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What's the Story: Essays about art, theater and storytelling
by Anne BogartAnne Bogart is an award-winning theatre maker, and a best-selling writer of books about theatre, art, and cultural politics. In this her latest collection of essays she explores the story-telling impulse, and asks how she, as a ‘product of postmodernism’, can reconnect to the primal act of making meaning and telling stories. She also asks how theatre practitioners can think of themselves not as stagers of plays but ‘orchestrators of social interactions’ and participants in an on-going dialogue about the future. We dream. And then occasionally we attempt to share our dreams with others. In recounting our dreams we try to construct a narrative... We also make stories out of our daytime existence. The human brain is a narrative creating machine that takes whatever happens and imposes chronology, meaning, cause and effect... We choose. We can choose to relate to our circumstances with bitterness or with openness. The stories that we tell determine nothing less than personal destiny. (From the introduction) This compelling new book is characteristically made up of chapters with one-word titles: Spaciousness, Narrative, Heat, Limits, Error, Politics, Arrest, Empathy, Opposition, Collaboration and Sustenance. In addition to dipping into neuroscience, performance theory and sociology, Bogart also recounts vivid stories from her own life. But as neuroscience indicates, the event of remembering what happened is in fact the creation of something new.
What’s the Story? The Director Meets Their Screenplay: An Essential Guide for Directors and Writer-Directors
by Peter MarkhamA structured perspective on the crucial interface of director and screenplay, this book encompasses twenty-two seminal aspects of the approach to story and script that a director needs to understand before embarking on all other facets of the director’s craft. Drawing on seventeen years of teaching filmmaking at a graduate level and on his prior career as a director and in production at the BBC, Markham shows how the filmmaker can apply rigorous analysis of the elements of dramatic narrative in a screenplay to their creative vision, whether of a short or feature, TV episode or season. Combining examination of such fundamental topics as story, premise, theme, genre, world and setting, tone, structure, and key images with the introduction of less familiar concepts such as cultural, social, and moral canvas, narrative point of view, and the journey of the audience, What’s The Story? The Director Meets Their Screenplay applies the insights of each chapter to a case study—the screenplay of the short film Contrapelo, nominated for the Jury Award at Tribeca in 2014. This book is an essential resource for any aspiring director who wants to understand exactly how to approach a screenplay in order to get the very best from it, and an invaluable resource for any filmmaker who wants to understand the important creative interplay between the director and screenplay in bringing a story to life.
The Wheel of Life and Death (Mysterium #3)
by Julian SedgwickAfter a close call with an assassin in Barcelona, Danny is more convinced than ever that his parents—star performers in the Mysterium circus—died under suspicious circumstances. He's also sure that there's a traitor within the Mysterium. As the troupe heads to Berlin for a circus festival, Danny scrambles to unravel the clues his father left behind. He'll need his decoding skills—plus some extremely risky circus tricks—to find out what really happened to his parents and who's still trying to sabotage the Mysterium. Can he expose his parents' killer before disaster strikes again?
When All is Said: The Number One Irish Bestseller by the author of Listening Still
by Anne GriffinFive toasts. Five people. One lifetime. 'An extraordinary novel, a poetic writer, and a story that moved me to tears.' John Boyne'I'm here to remember - all that I have been and all that I will never be again.'At the bar of a grand hotel in a small Irish town sits 84-year-old Maurice Hannigan. He's alone, as usual - though tonight is anything but. Pull up a stool and charge your glass, because Maurice is finally ready to tell his story. Over the course of this evening, he will raise five toasts to the five people who have meant the most to him. Through these stories - of unspoken joy and regret, a secret tragedy kept hidden, a fierce love that never found its voice - the life of one man will be powerfully and poignantly laid bare. Heart-breaking and heart-warming all at once, the voice of Maurice Hannigan will stay with you long after all is said.(P) 2019 Hodder & Stoughton Ltd
When Ballet Became French
by Ilyana KarthasFor centuries before the 1789 revolution, ballet was a source of great cultural pride for France, but by the twentieth century the art form had deteriorated along with France's international standing. It was not until Serge Diaghilev's Ballets Russes found success in Paris during the first decade of the new century that France embraced the opportunity to restore ballet to its former glory and transform it into a hallmark of the nation. In When Ballet Became French, Ilyana Karthas explores the revitalization of ballet and its crucial significance to French culture during a period of momentous transnational cultural exchange and shifting attitudes towards gender and the body. Uniting the disciplines of cultural history, gender and women's studies, aesthetics, and dance history, Karthas examines the ways in which discussions of ballet intersect with French concerns about the nation, modernity, and gender identities, demonstrating how ballet served as an important tool for France's project of national renewal. Relating ballet commentary to themes of transnationalism, nationalism, aesthetics, gender, and body politics, she examines the process by which critics, artists, and intellectuals turned ballet back into a symbol of French culture. The first book to study the correlation between ballet and French nationalism, When Ballet Became French demonstrates how dance can transform a nation's cultural and political history.
When Ballet Became French: Modern Ballet and the Cultural Politics of France, 1909-1958
by Ilyana KarthasFor centuries before the 1789 revolution, ballet was a source of great cultural pride for France, but by the twentieth century the art form had deteriorated along with France's international standing. It was not until Serge Diaghilev's Ballets Russes found success in Paris during the first decade of the new century that France embraced the opportunity to restore ballet to its former glory and transform it into a hallmark of the nation. In When Ballet Became French, Ilyana Karthas explores the revitalization of ballet and its crucial significance to French culture during a period of momentous transnational cultural exchange and shifting attitudes towards gender and the body. Uniting the disciplines of cultural history, gender and women's studies, aesthetics, and dance history, Karthas examines the ways in which discussions of ballet intersect with French concerns about the nation, modernity, and gender identities, demonstrating how ballet served as an important tool for France's project of national renewal. Relating ballet commentary to themes of transnationalism, nationalism, aesthetics, gender, and body politics, she examines the process by which critics, artists, and intellectuals turned ballet back into a symbol of French culture. The first book to study the correlation between ballet and French nationalism, When Ballet Became French demonstrates how dance can transform a nation's cultural and political history.
When Blanche Met Brando: The Scandalous Story of A Streetcar Named Desire
by Sam StaggsExhaustively researched and almost flirtatiously opinionated, When Blanche Met Brando is everything a fan needs to know about the ground-breaking New York and London stage productions of Williams' "Streetcar" as well as the classic Brando/Leigh film. Sam Staggs' interviews with all the living cast members of each production will enhance what's known about the play and movie, and help make this book satisfying as both a pop culture read and as a deeper piece of thinking about a well-known story. Readers will come away from this book delighted with the juicy behind-the-scenes stories about cast, director, playwright and the various productions and will also renew their curiosity about the connection between the role of Blanche and Viven Leigh's insatiable sexual appetite and later descent into breakdown. They may also-for the first time-question whether the character of Blanche was actually "mad" or whether her anxiousness was symptomatic of another disorder."A Streetcar Named Desire" is one of the most haunting and most-studied modern plays. Staggs' new book will fascinate fans and richen newcomers' understanding of its importance in American theater and movie history.
When Charlie Met Joan: The Tragedy of the Chaplin Trials and the Failings of American Law
by Diane KieselCharlie Chaplin, the silent screen’s “Little Tramp,” was beloved by millions of movie fans until he starred in a series of salacious, real-life federal courtroom dramas. The 1944 trial was described by ace New York Daily News reporter Florabel Muir as “the best show in town.” The leading lady was a woman under contract to his studio—red-haired ingénue Joan Barry, Chaplin’s protégée and former mistress. Although he beat the federal criminal trial, Chaplin lost a paternity case and had to pay child support despite blood type evidence that proved he was not the child’s father. A decade later during the Cold War, the U.S. government used the Barry trials as an excuse to bar the left-leaning, sexually adventurous, British-born comic from the country he had called home for forty years. Not only did these trials have a lasting impact on law; they also raise concerns about the power of celebrity, Cold War politics, the media frenzy surrounding high-profile court proceedings, and the sorry history of the casting couch. When Charlie Met Joan examines these trials from the perspective of both parties, asking whether Chaplin was unfairly persecuted by the government because of his left-leaning political beliefs, or if he should have been held more accountable for his cavalier treatment of Barry and other women in his life.
When Chickenheads Come Home to Roost: My Life as a Hip-hop Feminist
by Joan MorganA new voice of the post-Civil Rights, post-feminist, post-soul generation has emerged which probes the complex issues facing African-American women today. The book is a decidedly intimate look into the life of the modern black woman.
When Clowns Attack
by Chuck SambuchinoTHEY'RE COMING FOR YOU Coulrophobia--the fear of clowns--is very real and for good reason. You might think these red-nosed jokers are creepy, sure, but certainly not dangerous. You'd be wrong. Clowns never reveal their real names, and dress to obscure their identities. The rules of civilized society don't apply to them (what other stranger could offer candy to children and get away with it?), they have countless places to hide weapons on their person, and their appearance is downright unnatural. Clowns are the scariest people on earth, and the truth is, they are coming for your valuables, your children, and your sanity. In this comprehensive guide to self-protection from clown creepery, petty crime, and violence, Chuck Sambuchino--founder of the anti-clown group Red Nose Alert--delves into the terrifying clown underworld to provide the knowledge you need to know to protect yourself from these seemingly innocuous gagmen, using his proven four-step system: ASSESS, ANALYZE, DEFEND, PROTECT. Included within are instructions on how to defeat a clown in close combat, tips for spotting the plainclothes clown, and tutorials for fully clown-proofing your home against these painted and bewigged warriors. Most importantly, you'll learn what to do when clowns attack... because it's only a matter of time before they do.From the Hardcover edition.
When Comedy Goes Wrong (Comedy & Culture)
by null Christopher J. GilbertWhile conventional wisdom has it that humor embodies a spirit of renewal and humility, a dispirited form of comedy thrives in a media-saturated and politically charged environment.When Comedy Goes Wrong examines how, beginning in the late-twentieth and carrying into the early twenty-first century, a certain comic dispirit found various platforms for disheartening cultural politics. From the calculated follies on talk radio programs like the Rush Limbaugh Show through the charades of "cancel culture" and ultimately to so-called Alt-Right comedy, the transgressions, improprieties, and ego trips endemic to a newfangled comic freedom produced entirely unfunny ways of being. To understand these unfunny ways, Christopher J. Gilbert challenges the prevailing belief in humor's goodness, analyzing radio personalities, meme culture, films, civil unrest, and even the language of ordinary individuals and everyday speech, all to demonstrate what happens when humor becomes humorless. As such, Gilbert imagines a nuanced sense of humor for a tumultuous world.Ultimately, When Comedy Goes Wrong transcends partisanship to explore the uglier parts of American culture, imagining the stakes of doing comedy—and being comical—as a means of survival.
When Documentaries Meet New Media: Interactive Documentary Projects in China and the West
by Le CaoNew media and digital technologies open up numerous possibilities to document different versions of reality, which makes it essential to examine how they transform the logic behind the creation and production of documentaries in digital cultures. This study aims to investigate the integration between the traditional documentary and new media: the interactive documentary, in the context of the different sociocultural and technological environments of China and the West. Accordingly, a comparative study on the evolution and integration of these two fields was carried out. The documentary genre brings with it a method of classification and various modes of representing reality, while new media provide new approaches to interactivity as well as the production and distribution of interactive documentaries. Interactive documentaries grow and change as a continuously evolving system, engaging the roles of the author and the user, such that their roles are mixed for better co-expression and the reshaping of their shared environment. In addition, an analytical approach based on the types of interactivity was adopted to explore this new form of documentary; both to deduce how the stories about our shared world can be told and to understand the impact of interactive documentaries on the construction of our versions of the reality as well as our role in it.
When Frankie Went to Hollywood: Frank Sinatra and American Male Identity
by Karen McnallyThis first in-depth study of Frank Sinatra's film career explores his iconic status in relation to his many performances in postwar Hollywood cinema. When Frankie Went to Hollywood considers how Sinatra's musical acts, television appearances, and public commentary impacted his screen performances in Pal Joey, The Tender Trap, Some Came Running, The Man with the Golden Arm, and other hits. A lively discussion of sexuality, class, race, ethnicity, and male vulnerability in postwar American culture illuminates Karen McNally's investigation into Sinatra's cinematic roles and public persona. This entertainment luminary, she finds, was central in shaping debates surrounding definitions of American male identity in the 1940s and '50s.
When Harry Met Sally ...
by Nora EphronRob Reiner's enormously funny and moving When Harry Met Sally ... -- a romantic comedy about the difficult, frustrating, awful, funny search for happiness in an American city, where the primary emotion is unrequited love -- is delighting audiences everywhere. Now, the complete screenplay is published. Written by Nora Ephron -- author of screenplays for Silkwood and Heartburn (from her own best-selling novel) -- When Harry Met Sally ... is as hilarious on the page as it is on the screen. The book includes an introduction by the author.
When Hollywood Had a King: The Reign of Lew Wasserman, Who Leveraged Talent into Power and Influence
by Connie BruckIn When Hollywood Had a King, the distinguished journalist Connie Bruck tells the sweeping story of MCA and its brilliant leader, a man who transformed the entertainment industry-- businessman, politician, tactician, and visionary Lew Wasserman. The Music Corporation of America was founded in Chicago in 1924 by Dr. Jules Stein, an ophthalmologist with a gift for booking bands. Twelve years later, Stein moved his operations west to Beverly Hills and hired Lew Wasserman. From his meager beginnings as a movie-theater usher in Cleveland, Wasserman ultimately ascended to the post of president of MCA, and the company became the most powerful force in Hollywood, regarded with a mixture of fear and awe. In his signature black suit and black knit tie, Was-serman took Hollywood by storm. He shifted the balance of power from the studios--which had seven-year contractual strangleholds on the stars--to the talent, who became profit partners. When an antitrust suit forced MCA's evolution from talent agency to film- and television-production company, it was Wasserman who parlayed the control of a wide variety of entertainment and media products into a new type of Hollywood power base. There was only Washington left to conquer, and conquer it Wasserman did, quietly brokering alliances with Democratic and Republican administrations alike. That Wasserman's reach extended from the underworld to the White House only added to his mystique. Among his friends were Teamster boss Jimmy Hoffa, mob lawyer Sidney Korshak, and gangster Moe Dalitz--along with Presidents Johnson, Clinton, and especially Reagan, who enjoyed a particularly close and mutually beneficial relationship with Wasserman. He was equally intimate with Hollywood royalty, from Bette Davis and Jimmy Stewart to Steven Spielberg, who began his career at MCA and once described Wasserman's eyeglasses as looking like two giant movie screens.The history of MCA is really the history of a revolution. Lew Wasserman ushered in the Hollywood we know today. He is the link between the old-school moguls with their ironclad studio contracts and the new industry defined by multimedia conglomerates, power agents, multimillionaire actors, and profit sharing. In the hands of Connie Bruck, the story of Lew Wasserman's rise to power takes on an almost Shakespearean scope. When Hollywood Had a King reveals the industry's greatest untold story: how a stealthy, enterprising power broker became, for a time, Tinseltown's absolute monarch.From the Hardcover edition.
When Hollywood Was Right
by Donald T. CritchlowHollywood was not always a bastion of liberalism. Following World War II, an informal alliance of movie stars, studio moguls and Southern California business interests formed to revitalize a factionalized Republican Party. Coming together were stars such as John Wayne, Robert Taylor, George Murphy and many others, who joined studio heads Cecil B. DeMille, Louis B. Mayer, Walt Disney and Jack Warner to rebuild the Republican Party. They found support among a large group of business leaders who poured money and skills into this effort, which paid off with the election of George Murphy to the US Senate and of Richard Nixon and Ronald Reagan to the highest office in the nation. This is an exciting story based on extensive new research that will forever change how we think of Hollywood politics.
When I Hear Spirituals
by null Cheryl Willis HudsonYour spirit will soar! A girl connects with heritage, history, and a higher power through the lyrics of twelve beloved spirituals and four seminal events in African American history. A beautiful keepsake to be shared by multiple generations.When I hear spirituals Sometimes A big, full feelingGrows in my chest . . . Her heart pounds, she gets a lump in her throat, and tears flow down her cheeks. She wants to clap her hands and stomp her feet. There is healing, tenderness, strength, pride, and above all, hope.The author of the classic picture book Bright Eyes, Brown Skin, Cheryl Willis Hudson, has woven together lyrics of twelve timeless, Black spirituals with a moving exploration of how music holds memories, emotions, and empowerment.Songs include &“Go down, Moses,&” &“Nobody Knows the Troubles I See,&” &“Sometimes I Feel Like a Motherless Child,&” &“Rock-a-My Soul,&” &“Get on Board, Little Children,&” and more. Evocative illustrations by award-winning artist London Ladd depict important people and places in Black history and culture: Harriet Tubman, Martin Luther King, Jr., the Great Migration, and the Enslaved People&’s Uprising of 1811. Journey through Black history and music in this layered picture book.A Junior Library Guild Gold Standard Selection
When I Stop Talking, You'll Know I'm Dead: Useful Stories from a Persuasive Man
by Jerry Weintraub Rich CohenA fast talking wise-guy from the Bronx, Weintraub became a millionaire by handling some of the biggest acts in show biz, most notably Elvis and Frank. The stories in this work will speak to anyone who's ever had a dream and the moxie to make it happen.
When I Stop Talking, You'll Know I'm Dead: Useful Stories from a Persuasive Man
by Jerry Weintraub Rich CohenHere is the story of Jerry Weintraub: the self-made, Brooklyn-born, Bronx-raised impresario, Hollywood producer, legendary deal maker, and friend of politicians and stars. No matter where nature has placed him--the club rooms of Brooklyn, the Mafia dives of New York's Lower East Side, the wilds of Alaska, or the hills of Hollywood--he has found a way to put on a show and sell tickets at the door. "All life was a theater and I wanted to put it up on a stage," he writes. "I wanted to set the world under a marquee that read: 'Jerry Weintraub Presents.'"In WHEN I STOP TALKING, YOU'LL KNOW I'M DEAD, we follow Weintraub from his first great success at age twenty-six with Elvis Presley, whom he took on the road with the help of Colonel Tom Parker; to the immortal days with Sinatra and Rat Pack glory; to his crowning hits as a movie producer, starting with Robert Altman and Nashville, continuing with Oh, God!, The Karate Kid movies, and Diner, among others, and summiting with Steven Soderbergh and Ocean's Eleven, Twelve, and Thirteen.Along the way, we'll watch as Jerry moves from the poker tables of Palm Springs (the games went on for days), to the power rooms of Hollywood, to the halls of the White House, to Red Square in Moscow and the Great Palace in Beijing-all the while counseling potentates, poets, and kings, with clients and confidants like George Clooney, Bruce Willis, George H. W. Bush, Armand Hammer, Brad Pitt, Matt Damon, Bob Dylan, Led Zeppelin, John Denver, Bobby Fischer . . .well, the list goes on forever.And of course, the story is not yet over . . .as the old-timers say, "The best is yet to come."As Weintraub says, "When I stop talking, you'll know I'm dead."With wit, wisdom, and the cool confidence that has colored his remarkable career, Jerry chronicles a quintessentially American journey, one marked by luck, love, and improvisation. The stories he tells and the lessons we learn are essential, not just for those who love movies and music, but for businessmen, entrepreneurs, artists . . . everyone.
When I Was a Girl
by Alison PolletDiscover the defining moments and fondest memories of some of the world's most celebrated women!Based on the popular WE: Women's Entertainment television series and featuring an introduction by famed television journalist and author Linda Ellerbee,When I Was a Girlpresents a collection of timeless girlhood tales. Extraordinary women from the worlds of politics, sports, entertainment, literature, music, and beyond relive the early moments that shaped them: the first friendships and academic pitfalls, the consuming crushes and favorite outfits. These are some of the remarkable women who offer a glimpse into what inspired them when they were girls:Gillian AndersonIndia. ArieCandice BergenEllen BurstynCandace BushnellAnn CurryEllen DeGeneresIlleana DouglasMarian Wright EdelmanMelissa EtheridgeEdie FalcoFionnula FlanaganSue GraftonDenyce GravesMelanie GriffithCherry JonesGladys KnightLisa LeslieSusan LucciWendie MalickRita MorenoDee Dee MyersCynthia NixonElizabeth PerkinsKelly PrestonAnna QuindlenSally RideMichelle RodriguezAmy SedarisJamie-Lynn SiglerMary SteenburgenLee Ann WomackAnd many more!Here are cherished memories, evocative and insightful, for every woman who recalls fondly what she was like. . . when she was a girl. For more information on WE: Women's Entertainment and the seriesWhen I Was a Girllog on to www. we. tv.
When I Was a Nipper: The Way We Were in Disappearing Britain
by Alan TitchmarshIn When I Was a Nipper Alan Titchmarsh goes on a personal and nostalgic journey through post-War Britain in search of treasured values and traditions that were once the soul of society. With characteristic wit, warmth and humour he draws on the experience of his own childhood, and also takes a broader perspective, creating a wonderfully detailed and evocative portrait of a way of life that is fast disappearing, and asks what can we learn from this era of austerity to make our lives better today?Born in Yorkshire in 1949 and brought up in a Britain still recovering from World War 2, Alan remembers a time of relative calm, when it was enough to return home at night knowing that the house would still be standing. We were known throughout the world for our patience, resourcefulness and resilience. 'Mustn't grumble' was almost a national catchphrase, and queuing was second nature. Peppered with wonderful archive photographs and advertisements, When I Was a Nipper takes us back to those days, down high streets and through farmyards, on to trolley buses and into local pubs. As we move towards a global economy, as communities fragment and customs are lost, When I Was a Nipper captures a world that is fast receding into history. It's powerfully nostalgic for those who remember those days, but it's also Alan's timely call to all recession-hit Brits to heed the lessons of austerity Britain: 'make do and mend'; 'look on the bright side' and 'take the knocks on the chin'.
When I Was Summer
by J. B. HowardA relatable novel about unrequited love, rock 'n' roll, and what you find when you go searching for yourself.Sixteen-year-old Nora Wakelin has always felt like an outsider in her own family. Her parents and older sister love her, but they don't understand anything about her: not her passion for music, not her all-encompassing crush on her bandmate Daniel (who is very much unavailable), not her recklessness and impulsiveness. Nora has always imagined that her biological mother might somehow provide the answer as to why she feels like such an outsider. Through internet stalking and leaps of logic, Nora identifies three women living elsewhere in California who seem like they could be her biological mother. So she sets out to track them each down, one by one, under the pretense of a statewide tour with her rock band, Blue Miles. Three cities, three gigs, three possible birth mothers--it sounds so easy.But once they're on the road, of course, it's anything but easy. Nora wants to be with Daniel, she wants to find her birth mother, she wants to keep her parents happy, she wants the band to stay together, and she wants to know why she is the way she is. But she won't be the first musician to find out that, while you can't always get what you want, sometimes you get what you need.
When I Was Your Age: Life Lessons, Funny Stories & Questionable Parenting Advice from a Professional Clown
by Kenan ThompsonWhen I Was Your Age is a hilarious, heartwarming and surprising ode to growing up, getting older and wiser, and luck, life, and learning from the school of hard knocks, from SNL's longest-serving actor, Kenan ThompsonKenan Thompson is Saturday Night Live’s longest-ever-serving cast member and a star of such pioneering sketches as “Black Jeopardy” and is hugely beloved thanks to a tidal wave of nostalgic fans who grew up on early 2000s classics All That, Good Burger, and Kenan & Kel on Nickelodeon.He’s also a dad (to two girls) in his mid-40s living in suburbia, and whose universal, relatable, family-friendly humor has created unbelievable appeal and engagement from fans from middle America to coastal elites. Becoming a dad sucked the cool right out of him -- and he's OK with that!When I Was Your Age is packed with hilarious yet poignant essays that are aimed to offer any reader valuable advice on parenting, focusing on positivity, and having fun in life. Kids, new parents, fellow fathers, budding comics, and aunties who want to pinch his cheeks, can all learn from his biggest mistakes and most triumphant victories. There’s something for everybody here!
When It's Real (Harlequin Teen)
by Erin WattWealth, fame and a real-life romance she never expected-seventeen-year-old Vaughn Bennett lands it all when she agrees to become a pop star's fake girlfriend in this smart, utterly addictive novel from #1 New York Times bestselling author duo Erin Watt Under ordinary circumstances, Oakley Ford and Vaughn Bennett would never even cross paths. There's nothing ordinary about Oakley. This bad-boy pop star's got Grammy Awards, millions of fangirls and a reputation as a restless, too-charming troublemaker. But with his home life disintegrating, his music well suddenly running dry and the tabloids having a field day over his outrageous exploits, Oakley needs to show the world he's settling down-and who better to help him than Vaughn, a part-time waitress trying to help her family get by? The very definition of ordinary. Posing as his girlfriend, Vaughn will overhaul Oakley's image from troublemaker to serious artist. In return for enough money to put her brothers through college, she can endure outlandish Hollywood parties and carefully orchestrated Twitter exchanges. She'll fool the paparazzi and the groupies. She might even start fooling herself a little. Because when ordinary rules no longer apply, there's no telling what your heart will do...
When Marilyn Met the Queen: Marilyn Monroe's Life in England
by Michelle Morgan'England? It seemed to be raining the whole time . . . Or maybe it was me'MARILYN MONROEIn July 1956, Marilyn Monroe arrived in London, on honeymoon with her husband Arthur Miller, to make The Sleeping Prince (later released as The Prince and the Showgirl) with Laurence Olivier. When the couple arrived at London Airport, they were looking forward to a peaceful stay. Marilyn would work during the day at Pinewood Studios, while Arthur would write. Then, in the evening, the couple would be able to relax together in their private English country cottage. It didn't quite turn out that way.The 'cottage' was actually a mansion, which belonged to Lord Drogheda, the managing director of the Financial Times. Raised in tiny hotel rooms and apartments, Marilyn felt herself being watched. She was, by Lord Drogheda's servants, who were selling stories to the papers. When filming began, it was a disaster. Director Joshua Logan had written to Olivier, offering advice on how to handle Marilyn as an actress, but Olivier ignored him. Instead, he condescended to her in his introduction to the cast, pooh-poohed her views on acting, and dismissed her stage-fright as an inconvenience. Marilyn grew to hate Olivier with a passion; the feeling was mutual.Marilyn found herself torn between settling into married life, being a curiosity for the frequently hostile British press, and her work on The Prince and the Showgirl. She took solace in small acts of kindness from members of the public, and a new fascination with Queen Elizabeth.Marilyn made a point of adopting some of the Queen's favourite brands, buying gloves from Cornelia James, perfume from Floris, and switching from Chanel No. 5 to Yardley's Lavender. Marilyn made a point of asking the film's PR manager to add a royal meeting to her schedule, but each day Olivier would delete the request. Michelle Morgan describes Marilyn's trip to late-1950s' Britain in evocative detail, exploring the making of the film alongside the film star's troubled private life and her quest to meet the Queen.