South America's future--and the groups aren't as distinct as you might think. The actor thought this would be a role that would change his life. Now he's worried if he'll survive it. Inspired by a true story from the annals of 1970s Italian horror film, and told in dazzlingly precise prose, We Eat Our Own is a resounding literary debut, a thrilling journey behind the scenes of a shocking film and a thoughtful commentary on violence and its repercussions.

We Got the Beat: A Children's Picture Book (LyricPop #0)

by Charlotte Caffey Kaitlyn Shea O'Connor

An exuberant celebration of dance and play in picture book form, based on Charlotte Caffey's joyful classic made famous by the Go-Go's. See the people walking down the street Fall in line just watching all their feet They don't know w

We Got the Music: A Peek Inside Julie's Notebook (Julie and the Phantoms)

by G. M. King

Check out Julie and Luke's lyrics, Flynn's gig schedule for the band, and original Sunset Curve memorabilia in this in-world guide to the hit Netflix show Julie and the Phantoms!Julie Molina is always writing in her notebook -- from lyric ideas to memories of her mom, and even plans for her band, Julie and the Phantoms (including words of wisdom like "Make sure no one realizes the guys are ghosts, not holograms").This fun, in-world guide includes notes between Julie and her best friend, Flynn; messy scribbles from Luke, Reggie, and Alex with ideas for new songs (hey, it's hard to hold a pencil when you're dead!); and suspicious theories from Julie's little brother, Carlos, about exactly what's going on out in the garage... Plus, there are full-color photos on every page!Explore all this and more in this exclusive peek at Julie and the Phantoms, the hit new show from High School Musical and Descendants director Kenny Ortega!

We Got the Neutron Bomb: The Untold Story of L.A. Punk

by Marc Spitz Brendan Mullen

Taking us back to late '70s and early '80s Hollywood--pre-crack, pre-AIDS, pre-Reagan--We Got the Neutron Bomb re-creates word for word the rage, intensity, and anarchic glory of the Los Angeles punk scene, straight from the mouths of the scenesters, zinesters, groupies, filmmakers, and musicians who were there. "California was wide-open sex--no condoms, no birth control, no morality, no guilt." --Kim Fowley. "The Runaways were rebels, all of us were. And a lot of people looked up to us. It helped a lot of kids who had very mediocre, uneventful, unhappy lives. It gave them something to hold on to." --Cherie Currie. "The objective was to create something for our own personal satisfaction, because everything in our youthful and limited opinion sucked, and we knew better." --John Doe. "The Masque was like Heaven and Hell all rolled into one. It was a bomb shelter, a basement. It was so amazing, such a dive ... but it was our dive." --Hellin Killer. "At least fifty punks were living at the Canterbury. You'd walk into the courtyard and there'd be a dozen different punk songs all playing at the same time. It was an incredible environment." --Belinda Carlisle. Assembled from exhaustive interviews, We Got the Neutron Bomb tells the authentically gritty stories of bands like the Runaways, the Germs, X, the Screamers, Black Flag, and the Circle Jerks--their rise, their fall, and their undeniable influence on the rock 'n' roll of today.

We Killed: The Rise of Women in American Comedy

by Yael Kohen

No matter how many times female comedians buck the conventional wisdom, people continue to ask: "Are women funny?" The question has been nagging at women off and on (mostly on) for the past sixty years. It's incendiary, much discussed, and, as proven in Yael Kohen's fascinating oral history, totally wrongheaded.In We Killed, Kohen pieces together the revolution that happened to (and by) women in American comedy, gathering the country's most prominent comediennes and the writers, producers, nightclub owners, and colleagues who revolved around them. She starts in the 1950s, when comic success meant ridiculing and desexualizing yourself; when Joan Rivers and Phyllis Diller emerged as America's favorite frustrated ladies; when the joke was always on them. Kohen brings us into the sixties and seventies, when the appearance of smart, edgy comedians (Elaine May, Lily Tomlin) and the women's movement brought a new wave of radicals: the women of SNL, tough-ass stand-ups, and a more independent breed on TV (Mary Tyler Moore and her sisters). There were battles to fight and preconceptions to shake before we could arrive in a world in which women like Chelsea Handler, Sarah Silverman, and Tina Fey can be smart, attractive, sexually confident—and, most of all, flat-out funny.As the more than 150 people interviewed for this riveting oral history make clear, women have always been funny. It's just that every success has been called an exception and every failure an example of the rule. And as each generation of women has developed its own style of comedy, the coups of the previous era are washed away and a new set of challenges arises. But the result is the same: They kill. A chorus of creative voices and hilarious storytelling, We Killed is essential cultural and social history, and—as it should be!—great entertainment.

We Light Up the Sky with Music!

by Nick Maland

This tender tale of showing care to a loved one will resonate with anyone who has ever found joy and purpose in music.Old Bear sits inside, staring at gray skies. He hasn't gone outside in quite a while. So Little Bear decides it's time for a walk! The weather is windy and Old Bear isn't thrilled to be outdoors, but Little Bear coaxes him, &“Let&’s walk a little further.&” Then, suddenly, a curious noise catches both of their ears—an old saxophone lying in the alleyway! Can it be restored? Perhaps a bit of good company and teamwork is just what Old Bear could use to find his groove again.

We Love Ballet! (Pictureback(R))

by Jane Feldman

IT'S SEPTEMBER, AND it's time for school--ballet school! Join a class of the youngest ballet students as they learn about music, balance, teamwork, and even have a recital. A perfect first ballet book.

We Need To Talk

by Chris Steed Stephen Webb

Chris and Stephen off Gogglebox are known and loved by millions of viewers for their outrageous humour, filthy language and adorable sausage dogs. But there's a lot more to them than that. The ex-partners have both had their fair share of ups and downs, and here in their joint memoir they carry us through their experiences on a wave of hilarious back-and-forth conversations and killer one-liners. From their childhoods to finding fame on Gogglebox, nothing is off-limits.Stephen: "Going to the allotment was something we'd look forward to. Especially when it got dark and we used to nick everyone's vegetables"Chris: "We lived in this flint house on the edge of the cemetery, and not surprisingly it was really haunted."Funny, frank and pretty ridiculous, this is the perfect book for any Gogglebox fan.

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