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Whole Lotta Led: Our Flight With Led Zeppelin
by Ralph Hulett Prochnicky JerryIn September 1968, four English lads gathered together for the first time in a small, stuffy London rehearsal room in a basement filled with wall-to-wall amplifiers. It was their first big tryout as musicians, and each of them was nervous. Would they come together as a band? Or would they crash and burn, becoming nothing but a rock footnote? Then the room exploded, with wailing chords, howling vocals, and a locked-tight rhythm section-a sonic assault of heretofore unknown power. Here for the first time was Led Zeppelin: the screaming rock guitar of Jimmy Page, the scorching blues vocals of Robert Plant, the driving jazz bass of John Paul Jones, and the power drumming of John Bonham. The session was amazing, electrifying, and stunning. The Zepp had arrived. There was no turning back. And rock entertainment would never be the same again. Told by the band, the musicians, the groupies, and the fans themselves, this chronicle of one of rock's greatest and most innovative bands comes alive with the hiss of turntables, the sweat of the crowd at the Fillmore East, the hustle and bustle of backstage life, and the electricity of small clubs where rock history was about to be made. It's a story about a band's influence on two impressionable guys, and the countless others who came to get the Led out and stayed to become part of rock 'n' roll legend. With exclusive and rare photos
Whole World of Music: A Henry Cowell Symposium (Contemporary Music Studies)
by David NichollsFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Whom God Wishes to Destroy…: Francis Coppola and the New Hollywood
by Jon LewisIn March 1980 Francis Coppola purchased the dilapidated Hollywood General Studios facility with the hope and dream of creating a radically new kind of studio, one that would revolutionize filmmaking, challenge the established studio machinery, and, most importantly, allow him to make movies as he wished. With this event at the center of Whom God Wishes to Destroy, Jon Lewis offers a behind-the-scenes view of Coppola's struggle--that of the industry's best-known auteur--against the changing realities of the New Hollywood of the 1980s. Presenting a Hollywood history steeped in the trade news, rumor, and gossip that propel the industry, Lewis unfolds a lesson about power, ownership, and the role of the auteur in the American cinema. From before the success of The Godfather to the eventual triumph of Apocalypse Now, through the critical upheaval of the 1980s with movies like Rumble Fish, Hammett, Peggy Sue Got Married, to the 1990s and the making of Bram Stoker's Dracula and Kenneth Branagh's Frankenstein, Francis Coppola's career becomes the lens through which Lewis examines the nature of making movies and doing business in Hollywood today.
Whoopi Goldberg: Comedian and Movie Star
by William CaperExamines the life and career of the versatile actress and comedian who overcame a drug addiction and became the first black female Academy Award winner since 1939.
Who’s 50: The 50 Doctor Who Stories to Watch Before You Die: An Unofficial Companion
by Robert Smith Graeme Burk<p>Ever since its premiere on November 23, 1963, Doctor Who has been a television phenomenon. This companion guide presents the top fifty stories from the show’s first fifty years—examining every corner of the imaginative, humorous, and sometimes scary universe that has made Doctor Who an iconic part of popular culture. <p>This must-have reference also includes behind the scenes details, goofs, trivia, connections to Doctor Who lore, and much more.</p>
Who's 'Bout to Bounce?: Who's 'bout To Bounce (The Cheetah Girls #3)
by Deborah GregoryDorinda's dance teacher tells her that she's got what it takes to audition as a back-up dancer for the singing sensation Money Monique. This is Dorinda's chance to really make it. But since Dorinda has always been the best dancer in the Cheetah Girls, she's been the one to make up the group's "phat" dance moves. If she gets chosen to tour with Money Monique, she'll have to leave the Cheetah Girls and Mrs. Bosco, her foster mother, behind.
Who's 'Bout to Bounce, Baby? (Cheetah Girls #3)
by Deborah GregoryDorinda's dance teacher tells her that she's got what it takes to audition as a back-up dancer for the singing sensation Money Monique. But if she gets chosen to tour with Money Monique, she'll have to leave The Cheetah Girls and Mrs. Bosco, her foster mother, behind.
Who's Orp's Girlfriend?
by Suzy KlineOrp's life becomes very complicated when he realizes that he likes two girls at the same time.
Who's That Girl?: A Memoir
by EveThe definitive autobiography from Eve, the multiplatinum, Grammy Award®–winning, Emmy®-nominated rapper, singer-songwriter, actor, mother, philanthropist, and entrepreneur.In 1999, Eve Jihan Cooper made history with her solo debut album, Let There Be Eve…Ruff Ryders&’ First Lady, reaching number one on the Billboard 200, marking her as the third female rapper to ever obtain that position. She later made history again as the first recipient ever of the Grammy Award®for Best Rap/Sung Collaboration for her platinum single &“Let Me Blow Ya Mind&” with Gwen Stefani. Following up with three chart-topping albums that made unrivaled waves in the world of hip-hop and music, as well as trailblazing moments in TV/film and fashion, Eve now looks back on her groundbreaking career.West Philadelphia was not for the faint of heart—Eve knows that better than anyone. However, she navigated those Philly streets (and later the rest of the world) seamlessly, though it was not without strength and resilience. She incorporates that unbridled ambition into every bar that she writes and every stage/set that she stands on. With a gritty realness that speaks to her style, she shares her experiences going from the Mill Creek Projects to Hollywood. In this memoir, Eve delves into her entrance as "Eve of Destruction" into a male-dominated hip-hop industry, the deeper story behind Scorpion that was never told until now, and the internal battle with her music, her label, and herself after Lip Lock. This fearless, empowering, and inspirational memoir from hip-hop sensation Eve explores her rise to stardom as a female MC, her lasting legacy on pop culture and music, and her incredible yet enduring struggle balancing her personal life with her professional one.
Who's Who in The Archers 2011: An A-Z of Britain's Most Popular Radio Drama
by Graham HarveyNow fully updated, Who's Who in The Archers has become the indispensable companion to life in Britain's best-known village. Whether you need a quick run-down on a new character or a reminder about an on-going relationship, this handy guide is your first reference point. It'll tell you all you need to know about: Harry, the new milkman, who has wasted no time in getting himself noticed. The team running the new community shop. The unofficial "social club" founded by Eddie Grundy. Who lives at Grange Spinney.Each week five million listeners tune into the world's longest running drama series. Who's Who in The Archers will help keep you fully up-to-date on life in this ever-changing rural community. Whether you're a long-standing listener or a new-comer to Ambridge, this pocket guide is certain to add to your enjoyment.
Who's Who in The Archers 2012: An A-Z of Britain's Most Popular Radio Drama
by Graham HarveyThe insider's guide to Ambridge life is back for a special 60th Anniversary edition, fully-updated and packed with indispensable facts about the nation's favourite village. Whether it's information about an on-going relationship you're looking for - or a background briefing on a new character - Who's Who in The Archers is for you. Within these pages you'll find a wealth of essential detail about:The young entrepreneur whose business is "forging ahead"Members of the thriving Ambridge Book ClubThe threat to Pat's organic dairy businessThe wild food menu item that's causing ructions at The BullNow in its 60th glorious year, the world's longest running drama series is a part of national life. Whether you're a new-comer to the village or you've been visiting for years, you'll want to keep this handy-sized reference guide close by. Who's Who in The Archers is certain to help you enjoy Ambridge life to the full.
Who's Who in the Archers 2009
by Keri DaviesNow in its tenth edition, Who's Who in the Archers has become a perennial favourite among the show's listeners. It's the first point of reference when those niggling questions arise, such as:How old is David Archer?What does Jessica do at Lower Loxley?Where does Derek Fletcher live?Who works at Jaxx Caff?This essential pocket guide provides an A-Z listing of the key characters and places from Britain's best loved, and most enduring, radio drama. It will help you master the intricate and tangled web of relations in Ambridge, uncover the secrets behind the most recent feuds and scandals, and gain insight into the most up-to-date happenings on the show.Complete with full Archer family tree and an index of character forenames, Who's Who in the Archers is an indispensable guide for long-standing fans and newcomers alike
Whose Improv Is It Anyway?: Beyond Second City (Studies in Popular Culture Series)
by Amy E. SehamOn both sides of the stage improv-comedy's popularity has increased exponentially throughout the 1980s and '90s and into the new millennium. Presto! An original song is created out of thin air. With nothing but a suggestion from the audience, daring young improvisers working without a net or a script create hilarious characters, sketches, and songs. Thrilled by the danger, the immediacy, and the virtuosity of improv-comedy, spectators laugh and cheer. American improv-comedy burst onto the scene in the 1950s with Chicago's the Compass Players (best known for the brilliant comedy duo Mike Nichols and Elaine May) and the Second City, which launched the careers of many popular comedians, including Gilda Radner, John Belushi, and Mike Myers. Chicago continues to be a mecca for young performers who travel from faraway places to study improv. At the same time, the techniques of Chicago improv have infiltrated classrooms, workshops, rehearsals, and comedy clubs across North and South America, Europe, Australia, and Japan. Improv's influence is increasingly evident in contemporary films and in interactive entertainment on the internet. Drawing on the experiences of working improvisers, Whose Improv Is It Anyway? provides a never-before-published account of developments beyond Second City's mainstream approach to the genre. This fascinating history chronicles the origins of "the Harold," a sophisticated new "long-form" style of improv developed in the '80s at ImprovOlympic and details the importance and pitfalls of ComedySports. Here also is a backstage glimpse at the Annoyance Theatre, best known on the national scene for its production of The Real Live Brady Bunch. Readers will get the scoop on the recent work of players who, feeling excluded by early improv's "white guys in ties," created such independent groups as the Free Associates and the African American troupe Oui Be Negroes. There is far more to the art of improv than may be suggested by the sketches on Saturday Night Live or the games on Whose Line Is It Anyway? This history, an insider's look at the evolution of improv-comedy in Chicago, reveals the struggles, the laughter, and the ideals of mutual support, freedom, and openness that have inspired many performers. It explores the power games, the gender inequities, and the racial tensions that can emerge in improvised performance, and it shares the techniques and strategies veteran players use to combat these problems. Improv art is revealed to be an art of compromise, a fragile negotiation between the poles of process and product. The result, as shown here, can be exciting, shimmering, magical, and not exclusively the property of any troupe or actor.
Why? Because We Still Like You: An Oral History of the Mickey Mouse Club(R)
by Jennifer ArmstrongThis book will tell the behind-the-scenes story of how The Mickey Mouse Club paved the way for all that came after, from its humble beginnings as a marketing ploy, through its short but mesmerizing run, to the numerous resurrections that made it one of television's first true cult hits--all through the recollections of those regular kids-turned-stars who made it a phenomenon. It will reveal, for the first time ever, the untold stories of Annette, Darlene, Cubby and Karen, Bobbie and the rest of the beloved cast. It will explore, through the reminiscences of former fans who grew up to be some of television's finest minds, what made the show so special. And it will examine why the formula the creators of the show invented is more relevant than ever, and whether we'll ever see yet another Club for a new generation.
Why Beethoven: A Phenomenon in 100 Pieces
by Norman LebrechtWithout Beethoven, music as we know it wouldn&’t exist. Who was this titan of world culture? 'You want to build a Beethoven library? There can be no better starting point... Brilliant.' John Suchet, Classic FM presenter Through 100 recordings, Lebrecht brings to life the composer as we&’ve never seen him before. Unruly, offensive and hopeless in so much of his life, yes, but driven to a fault and devoted to his art, conquering deafness to compose some of the towering works of our culture. Along the way, we encounter the great musicians who have taken on the challenge of Beethoven, in all their glories and foibles. In this revealing, unique biography, Beethoven emerges as a cornerstone of the modern world. All recordings are freely available on Idagio and YouTube.
Why Classical Music Still Matters
by Lawrence Kramer"What can be done about the state of classical music?" Lawrence Kramer asks in this elegant, sharply observed, and beautifully written extended essay. Classical music, whose demise has been predicted for at least a decade, has always had its staunch advocates, but in today's media-saturated world there are real concerns about its viability. Why Classical Music Still Matters takes a forthright approach by engaging both skeptics and music lovers alike. In seven highly original chapters, Why Classical Music Still Matters affirms the value of classical music--defined as a body of nontheatrical music produced since the eighteenth century with the single aim of being listened to--by revealing what its values are: the specific beliefs, attitudes, and meanings that the music has supported in the past and which, Kramer believes, it can support in the future. Why Classical Music Still Matters also clears the air of old prejudices. Unlike other apologists, whose defense of the music often depends on arguments about the corrupting influence of popular culture, Kramer admits that classical music needs a broader, more up-to-date rationale. He succeeds in engaging the reader by putting into words music's complex relationship with individual human drives and larger social needs. In prose that is fresh, stimulating, and conversational, he explores the nature of subjectivity, the conquest of time and mortality, the harmonization of humanity and technology, the cultivation of attention, and the liberation of human energy.
Why Dance Matters (Why X Matters Series)
by Mindy AloffA passionate and moving tribute to the captivating power of dance, not just as an art form but as a language that transcends barriers &“A veritable master class.&”—Anne Doventry, Booklist Mindy Aloff, a journalist, an essayist, and a dance critic, analyzes dance as the ultimate expression of human energy and feeling. From her personal anecdotes, her engaging collection of stories about dance from around the world, or her description of the captivating photograph by Helen Levitt of two children dancing, which she sees as one embodiment of the mystery and joy that dancing can evoke, Aloff&’s exploration of the aesthetic, social, and spiritual impacts of dance will prove spellbinding. Aloff takes us on a journey through various forms of dance—rituals, religious observances, storytelling, musical interpretations—to show why dance matters to human beings. Interlaced with personal experiences, this book builds on analysis to reveal the intimate relationship we have with dance—personal, spiritual, soul-searching, medicinal, and entertaining. The ideas speak to both specialist and general readers.
Why Did You Lie?
by Yrsa SigurdardottirA chilling thriller from the author of THE SILENCE OF THE SEA, winner of the 2015 Petrona Award for best Scandinavian Crime Novel.A journalist on the track of an old case attempts suicide. An ordinary couple return from a house swap in the states to find their home in disarray and their guests seemingly missing. Four strangers struggle to find shelter on a windswept spike of rock in the middle of a raging sea. They have one thing in common: they all lied.And someone is determined to punish them...WHY DID YOU LIE is a terrifying tale of long-delayed retribution from Iceland's Queen of Suspense.(P)2016 Hodder & Stoughton. Published by arrangement with Salomonsson Agency.
Why Do I Say These Things?
by Jonathan RossWhy is catalogue shopping responsible for Jonathan Ross's inimitable sense of style?Why might wearing cape and mask be a fast track to heaven?Why does Jonathan wince every time he sees a Hoover?And why did he fall in love with a deep-sea diver?Why? Because this is Jonathan Ross. And nothing is out of bounds when it comes to talking about life as he knows it. From sex and pugs to rock 'n' roll and genital warts, Jonathan holds forth as only he can. This sharply observed, laugh-out-loud, outrageous page-turner will leave you asking just one question . . . Why didn't he write it sooner?
Why Does Coffee Make You Poop?: The Ultimate Collection of Curious Questions and Intriguing Answers
by Andrew ThompsonUncover the answers to the world&’s most intriguing, entertaining, and funny questions with this best-ever trivia book from best-selling author Andrew Thompson. Shock and astound at your next dinner party with this &“Best Of&” trivia collection from the author of Can Holding in a Fart Kill You? This collection was created for all the curious adults who desire to have the answer to some of life&’s strangest questions, including: Why can&’t you tickle yourself? Why does coffee make you poop? Which came first, the chicken or the egg? Does bigfoot exist? Does an apple a day keep the doctor away? If a tree falls in a forest, does it make a sound? And more crazy questions for any curious mind out there. Why Does Coffee Make You Poop? is perfect for white elephant gift exchanges, stocking stuffers, or lovers of strange, obscure, and sometimes hilarious trivia.
Why Don't We: In the Limelight
by Why Don'T WeIn the Limelight is the official Why Don’t We autobiography, full of never-before-seen photos and behind-the-scenes info about one of today’s hottest bands.When five guys decided to form a band, they never imagined that they would go from playing music online to playing tours across the world so quickly. Why Don’t We has been together for less than two years, and they’ve already headlined sold out shows, played at Madison Square Garden, and amassed millions of fans. And this is all just the beginning.This is the official Why Don’t We story, full of never-before-seen photos and everything you need to know about Corbyn, Daniel, Zach, Jonah, and Jack. Find out the secrets they’ve never shared with fans before, their embarrassing childhood stories, what they look for in a girlfriend, and how it felt to have their lives completely changed by this incredible journey.
Why Harry Met Sally: Subversive Jewishness, Anglo-Christian Power, and the Rhetoric of Modern Love
by Joshua Louis MossFrom immigrant ghetto love stories such as The Cohens and the Kellys (1926), through romantic comedies including Meet the Parents (2000) and Knocked Up (2007), to television series such as Transparent (2014–), Jewish-Christian couplings have been a staple of popular culture for over a century. In these pairings, Joshua Louis Moss argues, the unruly screen Jew is the privileged representative of progressivism, secular modernism, and the cosmopolitan sensibilities of the mass-media age. But his/her unruliness is nearly always contained through romantic union with the Anglo-Christian partner. This Jewish-Christian meta-narrative has recurred time and again as one of the most powerful and enduring, although unrecognized, mass-culture fantasies. Using the innovative framework of coupling theory, Why Harry Met Sally surveys three major waves of Jewish-Christian couplings in popular American literature, theater, film, and television. Moss explores how first-wave European and American creators in the early twentieth century used such couplings as an extension of modernist sensibilities and the American “melting pot.” He then looks at how New Hollywood of the late 1960s revived these couplings as a sexually provocative response to the political conservatism and representational absences of postwar America. Finally, Moss identifies the third wave as emerging in television sitcoms, Broadway musicals, and “gross-out” film comedies to grapple with the impact of American economic globalism since the 1990s. He demonstrates that, whether perceived as a threat or a triumph, Jewish-Christian couplings provide a visceral, easily graspable, template for understanding the rapid transformations of an increasingly globalized world.
Why Harry Met Sally: Subversive Jewishness, Anglo-Christian Power, and the Rhetoric of Modern Love
by Joshua Louis MossFrom immigrant ghetto love stories such as The Cohens and the Kellys (1926), through romantic comedies including Meet the Parents (2000) and Knocked Up (2007), to television series such as Transparent (2014–), Jewish-Christian couplings have been a staple of popular culture for over a century. In these pairings, Joshua Louis Moss argues, the unruly screen Jew is the privileged representative of progressivism, secular modernism, and the cosmopolitan sensibilities of the mass-media age. But his/her unruliness is nearly always contained through romantic union with the Anglo-Christian partner. This Jewish-Christian meta-narrative has recurred time and again as one of the most powerful and enduring, although unrecognized, mass-culture fantasies. Using the innovative framework of coupling theory, Why Harry Met Sally surveys three major waves of Jewish-Christian couplings in popular American literature, theater, film, and television. Moss explores how first-wave European and American creators in the early twentieth century used such couplings as an extension of modernist sensibilities and the American “melting pot.” He then looks at how New Hollywood of the late 1960s revived these couplings as a sexually provocative response to the political conservatism and representational absences of postwar America. Finally, Moss identifies the third wave as emerging in television sitcoms, Broadway musicals, and “gross-out” film comedies to grapple with the impact of American economic globalism since the 1990s. He demonstrates that, whether perceived as a threat or a triumph, Jewish-Christian couplings provide a visceral, easily graspable, template for understanding the rapid transformations of an increasingly globalized world.
Why I Burned My Book And Other Essays On Disability
by Paul K. Longmore<P>This wide-ranging book shows why Paul Longmore is one of the most respected figures in disability studies today. Understanding disability as a major variety of human experience, he urges us to establish it as a category of social, political, and historical analysis in much the same way that race, gender, and class already have been. The essays here search for the often hidden pattern of systemic prejudice and probe into the institutionalized discrimination that affects the one in five Americans with disabilities. <P>Whether writing about the social critic Randolph Bourne, contemporary political activists, or media representations of people with disabilities, Longmore demonstrates that the search for heroes is a key part of the continuing struggle of disabled people to gain a voice and to shape their destinies. His essays on bioethics and public policy examine the conflict of agendas between disability rights activists and non-disabled policy makers, healthcare professionals, euthanasia advocates, and corporate medical bureaucracies. <P> The title essay, which concludes the book, demonstrates the necessity of activism for any disabled person who wants access to the American dream. <P> Author note: Paul K. Longmore is Professor of History at San Francisco State University. He is the author of The Invention of George Washington and the co-editor (with Lauri Umansky) of The New Disability History: American Perspectives.
Why I Fight: The Belt Is Just an Accessory
by B.J. Penn Dave WeintraubClaiming that “the belt is just an accessory,” Ultimate Fighting Championship (UFC) Lightweight Champion B.J. Penn explains Why I Fight in this honest, intimate, and fascinating memoir. Written with David Weintraub, Why I Fight is an unforgettable portrait of one of the top and most recognizable mixed martial artists in the UFC and an up-close look at one of the most exciting and fastest growing sports in the world. UFC and Jiu-Jitsu aficionados—and fans of Iceman, A Fighter’s Heart, and Bruce Lee’s classic The Tao of Jeet Kun Do—will want to explore Why I Fight.