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Wishful Drinking
by Carrie FisherThe bestselling author of Postcards from the Edge comes clean (well, sort of) in her first-ever memoir, adapted from her one-woman Broadway hit show. Fisher reveals what it was really like to grow up a product of "Hollywood in-breeding," come of age on the set of a little movie called Star Wars, and become a cultural icon and bestselling action figure at the age of nineteen.Intimate, hilarious, and sobering, Wishful Drinking is Fisher, looking at her life as she best remembers it (what do you expect after electroshock therapy?). It's an incredible tale: the child of Hollywood royalty--Debbie Reynolds and Eddie Fisher--homewrecked by Elizabeth Taylor, marrying (then divorcing, then dating) Paul Simon, having her likeness merchandized on everything from Princess Leia shampoo to PEZ dispensers, learning the father of her daughter forgot to tell her he was gay, and ultimately waking up one morning and finding a friend dead beside her in bed. Wishful Drinking, the show, has been a runaway success. Entertainment Weekly declared it "drolly hysterical" and the Los Angeles Times called it a "Beverly Hills yard sale of juicy anecdotes." This is Carrie Fisher at her best--revealing her worst. She tells her true and outrageous story of her bizarre reality with her inimitable wit, unabashed self-deprecation, and buoyant, infectious humor.
Wishing on a Star: Wishing On A Star (The Cheetah Girls #1)
by Deborah GregoryIn this premier book of the series, the girls meet at Fashion Industries High School, where they live in New York City. It's the first week of school, and they become fast friends. They decide they want to beef up their cash flow. So, to earn some bucks, they form a singing group of their own.
Wit: A Play
by Margaret EdsonWinner of the 1999 Pulitzer Prize for Drama, the New York Drama Critics Circle Award, the Drama Desk Award, the Outer Critics Circle Award, the Lucille Lortel Award, and the Oppenheimer Award Margaret Edson's powerfully imagined Pulitzer Prizewinning play examines what makes life worth living through her exploration of one of existence's unifying experiencesmortalitywhile she also probes the vital importance of human relationships. What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw awaya lesson that can be both uplifting and redemptive. As the playwright herself puts it, "The play is not about doctors or even about cancer. It's about kindness, but it shows arrogance. It's about compassion, but it shows insensitivity." In Wit,Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end? The immediacy of the presentation, and the clarity and elegance of Edson's writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.
The Wit and Wisdom of Downton Abbey (The World of Downton Abbey)
by Jessica FellowesThis wonderful collection of quotes and photographs from the Emmy Award-winning television phenomenon--now a feature film--is a perfect gift for Downton Abbey fans."Come war and peace Downton still stands and the Crawleys are still in it."Downton Abbey is loved the world over for its fabulous costumes, beautiful scenery, wonderful characters and intricate plot lines, but what keeps millions of us coming back time after time is the stellar quality of the writing. With each stroke of his pen Julian Fellowes seems to gift us with a cuttingly dry quip from the Dowager Countess, a perfectly timed word of wisdom from Mrs Patmore or a touchingly nostalgic pronouncement from Carson.Here in The Wit and Wisdom of Downton Abbey, Jessica Fellowes has gathered together her favorite quotes from the complete Downton Abbey oeuvre to take each of us back to the most memorable moments from the show and ensure we are armed with the very best ripostes should we ever need to chastise an impertinent lady's maid.
Witch-Hunt in Hollywood: McCarthyism's War On Tinseltown
by Michael Freedland Barbra PaskinHow political paranoia shaped cinema for a decade: “One of the most readable and damning accounts of that period.” —The GuardianThis is the story of how the politicians took Tinseltown to task in the late 1940s and 1950s. As the Cold War with the Soviet Union began in earnest, the search for “Reds under the bed,” later led by Senator Joseph McCarthy, was felt most keenly in Hollywood, where the investigations were carried out under the full glare of the spotlights.Painstakingly researched and drawing on numerous exclusive interviews, this book charts the generation of actors who found their livelihood ruined by being blacklisted and the writers forced to hire “fronts” to continue to work; it reveals how Arthur Miller was offered the chance to have his hearing dropped in return for a photo opportunity with Marilyn Monroe; and how Kirk Douglas’s naming of Dalton Trumbo as the writer of Spartacus signaled the end of this extraordinary era. Witch Hunt in Hollywood is the definitive account of how political paranoia shaped cinema for a decade.
The Witcher Official Cookbook: Provisions, Fare, and Culinary Tales from Travels Across the Continent
by Anita Sarna Karolina KrupeckaEighty mouthwatering and restorative recipes inspired by the bestselling video game series The Witcher, from hearty tavern fare and fortifying drinks to lavish banquets for feasts with friends—featuring a foreword by Andrzej Sapkowski, author and creator of The Witcher. Take a culinary journey through the fantastical world of The Witcher with thoughtfully imagined, flavorful recipes inspired by The Witcher's expansive settings, characters, and lore. In this beautifully photographed cookbook, Anita Sarna and Karolina Krupecka, the creators of fan-favorite food blogs Nerds&’ Kitchen and Witcher Kitchen, share their meticulously-researched, immersive recipes that give fans a taste of the distinct flavors a witcher might sample as he travels the countryside in search of monsters to slay and coin to earn. These dishes celebrate local and seasonal ingredients while adding unique twists that form a culinary map of the Continent and beyond. Warm up over a bowl of fragrant stew or juicy baked fruit from the namesake trees of White Orchard; end a hard journey to Velen with a hearty, rustic meal at the local tavern; enjoy an aromatic snack as you stroll the markets of Oxenfurt; sample dishes from near and far in the diverse port city of Novigrad; dine on freshly-caught fish and mulled drinks on the islands of Skellige; feast on rich dishes in the sun-drenched climates of Toussaint and Beauclair; or forage on the perilous road to Kaer Morhen to learn the edible secrets of the witcher&’s keep. Transport your kitchen to another world with the tempting scents and flavors in The Witcher Official Cookbook.CD PROJEKT®, The Witcher® are registered trademarks of CD PROJEKT Capital Group. The Witcher game © CD PROJEKT S.A. Developed by CD PROJEKT S.A. All rights reserved. The Witcher game is set in the universe created by Andrzej Sapkowski in his series of books. All other copyrights and trademarks are the property of their respective owners.
Witchfinder General (Devil's Advocates Ser.)
by Ian CooperWitchfinder General (1968), known as The Conqueror Worm in America, was directed by Michael Reeves and occupies a unique place in British cinema. Equally praised and vilified, the film fictionalizes the exploits of Matthew Hopkins, a prolific, real-life "witch hunter," during the English Civil War. For critic Mark Kermode, the release proved to be "the single most significant horror film produced in the United Kingdom in the 1960s," while playwright Alan Bennett called the work "the most persistently sadistic and rotten film I've ever seen." Steadily gaining a cult reputation, unimpeded by the director's death just months after the film's release, the film is now treated as a landmark, though problematic, accomplishment, as it exists in a number of recut, retitled, and rescored versions. This in-depth study positions the film within the history of horror and discusses its importance as a British and heritage film. It also considers the inheritance of Hopkins, the script's relationship to the novel by Ronald Bassett, and the iconic persona of the film's star, Vincent Price. Ian Cooper conducts close textual readings of specific scenes and explores the film's various contexts, from the creation of the X certificate and the tradition of Hammer gothic, to the influence on Ken Russell's The Devils (1971) and the "torture porn" of twenty-first-century horror.
Witchfinder General
by Ian CooperWitchfinder General (1968), known as The Conqueror Worm in America, was directed by Michael Reeves and occupies a unique place in British cinema. Equally praised and vilified, the film fictionalizes the exploits of Matthew Hopkins, a prolific, real-life "witch hunter," during the English Civil War. For critic Mark Kermode, the release proved to be "the single most significant horror film produced in the United Kingdom in the 1960s," while playwright Alan Bennett called the work "the most persistently sadistic and rotten film I've ever seen." Steadily gaining a cult reputation, unimpeded by the director's death just months after the film's release, the film is now treated as a landmark, though problematic, accomplishment, as it exists in a number of recut, retitled, and rescored versions. This in-depth study positions the film within the history of horror and discusses its importance as a British and heritage film. It also considers the inheritance of Hopkins, the script's relationship to the novel by Ronald Bassett, and the iconic persona of the film's star, Vincent Price. Ian Cooper conducts close textual readings of specific scenes and explores the film's various contexts, from the creation of the X certificate and the tradition of Hammer gothic, to the influence on Ken Russell's The Devils (1971) and the "torture porn" of twenty-first-century horror.
Witchfinder General
by Ian CooperWitchfinder General (1968), known as The Conqueror Worm in America, was directed by Michael Reeves and occupies a unique place in British cinema. Equally praised and vilified, the film fictionalizes the exploits of Matthew Hopkins, a prolific, real-life "witch hunter," during the English Civil War. For critic Mark Kermode, the release proved to be "the single most significant horror film produced in the United Kingdom in the 1960s," while playwright Alan Bennett called the work "the most persistently sadistic and rotten film I've ever seen." Steadily gaining a cult reputation, unimpeded by the director's death just months after the film's release, the film is now treated as a landmark, though problematic, accomplishment, as it exists in a number of recut, retitled, and rescored versions. This in-depth study positions the film within the history of horror and discusses its importance as a British and heritage film. It also considers the inheritance of Hopkins, the script's relationship to the novel by Ronald Bassett, and the iconic persona of the film's star, Vincent Price. Ian Cooper conducts close textual readings of specific scenes and explores the film's various contexts, from the creation of the X certificate and the tradition of Hammer gothic, to the influence on Ken Russell's The Devils (1971) and the "torture porn" of twenty-first-century horror.
Witch’s Canyon (Supernatural)
by Jeff MariotteSam and Dean Winchester lost their mother to a supernatural force. In the years after, their father, John, taught them about the paranormal evil that lives in the dark corners and on the back roads of America... and he taught them how to kill it.
The Witch's Flight: The Cinematic, the Black Femme, and the Image of Common Sense
by Kara KeelingKara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anticapitalist Black Liberation movements based in the United States. Drawing on Gilles Deleuze's notion of "the cinematic"--not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself --Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the black femme as a figure who, even when not explicitly represented within hegemonic cinematic formulations of raced and gendered subjectivities, nonetheless haunts those representations, threatening to disrupt them by making alternative social arrangements visible. Keeling draws on the thought of Frantz Fanon, Angela Davis, Karl Marx, Antonio Gramsci, and others in addition to Deleuze. She pursues the elusive figure of the black femme through Haile Gerima's film Sankofa, images of women in the Black Panther Party, Pam Grier's roles in the blaxploitation films of the early 1970s, F. Gary Gray's film Set It Off, and Kasi Lemmons's Eve's Bayou.
With a Crooked Stick--The Films of Oscar Micheaux
by J. Ronald GreenWith a "crooked stick," filmmaker Oscar Micheaux (1884–1951) sought to hit a "straight lick" by stressing the strategic importance of class mobility, or "uplift," for African Americans. A theme in all of his more than 40 feature-length, black-produced, black-directed, black-cast, and black-audience films, uplift would allow for the better things in life: fast cars and fancy clothes, freedom of belief, financial security, and an unencumbered intellectual life. Although racism was an impediment to uplift for Micheaux and other African Americans, race as a category was of a secondary order for him in the larger game of class. In With a Crooked Stick, J. Ronald Green pursues this seeming contradiction in a detailed analysis of each of Micheaux’s 15 surviving films. He presents critical commentary on each film’s plot and action and its contribution to the overall theme of uplift. Readers will also find this an invaluable guide to the preoccupations and features of Micheaux’s remarkable career and the insight it provides into the African American experience of the 1920s and 30s.
With Billie: A New Look at the Unforgettable Lady Day
by Julia BlackburnFrom Julia Blackburn, an author whose ability to conjure lives from other times and places is so vivid that one suspects she sees ghosts, here is a portrait of a woman whose voice continues to haunt anyone who hears it.Billie Holiday’s life is inseparable from an account of her troubles, her addictions, her arrests, and the scandals that would repeatedly put her name in the tabloid headlines of the 1940s and 1950s. Those who knew her learned never to be surprised by what she might do. Her moods and faces were so various that she could seem to be a different woman from one moment to the next. Volatile, unpredictable, Billie Holiday remained, even to her friends, an elusive and perplexing figure.In With Billie, we hear the voices of those people–piano players and dancers, pimps and junkies, lovers and narcs, producers and critics, each recalling intimate stories of the Billie they knew. What emerges is a portrait of a complex, contradictory, enthralling woman, a woman who knew what really mattered to her. Reading With Billie, one is convinced that she has only just left the room but will return shortly.
With Billie
by Julia BlackburnFrom Julia Blackburn, an author whose ability to conjure lives from other times and places is so vivid that one suspects she sees ghosts, here is a portrait of a woman whose voice continues to haunt anyone who hears it.Billie Holiday's life is inseparable from an account of her troubles, her addictions, her arrests, and the scandals that would repeatedly put her name in the tabloid headlines of the 1940s and 1950s. Those who knew her learned never to be surprised by what she might do. Her moods and faces were so various that she could seem to be a different woman from one moment to the next. Volatile, unpredictable, Billie Holiday remained, even to her friends, an elusive and perplexing figure.In With Billie, we hear the voices of those people-piano players and dancers, pimps and junkies, lovers and narcs, producers and critics, each recalling intimate stories of the Billie they knew. What emerges is a portrait of a complex, contradictory, enthralling woman, a woman who knew what really mattered to her. Reading With Billie, one is convinced that she has only just left the room but will return shortly.
With Dogs at the Edge of Life
by Colin DayanIn this original and provocative book, Colin Dayan tackles head-on the inexhaustible world, at once tender and fierce, of dogs and humans. We follow the tracks of dogs in the bayous of Louisiana, the streets of Istanbul, and the humane societies of the United States, and in the memories and myths of the humans who love them. Dayan reorients our ethical and political assumptions through a trans-species engagement that risks as much as it promises. She makes a powerful case for questioning what we think of as our deepest-held beliefs and, with dogs in the lead, unsettles the dubious promises of liberal humanism.Moving seamlessly between memoir, case law, and film, Dayan takes politics and animal studies in a new direction—one that gives us glimpses of how we can think beyond ourselves and with other beings. Her unconventional perspective raises hard questions and renews what it means for any animal or human to live in the twenty-first century. Nothing less than a challenge for us to confront violence and suffering even in the privileged precincts of modernity, this searing and lyrical book calls for another way to think the world. Theoretically sophisticated yet aimed at a broad readership, With Dogs at the Edge of Life illuminates how dogs—and their struggles—take us beyond sentimentality and into a form of thought that can make a difference to our lives.
With A Feather On My Nose (American Autobiography Ser.)
by Billie BurkeThe popular comedienne's account of her theatrical career and her married life with Florenz Ziegfeld.This is the life story of an actress, a beautiful redheaded actress who lived and played in a glittering era now gone but fondly remembered. Although she attained moments of great fame and happiness, she never knew security. Like her father, the well-known clown, she went through life with a feather on her nose.--Print Ed.
With Love and Laughter, John Ritter
by Amy YasbeckWith Love and Laughter is actress Amy Yasbeck&’s most enduring memory of the life she shared with her husband, one of America&’s most popular and beloved film and television actors, John Ritter.We welcomed him into our homes weekly with his Emmy Award–winning portrayal of Jack Tripper on Three&’s Company and his hit comedy 8 Simple Rules for Dating My Teenage Daughter. On September 11, 2003, John Ritter&’s death from an undiagnosed aortic dissection, at the age of fifty-four, shocked and saddened not only his family and friends but also his millions of fans around the world. In this inspiring and enlightening memoir, Yasbeck reveals how she dealt with the loss and shock of losing John so unexpectedly. It is both a moving portrait of her husband, and an extremely relatable examination of the painful process of grieving. Enduring her grief with poise and patience, she is dedicated to preserving his name and With Love and Laughter, John Ritter is a wonderful and touching tribute to a man adored by the public and cherished by friends and family. Here are the unforgettable times she shared with a man who was adored for finding humor in everyday encounters, never failing to energize and entertain everyone around him. His philosophy was summed up by his favorite autograph for his fans, With Love and Laughter, John Ritter. Amy Yasbeck&’s powerful story reminds us that love never dies . . . and the laughter doesn&’t have to end.
With Love, Mommie Dearest: The Making of an Unintentional Camp Classic
by A. Ashley Hoff Bruce VilanchWhen she died in 1977, Joan Crawford was remembered as an icon of Hollywood's Golden Age—until publication the following year of her daughter's memoir, Mommie Dearest. Christina Crawford's book was an immediate bestseller, combining the infrequently discussed topic of child abuse with the draw of Hollywood drama. But when Paramount Pictures released the film version, starring Faye Dunaway as Crawford, it was panned, and it remains one of the most legendary critical bombs in film history. The lavish, big-screen adaptation drew unexpected laughter for its over the top the scenes depicting life in the Crawford household. Rarely have such good intentions been met with such ridicule. Despite this, the movie was a commercial success and remains, four decades later, immensely popular as an unintentional camp classic. Based on new interviews with people connected to the book and the film—from cast and crew members to industry insiders—With Love, Mommie Dearest details the writing and selling of Christina's book and the aftermath of its publication, as well as the filming of the motion picture, whose backstage drama almost surpassed what was viewed on-screen in the film.Hollywood historian A. Ashley Hoff explores the phenomenon, the camp, and the very real social issues addressed by the book and film.
With Nails: The Film Diaries of Richard E. Grant
by Richard E. Grant'An exceptionally vivid and penetrating insight into Hollywood film-making . . . What most of us want is gossip about stars, and this is something the book delivers in spades . . . Qualifies for that exclusive niche reserved for film star memoirs that are worth much more than a casual flick on the bookshop shelf' Jonathan Coe, Observer 'It's a star-packed savagely observed delight, and as a vivid psychological insight into one actor's complete experience of a film, it really does stand alone' Empire 'In these dashing diaries of his recent years in the movies, Grant shares with candour his wonder at this aberrant universe and its inhabitants' Sunday Times 'There are enough barbs and shrewd observations here to merit the title. Funny, bitchy, utterly fascinating' Independent on Sunday 'Fresh, funny and full of insights . . . it is the most attractive feature of this attractive book that he retains all the enthusiasm of an innocent abroad enjoying the holiday of a lifetime - and willing to invite the reader along for the ride' Daily Mail 'Grant has produced a classic Withnail himself would have been proud of' Vox
With Powder on My Nose
by Billie Burke Cameron ShippFollowing on from her successful 1949 memoir "With a Feather on My Nose," here we have a further biography, first published in 1959, from famous Broadway and early silent film actress Billie Burke, best known as Glinda the Good Witch of the North in The Wizard of Oz and widow of Broadway producer Florenz Ziegfeld of Ziegfeld Follies fame.Co-author Cameron Shipp, a ghost writer who had also worked with Mack Sennett and Lionel Barrymore, assisted in assembling Miss Burke's copious notes and transcribed her enthusiastic monologues into this wonderful biography filled with good-humoured advice on marriage, career, exercise, food (included are some delicious recipes!), and even perfecting the art of lying about your age!A most enjoyable trip down a career film star's memory lane.
Withdrawn Traces: Searching for the Truth about Richey Manic, Foreword by Rachel Edwards
by Sara Hawys Roberts Leon NoakesNew discoveries and a fresh perspective, with unprecedented access to Richey's personal archiveOn 1 February 1995, Richey Edwards, guitarist of the Manic Street Preachers, went missing at the age of 27. On the eve of a promotional trip to America, he vanished from his London hotel room, his car later discovered near the Severn Bridge, a notorious suicide spot.Over two decades later, Richey’s disappearance remains one of the most moving, mysterious and unresolved episodes in recent pop culture history. For those with a basic grasp of the facts, Richey's suicide seems obvious and undeniable. However, a closer investigation of his actions in the weeks and months before his disappearance just don’t add up, and until now few have dared to ask the important questions.Withdrawn Traces is the first book written with the co-operation of the Edwards family, testimony from Richey’s closest friends and unprecedented and exclusive access to Richey’s personal archive. In a compelling real-time narrative, the authors examine fresh evidence, uncover overlooked details, profile Richey's state of mind, and brings us closer than ever before to the truth.
Without a Doubt
by Marcia Clark Teresa CarpenterAs the prosecutor in the OJ Simpson trial, this book is about how Marcia Clark orchestrated the most controversial case of her career.
Without Feathers
by Woody AllenFrom the book jacket: The Philadelphia Inquirer says: "Woody Allen is more than a household name. His one-liners are part of our oral history." From Without Feathers here are some new one-liners oral history has been waiting for ... Thought: Why does man kill? He kills for food. And not only food: frequently there must be a beverage. My Lord, my Lord! What hast Thou done, lately? On the plus side, death is one of the few things that can be done as easily lying down. Of all the wonders of nature, a tree in summer is perhaps the most remarkable, with the possible exception of a moose singing "Embrace-able You" in spats. How wrong Emily Dickinson was! Hope is not "the thing with feathers." The thing with feathers has turned out to be my nephew. I must take him to a specialist in Zurich.
Without Getting Killed or Caught: The Life and Music of Guy Clark (John And Robin Dickson Series In Texas Music, Sponsored By The Center For Texas Music History, Texas State University Ser.)
by Tamara Saviano<P><P>For more than forty years, Guy Clark wrote and recorded unforgettable songs. His lyrics and melodies paint indelible portraits of the people, places, and experiences that shaped him. He has served as model, mentor, supporter, and friend to at least two generations of the world’s most talented and influential singer-songwriters. <P><P>In songs such as “Desperados Waiting for a Train,” “The Randall Knife,” “She Ain’t Goin’ Nowhere,” and “Texas 1947,” Clark’s poetic mastery has given voice to a vision of life, love, and trouble that has resonated not only with fans of Americana music, but also with the prominent artists--including Johnny Cash, Ricky Skaggs, Jerry Jeff Walker, and others--who have recorded and performed Clark’s music. <P><P>Now, in Without Getting Killed or Caught: The Life and Music of Guy Clark, writer, producer, and music industry insider Tamara Saviano chronicles the story of this legendary artist from her unique vantage point as his former publicist and producer of the Grammy- nominated album This One’s for Him: A Tribute to Guy Clark. <P><P>Part memoir, part biography, Saviano’s skillfully constructed narrative weaves together the extraordinary songs, larger-than-life characters, previously untold stories, and riveting emotions that make up the life of this modern-day poet and troubadour. <P><P>This sincere, no-holds-barred look at the life of a musical giant will surprise, inform, and entertain music lovers--especially Guy Clark fans. As fellow musician Terry Allen says of Guy in the final chapter, “let him take the lead and follow along, and just enjoy the ride.”
Without Reservation: How a Controversial Indian Tribe Rose to Power and Built the World's Largest Casino
by Jeff BenedictAll about the founding of Foxwood Casino and the Indian tribe responsible. Very interesting.