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Why Classical Music Still Matters

by Lawrence Kramer

"What can be done about the state of classical music?" Lawrence Kramer asks in this elegant, sharply observed, and beautifully written extended essay. Classical music, whose demise has been predicted for at least a decade, has always had its staunch advocates, but in today's media-saturated world there are real concerns about its viability. Why Classical Music Still Matters takes a forthright approach by engaging both skeptics and music lovers alike. In seven highly original chapters, Why Classical Music Still Matters affirms the value of classical music--defined as a body of nontheatrical music produced since the eighteenth century with the single aim of being listened to--by revealing what its values are: the specific beliefs, attitudes, and meanings that the music has supported in the past and which, Kramer believes, it can support in the future. Why Classical Music Still Matters also clears the air of old prejudices. Unlike other apologists, whose defense of the music often depends on arguments about the corrupting influence of popular culture, Kramer admits that classical music needs a broader, more up-to-date rationale. He succeeds in engaging the reader by putting into words music's complex relationship with individual human drives and larger social needs. In prose that is fresh, stimulating, and conversational, he explores the nature of subjectivity, the conquest of time and mortality, the harmonization of humanity and technology, the cultivation of attention, and the liberation of human energy.

Why Dance Matters (Why X Matters Series)

by Mindy Aloff

A passionate and moving tribute to the captivating power of dance, not just as an art form but as a language that transcends barriers &“A veritable master class.&”—Anne Doventry, Booklist Mindy Aloff, a journalist, an essayist, and a dance critic, analyzes dance as the ultimate expression of human energy and feeling. From her personal anecdotes, her engaging collection of stories about dance from around the world, or her description of the captivating photograph by Helen Levitt of two children dancing, which she sees as one embodiment of the mystery and joy that dancing can evoke, Aloff&’s exploration of the aesthetic, social, and spiritual impacts of dance will prove spellbinding. Aloff takes us on a journey through various forms of dance—rituals, religious observances, storytelling, musical interpretations—to show why dance matters to human beings. Interlaced with personal experiences, this book builds on analysis to reveal the intimate relationship we have with dance—personal, spiritual, soul-searching, medicinal, and entertaining. The ideas speak to both specialist and general readers.

Why Did You Lie?

by Yrsa Sigurdardottir

A chilling thriller from the author of THE SILENCE OF THE SEA, winner of the 2015 Petrona Award for best Scandinavian Crime Novel.A journalist on the track of an old case attempts suicide. An ordinary couple return from a house swap in the states to find their home in disarray and their guests seemingly missing. Four strangers struggle to find shelter on a windswept spike of rock in the middle of a raging sea. They have one thing in common: they all lied.And someone is determined to punish them...WHY DID YOU LIE is a terrifying tale of long-delayed retribution from Iceland's Queen of Suspense.(P)2016 Hodder & Stoughton. Published by arrangement with Salomonsson Agency.

Why Do I Say These Things?

by Jonathan Ross

Why is catalogue shopping responsible for Jonathan Ross's inimitable sense of style?Why might wearing cape and mask be a fast track to heaven?Why does Jonathan wince every time he sees a Hoover?And why did he fall in love with a deep-sea diver?Why? Because this is Jonathan Ross. And nothing is out of bounds when it comes to talking about life as he knows it. From sex and pugs to rock 'n' roll and genital warts, Jonathan holds forth as only he can. This sharply observed, laugh-out-loud, outrageous page-turner will leave you asking just one question . . . Why didn't he write it sooner?

Why Does Coffee Make You Poop?: The Ultimate Collection of Curious Questions and Intriguing Answers

by Andrew Thompson

Uncover the answers to the world&’s most intriguing, entertaining, and funny questions with this best-ever trivia book from best-selling author Andrew Thompson. Shock and astound at your next dinner party with this &“Best Of&” trivia collection from the author of Can Holding in a Fart Kill You? This collection was created for all the curious adults who desire to have the answer to some of life&’s strangest questions, including: Why can&’t you tickle yourself? Why does coffee make you poop? Which came first, the chicken or the egg? Does bigfoot exist? Does an apple a day keep the doctor away? If a tree falls in a forest, does it make a sound? And more crazy questions for any curious mind out there. Why Does Coffee Make You Poop? is perfect for white elephant gift exchanges, stocking stuffers, or lovers of strange, obscure, and sometimes hilarious trivia.

Why Don't We: In the Limelight

by Why Don'T We

In the Limelight is the official Why Don’t We autobiography, full of never-before-seen photos and behind-the-scenes info about one of today’s hottest bands.When five guys decided to form a band, they never imagined that they would go from playing music online to playing tours across the world so quickly. Why Don’t We has been together for less than two years, and they’ve already headlined sold out shows, played at Madison Square Garden, and amassed millions of fans. And this is all just the beginning.This is the official Why Don’t We story, full of never-before-seen photos and everything you need to know about Corbyn, Daniel, Zach, Jonah, and Jack. Find out the secrets they’ve never shared with fans before, their embarrassing childhood stories, what they look for in a girlfriend, and how it felt to have their lives completely changed by this incredible journey.

Why Harry Met Sally: Subversive Jewishness, Anglo-Christian Power, and the Rhetoric of Modern Love

by Joshua Louis Moss

From immigrant ghetto love stories such as The Cohens and the Kellys (1926), through romantic comedies including Meet the Parents (2000) and Knocked Up (2007), to television series such as Transparent (2014–), Jewish-Christian couplings have been a staple of popular culture for over a century. In these pairings, Joshua Louis Moss argues, the unruly screen Jew is the privileged representative of progressivism, secular modernism, and the cosmopolitan sensibilities of the mass-media age. But his/her unruliness is nearly always contained through romantic union with the Anglo-Christian partner. This Jewish-Christian meta-narrative has recurred time and again as one of the most powerful and enduring, although unrecognized, mass-culture fantasies. Using the innovative framework of coupling theory, Why Harry Met Sally surveys three major waves of Jewish-Christian couplings in popular American literature, theater, film, and television. Moss explores how first-wave European and American creators in the early twentieth century used such couplings as an extension of modernist sensibilities and the American “melting pot.” He then looks at how New Hollywood of the late 1960s revived these couplings as a sexually provocative response to the political conservatism and representational absences of postwar America. Finally, Moss identifies the third wave as emerging in television sitcoms, Broadway musicals, and “gross-out” film comedies to grapple with the impact of American economic globalism since the 1990s. He demonstrates that, whether perceived as a threat or a triumph, Jewish-Christian couplings provide a visceral, easily graspable, template for understanding the rapid transformations of an increasingly globalized world.

Why Harry Met Sally: Subversive Jewishness, Anglo-Christian Power, and the Rhetoric of Modern Love

by Joshua Louis Moss

From immigrant ghetto love stories such as The Cohens and the Kellys (1926), through romantic comedies including Meet the Parents (2000) and Knocked Up (2007), to television series such as Transparent (2014–), Jewish-Christian couplings have been a staple of popular culture for over a century. In these pairings, Joshua Louis Moss argues, the unruly screen Jew is the privileged representative of progressivism, secular modernism, and the cosmopolitan sensibilities of the mass-media age. But his/her unruliness is nearly always contained through romantic union with the Anglo-Christian partner. This Jewish-Christian meta-narrative has recurred time and again as one of the most powerful and enduring, although unrecognized, mass-culture fantasies. Using the innovative framework of coupling theory, Why Harry Met Sally surveys three major waves of Jewish-Christian couplings in popular American literature, theater, film, and television. Moss explores how first-wave European and American creators in the early twentieth century used such couplings as an extension of modernist sensibilities and the American “melting pot.” He then looks at how New Hollywood of the late 1960s revived these couplings as a sexually provocative response to the political conservatism and representational absences of postwar America. Finally, Moss identifies the third wave as emerging in television sitcoms, Broadway musicals, and “gross-out” film comedies to grapple with the impact of American economic globalism since the 1990s. He demonstrates that, whether perceived as a threat or a triumph, Jewish-Christian couplings provide a visceral, easily graspable, template for understanding the rapid transformations of an increasingly globalized world.

Why I Burned My Book And Other Essays On Disability

by Paul K. Longmore

<P>This wide-ranging book shows why Paul Longmore is one of the most respected figures in disability studies today. Understanding disability as a major variety of human experience, he urges us to establish it as a category of social, political, and historical analysis in much the same way that race, gender, and class already have been. The essays here search for the often hidden pattern of systemic prejudice and probe into the institutionalized discrimination that affects the one in five Americans with disabilities. <P>Whether writing about the social critic Randolph Bourne, contemporary political activists, or media representations of people with disabilities, Longmore demonstrates that the search for heroes is a key part of the continuing struggle of disabled people to gain a voice and to shape their destinies. His essays on bioethics and public policy examine the conflict of agendas between disability rights activists and non-disabled policy makers, healthcare professionals, euthanasia advocates, and corporate medical bureaucracies. <P> The title essay, which concludes the book, demonstrates the necessity of activism for any disabled person who wants access to the American dream. <P> Author note: Paul K. Longmore is Professor of History at San Francisco State University. He is the author of The Invention of George Washington and the co-editor (with Lauri Umansky) of The New Disability History: American Perspectives.

Why I Fight: The Belt Is Just an Accessory

by B.J. Penn Dave Weintraub

Claiming that “the belt is just an accessory,” Ultimate Fighting Championship (UFC) Lightweight Champion B.J. Penn explains Why I Fight in this honest, intimate, and fascinating memoir. Written with David Weintraub, Why I Fight is an unforgettable portrait of one of the top and most recognizable mixed martial artists in the UFC and an up-close look at one of the most exciting and fastest growing sports in the world. UFC and Jiu-Jitsu aficionados—and fans of Iceman, A Fighter’s Heart, and Bruce Lee’s classic The Tao of Jeet Kun Do—will want to explore Why I Fight.

Why I'm Not A Millionaire: The dazzling memoir of an extraordinary trailblazer

by Nancy Spain

The superb classic memoir from a dazzlingly eccentric and endlessly fascinating author - a woman very much ahead of her time.'She was bold, she was brave, she was funny, she was feisty. I owe her a great deal in leading the way' Sandi ToksvigNancy Spain was one of the most celebrated - and notorious - writers and broadcasters of the 40s, 50s and 60s. Hilarious, controversial and brilliant, she lived openly as a lesbian (sharing a household with her two lovers and their various children) and was frequently litigated against for her newspaper columns - Evelyn Waugh successfully sued her for libel... twice. She was also a fantastic crime novelist (and according to the Guardian, one of the 50 best female crime thriller writers of all time) writing with a unique style that marries the acid wit of Dorothy Parker with the intricacy of plotting worthy of Agatha Christie. WHY I AM NOT A MILLIONAIRE, has the same wit, style and fascinating detail - first published in 1956, with an introductory note from Noel Coward. After her death in a plane crash in 1964, Noel Coward commented: 'It is cruel that all that gaiety, intelligence and vitality should be snuffed out, when so many bores and horrors are left living.'

Why Is Daddy in a Dress?: Asking Awkward Questions with Baby Animals

by Amanda McCall Ben Schwartz

Why face the embarrassment of dealing with life's most awkward questions when adorable baby animals can do it for you? Amanda McCall and Ben Schwartz, the creators of the wickedly lovable Grandma's Dead, return with Why is Daddy in a Dress?, another invaluable aid to avoiding sticky situations. A book of postcards featuring cuddly kittens, playful puppies, fuzzy ducklings, and hoppity baby bunnies broaching sensitive subjects like "Are you a hooker?" or "Can we stop cuddling?," Why is Daddy in a Dress? is the perfect cure for foot-in-mouth disease.

Why Not Me?

by Mindy Kaling

From the author of the beloved New York Times bestselling book Is Everyone Hanging Out Without Me? and the creator and star of The Mindy Project comes a collection of essays that are as hilarious and insightful as they are deeply personal. In Why Not Me?, Kaling shares her ongoing journey to find contentment and excitement in her adult life, whether it's falling in love at work, seeking new friendships in lonely places, attempting to be the first person in history to lose weight without any behavior modification whatsoever, or most important, believing that you have a place in Hollywood when you're constantly reminded that no one looks like you. In "How to Look Spectacular: A Starlet's Confessions," Kaling gives her tongue-in-cheek secrets for surefire on-camera beauty, ("Your natural hair color may be appropriate for your skin tone, but this isn't the land of appropriate-this is Hollywood, baby. Out here, a dark-skinned woman's traditional hair color is honey blonde.") "Player" tells the story of Kaling being seduced and dumped by a female friend in L.A. ("I had been replaced by a younger model. And now they had matching bangs.") In "Unlikely Leading Lady," she muses on America's fixation with the weight of actresses, ("Most women we see onscreen are either so thin that they're walking clavicles or so huge that their only scenes involve them breaking furniture.") And in "Soup Snakes," Kaling spills some secrets on her relationship with her ex-boyfriend and close friend, B.J. Novak ("I will freely admit: my relationship with B.J. Novak is weird as hell.") Mindy turns the anxieties, the glamour, and the celebrations of her second coming-of-age into a laugh-out-loud funny collection of essays that anyone who's ever been at a turning point in their life or career can relate to. And those who've never been at a turning point can skip to the parts where she talks about meeting Bradley Cooper.

Why Sinatra Matters

by Pete Hamill

In this unique homage to an American icon, journalist and award-winning author Pete Hamill evokes the essence of Sinatra--examining his art and his legend from the inside, as only a friend of many years could do. Shaped by Prohibition, the Depression, and war, Francis Albert Sinatra became the troubadour of urban loneliness. With his songs, he enabled millions of others to tell their own stories, providing an entire generation with a sense of tradition and pride belonging distinctly to them.

Why the Long Face?: The Adventures of a Truly Independent Actor

by Craig Chester

Craig Chester's witty and wry observations on his life and those who have occupied it come together to create this funny, sentimental, yet irreverent collection of essays. From the backroads of Texas to the boardrooms of Hollywood, Craig Chester is unabashedly honest about the pain and the unique rewards of remaining an outsider in an insider's world.While his family prepares to watch the apocalypse from their rooftop with a bucket of KFC, Craig is trying to climb the social ladder at school by saving his neighbors from their sinful ways and speaking in tongues (with not-so-successful results). Along the way Craig experiences gender confusion at grade-school summer camp and has massive reconstructive surgery to correct his deformed teenage face, only to emerge and realize that Hollywood success isn't always measured in externals, but also in the machinations of the heart and how much you don't show. All along he expertly captures the feeling of what it's like to not always fit in—and have that be okay—with a comic timing that's tuned in to the heart and soul of trying to get by day to day.His tales of life, from growing up in the Bible Belt to starring in nine films, prove that the average American life is anything but normal.

Why the Theatre: In Personal Essays, College Teachers, Actors, Directors, and Playwrights Tell Why the Theatre Is So Vital to Them

by Sidney Homan

Why the Theatre is a collection of 26 personal essays by college teachers, actors, directors, and playwrights about the magnetic pull of the theatre and its changing place in society. The book is divided into four parts, examining the creative role of the audience, the life of the actor, director, and playwright in performance, ways the theatre moves beyond the playhouse and into the real world, and theories and thoughts on what the theatre can do when given form onstage. Based on concrete, highly personal examples, experiences, and memories, this collection offers unique perspectives on the meaning of the theatre and the beauty of weaving the world of the play into the fabric of our lives. Covering a range of practices and plays, from the Greeks to Japanese Butoh theatre, from Shakespeare to modern experiments, this book is written by and for the theatre instructor and theatre appreciation student.

Why Theatre Matters

by Kathleen Gallagher

What makes young people care about themselves, others, their communities, and their futures? In Why Theatre Matters, Kathleen Gallagher uses the drama classroom as a window into the daily challenges of marginalized youth in Toronto, Boston, Taipei, and Lucknow. An ethnographic study which mixes quantitative and qualitative methodology in an international multi-site project, Why Theatre Matters ties together the issues of urban and arts education through the lens of student engagement. Gallagher's research presents a framework for understanding student involvement at school in the context of students' families and communities, as well as changing social, political, and economic realities around the world.Taking the reader into the classroom through the voices of the students themselves, Gallagher illustrates how creative expression through theatre can act as a rehearsal space for real, material struggles and for democratic participation. Why Theatre Matters is an invigorating challenge to the myths that surround urban youth and an impressive study of theatre's transformative potential.

Why to Kill a Mockingbird Matters: What Harper Lee's Book and the Iconic American Film Mean to Us Today

by Tom Santopietro

Tom Santopietro, an author well-known for his writing about American popular culture, delves into the heart of the beloved classic and shows readers why To Kill a Mockingbird matters more today than ever before.With 40 million copies sold, To Kill a Mockingbird’s poignant but clear eyed examination of human nature has cemented its status as a global classic. Tom Santopietro's new book, Why To Kill a Mockingbird Matters, takes a 360 degree look at the Mockingbird phenomenon both on page and screen.Santopietro traces the writing of To Kill a Mockingbird, the impact of the Pulitzer Prize, and investigates the claims that Lee’s book is actually racist. Here for the first time is the full behind the scenes story regarding the creation of the 1962 film, one which entered the American consciousness in a way that few other films ever have. From the earliest casting sessions to the Oscars and the 50th Anniversary screening at the White House, Santopietro examines exactly what makes the movie and Gregory Peck’s unforgettable performance as Atticus Finch so captivating.As Americans yearn for an end to divisiveness, there is no better time to look at the significance of Harper Lee's book, the film, and all that came after.

Why Wakanda Matters: What Black Panther Reveals About Psychology, Identity, and Communication

by Sheena C. Howard

In 2018, the Marvel Cinematic Universe finally delivered on something fans had long been waiting for: a feature film with a solo Black superhero. Black Panther introduced viewers to the stunning world of Wakanda, a fictional African country with incredible technological advancements, and to T'Challa, a young man stepping into his role as king and taking up the mantle of the Black Panther title from his late father. The unforgettable story, coupled with the film's mega-success, has undoubtedly shaped the future of superhero cinema, in addition to genuinely changing viewers' lives. Why Wakanda Matters gives this iconic film the in-depth analysis it deserves under the lens of the latest psychological concepts-as well as delving into the lasting cultural impact of this unforgettable story. Edited by Sheena C. Howard, an award-winning author, filmmaker, and scholar, Why Wakanda Matters: What Black Panther Reveals About Psychology, Identity, and Communication features a collection of essays from leading experts in a variety of fields who offer insightful perspectives on topics such as: Cognitive dissonance: The important messages within T'Challa's nuanced identity and eventual shift from nationalism to globalism. Intergenerational trauma and resistance: How N'Jadaka (aka Erik/Killmonger) identifies with the trauma that his ancestors have suffered. Social identity: How Nakia, Shuri, Okoye, and Ramonda—all empowered, intelligent, and assertive women of color—can make a lasting impression on women and girls. Collective identity: How Black Panther has created a shared fantasy for Black audience members—and why this is groundbreaking. Cultural and racial identity: What we can learn from Black Panther's portrayal of a culture virtually untouched by white supremacy. Fans of the movie and those interested in deeper discussions about the film will revel in this thought-provoking examination of all aspects of Black Panther and the power of psychology.

Why We Dance: A Philosophy of Bodily Becoming

by Kimerer LaMothe

Within intellectual paradigms that privilege mind over matter, dance has long appeared as a marginal, derivative, or primitive art. Drawing support from theorists and artists who embrace matter as dynamic and agential, this book offers a visionary definition of dance that illuminates its constitutive work in the ongoing evolution of human persons. Why We Dance introduces a philosophy of bodily becoming that posits bodily movement as the source and telos of human life. Within this philosophy, dance appears as an activity that humans evolved to do as the enabling condition of their best bodily becoming. Weaving theoretical reflection with accounts of lived experience, this book positions dance as a catalyst in the development of human consciousness, compassion, ritual proclivity, and ecological adaptability. Aligning with trends in new materialism, affect theory, and feminist philosophy, as well as advances in dance and religious studies, this work reveals the vital role dance can play in reversing the trajectory of ecological self-destruction along which human civilization is racing.

Why We Don't Suck: And How All of Us Need to Stop Being Such Partisan Little Bitches

by Denis Leary

From the author of the bestselling Why We Suck comes a searing comic look at these divisive times, skewering liberals and conservatives alike with a signature dose of sarcasm and common sense.In an America so gluten-free that a box of jelly donuts is now a bigger threat than Vladimir Putin, where college kids are more afraid of Ann Coulter than HIV, it’s time for someone to stand up and make us all smell the covfefe. Dr. Denis Leary is that guy. With Why We DON’T Suck: And How All of Us Need to Stop Being Such Partisan Little Bitches, Denis is on a devoted mission to #MakeAmericaLaughAgain. Using the clamorous political atmosphere as a starting point, he takes a bipartisan look at the topics we all hold so dear to our patriotic hearts—including family, freedom, and the seemingly endless search for fame and diet vodka. Denis will answer important questions like: When will Hillary blame herself? Why does Beyoncé think he’s Bryan Adams? And why doesn’t he follow the millennial lead and post pictures of his food on social media? (Spoiler alert: He’s too busy actually eating it.) Not that Denis has anything against millennials: “When it comes to science, math, and technological advances, this generation has done more in three and a half decades than any other age group in history. What did my generation do? Cocaine and quaaludes mostly. With a side order of really stupid haircuts.” Dr. Leary is here to remind us of what truly makes America great, even though we’re #7 on the most recent list of Best Countries to Live In. Which may sound bad but means we still make the playoffs.

Why We Fought: America's Wars in Film and History (Film and History #Fmhi)

by Peter C. Rollins John E. O'Connor

A &“wide-ranging and sophisticated anthology&” comparing theaters of war to wars in the movie theater (Dennis Showalter, author of Patton and Rommel). Why We Fought makes a powerful case that film can be as valuable a tool as primary documents for improving our understanding of the causes and consequences of war. A comprehensive look at war films, from depictions of the American Revolution to portrayals of September 11 and its aftermath, this volume contrasts recognized history and historical fiction with the versions appearing on the big screen. The text considers a selection of the pivotal war films of all time, including All Quiet on the Western Front, Sands of Iwo Jima, Apocalypse Now, Platoon, and Saving Private Ryan—revealing how film depictions of the country&’s wars have shaped our values, politics, and culture, and offering a unique lens through which to view American history. Named as a Choice Outstanding Academic Title

Why We Love Die Hard

by Kim Taylor-Foster

Rediscover all the reasons you love Die Hard with this essential illustrated guide to the making of and impact of this quintessential action (and Christmas) flick!Fully loaded with John McClane sarcasm, Alan Rickman as a German terrorist, and Nakatomi Plaza blowing up on Christmas Eve, Die Hard is often cited as the film that took action blockbusters to the next level, but what has earned the film its fiercely devoted fan base? That's the question that Why We Love Die Hard seeks to answer. This is the first and only guide that combines entertaining information about the history and making of the film with a celebratory look at all the different aspects that have helped solidify Die Hard as a must-see film. A Die Hard lover's dream, this guide includes punchy illustrations paired alongside essays exploring the film's history, characters, unique film techniques, and the thematic elements that have helped this film become the beloved classic it is today.

Why We Love The Matrix

by Kim Taylor-Foster

Rediscover all the reasons you love The Matrix with this unique guide to the cult 90s sci-fi classic, filled with trivia, essays, and behind the scenes looks at characters, production, and so much more. Whether you saw the movie in theaters in 1999 or watched it for the first time at home, there is no denying that The Matrix has had an immense impact on pop culture. A "must-see" of the science fiction genre and Why We Love The Matrix is the first and only guide that combines entertaining information about the history and making of the film with a celebratory look at all the different aspects that have helped solidify this as a beloved favorite of sci-fi fans.Offering entertaining essays about the key features that have helped the film become the classic it is today—like the origins of the plot and characters, film techniques, and the philosophy behind the story—plus quotes, sidebars, and eye-catching two-color illustrations throughout, Why We Love The Matrix is a great gift for both casual and more serious fans of the movie and, let's face it, Keanu Reeves.

Why We Love Star Wars: The Great Moments That Built a Galaxy Far, Far Away

by Ken Napzok

Celebrate the greatest saga ever told with this “intergalactically awesome book” (Tiffany “Smithlord” Smith).The first shots of the ragtag Rebels running from the monstrous Galactic Empire. Young Anakin winning the podrace. The first time we saw the crackle of Luke Skywalker’s lightsaber. All of us who are deeply influenced by the epic saga of Star Wars have our favorite moments, and each time the screen goes black and we see those words—A Long Time Ago, In A Galaxy Far, Far Away—the music blasts through us and we feel like kids again.In this book, Star Wars aficionado Ken Napzok counts down one hundred of those special moments that makes this series not just the best movies of all time, but the Greatest Saga Ever Told. What began as one movie about good people, evil oppressors, and the space wizards that stood between them has exploded into so much more. The moments that continue to inspire are on screen and in the pages of novels. They are found in the panels of comic books and among animated sequences on television. And they all continue to grow in stature, importance, and myth through discussions, debates, and daydreams. Why We Love Star Wars is a joyful journey through the universe we love to inhabit, again and again.

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