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Videoconferencing: The Whole Picture
by James R. WilcoxThis text aims to help the reader understand all aspects of videoconferencing. It includes: an overview of the history and technology; a section on security for Internet-based videoconferencing as well as expanded coverage of standards.
Videojournalism: Multimedia Storytelling for Online, Broadcast and Documentary Journalists
by Kenneth KobreVideojournalism: Multimedia Storytelling for Online, Broadcast and Documentary Journalists is an essential guide for solo video storytellers—from "backpack" videojournalists to short-form documentary makers to do-it-all broadcast reporters.Based on interviews with award-winning professionals sharing their unique experiences and knowledge, Videojournalism covers topics such as crafting and editing eye-catching short stories, recording high-quality sound, and understanding the laws and ethics of filming in public and private places. Other topics include:• understanding the difference between a story and a report• finding a theme and telling a story in a compact time frame• learning to use different cameras and lenses—from smart phones to mirrorless and digital cinema cameras• using light, both natural and artificial • understanding color and exposureThe second edition of this best-selling text has been completely revised and updated. Heavily illustrated with more than 550 photographs, the book also includes more than 200 links to outstanding examples of short-form video stories. Anatomy of a News Story, a short documentary made for the book, follows a day in the life of a solo TV videojournalist on an assignment (with a surprise ending), and helps readers translate theory to practice.This book is for anyone learning how to master the art and craft of telling real, short-form stories with words, sound, and pictures for the Web or television.A supporting companion website links to documentaries and videos, and includes additional recommendations from the field’s most prominent educators.
Videoland
by Daniel HerbertVideoland offers a comprehensive view of the "tangible phase" of consumer video, when Americans largely accessed movies as material commodities at video rental stores. Video stores served as a vital locus of movie culture from the early 1980s until the early 2000s, changing the way Americans socialized around movies and collectively made movies meaningful. When films became tangible as magnetic tapes and plastic discs, movie culture flowed out from the theater and the living room, entered the public retail space, and became conflated with shopping and salesmanship. In this process, video stores served as a crucial embodiment of movie culture's historical move toward increased flexibility, adaptability, and customization.In addition to charting the historical rise and fall of the rental industry, Herbert explores the architectural design of video stores, the social dynamics of retail encounters, the video distribution industry, the proliferation of video recommendation guides, and the often surprising persistence of the video store as an adaptable social space of consumer culture. Drawing on ethnographic fieldwork, cultural geography, and archival research, Videoland provides a wide-ranging exploration of the pivotal role video stores played in the history of motion pictures, and is a must-read for students and scholars of media history.
Viewers Like You: How Public TV Failed the People
by Laurie OulletteHow "public" is public television if only a small percentage of the American people tune in on a regular basis? When public television addresses "viewers like you," just who are you? Despite the current of frustration with commercial television that runs through American life, most TV viewers bypass the redemptive "oasis of the wasteland" represented by PBS and turn to the sitcoms, soap operas, music videos, game shows, weekly dramas, and popular news programs produced by the culture industries. Viewers Like You? traces the history of public broadcasting in the United States, questions its priorities, and argues that public TV's tendency to reject popular culture has undermined its capacity to serve the people it claims to represent. Drawing from archival research and cultural theory, the book shows that public television's perception of what the public needs is constrained by unquestioned cultural assumptions rooted in the politics of class, gender, and race.
Viewfinder: A Memoir of Seeing and Being Seen
by Jeremy McCarter Jon M. ChuFrom visionary director Jon M. Chu comes a powerful, inspiring memoir of belonging, creativity, and learning to see who you really are.&“A must-read for aspiring artists and dreamers of all kinds.&”—Ava DuVernayLong before he directed Wicked, In The Heights, or the groundbreaking film Crazy Rich Asians, Jon M. Chu was a movie-obsessed first-generation Chinese American, helping at his parents&’ Chinese restaurant in Silicon Valley and forever facing the cultural identity crisis endemic to children of immigrants. Growing up on the cutting edge of twenty-first-century technology gave Chu the tools he needed to make his mark at USC film school, and to be discovered by Steven Spielberg, but he soon found himself struggling to understand who he was. In this book, for the first time, Chu turns the lens on his own life and work, telling the universal story of questioning what it means when your dreams collide with your circumstances, and showing how it&’s possible to succeed even when the world changes beyond all recognition. With striking candor and unrivaled insights, Chu offers a firsthand account of the collision of Silicon Valley and Hollywood—what it&’s been like to watch his old world shatter and reshape his new one. Ultimately, Viewfinder is about reckoning with your own story, becoming your most creative self, and finding a path all your own.
Viewing America
by Christopher BigsbySomething has happened in the world of television drama. For the last decade and a half America has assumed a dominant position. Novelists, screenwriters and journalists, who would once have had no interest in writing for television, indeed who often despised it, suddenly realised that it was where America could have a dialogue with itself. The new television drama was where writers could engage with the social and political realities of the time, interrogating the myths and values of a society moving into a new century. Familiar genres have been reinvented, from crime fiction to science fiction. This is a book as much about a changing America as about the television series which have addressed it, from The Sopranos and The Wire to The West Wing, Mad Men and Treme, in what has emerged as the second golden age of American television drama.
Viewing Photography in Post-Dictatorship Latin America: Visual Interruptions, 1997-2016
by David RojinskyThis book examines the archival aesthetic of mourning and memory developed by Latin American artists and photographers between 1997-2016. Particular attention is paid to how photographs of the assassinated or disappeared political dissident of the 1970s and 1980s, as found in family albums and in official archives, were not only re-imagined as conduits for private mourning, but also became allegories of social trauma and the struggle against socio-political amnesia. Memorials, art installations, photo-essays, street projections, and documentary films are all considered as media for the reframing of these archival images from the era of the Cold War dictatorships in Argentina, Chile, Guatemala, and Uruguay. While the turn of the millennium was supposedly marked by “the end of history” and, with the advent of digital technologies, by “the end of photography,” these works served to interrupt and hence, belie the dominant narrative on both counts. Indeed, the book's overarching contention is that the viewer’s affective identification with distant suffering when engaging these artworks is equally interrupted: instead, the viewer is invited to apprehend memorial images as emblems of national and international histories of ideological struggle.
Vin Diesel
by Nancy KrulikHE'S DIESEL POWERED! Vin Diesel's come a long way since his syage debut at the age of seven -- a gig he was offered after getting caught breaking into a New York City theater! But these days Vin's getting noticed for other talents -- and this time they're legal. There is more to Vin than his pumped-up action-hero exterior. He's a serious actor who's written, directed and produced films that have been screened at the most prestigious film festivals in the world. Vin's got the skills and determination that took him from earning $20 a week to $20 million a film, and he knew he would be a star all along...He was just waiting for the rest of us to figure it out.
Vin Diesel XXXposed
by Michael Robin Todd Rone OwensVin Diesel is everywhere -- the newly crowned king of the box office and the newsstand. But who is he really? The world's hottest star is also its most mysterious. Few fans realize that this so-called overnight success is actually the product of a lifetime of planning and struggle. This book follows every step of Vin Diesel's rise from his days as a poor but happy mischief-maker in New York's Greenwich Village -- where an act of vandalism led to his stage debut at the age of seven -- through the long years spent toiling as a bouncer in Manhattan's trendiest clubs while trying to break into Hollywood -- to his first "big break" from Steven Spielberg. Take a look behind the scenes of each of Vin's films -- the roles he fought for, the role he walked away from after filming had begun, and the leading ladies he continued to see off-screen. VIN DIESEL: XXXPOSED takes on the rumors about his background and his ego and reveals how fame has taken its toll on the intensely private star. This is the unlikely and inspiring story of how an outsider who wouldn't give up transformed himself into the action hero of the new millennium.
Vincent Price
by Victoria PriceSince his death in 1993, Vincent Price's legacy as a Hollywood legend has only grown in stature. His lengthy and distinguished career--as the voice of The Saint on the radio; as an actor in such unforgettable horror films as House of Wax and The Fly, in classic movies such as Laura and The Song of Bernadette, and on popular TV shows such as Batman and The Brady Bunch; and as a star on the Broadway stage--spanned sixty-five years. In addition to being an icon of stage and screen, Price was an art historian and collector who did much to popularize the visual arts in the United States, as well as a gourmet chef and author of bestselling cookbooks. Widely revered for his elegance and erudition, this Renaissance man left his mark on many areas of American culture during the twentieth century. Vincent Price was also a loving father to his daughter Victoria, who was born shortly before he turned fifty-one, at the height of his popularity. Though the star's busy film schedule took him in and out of his young daughter's life, he was always a larger-than-life presence and, simply, her father. The deep bond between father and daughter managed to survive the machinations of Price's third wife, the elegant British actress Coral Browne, who resented the close relationship between Price and his children and grandchildren. After Browne's death, Price and his daughter spent over a year taping conversations that would form the basis of this compelling biography-cum-memoir. In writing about the father she adored, Victoria Price reveals a man complex, human, and humorous. An actor of range, less than one-third of the movies in which he appeared were in the horror genre. As a pre-war anti-Nazi sympathizer, he was greylisted during the Red Scare of the 1950s until, in a desperate gesture, he signed a secret oath that saved his career. His passion for the arts gave him a second life as a savvy columnist and museum founder, even as his films were featured in drive-ins nationwide. And through it all, Vincent Price's professionalism, grace under pressure, and tongue-in-cheek humor earned him lifelong friendships among his peers and generation after generation of loyal fans. Victoria Price's account of her father is one of candor and honesty; both his passionate and charismatic public persona and his conflicted inner life are treated with curiosity and understanding. Vincent Price: A Daughter's Biography is, in short, the thorough--and uniquely intimate--life of a legend. For more information about Vincent Price, please visit vincentprice.com.
Vincent Price: A Daughter's Biography
by Victoria Price Roger CormanSince his death in 1993, Vincent Price’s legacy as a Hollywood legend has only grown in stature. His lengthy and distinguished career—as the voice of The Saint on the radio; as an actor in such unforgettable horror films as House of Wax and The Fly, in classic movies such as Laura and The Song of Bernadette, and on popular TV shows such as Batman and The Brady Bunch; and as a star on the Broadway stage—spanned sixty-five years. In addition to being an icon of stage and screen, Price was an art historian and collector who did much to popularize the visual arts in the United States, as well as a gourmet chef and author of bestselling cookbooks. Widely revered for his elegance and erudition, this Renaissance man left his mark on many areas of American culture during the twentieth century. <P><P> Vincent Price was also a loving father to his daughter Victoria, who was born shortly before he turned fifty-one, at the height of his popularity. Though the star’s busy film schedule took him in and out of his young daughter’s life, he was always a larger-than-life presence and, simply, her father. The deep bond between father and daughter managed to survive the machinations of Price’s third wife, the elegant British actress Coral Browne, who resented the close relationship between Price and his children and grandchildren. After Browne’s death, Price and his daughter spent over a year taping conversations that would form the basis of this compelling biography-cum-memoir. <P><P> In writing about the father she adored, Victoria Price reveals a man complex, human, and humorous. An actor of range, less than one-third of the movies in which he appeared were in the horror genre. As a pre-war anti-Nazi sympathizer, he was greylisted during the Red Scare of the 1950s until, in a desperate gesture, he signed a secret oath that saved his career. His passion for the arts gave him a second life as a savvy columnist and museum founder, even as his films were featured in drive-ins nationwide. And through it all, Vincent Price’s professionalism, grace under pressure, and tongue-in-cheek humor earned him lifelong friendships among his peers and generation after generation of loyal fans. <P><P> Victoria Price’s account of her father is one of candor and honesty; both his passionate and charismatic public persona and his conflicted inner life are treated with curiosity and understanding. Vincent Price: A Daughter’s Biography is, in short, the thorough—and uniquely intimate—life of a legend.
Vincente Minnelli: Hollywood's Dark Dreamer
by Emanuel LevyVincente Minnelli, Hollywood's Dark Dreamer is the first full-length biography of Vincente Minnelli, one of the most legendary and influential directors in the twentieth century, encompassing his life, his art, and his artistry. Minnelli started out as a set and costume designer in New York, where he first notably applied his aesthetic principles to the Broadway stage design of Scheherazade. He became the first director of New York's Radio City Music Hall, as well as some of the most lavish Broadway musicals, including Ziegfeld Follies, and brought Josephine Baker back from Paris to star in his shows. As a film director, he discovered Lena Horne in a Harlem nightclub and cast her in his first movie, the legendary musical Cabin in the Sky. The winner of the Director Oscar for Gigi, the first film to win in all nine of its Oscar nominations, Minnelli directed such classics as the Oscar-winning An American in Paris, Meet Me in St. Louis, Father of the Bride, The Bad and the Beautiful, and Some Came Running. He was married to Judy Garland, who he met on the set of Meet Me in St. Louis and directed in such landmark films as The Clock; their daughter is actress-singer Liza Minnelli.
Vindicated: Confessions of a Video Vixen, Ten Years Later
by Karrine SteffansFor a decade, Confessions of a Video Vixen author Karrine Steffans and the details of her private life have been the subject of debate and scrutiny. But, as gossipmongers and critics speculated, assumed, and manufactured tall tales about the New York Times bestselling author, Karrine hid herself and her truth from the world, imprisoned by an abusive marriage and the judgments of society. In Vindicated: Confessions of a Video Vixen, Ten Years Later, Karrine takes readers into the belly of the beast as she harrowingly chronicles the systematic breakdown of her mind, body, and spirit at the hand of one man and the events that propelled her back to prosperity after losing everything. She candidly shares her struggle to be what others demand, her obsession with the American dream, her desperation to appear normal, the lengths to which she went, and the price she paid for it all. This dark, long journey into the life of an abused and tormented woman, wife, and mother uncovers a long-guarded set of painful personal truths, reveals the inspiring details of her life-saving triumph, and will change everything you thought you knew about Karrine Steffans.
Violated Frames: Armando Bó and Isabel Sarli's Sexploits (Feminist Media Histories #2)
by Victoria RuetaloWhen Armando Bó and Isabel Sarli began making sexploitation films together in 1956, they provoked audiences by featuring explicit nudity that would increasingly become more audacious, constantly challenging contemporary norms. Their Argentine films developed a large and international fan base. Analyzing the couple's films and their subsequent censorship, Violated Frames develops a new, roughly constructed, and "bad" archive of relocated materials to debate questions of performance, authorship, stardom, sexuality, and circulation. Victoria Ruétalo situates Bó and Sarli’s films amidst the popular culture and sexual norms in post-1955 Argentina, and explores these films through the lens of bodies engaged in labor and leisure in a context of growing censorship. Under Perón, manual labor produced an affect that fixed a specific type of body to the populist movement of Peronism: a type of body that was young, lower-classed, and highly gendered. The excesses of leisure in exhibition, enjoyment, and ecstasy in Bó and Sarli's films interrupted the already fragmented film narratives of the day and created alternative sexual possibilities.
Violence Against LGBTQ+ Persons: Research, Practice, and Advocacy
by Andy J. Johnson Emily M. Lund Claire BurgessAs violence against LGBTQ+ persons continues to be a pervasive and serious problem, this book aims to inform mental health providers about the unique needs of LGBTQ+ survivors of interpersonal and structural violence. Individual chapters analyze unique aspects of violence against specific subpopulations of LGBTQ+ persons in order to avoid ineffective and sometimes simplistic one-size-fits-all treatment strategies. Among the topics covered: Macro Level Advocacy for Mental Health Professionals: Promoting Social Justice for LGBTQ+ Survivors of Interpersonal Violence Intimate Partner Violence in Women’s Same-Sex Relationships Violence Against Asexual PersonsInvisibility and Trauma in the Intersex CommunitySexual and Gender Minority Refugees and Asylum Seekers: An Arduous JourneySexual and Gender Minority Marginalization in Military ContextsNavigating Potentially Traumatic Conservative Religious Environments as a Sexual/Gender Minority Violence Against LGBTQ+ Persons prepares mental health professionals for addressing internalized forms of prejudice and oppression that exacerbate the trauma of the survivor, in order to facilitate healing, empowerment, healthy relationships, and resilience at the intersection of sexual orientation, gender identity, gender expression, and diverse social locations. This is a valuable reference for psychologists, social workers, counselors, nurses, mental health professionals, and graduate students, regardless of whether they are preparing for general practice, treatment of LGBTQ+ clients, or treatment of survivors and perpetrators of various forms of violence.
Violence and American Cinema: Violence And American Cinema (AFI Film Readers)
by J. David SlocumFirst Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Violence and Resistance, Art and Politics in Colombia
by Stephen Zepke Nicolás Alvarado CastilloThis book explores the historical and contemporary connections between art and politics in Colombia. These relations are unique because of the ways in which they are saturated by violence, as the country has passed through conquest, struggles for Independence, fighting between political factions, civil war, paramilitaries, narco-traffickers and state violence. This seemingly unending stream of violence gives art in Colombia one of its main themes. The lavishly illustrated essays, written by Colombian authors, examine Colombian visual arts, music, theatre, literature, cinema, indigenous arts, popular culture, militant publications and recent protest movements, analysing them with tools drawn from contemporary philosophy and theory. Approaches include decolonisation theory, cosmopolitics, anthropology after the ontological turn, Colombian philosophy, feminism, and French theory. The essays all offer powerful understandings of how art has not only been complicit in perpetuating political violence in Colombia, but also how it has been a vital form of analysis and resistance.
Violence, Conflict and Discourse in Mexican Cinema (2002-2015)
by Miriam HadduThe last two decades have seen dramatic changes to Mexico’s socio-political landscape. A former president fleeing into exile, political assassinations, a rebellion in Chiapas, and the eruption of the so-called war on drugs provide key examples of critical events shaping the nation. This book examines Mexican cinema’s representations of, and responses to, these socio-political moments. Beginning with the definitive year 1994, which saw the Ejército Zapatista de Liberación Nacional (EZLN) declare war on the Mexican government, the early chapters in this book discuss the outcome of these episodes in subsequent years and how they find screen representation. The study then moves on to provide close readings of key filmic texts as reflections of the so-called narco-war and its effects on Mexican society. Focusing on both fiction and documentary filmmaking, this book explores notions of violence, victimhood, and the complex processing of grief in the context of enforced disappearances and the narco-conflict. In addition to examining films made in Mexico, this investigation incorporates the work of three of the nation’s most celebrated transnational directors: Guillermo del Toro, Alejandro González Iñárritu and Alfonso Cuarón. By examining their work on European soil as a comparative exercise, the analyses offer an understanding of the imprints left by warfare and trauma upon the collective and individual psyche, seen from a universal viewpoint. Using rigorous theoretical frameworks and succinct filmic analyses, this book will be essential reading for those interested in Mexican and Latin American film, as well as those working in the fields of Cultural, Screen, and Trauma Studies.
Violent Women in Contemporary Cinema
by Janice LoreckViolent women in cinema pose an exciting challenge to spectators, overturning ideas of 'typical' feminine subjectivity. This book explores the representation of homicidal women in contemporary art and independent cinema. Examining narrative, style and spectatorship, Loreck investigates the power of art cinema to depict transgressive femininity.
Violent Women in Contemporary Cinema
by Janice LoreckViolent women in cinema pose an exciting challenge to spectators, overturning ideas of 'typical' feminine subjectivity. This book explores the representation of homicidal women in contemporary art and independent cinema. Examining narrative, style and spectatorship, Loreck investigates the power of art cinema to depict transgressive femininity.
Violet Bent Backwards Over the Grass
by Lana Del ReyTHE HIGHLY ANTICIPATED DEBUT BOOK OF POETRY FROM LANA DEL REY, VIOLET BENT BACKWARDS OVER THE GRASS &“Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I&’m proud of them, especially because the spirit in which they were written was very authentic.&”—Lana Del Rey Lana&’s breathtaking first book solidifies her further as &“the essential writer of her times&” (The Atlantic). The collection features more than thirty poems, many exclusive to the book: Never to Heaven, The Land of 1,000 Fires, Past the Bushes Cypress Thriving, LA Who Am I to Love You?, Tessa DiPietro, Happy, Paradise Is Very Fragile, Bare Feet on Linoleum, and many more. This beautiful hardcover edition showcases Lana&’s typewritten manuscript pages alongside her original photography. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator. Violet Bent Backwards Over the Grass is also brought to life in an unprecedented spoken word audiobook which features Lana Del Rey reading fourteen select poems from the book accompanied by music from Grammy Award-winning musician Jack Antonoff.
Violet's Music
by Angela Johnson Laura Huliska-BeithThere's nothing Violet loves more than music, and she plays or sings every chance she gets. But where are the other kids like her-kids who think and dream music all day long? As a baby, in kindergarten, at the beach and the zoo, she never gives up looking for companions. And then one summer day. . . Bright, lively, and lyrical, this is a book for kids who march to a different drummer. "Violet's Music" sings to us that the right friend is always out there-as long as we keep looking and hoping, and above all, staying true to ourselves. "
Viper's Daughter (Wolf Brother #7)
by Michelle PaverViper's Daughter is the seventh book in the classic series which began with Wolf Brother. Like the previous books in the series, this book takes place in northern Scandinavia. The wildlife which Torak and Renn encounter on their adventures is appropriate to the region, as are the seasonal fluctuations in the hours of daylight.
Virgil Thomson: Composer on the Aisle
by Anthony TommasiniIn the first full-scale biography of a dominating figure in twentieth-century American music, Anthony Tommasini tells the richly textured story of Virgil Thomson's experiences as a composer, influential critic, and gay man. Writing with exclusive, full access to Thomson's papers and from extensive interviews and research, he recounts: Thomson's early years in turn-of-the-century Kansas City's strange mixture of antebellum racial divides. . . his first steps in the arts, guided by a troubled older man, himself a closeted homosexual in a time when disclosure could destroy a life. . . the crystallizing of his musical ambitions as an often-contentious student of Nadia Boulanger's in Paris. . . his pioneering collaboration with Gertrude Stein on Four Saints in Three Acts. . . his rivalry with fellow composers such as Aaron Copland. . . how he settled personal scores and advanced his own agenda during his reign on the New York Herald Tribune as America's most important, and best, music critic. . . his lasting impact on, and sometimes troubled interactions with, younger composers such as Leonard Bernstein, John Cage, Paul Bowles, Ned Rorem, and Philip Glass. . . and through it all the unending struggle to write, and win an audience for, music that spoke directly and simply to the life of his time. --BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Virgin Film: Oliver Stone
by Stephen LavingtonThree-time Oscar winner Oliver Stone is one of the most controversial and well-known contemporary American directors. He began his professional life as a screen writer and was responsible for the scripts of Midnight Express and Scarface. As a director he made one of the all-time great Vietnam war movies, Platoon, and went on to helm such definitive cinematic works as Wall Street, Born on the Fourth of July, JFK, Natural Born Killers and, most recently, Alexander - an epic biography of the legendary Greek king starring Colin Farrell and Anthony Hopkins.This indispensable guide takes each of Stone's writing and directoial features in chronological order, discussing them within categories such as Casting, Cut Scenes, Music Conspiriacy Theory? and Controversy. It looks at the inspiration behind his work, its connection with the real world and the story behind each film's development.Whether the subject is war, politics, sport or the defining aspects of an era, Stone is an expert at polarising audience views. This is an essential reference for all fans of Oliver Stone, writer, director and one of the most influential filmmakers of the last twenty-five years.