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What's Next: A Backstage Pass to The West Wing, Its Cast and Crew, and Its Enduring Legacy of Service

by Mary McCormack Melissa Fitzgerald

"This is the book The West Wing deserves." Allison Janney"A joy and a MUST READ for all the Wingnuts out there!" Brad WhitfordA behind-the-scenes look into the creation and legacy of The West Wing as told by cast members Melissa Fitzgerald and Mary McCormack, with compelling insights from cast and crew exploring what made the show what it was and how its impassioned commitment to service has made the series and relationships behind it endure. Includes an exclusive foreword by showrunner Aaron Sorkin and introduction by cast member Allison Janney.Step back inside the world of President Jed Bartlet's Oval Office with Fitzgerald and McCormack as they reunite the West Wing cast and crew in a lively and colourful "backstage pass" to the timeless series. This intimate, in-depth reflection reveals how The West Wing was conceived, and spotlights the army of people it took to produce it, the lifelong friendships it forged, and the service it inspired.From cast member origin stories to the collective cathartic farewell on the show's final night of filming, What's Next will delight readers with on-set and off-camera anecdotes that even West Wing super fans have never heard. Meanwhile, a deeper analysis of the show's legacy through American culture, service, government, and civic life underscores how the series envisaged an American politics of decency and honour, creating an aspirational White House beyond the bounds of fictional television. What's Next revisits beloved episodes with fresh, untold commentary; compiles poignant and hilarious stories from the show's production; highlights initiatives supported by the cast, crew, and creators; and makes a powerful case for competent, empathetic leadership, hope, and optimism for whatever lies ahead."What's Next is the highest level of access you can get to The West Wing without a background check." Josh Malina"What's Next is the book we all need right now." Dulé Hill"Any West Wing fan will adore this book, as will anyone who admires brilliant television and all that it takes to make it. Run and buy What's Next for all the West Wingers in your life!" Janel Moloney

What's So Funny?: Sketches from My Life (Choreography and Dance Studies Series #Vol. 15)

by Lotte Goslar

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

What's So Funny?: My Hilarious Life

by Jane Scovell Tim Conway

Six-time Emmy Award-winning funny man Tim Conway—best known for his roles on The Carol Burnett Show—offers a straight-shooting and hilarious memoir about his life on stage and off as an actor and comedian.In television history, few entertainers have captured as many hearts and made as many people laugh as Tim Conway. What&’s So Funny? follows Tim&’s journey from life as an only child raised by loving but outrageous parents, to his tour of duty in the army, to his ascent as a national star. Conway&’s often-improvised humor, razor-sharp timing, and hilarious characters have made him one of the funniest and most authentic performers to grace the stage and studio. As Carol Burnett, who also provides an intimate foreword to the book, has said, &“there&’s no one funnier&” than Tim Conway. What&’s So Funny? shares hilarious accounts and never-before-shared stories of behind-the-scenes antics on McHale&’s Navy and The Carol Burnett Show as well as his famous partnerships with entertainment greats like Harvey Korman, Don Knotts, and Dick Van Dyke; and his friendships with stars like Betty White and Bob Newhart. Filled with warmth, humor, and heart, What&’s So Funny will delight and inspire fans everywhere.

What's The Sound

by John Covach

As music historians look back on the twentieth century, it is obvious that popular music has played an enormous role in the development of the Western musical tradition.

What's the Matter with Today's Experimental Music?: Organized Sound Too Rarely Heard (Contemporary Music Studies #4)

by Leigh Landy

Today's education and communications media are seen to be the main cause of the anonymity of contemporary music and suggestions are made to improve this situation. Leigh Landy investigates audio-visual applications that have hardly been explored, new timbres and sound sources, the discovery of musical space, new notations, musical politics, and the 'musical community' in an attempt to incite more composers, musicians and musicologists to get this music out into the works and to stimulate the creation of new experimental works.

What's the Story: Essays about art, theater and storytelling

by Anne Bogart

Anne Bogart is an award-winning theatre maker, and a best-selling writer of books about theatre, art, and cultural politics. In this her latest collection of essays she explores the story-telling impulse, and asks how she, as a ‘product of postmodernism’, can reconnect to the primal act of making meaning and telling stories. She also asks how theatre practitioners can think of themselves not as stagers of plays but ‘orchestrators of social interactions’ and participants in an on-going dialogue about the future. We dream. And then occasionally we attempt to share our dreams with others. In recounting our dreams we try to construct a narrative... We also make stories out of our daytime existence. The human brain is a narrative creating machine that takes whatever happens and imposes chronology, meaning, cause and effect... We choose. We can choose to relate to our circumstances with bitterness or with openness. The stories that we tell determine nothing less than personal destiny. (From the introduction) This compelling new book is characteristically made up of chapters with one-word titles: Spaciousness, Narrative, Heat, Limits, Error, Politics, Arrest, Empathy, Opposition, Collaboration and Sustenance. In addition to dipping into neuroscience, performance theory and sociology, Bogart also recounts vivid stories from her own life. But as neuroscience indicates, the event of remembering what happened is in fact the creation of something new.

What’s the Story? The Director Meets Their Screenplay: An Essential Guide for Directors and Writer-Directors

by Peter Markham

A structured perspective on the crucial interface of director and screenplay, this book encompasses twenty-two seminal aspects of the approach to story and script that a director needs to understand before embarking on all other facets of the director’s craft. Drawing on seventeen years of teaching filmmaking at a graduate level and on his prior career as a director and in production at the BBC, Markham shows how the filmmaker can apply rigorous analysis of the elements of dramatic narrative in a screenplay to their creative vision, whether of a short or feature, TV episode or season. Combining examination of such fundamental topics as story, premise, theme, genre, world and setting, tone, structure, and key images with the introduction of less familiar concepts such as cultural, social, and moral canvas, narrative point of view, and the journey of the audience, What’s The Story? The Director Meets Their Screenplay applies the insights of each chapter to a case study—the screenplay of the short film Contrapelo, nominated for the Jury Award at Tribeca in 2014. This book is an essential resource for any aspiring director who wants to understand exactly how to approach a screenplay in order to get the very best from it, and an invaluable resource for any filmmaker who wants to understand the important creative interplay between the director and screenplay in bringing a story to life.

The Wheel of Life and Death (Mysterium #3)

by Julian Sedgwick

After a close call with an assassin in Barcelona, Danny is more convinced than ever that his parents—star performers in the Mysterium circus—died under suspicious circumstances. He's also sure that there's a traitor within the Mysterium. As the troupe heads to Berlin for a circus festival, Danny scrambles to unravel the clues his father left behind. He'll need his decoding skills—plus some extremely risky circus tricks—to find out what really happened to his parents and who's still trying to sabotage the Mysterium. Can he expose his parents' killer before disaster strikes again?

When All is Said: The Number One Irish Bestseller by the author of Listening Still

by Anne Griffin

Five toasts. Five people. One lifetime. 'An extraordinary novel, a poetic writer, and a story that moved me to tears.' John Boyne'I'm here to remember - all that I have been and all that I will never be again.'At the bar of a grand hotel in a small Irish town sits 84-year-old Maurice Hannigan. He's alone, as usual - though tonight is anything but. Pull up a stool and charge your glass, because Maurice is finally ready to tell his story. Over the course of this evening, he will raise five toasts to the five people who have meant the most to him. Through these stories - of unspoken joy and regret, a secret tragedy kept hidden, a fierce love that never found its voice - the life of one man will be powerfully and poignantly laid bare. Heart-breaking and heart-warming all at once, the voice of Maurice Hannigan will stay with you long after all is said.(P) 2019 Hodder & Stoughton Ltd

When Ballet Became French

by Ilyana Karthas

For centuries before the 1789 revolution, ballet was a source of great cultural pride for France, but by the twentieth century the art form had deteriorated along with France's international standing. It was not until Serge Diaghilev's Ballets Russes found success in Paris during the first decade of the new century that France embraced the opportunity to restore ballet to its former glory and transform it into a hallmark of the nation. In When Ballet Became French, Ilyana Karthas explores the revitalization of ballet and its crucial significance to French culture during a period of momentous transnational cultural exchange and shifting attitudes towards gender and the body. Uniting the disciplines of cultural history, gender and women's studies, aesthetics, and dance history, Karthas examines the ways in which discussions of ballet intersect with French concerns about the nation, modernity, and gender identities, demonstrating how ballet served as an important tool for France's project of national renewal. Relating ballet commentary to themes of transnationalism, nationalism, aesthetics, gender, and body politics, she examines the process by which critics, artists, and intellectuals turned ballet back into a symbol of French culture. The first book to study the correlation between ballet and French nationalism, When Ballet Became French demonstrates how dance can transform a nation's cultural and political history.

When Ballet Became French: Modern Ballet and the Cultural Politics of France, 1909-1958

by Ilyana Karthas

For centuries before the 1789 revolution, ballet was a source of great cultural pride for France, but by the twentieth century the art form had deteriorated along with France's international standing. It was not until Serge Diaghilev's Ballets Russes found success in Paris during the first decade of the new century that France embraced the opportunity to restore ballet to its former glory and transform it into a hallmark of the nation. In When Ballet Became French, Ilyana Karthas explores the revitalization of ballet and its crucial significance to French culture during a period of momentous transnational cultural exchange and shifting attitudes towards gender and the body. Uniting the disciplines of cultural history, gender and women's studies, aesthetics, and dance history, Karthas examines the ways in which discussions of ballet intersect with French concerns about the nation, modernity, and gender identities, demonstrating how ballet served as an important tool for France's project of national renewal. Relating ballet commentary to themes of transnationalism, nationalism, aesthetics, gender, and body politics, she examines the process by which critics, artists, and intellectuals turned ballet back into a symbol of French culture. The first book to study the correlation between ballet and French nationalism, When Ballet Became French demonstrates how dance can transform a nation's cultural and political history.

When Blanche Met Brando: The Scandalous Story of A Streetcar Named Desire

by Sam Staggs

Exhaustively researched and almost flirtatiously opinionated, When Blanche Met Brando is everything a fan needs to know about the ground-breaking New York and London stage productions of Williams' "Streetcar" as well as the classic Brando/Leigh film. Sam Staggs' interviews with all the living cast members of each production will enhance what's known about the play and movie, and help make this book satisfying as both a pop culture read and as a deeper piece of thinking about a well-known story. Readers will come away from this book delighted with the juicy behind-the-scenes stories about cast, director, playwright and the various productions and will also renew their curiosity about the connection between the role of Blanche and Viven Leigh's insatiable sexual appetite and later descent into breakdown. They may also-for the first time-question whether the character of Blanche was actually "mad" or whether her anxiousness was symptomatic of another disorder."A Streetcar Named Desire" is one of the most haunting and most-studied modern plays. Staggs' new book will fascinate fans and richen newcomers' understanding of its importance in American theater and movie history.

When Chickenheads Come Home to Roost: My Life as a Hip-hop Feminist

by Joan Morgan

A new voice of the post-Civil Rights, post-feminist, post-soul generation has emerged which probes the complex issues facing African-American women today. The book is a decidedly intimate look into the life of the modern black woman.

When Clowns Attack

by Chuck Sambuchino

THEY'RE COMING FOR YOU Coulrophobia--the fear of clowns--is very real and for good reason. You might think these red-nosed jokers are creepy, sure, but certainly not dangerous. You'd be wrong. Clowns never reveal their real names, and dress to obscure their identities. The rules of civilized society don't apply to them (what other stranger could offer candy to children and get away with it?), they have countless places to hide weapons on their person, and their appearance is downright unnatural. Clowns are the scariest people on earth, and the truth is, they are coming for your valuables, your children, and your sanity. In this comprehensive guide to self-protection from clown creepery, petty crime, and violence, Chuck Sambuchino--founder of the anti-clown group Red Nose Alert--delves into the terrifying clown underworld to provide the knowledge you need to know to protect yourself from these seemingly innocuous gagmen, using his proven four-step system: ASSESS, ANALYZE, DEFEND, PROTECT. Included within are instructions on how to defeat a clown in close combat, tips for spotting the plainclothes clown, and tutorials for fully clown-proofing your home against these painted and bewigged warriors. Most importantly, you'll learn what to do when clowns attack... because it's only a matter of time before they do.From the Hardcover edition.

When Documentaries Meet New Media: Interactive Documentary Projects in China and the West

by Le Cao

New media and digital technologies open up numerous possibilities to document different versions of reality, which makes it essential to examine how they transform the logic behind the creation and production of documentaries in digital cultures. This study aims to investigate the integration between the traditional documentary and new media: the interactive documentary, in the context of the different sociocultural and technological environments of China and the West. Accordingly, a comparative study on the evolution and integration of these two fields was carried out. The documentary genre brings with it a method of classification and various modes of representing reality, while new media provide new approaches to interactivity as well as the production and distribution of interactive documentaries. Interactive documentaries grow and change as a continuously evolving system, engaging the roles of the author and the user, such that their roles are mixed for better co-expression and the reshaping of their shared environment. In addition, an analytical approach based on the types of interactivity was adopted to explore this new form of documentary; both to deduce how the stories about our shared world can be told and to understand the impact of interactive documentaries on the construction of our versions of the reality as well as our role in it.

When Frankie Went to Hollywood: Frank Sinatra and American Male Identity

by Karen Mcnally

This first in-depth study of Frank Sinatra's film career explores his iconic status in relation to his many performances in postwar Hollywood cinema. When Frankie Went to Hollywood considers how Sinatra's musical acts, television appearances, and public commentary impacted his screen performances in Pal Joey, The Tender Trap, Some Came Running, The Man with the Golden Arm, and other hits. A lively discussion of sexuality, class, race, ethnicity, and male vulnerability in postwar American culture illuminates Karen McNally's investigation into Sinatra's cinematic roles and public persona. This entertainment luminary, she finds, was central in shaping debates surrounding definitions of American male identity in the 1940s and '50s.

When Harry Met Sally ...

by Nora Ephron

Rob Reiner's enormously funny and moving When Harry Met Sally ... -- a romantic comedy about the difficult, frustrating, awful, funny search for happiness in an American city, where the primary emotion is unrequited love -- is delighting audiences everywhere. Now, the complete screenplay is published. Written by Nora Ephron -- author of screenplays for Silkwood and Heartburn (from her own best-selling novel) -- When Harry Met Sally ... is as hilarious on the page as it is on the screen. The book includes an introduction by the author.

When Hollywood Had a King: The Reign of Lew Wasserman, Who Leveraged Talent into Power and Influence

by Connie Bruck

In When Hollywood Had a King, the distinguished journalist Connie Bruck tells the sweeping story of MCA and its brilliant leader, a man who transformed the entertainment industry-- businessman, politician, tactician, and visionary Lew Wasserman. The Music Corporation of America was founded in Chicago in 1924 by Dr. Jules Stein, an ophthalmologist with a gift for booking bands. Twelve years later, Stein moved his operations west to Beverly Hills and hired Lew Wasserman. From his meager beginnings as a movie-theater usher in Cleveland, Wasserman ultimately ascended to the post of president of MCA, and the company became the most powerful force in Hollywood, regarded with a mixture of fear and awe. In his signature black suit and black knit tie, Was-serman took Hollywood by storm. He shifted the balance of power from the studios--which had seven-year contractual strangleholds on the stars--to the talent, who became profit partners. When an antitrust suit forced MCA's evolution from talent agency to film- and television-production company, it was Wasserman who parlayed the control of a wide variety of entertainment and media products into a new type of Hollywood power base. There was only Washington left to conquer, and conquer it Wasserman did, quietly brokering alliances with Democratic and Republican administrations alike. That Wasserman's reach extended from the underworld to the White House only added to his mystique. Among his friends were Teamster boss Jimmy Hoffa, mob lawyer Sidney Korshak, and gangster Moe Dalitz--along with Presidents Johnson, Clinton, and especially Reagan, who enjoyed a particularly close and mutually beneficial relationship with Wasserman. He was equally intimate with Hollywood royalty, from Bette Davis and Jimmy Stewart to Steven Spielberg, who began his career at MCA and once described Wasserman's eyeglasses as looking like two giant movie screens.The history of MCA is really the history of a revolution. Lew Wasserman ushered in the Hollywood we know today. He is the link between the old-school moguls with their ironclad studio contracts and the new industry defined by multimedia conglomerates, power agents, multimillionaire actors, and profit sharing. In the hands of Connie Bruck, the story of Lew Wasserman's rise to power takes on an almost Shakespearean scope. When Hollywood Had a King reveals the industry's greatest untold story: how a stealthy, enterprising power broker became, for a time, Tinseltown's absolute monarch.From the Hardcover edition.

When Hollywood Was Right

by Donald T. Critchlow

Hollywood was not always a bastion of liberalism. Following World War II, an informal alliance of movie stars, studio moguls and Southern California business interests formed to revitalize a factionalized Republican Party. Coming together were stars such as John Wayne, Robert Taylor, George Murphy and many others, who joined studio heads Cecil B. DeMille, Louis B. Mayer, Walt Disney and Jack Warner to rebuild the Republican Party. They found support among a large group of business leaders who poured money and skills into this effort, which paid off with the election of George Murphy to the US Senate and of Richard Nixon and Ronald Reagan to the highest office in the nation. This is an exciting story based on extensive new research that will forever change how we think of Hollywood politics.

When I Stop Talking, You'll Know I'm Dead: Useful Stories from a Persuasive Man

by Jerry Weintraub Rich Cohen

A fast talking wise-guy from the Bronx, Weintraub became a millionaire by handling some of the biggest acts in show biz, most notably Elvis and Frank. The stories in this work will speak to anyone who's ever had a dream and the moxie to make it happen.

When I Stop Talking, You'll Know I'm Dead: Useful Stories from a Persuasive Man

by Jerry Weintraub Rich Cohen

Here is the story of Jerry Weintraub: the self-made, Brooklyn-born, Bronx-raised impresario, Hollywood producer, legendary deal maker, and friend of politicians and stars. No matter where nature has placed him--the club rooms of Brooklyn, the Mafia dives of New York's Lower East Side, the wilds of Alaska, or the hills of Hollywood--he has found a way to put on a show and sell tickets at the door. "All life was a theater and I wanted to put it up on a stage," he writes. "I wanted to set the world under a marquee that read: 'Jerry Weintraub Presents.'"In WHEN I STOP TALKING, YOU'LL KNOW I'M DEAD, we follow Weintraub from his first great success at age twenty-six with Elvis Presley, whom he took on the road with the help of Colonel Tom Parker; to the immortal days with Sinatra and Rat Pack glory; to his crowning hits as a movie producer, starting with Robert Altman and Nashville, continuing with Oh, God!, The Karate Kid movies, and Diner, among others, and summiting with Steven Soderbergh and Ocean's Eleven, Twelve, and Thirteen.Along the way, we'll watch as Jerry moves from the poker tables of Palm Springs (the games went on for days), to the power rooms of Hollywood, to the halls of the White House, to Red Square in Moscow and the Great Palace in Beijing-all the while counseling potentates, poets, and kings, with clients and confidants like George Clooney, Bruce Willis, George H. W. Bush, Armand Hammer, Brad Pitt, Matt Damon, Bob Dylan, Led Zeppelin, John Denver, Bobby Fischer . . .well, the list goes on forever.And of course, the story is not yet over . . .as the old-timers say, "The best is yet to come."As Weintraub says, "When I stop talking, you'll know I'm dead."With wit, wisdom, and the cool confidence that has colored his remarkable career, Jerry chronicles a quintessentially American journey, one marked by luck, love, and improvisation. The stories he tells and the lessons we learn are essential, not just for those who love movies and music, but for businessmen, entrepreneurs, artists . . . everyone.

When I Was a Girl

by Alison Pollet

Discover the defining moments and fondest memories of some of the world's most celebrated women!Based on the popular WE: Women's Entertainment television series and featuring an introduction by famed television journalist and author Linda Ellerbee,When I Was a Girlpresents a collection of timeless girlhood tales. Extraordinary women from the worlds of politics, sports, entertainment, literature, music, and beyond relive the early moments that shaped them: the first friendships and academic pitfalls, the consuming crushes and favorite outfits. These are some of the remarkable women who offer a glimpse into what inspired them when they were girls:Gillian AndersonIndia. ArieCandice BergenEllen BurstynCandace BushnellAnn CurryEllen DeGeneresIlleana DouglasMarian Wright EdelmanMelissa EtheridgeEdie FalcoFionnula FlanaganSue GraftonDenyce GravesMelanie GriffithCherry JonesGladys KnightLisa LeslieSusan LucciWendie MalickRita MorenoDee Dee MyersCynthia NixonElizabeth PerkinsKelly PrestonAnna QuindlenSally RideMichelle RodriguezAmy SedarisJamie-Lynn SiglerMary SteenburgenLee Ann WomackAnd many more!Here are cherished memories, evocative and insightful, for every woman who recalls fondly what she was like. . . when she was a girl. For more information on WE: Women's Entertainment and the seriesWhen I Was a Girllog on to www. we. tv.

When I Was a Nipper: The Way We Were in Disappearing Britain

by Alan Titchmarsh

In When I Was a Nipper Alan Titchmarsh goes on a personal and nostalgic journey through post-War Britain in search of treasured values and traditions that were once the soul of society. With characteristic wit, warmth and humour he draws on the experience of his own childhood, and also takes a broader perspective, creating a wonderfully detailed and evocative portrait of a way of life that is fast disappearing, and asks what can we learn from this era of austerity to make our lives better today?Born in Yorkshire in 1949 and brought up in a Britain still recovering from World War 2, Alan remembers a time of relative calm, when it was enough to return home at night knowing that the house would still be standing. We were known throughout the world for our patience, resourcefulness and resilience. 'Mustn't grumble' was almost a national catchphrase, and queuing was second nature. Peppered with wonderful archive photographs and advertisements, When I Was a Nipper takes us back to those days, down high streets and through farmyards, on to trolley buses and into local pubs. As we move towards a global economy, as communities fragment and customs are lost, When I Was a Nipper captures a world that is fast receding into history. It's powerfully nostalgic for those who remember those days, but it's also Alan's timely call to all recession-hit Brits to heed the lessons of austerity Britain: 'make do and mend'; 'look on the bright side' and 'take the knocks on the chin'.

When I Was Summer

by J. B. Howard

A relatable novel about unrequited love, rock 'n' roll, and what you find when you go searching for yourself.Sixteen-year-old Nora Wakelin has always felt like an outsider in her own family. Her parents and older sister love her, but they don't understand anything about her: not her passion for music, not her all-encompassing crush on her bandmate Daniel (who is very much unavailable), not her recklessness and impulsiveness. Nora has always imagined that her biological mother might somehow provide the answer as to why she feels like such an outsider. Through internet stalking and leaps of logic, Nora identifies three women living elsewhere in California who seem like they could be her biological mother. So she sets out to track them each down, one by one, under the pretense of a statewide tour with her rock band, Blue Miles. Three cities, three gigs, three possible birth mothers--it sounds so easy.But once they're on the road, of course, it's anything but easy. Nora wants to be with Daniel, she wants to find her birth mother, she wants to keep her parents happy, she wants the band to stay together, and she wants to know why she is the way she is. But she won't be the first musician to find out that, while you can't always get what you want, sometimes you get what you need.

When I Was Your Age: Life Lessons, Funny Stories & Questionable Parenting Advice from a Professional Clown

by Kenan Thompson

When I Was Your Age is a hilarious, heartwarming and surprising ode to growing up, getting older and wiser, and luck, life, and learning from the school of hard knocks, from SNL's longest-serving actor, Kenan ThompsonKenan Thompson is Saturday Night Live’s longest-ever-serving cast member and a star of such pioneering sketches as “Black Jeopardy” and is hugely beloved thanks to a tidal wave of nostalgic fans who grew up on early 2000s classics All That, Good Burger, and Kenan & Kel on Nickelodeon.He’s also a dad (to two girls) in his mid-40s living in suburbia, and whose universal, relatable, family-friendly humor has created unbelievable appeal and engagement from fans from middle America to coastal elites. Becoming a dad sucked the cool right out of him -- and he's OK with that!When I Was Your Age is packed with hilarious yet poignant essays that are aimed to offer any reader valuable advice on parenting, focusing on positivity, and having fun in life. Kids, new parents, fellow fathers, budding comics, and aunties who want to pinch his cheeks, can all learn from his biggest mistakes and most triumphant victories. There’s something for everybody here!

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