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Warriors, Witches, Whores: Women in Israeli Cinema
by Rachel S. HarrisWarriors, Witches, Whores: Women in Israeli Cinema is a feminist study of Israel’s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women’s marginalization within Israeli society. While no one can deny Israel’s Western women’s advancements, feminist filmmakers frequently turn to Israel’s less impressive underbelly as sources for their inspiration. Their films have focused on sexism, the negative impact of militarism on women’s experience, rape culture, prostitution, and sexual abuse. These films also tend to include subjects from society’s geographical periphery and social margins, such as female foreign workers, women, and refugees. Warriors, Witches, Whoresis divided into three major sections and each considers a different form of feminist engagement. The first part explores films that situate women in traditionally male spheres of militarism, considering the impact of interjecting women within hegemonic spaces or reconceptualizing them in feminist ways. The second part recovers the narratives of women’s experience that were previously marginalized or silenced, thereby creating a distinct female space that offers new kinds of storytelling and cinematic aesthetics that reflect feminist expressions of identity. The third part offers examples of feminist activism that reach beyond the boundaries of the film to comment on social issues, particularly those which affect women. This section demonstrates how feminists use film (and work within the film industry) in order to women’s position in society. While there are thematic overlaps between the chapters, each section marks structural differences in the modes of feminist response. Warriors, Witches, Whores considers the ways social and political power have impacted the representation of women and looks to how feminist filmmakers have fought against these inequities behind the camera, in the stories they tell, and in the ways women are depicted on screen. Students and scholars of film, gender, or cultural studies will appreciate this approachable monograph.
The Wars We Took to Vietnam: Cultural Conflict and Storytelling
by Milton J. BatesWhat Americans refer to as the Vietnam War embraces much more than the conflict with North Vietnam. Milton J. Bates considers the other conflicts that Americans brought to that war: the divisions stemming from differences in race, class, sex, generation, and frontier ideology. In exploring the rich vein of writing and film that emerged from the Vietnam War era, he strikingly illuminates how these stories reflect American social crises of the period.Some material examined here is familiar, including the work of Michael Herr, Tim O'Brien, Philip Caputo, Susan Sontag, Francis Ford Coppola, and Oliver Stone. Other material is less well known—Neverlight by Donald Pfarrer and De Mojo Blues by A. R. Flowers, for example. Bates also draws upon an impressive range of secondary readings, from Freud and Marx to Geertz and Jameson.As the products of a culture in conflict, Vietnam memoirs, novels, films, plays, and poems embody a range of political perspectives, not only in their content but also in their structure and rhetoric. In his final chapter Bates outlines a "politico-poetics" of the war story as a genre. Here he gives special attention to our motives—from the deeply personal to the broadly cultural—for telling war stories.
Was It Yesterday?: Nostalgia in Contemporary Film and Television (SUNY series, Horizons of Cinema)
by Matthew LeggattBringing together prominent transatlantic film and media scholars, Was It Yesterday? explores the impact of nostalgia in twenty-first century American film and television. Cultural nostalgia, in both real and imagined forms, is dominant today, but what does the concentration on bringing back the past mean for an understanding of our cultural moment, and what are the consequences for viewers? This book questions the nature of this nostalgic phenomenon, the politics associated with it, and the significance of the different periods, in addition to offering counterarguments that see nostalgia as prevalent throughout film and television history. Considering such films and television shows as La La Land, Westworld, Stranger Things, and American Hustle, the contributors demonstrate how audiences have spent more time over the last decade living in various pasts.
Was Michael Jackson Framed?
by Mary A. FischerThis is it! The original GQ story that became an international sensation by exploring, for the first time in the media, the other side-the defense side-- of the 1993 Michael Jackson scandal. Today, it remains a sought-after story by the superstar's fans around the world.Until now, the original, unedited version of the GQ article has not been available. Now, two years after Michael Jackson's death, in the midst of a resurgence of his music and popularity, the official GQ story is being released, with a new cover and foreword written by the author, award-winning journalist Mary A. Fischer.As the media rushed to judgment about the '93 allegations-that Jackson had molested a 13-year-old boy-no one bothered to look in depth at Jackson's adult accusers. GQ senior writer Mary A. Fischer, known for investigating controversial, under-reported stories, took on the assignment.She spent months delving into the backgrounds of Evan Chandler and his attorney Barry K. Rothman, Jackson's main accusers. What emerged from Fischer's examination, based on court documents, business records and scores of interviews, some with confidential sources who would only meet in out of the way places, was a persuasive argument that Jackson molested no one and that he himself may have been the victim of a well-conceived plan to extract money from him.More than that, it was a classic story of greed, ambition, misconceptions on the part of police and prosecutors, a lazy and sensation-seeking media and the use of a powerful, hypnotic drug.Today, it remains an important, relevant story about how a case was simply invented. And now, for the first time in over a decade, it is available to Michael Jackson fans everywhere.
Wash Day
by Barbara H. ColeEvery wash day Miss Ett does the laundry while Grandpa keeps the children entertained by telling stories about his army days. As he plays his trumpet, they march around in time and sing along to the music. Set during the Great Depression, Wash Day tells the tale of Grandpa passing on his trumpet and his love of music to the next generation. Wash Day is a touching story about the way love and friendship can overcome the barriers of age and race to bring joy and strength to everyone.
Wash Your Fins, Baby Shark (Baby Shark)
by John John BajetSing and dance along with Baby Shark, in this catchy tune all about hand washing!Sing, dance, and read along to this brand-new song as Baby Shark and the whole shark family washes their fins! A fun tool for kids and caregivers alike, this story will have little ones singing along to the important steps of hand-washing, from squirting soap, lathering up, and drying off. Hand-washing will fly by as you sing along at home or at school, and this catchy tune is sure to help little ones remember the hand-washing steps and make sure they're washing for the right amount of time. Featuring a step-by-step guide for little hands and cleanliness tips from Baby Shark, this fun story has eye-popping illustrations and a tune you won't be able to stop singing. A must-have for every home!
Wash Your Fins, Baby Shark / Lávate las aletas, Bebé Tiburón (Baby Shark)
by John John BajetSing and dance along with Baby Shark, in this catchy tune all about hand washing!¡Canta, baila y lee con esta canción nuevecita mientras Bebé Tiburón y toda su familia se lavan las aletas! Esta historia es una divertida herramienta tanto para los niños como para los cuidadores, y hará que los pequeños canten mientras se lavan las manos, desde que se enjabonan hasta que se secan. El tiempo pasará volando mientras cantan, en casa o en la escuela, y esta melodía pegadiza hará a los pequeños recordar los pasos para lavarse las manos y garantizará que le dediquen a esto el tiempo correcto. Esta historia presenta una guía paso a paso con consejos de Bebé Tiburón para tener limpias las pequeñas manos, con ilustraciones llamativas y una melodía que no podrán parar de cantar. ¡Algo imprescindible para todos los hogares!Sing, dance, and read along to this brand-new song as Baby Shark and the whole shark family washes their fins! A fun tool for kids and caregivers alike, this story will have little ones singing along to the important steps of hand-washing, from squirting soap, lathering up, and drying off. Hand-washing will fly by as you sing along at home or at school, and this catchy tune is sure to help little ones remember the hand-washing steps and make sure they're washing for the right amount of time. Featuring a step-by-step guide for little hands and cleanliness tips from Baby Shark, this fun story has eye-popping illustrations and a tune you won't be able to stop signing. A must-have for every home!
Washington, D.C., Film and Television
by Tracey Gold BennettFor generations, movies and television have been sources of entertainment that have shaped the country's consciousness. Washington, DC, Film and Television chronicles popular and obscure films and television programs that feature Washington, DC. Sharing the sites, neighborhoods, institutions, and monuments that filmmakers used as their settings, this exciting title takes readers behind the scenes of classic movies, including Mr. Smith Goes to Washington, Houseboat, and The Exorcist. Familiar television programs that transmitted local news and information are featured alongside photographs of some of Hollywood's greatest stars. With the nation's capital as a backdrop, the landscape, architecture, and history of Washington have always and will continue to make it an aesthetically exciting and authentic locale for the many story lines of Hollywood.
The Washington Post Pulitzers: Criticism, Sarah Kaufman
by Sarah KaufmanRecipient of the Pulitzer Prize for Criticism. Sarah Kaufman covers one of the high arts&’ most illustrious forms—dance. What emerges from her criticism is always fresh and thought-provoking. From exploring Cary Grant as an overlooked artist to her bold assessment of The Nutcracker, Kaufman tackles the subject of dance and movement with daring honesty and dazzling creativity.
Waste of Space
by Gina Damico<p>Cram ten hormonal teens into a spaceship and blast off: that’s the premise for the ill-conceived reality show Waste of Space. The kids who are cast know everything about drama—and nothing about the fact that the production is fake. Hidden in a desert warehouse, their spaceship replica is equipped with state-of-the-art special effects dreamed up by the scientists partnering with the shady cable network airing the show. <p>And it’s a hit! Millions of viewers are transfixed. But then, suddenly, all communication is severed. Trapped and paranoid, the kids must figure out what to do when this reality show loses its grip on reality.
Wasting Time on the Internet
by Kenneth GoldsmithUsing clear, readable prose, conceptual artist and poet Kenneth Goldsmith’s manifesto shows how our time on the internet is not really wasted but is quite productive and creative as he puts the experience in its proper theoretical and philosophical context.Kenneth Goldsmith wants you to rethink the internet. Many people feel guilty after spending hours watching cat videos or clicking link after link after link. But Goldsmith sees that “wasted” time differently. Unlike old media, the internet demands active engagement—and it’s actually making us more social, more creative, even more productive.When Goldsmith, a renowned conceptual artist and poet, introduced a class at the University of Pennsylvania called “Wasting Time on the Internet”, he nearly broke the internet. The New Yorker, the Atlantic, the Washington Post, Slate, Vice, Time, CNN, the Telegraph, and many more, ran articles expressing their shock, dismay, and, ultimately, their curiosity. Goldsmith’s ideas struck a nerve, because they are brilliantly subversive—and endlessly shareable.In Wasting Time on the Internet, Goldsmith expands upon his provocative insights, contending that our digital lives are remaking human experience. When we’re “wasting time,” we’re actually creating a culture of collaboration. We’re reading and writing more—and quite differently. And we’re turning concepts of authority and authenticity upside-down. The internet puts us in a state between deep focus and subconscious flow, a state that Goldsmith argues is ideal for creativity. Where that creativity takes us will be one of the stories of the twenty-first century.Wide-ranging, counterintuitive, engrossing, unpredictable—like the internet itself—Wasting Time on the Internet is the manifesto you didn’t know you needed.
Watch Me
by Anjelica HustonPicking up where A Story Lately Told leaves off, when Anjelica Huston is 22 years old, Watch Me chronicles her glamorous and eventful Hollywood years. She tells the story of falling in love with Jack Nicholson and her adventurous, turbulent, high-profile, spirited 17-year relationship with him and his intoxicating circle of friends. She writes about learning the art and craft of acting, about her Academy Award-winning portrayal of Maerose Prizzi in Prizzi's Honour, about her collaborations with many of the greatest directors in Hollywood, including Woody Allen, Wes Anderson, Richard Condon, Bob Rafelson, Francis Ford Coppola and Stephen Frears. She writes movingly and beautifully about the death of her father, the legendary director John Huston and her marriage to sculptor Robert Graham.
Watching Anime, Reading Manga
by Fred Patten Carl MacekAnime's influence can be found in every corner of American media, from film and television to games and graphic arts. And Fred Patten is largely responsible. He was reading manga and watching anime before most of the current generation of fans was born. In fact, it was his active participation in fan clubs and his prolific magazine writing that helped create a market and build American anime fandom into the vibrant community it is today. Watching Anime, Reading Manga gathers together a quarter-century of Patten's lucid observations on the business of anime, fandom, artists, Japanese society and the most influential titles. Illustrated with original fanzine covers and archival photos. Foreword by Carl Macek (Robotech). Fred Patten lives in Los Angeles."Watching Anime, Reading Manga is a worthwhile addition to your library; it makes good bathroom browsing, cover-to-cover reading, and a worthwhile reference for writing or researching anime and manga, not to mention a window into the history of fandom in the United States." -- SF Site
Watching Arabic Television in Europe: From Diaspora to Hybrid Citizens
by Christina SladeWhat are Arabic Europeans watching on television and how does it affect their identities as Europeans? New evidence from seven capitals shows that, far from being isolated in ethnic media ghettoes, they are critical news consumers in Arabic and European languages and engaged citizens.
Watching Jim Crow: The Struggles Over Mississippi TV, 1955-1969
by Steven D. ClassenIn the early 1960s, whenever the Today Show discussed integration, wlbt-tv, the nbc affiliate in Jackson, Mississippi, cut away to local news after announcing that the Today Show content was "network news . . . represent[ing] the views of the northern press. " This was only one part of a larger effort by wlbt and other local stations to keep African Americans and integrationists off Jackson's television screens. Watching Jim Crow presents the vivid story of the successful struggles of African Americans to achieve representation in the tv programming of Jackson, a city many considered one of the strongest bastions of Jim Crow segregation. Steven D. Classen provides a detailed social history of media activism and communications policy during the civil rights era. He focuses on the years between 1955--when Medgar Evers and the naacp began urging the two local stations, wlbt and wjtv, to stop censoring African Americans and discussions of integration--and 1969, when the U. S. Court of Appeals issued a landmark decision denying wlbt renewal of its operating license. During the 1990s, Classen conducted extensive interviews with more than two dozen African Americans living in Jackson, several of whom, decades earlier, had fought to integrate television programming. He draws on these interviews not only to illuminate their perceptions--of the civil rights movement, what they accomplished, and the present as compared with the past--but also to reveal the inadequate representation of their viewpoints in the legal proceedings surrounding wlbt's licensing. The story told in Watching Jim Crow has significant implications today, not least because the Telecommunications Act of 1996 effectively undid many of the hard-won reforms achieved by activists--including those whose stories Classen relates here.
Watching Porn: And Other Confessions of an Adult Entertainment Journalist
by Lynsey G“Lynsey G. is an intrepid explorer, boldly going where few reporters have gone with such a critical eye: deep inside the real world of commercial sex.” —Tina Horn, host of the Why Are People Into That?! podcast Lynsey G. never imagined that she would ever work in porn, but at twenty-four years old, with a degree in English literature and an empty bank account, she found herself reviewing the film East Coast ASSault for an adult magazine in New York City. One interview later and it was official: she was a porn journalist. The job was supposed to be temporary—just a paycheck until she could spark her legitimate writing career—but she loved it and spent nearly a decade describing the nuances of money shots and the effectiveness of sex toys. As both a porn consumer and a porn critic, she was not quite an insider, not quite an outsider, but came to know the industry intimately.She found it so fascinating that she co-founded WHACK! Magazine. Finally, she had a platform to voice her thoughts and observations of the adult film world, as well as educate the rest of us about what really goes on behind the scenes. Eventually, Lynsey was thrust back into the “real” world, but not before realizing that one of the most diverse and nebulous—and profitable—industries on the planet isn’t so quite as different from the rest of the world as she thought. Tantalizing, eye-opening, and witty, Watching Porn is a provocative book about an average girl’s foray into the porn industry and the people who make it what it is, both in front of and behind the camera.“Marvelous.” —The New York Times Book Review
Watching Rape: Film and Television in Postfeminist Culture
by Sarah ProjanskyLooking at popular culture from 1980 to the present, feminism appears to be "over": that is, according to popular critics we are in an era of "postfeminism" in which feminism has supposedly already achieved equality for women. Not so, says Sarah Projansky. In Watching Rape, Projansky undermines this complacent view in her fascinating and thorough analysis of depictions of rape in U.S. film, television, and independent video. Through a cultural studies analysis of such films as Thelma and Louise, Daughters of the Dust, and She's Gotta Have It, and television shows like ER, Ally McBeal, Beverly Hills 90210, and various made-for-tv movies, Projansky challenges us to see popular culture as a part of our everyday lives and practices, and to view that culture critically. How have media defined rape and feminism differently over time? How do popular narratives about rape also communicate ideas about gender, race, class, nationality, and sexuality? And, what is the future of feminist politics, theory, and criticism with regard to issues of sexual violence, postfeminism, and popular media? The first study to address the relationship between rape and postfeminism, and one of the most detailed and thorough analyses of rape in 25 years, Watching Rape is a crucial contribution to contemporary feminism.
Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond
by Dana RengaThis book offers the first comprehensive study of recent, popular Italian television. Building on work in American television studies, audience and reception theory, and masculinity studies, Sympathetic Perpetrators and their Audiences on Italian Television examines how and why viewers are positioned to engage emotionally with—and root for—Italian television antiheroes. Italy’s most popular exported series feature alluring and attractive criminal antiheroes, offer fictionalized accounts of historical events or figures, and highlight the routine violence of daily life in the mafia, the police force, and the political sphere. Renga argues that Italian broadcasters have made an international name for themselves by presenting dark and violent subjects in formats that are visually pleasurable and, for many across the globe, highly addictive. Taken as a whole, this book investigates what recent Italian perpetrator television can teach us about television audiences, and our viewing habits and preferences.
Watching TV: Six Decades of American Television (Expanded Second Edition)
by Harry Castleman Walter J. PodrazikWatching TV provides a fascinating history of how the personalities, popular shows, and coverage of key events have evolved during the past six decades. Watching TV is the standard history of American television, now updated to include the most recent programming and industry developments.
Watching While Black Rebooted!: The Television and Digitality of Black Audiences
by Eric Pierson Christine Acham Michael Boyce Gillespie Felicia D Henderson TreaAndrea M. Russworm Nghana Lewis Adrien Sebro Alfred L Martin Briana Barner Shelleen Greene Brandy Monk-Payton Beretta E. Smith-Shomade Jacqueline JohnsonWatching While Black Rebooted: The Television and Digitality of Black Audiences examines what watching while Black means in an expanded U.S. televisual landscape. In this updated edition, media scholars return to television and digital spaces to think anew about what engages and captures Black audiences and users and why it matters. Contributors traverse programs and platforms to wrestle with a changing television industry that has exploded and included Black audiences as a new and central target of its visioning. The book illuminates history, care, monetization, and affect. Within these frames, the chapters run the gamut from transmediation, regional relevance, and superhuman visioning to historical traumas and progress, queer possibilities, and how televisual programming can make viewers feel Black. Mostly, the work tackles what the future looks like now for a changing televisual industry, Black media makers, and Black audiences. Chapters rethink such historically significant programs as Roots and Underground, such seemingly innocuous programs as Soul Food, and such contemporary and culturally complicated programs as Being Mary Jane and Atlanta. The book makes a case for the centrality of these programs while always recognizing the racial dynamics that continue to shape Black representation on the small screen. Painting a decidedly introspective portrait across forty years of Black television, Watching While Black Rebooted sheds much-needed light on under examined demographics, broadens common audience considerations, and gives deference to the preferences of audiences and producers of Black-targeted programming.
Watching with The Simpsons: Television, Parody, and Intertextuality (Comedia)
by Jonathan GrayUsing our favourite Springfield family as a case study, Watching with The Simpsons examines the textual and social role of parody in offering critical commentary on other television programs and genres. Jonathan Gray brings together textual theory, discussions of television and the public sphere, and ideas of parody and comedy. Including primary audience research, it focuses on how The Simpsons has been able to talk back to three of television’s key genres - the sitcom, adverts and the news - and on how it holds the potential to short-circuit these genre’s meanings, power, and effects by provoking reinterpretations and offering more media literate recontextualizations. Examining television and media studies theory, the text of The Simpsons, and the show’s audience, Gray attempts to fully situate the show’s parody and humour within the lived realities of its audiences. In doing so, he further explores the possibilities for popular entertainment television to discuss issues of political and social importance. A must read for any student of media studies.
Water for Elephants: A Novel
by Sara GruenJacob Jankowski's 90-year-old mind remembers when he was a young veterinarian, traveling with a Depression-era circus.
Waxing On: The Karate Kid and Me
by Ralph MacchioSince The Karate Kid first crane-kicked its way into the pop culture stratosphere in June 1984, there hasn’t been a week Ralph Macchio hasn’t heard friendly shouts of “Wax on, wax off” or “Sweep the leg!” Now, with Macchio reprising his role as Daniel LaRusso in the #1 ranked Netflix show Cobra Kai, he is finally ready to look back at this classic movie and give the fans something they’ve long craved. <p><p>The book will be Ralph Macchio’s celebratory reflection on the legacy of The Karate Kid in film, pop culture, and his own life. It will be a comprehensive look at a film that shaped him as much as it influenced the world. Macchio will share an insider's perspective of the untold story behind his starring role—the innocence of the early days, the audition process, and the filmmaking experience—as well as take readers through the birth of some of the film’s most iconic moments. <p><p>Ultimately, the book centers on the film itself, focusing on the reason that the characters and themes have endured in such a powerful way and how these personal experiences have impacted Macchio's life. It will bring readers back to the day they met Daniel LaRusso and Mr. Miyagi for the first time, but will also provide a fascinating lens into how our pasts shape all of us and how the past can come back to enrich one's life in surprising and wonderful ways. <p> <b>New York Times Bestseller</b>
The Way Back Home (Wildflower #3)
by Alecia WhitakerMusic sensation Bird Barrett is hitting the road, headlining her first national tour after the launch of her second album. Singing to sold-out crowds can mess with a girl's sense of perspective, though. Luckily, Bird has her older brother, Dylan, and her best friend, Stella, along for the ride to keep her grounded. Then Dylan and Stella pair off as more than friends. Feeling left behind, Bird throws herself completely into her performances, cover shoots, and high-profile interviews. And the more she tries to distract herself with her career, the further she pushes everyone away-including her longtime crush, Adam Dean, who joined the tour as her opener. When Bird breaks down, she'll need help to find her footing again. But has she pushed everyone too far? In a life like this one, a country girl needs her family and friends-and maybe an old flame-most of all. A foot-stompin' finale to Alecia Whitaker's irresistible Wildflower series.
The Way Hollywood Tells It: Story and Style in Modern Movies
by David BordwellAn essay on Hollywood storytelling, showing how storytelling has (and has not) changed since the end of the studio era.