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What Falls Away: A Memoir

by Mia Farrow

In an exquisitely written memoir, Mia Farrow introduces us to the landscapes of her extraordinary life. Moving from her earliest memories of the walled gardens and rocky shores of western Ireland and her Hollywood childhood to her career as an actress, she writes of these experiences and her struggle to protect her children in a painful custody battle with Woody Allen. It was this crisis that led her to reflect upon the incidents that had brought her to a place so incomprehensible. Now, in What Falls Away, a memoir resonant not only in its honesty but also in its beautifully crafted prose, Mia Farrow speaks for the first time.She was born the third of seven children to the beautiful actress Maureen O'Sullivan and successful writer/director John Farrow, but the isolation of a polio ward brought her childhood to an abrupt end at the age of nine. Several years later, two deaths shattered the security of the family forever, and Mia Farrow embarked upon a journey that would lead her away from the convent education that was to sustain her spiritual courage, to starring roles in Peyton Place and Rosemary's Baby, a marriage to Frank Sinatra, divorce, a defining trip to India, work on the London stage and in film, and marriage to André Previn. Their life together in England brought them three sons and three daughters before that marriage, too, dissolved and she returned to the United States.The year 1979 saw the beginning of a new career with brilliant performances in thirteen of Woody Allen's most distinguished films.Told with grace and deep understanding, as well as humor, What Falls Away goes beneath the surface of this amazing life, with all its drama, success, and pain, and exposes the inner workings of a mind and spirit for whom truth, compassion, and faith are essential.Mia Farrow's story is ultimately one of hope and courage in the face of difficulty; of commitment to others--most important of whom are her children; and of spiritual strength. Readers will not easily forget this remarkable book, even long after the last page has been turned.

What Film Is Good For: On the Values of Spectatorship

by Julian Hanich and Martin P. Rossouw

For well over a century, going to the movies has been a favorite pastime for billions across the globe. But is film actually good for anything? This volume brings together thirty-six scholars, critics, and filmmakers in search of an answer. Their responses range from the most personal to the most theoretical—and, together, recast current debates about film ethics. Movie watching here emerges as a wellspring of value, able to sustain countless visions of "the good life." Films, these authors affirm, make us reflect, connect, adapt; they evoke wonder and beauty; they challenge and transform. In a word, its varieties of value make film invaluable.

What Fresh Lunacy is This?: The Authorized Biography of Oliver Reed

by Robert Sellers

Oliver Reed may not have been Britain's biggest film star - for a period in the early 70s he came within a hairsbreadth of replacing Sean Connery as James Bond - but he is an august member of that small band of people, like George Best and Eric Morecambe, who transcended their chosen medium, became too big for it even, and grew into cultural icons. For the first time Reed's close family has agreed to collaborate on a project about the man himself. The result is a fascinating new insight into a man seen by many as merely a brawling, boozing hellraiser. And yet he was so much more than this. For behind that image, which all too often he played up to in public, was a vastly complex individual, a man of deep passions and loyalty but also deep-rooted vulnerability and insecurities. Why was a proud, patriotic, intelligent, successful and erudite man so obsessed about proving himself to others, time and time again?Although the Reed myth is of Homeric proportions, he remains a national treasure and somewhat peculiar icon.

What Fresh Lunacy is This?: The Authorized Biography of Oliver Reed

by Robert Sellers

Oliver Reed may not have been Britain's biggest film star - for a period in the early 70s he came within a hairsbreadth of replacing Sean Connery as James Bond - but he is an august member of that small band of people, like George Best and Eric Morecambe, who transcended their chosen medium, became too big for it even, and grew into cultural icons.For the first time Reed's close family has agreed to collaborate on a project about the man himself. The result is a fascinating new insight into a man seen by many as merely a brawling, boozing hellraiser. And yet he was so much more than this. For behind that image, which all too often he played up to in public, was a vastly complex individual, a man of deep passions and loyalty but also deep-rooted vulnerability and insecurities. Why was a proud, patriotic, intelligent, successful and erudite man so obsessed about proving himself to others, time and time again?Although the Reed myth is of Homeric proportions, he remains a national treasure and somewhat peculiar icon.Praise for other books by Robert Sellers:Hellraisers: The Life and Inebriated Times of Richard Burton, Richard Harris, Peter O'Toole, and Oliver Reed: 'So wonderfully captures the wanton belligerence of both binging and stardom you almost feel the guys themselves are telling the tales.' GQ.Vic Armstrong: The True Adventures of the World's Greatest Stuntman:'This is the best and most original behind-the-scenes book I have read in years, gripping and revealing.' Roger Lewis, Daily Mail.Don't Let the Bastards Grind You Down: '...a rollicking good read... Sellers has done well to capture a vivid snapshot of this exciting time.' Lynn Barber, Sunday Times.

What Happens in Paradise: Book 2 in NYT-bestselling author Elin Hilderbrand's sizzling Paradise series (Winter in Paradise)

by Elin Hilderbrand

Secret lives and new loves emerge in the bright Caribbean sunlight . . .A year ago, Irene Steele had the shock of her life: her loving husband, father to their grown sons and successful businessman, was killed in a plane crash. But that wasn't Irene's only shattering news: he'd also been leading a double life on the island of St. John, where another woman loved him, too. Now Irene and her sons are back on St. John, determined to learn the truth about the mysterious life - and death - of a man they thought they knew. Along the way, they're about to learn some surprising truths about their own lives, and their futures. Lush with the tropical details, romance and drama, What Happens in Paradise is another immensely satisfying page-turner from one of the world's most beloved and engaging storytellers.(P) 2019 Hodder & Stoughton Ltd

What Happens Next: A History of American Screenwriting

by Marc Norman

Shakespeare in Love screenwriter Norman offers a history of his Hollywood predecessors and contemporaries, the famously despised screenwriters. Stories include the fallout of the McCarthy-era blacklists, the introduction of the Production Code and writers' attempts to outsmart the censors, the disappointment of director Billy Wilder upon hiring master crime novelist Raymond Chandler to script Double Indemnity (later nominated for a Best Screenplay Oscar), and the redefining of screenwriting by the likes of Quentin Tarantino and Charlie Kaufman. Annotation ©2008 Book News, Inc. , Portland, OR (booknews. com)

What Has Life Taught You?: 10 Eternal Questions Answered by 40 Exceptional People

by Zoe Sallis

A unique concept: 40 extraordinary people give answers to 10 searching questions about their beliefs. In our current age of uncertainty and turmoil, this is a book to give insight for life's journey and to encourage readers to confront the same questions themselves."My suggestion or advice is very simple; that is, to have a sincere heart." - The Dalai LamaWhat Has Life Taught You? features the answers given by 40 outstanding people to 10 profound questions about life, the mind and the spirit. Author Zoë Sallis has a passion for stirring up debate on philosophical and ethical questions and journeyed all over the globe to ask well-known figures of widely varying beliefs the same 10 questions. Interviewees include:Nelson MandelaHis Holiness the Dalai LamaNeale Donald WalschAnjelica HustonJack NicholsonSophia LorenTeale SwanRichard DawkinsDavid LynchGore VidalAnd more...The questions range from "What is your concept of God?" and "Do you think this life is all there is, or do you believe in an afterlife?" to "What has life taught you so far?" and "How do you find peace within yourself?"Socrates thought the unexamined life was not worth living, and perhaps that is why he roamed the streets of Athens accosting people and asking them their thoughts and beliefs. By sharing the wisdom of these truly inspiring people, the book hopes to provoke debate and encourage readers to examine what they have learned on their life journey so far and share their own insights with others.

What Have We Here: Portraits of a Life

by Billy Dee Williams

WHAT HAVE WE HERE? follows Billy Dee Williams from his childhood growing up in Harlem to his days on Broadway and in Hollywood before landing the role in George Lucas' space opera that would win him everlasting fame.Over a 60-year career spanning Broadway, music, movies, and television, Billy's tales and travels include Lawrence Olivier, Marlon Brando, James Baldwin, Henry Fonda, Duke Ellington, Berry Gordy, Diana Ross, Richard Pryor, Sylvester Stallone, Diahann Carroll, and a world of less famous but no less colourful characters.And that's just his life on this planet. As hundreds of millions of Star Wars fans worldwide know, Williams is and always will be Lando Calrissian, the double-dealing, outlandishly handsome rogue from George Lucas' classic Star Wars adventures The Empire Strikes Back and The Return of the Jedi, a role he reprised in 2019's Star Wars: The Rise of Skywalker.

What Have We Here: Portraits of a Life

by Billy Dee Williams

WHAT HAVE WE HERE? follows Billy Dee Williams from his childhood growing up in Harlem to his days on Broadway and in Hollywood before landing the role in George Lucas' space opera that would win him everlasting fame.Over a 60-year career spanning Broadway, music, movies, and television, Billy's tales and travels include Lawrence Olivier, Marlon Brando, James Baldwin, Henry Fonda, Duke Ellington, Berry Gordy, Diana Ross, Richard Pryor, Sylvester Stallone, Diahann Carroll, and a world of less famous but no less colourful characters.And that's just his life on this planet. As hundreds of millions of Star Wars fans worldwide know, Williams is and always will be Lando Calrissian, the double-dealing, outlandishly handsome rogue from George Lucas' classic Star Wars adventures The Empire Strikes Back and The Return of the Jedi, a role he reprised in 2019's Star Wars: The Rise of Skywalker.

What Have We Here?: Portraits of a Life

by Billy Dee Williams

A film legend recalls his remarkable life of nearly eight decades—a heralded actor who's played the roles he wanted, from Brian’s Song to Lando in the Star Wars universe—unchecked by the racism and typecasting so rife in the mostly all-white industry in which he triumphed. <p><p> Billy Dee Williams was born in Harlem in 1937 and grew up in a household of love and sophistication. As a young boy, he made his stage debut working with Lotte Lenya in an Ira Gershwin/Kurt Weill production where Williams ended up feeding Lenya her lines. He studied painting, first at the High School of Music and Art, with fellow student Diahann Carroll, and then at the National Academy of Fine Art, before setting out to pursue acting with Herbert Berghoff, Stella Adler, and Sidney Poitier. <p><p> His first film role was in The Last Angry Man, the great Paul Muni’s final film. It was Muni who gave Billy the advice that sent him soaring as an actor, “You can play any character you want to play no matter who you are, no matter the way you look or the color of your skin.” And Williams writes, “I wanted to be anyone I wanted to be.” <p><p> He writes of landing the role of a lifetime: co-starring alongside James Caan in Brian’s Song, the made-for-television movie that was watched by an audience of more than fifty million people. Williams says it was “the kind of interracial love story America needed.” <p><p> And when, as the first Black character in the Star Wars universe, he became a true pop culture icon, playing Lando Calrissian in George Lucas’s The Empire Strikes Back (“What I presented on the screen people didn’t expect to see”). It was a role he reprised in the final film of the original trilogy, The Return of the Jedi, and in the recent sequel The Rise of Skywalker. <p><p> A legendary actor, in his own words, on all that has sustained and carried him through a lifetime of dreams and adventure. <p> <b>New York Times Bestseller</b>

What Hollywood Believes: An Intimate Look at the Faith of the Famous

by Ray Comfort

(From the book jacket) Did you know that George Lucas produced Star Wars so young people would seek after God, or that Frank Sinatra believed in God and in the Sermon on the Mount? Which Hollywood star thinks God is a woman? Who are atheists? What did John Wayne say about God just before he died? How many Hollywood celebrities pray every day, and believe the Bible? Contrary to popular opinion, America is very interested in the topic of God. Combining the rising popularity of spirituality and the public's voracious appetite for celebrity information, this unique publication shares the spiritual beliefs of Hollywood stars from past and present. You will be intrigued as you discover the personal beliefs of Jim Carrey, Britney Spears, Bruce Willis, Jack Nicholson, and over 100 top celebrities. Martin Sheen, Nick Nolte, Oprah Winfrey, Madonna, Christopher Reeve, Barbara Eden, Bill Maker, Jerry Lewis, Carrie Fisher, Howard Stern, James Taylor, John Lennon, Andy Griffith, Denzel Washington, Pamela Anderson, Janet Jackson, Tom Cruise, George Clooney, Jodie Foster, John Travolta, Winona Ryder, Kim Basinger, Elizabeth Taylor, Katharine Hepburn, Kirstie Alley, Larry Flynt, Laurence Fishburne, Leonard Nimoy, William Shatner, Whitney Houston, Liza Minnelli, Marlon Brando, Woody Allen, and many more...

What I Know for Sure: My Story of Growing Up in America

by Tavis Smiley David Ritz

From the man who catapulted the Covenant with Black America to number one on the New York Times bestseller list comes a searing memoir of poverty, ambition, pain and atonement. Tavis Smiley grew up in a family of thirteen in rural Indian, where money was scarce and the sight of other black faces even scarcer. Always an outsider because of his race, economic background, and Pentecostal religious beliefs, he was sustained by his family's love. But one day his world was shattered when his father brutally beat him, sending him to the hospital and then into foster care for a period of time. In What I Know for Sure, Smiley recounts how he overcame his painful history and became one of America's most popular media figures.

What I Learnt: What My Listeners Say – and Why We Should Hear Them

by Jeremy Vine

Jeremy Vine has been presenting a BBC Radio 2 show since 2003 that attracts more than seven million listeners. In that time he calculates he has taken more than 25,000 calls on topical subjects - big issues and small ones: on life, love, lollipop ladies and poisonous plants. But what have the callers told him? In the age of Brexit and Donald Trump, is the world now being run by Radio 2 listeners? If you listen to Radio 4, Brexit was a shock. If you are a Radio 2 listener it wouldn't have surprised you at all. Where Jeremy's callers once expressed a kind of resignation ('But what can you do?' or the gloomy rejoinder: 'You have to laugh'), now they tend to give him their views expecting to be heeded. They have not called in to entertain the audience. They expect to take the wheel of the car and drive.Listener wisdom is far more valuable than most of what we hear from appointed spokespeople. What was the response when Jeremy asked: 'Have you ever been pecked in the eye by a gannet?' Which subjects are most likely to start pitched warfare between different sections of the audience? (Answer: old people using buses, old people NOT using buses, cellophane, or Tony Blair saying anything.)In a book punctuated by vivid anecdotes and laugh-out-loud moments, Jeremy Vine explains what it's like to hit a button and hear - totally unvarnished and unspun - the voices of so-called ordinary people. And why they are not so ordinary after all.

What I'd Say to the Martians: And Other Veiled Threats

by Jack Handey

Jack Handey is one of America's favorite humorists, from his New Yorker pieces to his Deep Thoughts books and Saturday Night Live sketches. Now, in What I'd Say to the Martians, Handey regales readers with his incredible wit and wacky musings.

WHAT IF?: You Are and Life Is Miraculous! ABC, Affirmation, Art Coloring Book

by Audrye S. Arbe

WHAT IF? YOU ARE AND LIFE IS MIRACULOUS!, ABC, Affirmation, Art Coloring Book, printed on 100 percent post-consumer recycled paper, is ready for you! Great for anyone five years young and beyond, this book transforms and uplifts the reader's vibration, intrigues and piques the intellect with outstanding words, plus leads to brain-enhancement with its multi-perspective Audrye OmArt: Art That Opens the Heart (c). Coloring is the new meditation, hailed by psychologists as a way to uplift depression, help those in recovery, and, this book in particular, bring forth gales of laughter. Children, adolescents, teens, and adults love this book! Each run benefits the planet, as well, as testified to by www.GreenPressInitiative.org in the book itself.

What If...

by Samantha Berger Mike Curato

Creativity, the power of imagination, and the importance of self-expression are celebrated in this inspiring picture book written and illustrated by real-life best friends.This girl is determined to express herself! If she can't draw her dreams, she'll sculpt or build, carve or collage. If she can't do that, she'll turn her world into a canvas. And if everything around her is taken away, she'll sing, dance, and dream...Stunning mixed media illustrations, lyrical text, and a breathtaking gatefold conjure powerful magic in this heartfelt affirmation of art, imagination, and the resilience of the human spirit.

What If?: Twenty-Two Scenarios in Search of Images

by Vilém Flusser

An imagination of possibilities, of miscalculations, of futures off-kilter &“Probability is a chimera, its head is true, its tail a suggestion. Futurologists attempt to compel the head to eat the tail (ouroboros). Here, though, we will try to wag the tail.&” —Vilém Flusser Two years after his Vampyroteuthis Infernalis, the philosopher Vilém Flusser engaged in another thought experiment: a collection of twenty-two &“scenarios for the future&” to be produced as computer-generated media, or technical images, that would break the imaginative logjam in conceiving the social, political, and economic future of the universe. What If? is not just an &“impossible journey&” to which Flusser invites us in the first scenario; it functions also as a distorting mirror held up to humanity. Flusser&’s disarming scenarios of an Anthropocene fraught with nightmares offer new visions that range from the scientific to the fantastic to the playful and whimsical. Each essay reflects our present sense of understanding the world, considering the exploitation of nature and the dangers of global warming, overpopulation, and blind reliance on the promises of scientific knowledge and invention. What If? offers insight into the radical futures of a slipstream Anthropocene that have much to do with speculative fiction, with Flusser&’s concept of design as &“crafty&” or slippery, and with art and the immense creative potential of failure versus reasonable, &“good&” computing or calculability. As such, the book is both a warning and a nudge to imagine what we may yet become and be.

What If It's Us

by Adam Silvera Becky Albertalli

Love Nick and Charlie from Heartstopper? Meet Arthur and Ben! From INTERNATIONAL BESTSELLING authors Adam Silvera (They Both Die At The End) and Becky Albertalli (Simon vs. The Homo Sapiens Agenda) comes a long-awaited collaboration about two very different boys who can't decide if the universe is pushing them together or pulling them apart.Soon to be a feature film, adapted by the creator of 13 Reasons Why!Meet Arthur and Ben. ARTHUR is only in New York for the summer, but if Broadway has taught him anything, it&’s that the universe can deliver a showstopping romance when you least expect it. BEN thinks the universe needs to mind its business. If the universe had his back, he wouldn&’t be carrying a box of his ex-boyfriend&’s things.But when the boys have a chance meeting at the post office, they leave wondering what exactly the universe does have in store for them. What if - in a city of eight million people - they can't find each other again?What if they do ... and then can&’t nail a first date even after three do-overs?What if Arthur tries too hard to make it work and Ben doesn&’t try hard enough?What if life really isn&’t like a Broadway play?But what if it is? What if it's us?PRAISE FOR WHAT IF IT'S US:'Romantic, realistic and sweet, this perfectly captures New York, teenage love and life in that gray area when you're not quite an adult and not quite a child either.' Lauren James, author of The Loneliest Girl in the UniversePRAISE FOR ADAM SILVERA:'A phenomenal talent.' Juno Dawson, author of Clean and WonderlandPRAISE FOR BECKY ALBERTALLI:'The love child of John Green and Rainbow Rowell.' Teen Vogue

What If . . . ? (Sesame Street): Answers to Calm First-Day-of-School Jitters

by Sonali Fry

Elmo and his Sesame Street friends help ease anxiety about starting preschool and kindergarten with this picture book that straightforwardly answers children's "What if...?" questions.Young children can have lots of anxiety, especially when faced with something new, such as starting school. Luckily, Elmo and his Sesame Street friends are here to relieve those first-time jitters! This picture book helpfully answers common questions (What if I don't like my teacher? What if I don't know where the bathroom is?) to ease your little one's worries. Plus, the friendly, colorful faces of Elmo, Abby Cadabby, Cookie Monster, and other Muppets always produce smiles! This is a great resource--and gift--for any child about to start preschool or kindergarten.Sesame Workshop, the nonprofit educational organization behind Sesame Street, aims to help kids grow smarter, stronger, and kinder through its many unique domestic and international initiatives. These projects cover a wide array of topics for families around the world.

What is a Playhouse?: England at Play, 1520–1620

by Callan Davies

This book offers an accessible introduction to England’s sixteenth- and early seventeenth-century playing industry and a fresh account of the architecture, multiple uses, communities, crowds, and proprietors of playhouses. It builds on recent scholarship and new documentary and archaeological discoveries to answer the questions: what did playhouses do, what did they look like, and how did they function? The book will accordingly introduce readers to a rich and exciting spectrum of "play" and playhouses, not only in London but also around England. The detailed but wide-ranging case studies examined here go beyond staged drama to explore early modern sport, gambling, music, drinking, and animal baiting; they recover the crucial influence of female playhouse owners and managers; and they recognise rich provincial performance cultures as well as the burgeoning of London’s theatre industry. This book will have wide appeal with readers across Shakespeare, early modern performance studies, theatre history, and social history.

What Is Cinema?

by Jean Renoir André Bazin Dudley Andrew Hugh Gray

André Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinéma, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protégé of François Truffaut, who honors him touchingly in his forword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not."

What Is Cinema?

by Francois Truffaut André Bazin Dudley Andrew Hugh Gray

André Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinéma, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protégé of François Truffaut, who honors him touchingly in his forword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not."

What Is Japanese Cinema?: A History

by Yomota Inuhiko

What might Godzilla and Kurosawa have in common? What, if anything, links Ozu’s sparse portraits of domestic life and the colorful worlds of anime? In What Is Japanese Cinema? Yomota Inuhiko provides a concise and lively history of Japanese film that shows how cinema tells the story of Japan’s modern age.Discussing popular works alongside auteurist masterpieces, Yomota considers films in light of both Japanese cultural particularities and cinema as a worldwide art form. He covers the history of Japanese film from the silent era to the rise of J-Horror in its historical, technological, and global contexts. Yomota shows how Japanese film has been shaped by traditonal art forms such as kabuki theater as well as foreign influences spanning Hollywood and Italian neorealism. Along the way, he considers the first golden age of Japanese film; colonial filmmaking in Korea, Manchuria, and Taiwan; the impact of World War II and the U.S. occupation; the Japanese film industry’s rise to international prominence during the 1950s and 1960s; and the challenges and technological shifts of recent decades. Alongside a larger thematic discussion of what defines and characterizes Japanese film, Yomota provides insightful readings of canonical directors including Kurosawa, Ozu, Suzuki, and Miyazaki as well as genre movies, documentaries, indie film, and pornography. An incisive and opinionated history, What Is Japanese Cinema? is essential reading for admirers and students of Japan’s contributions to the world of film.

What Is Lighting Design?: A Genealogy of People and Ideas

by Michael Chybowski

What Is Lighting Design?: A Genealogy of People and Ideas explains what lighting design is by looking at the history of ideas that are a part of this craft and how those ideas developed. Lighting design began in the West with the Renaissance, and each historical period since then has modified how and why light is used in performance, the methods for producing light, and the consensus around what its purpose is. Exploring each lighting design era and the basic components of lighting design, the book discusses how the central ideas of this craft developed over the past 500 years, what today’s lighting designers are concerned with, and how lighting design contributes to performances. This book is designed as a main course text for History of Lighting Design university courses and a supplementary text for and Introduction to Lighting Design, Stagecraft, and Scenography courses. It will also be of interest to directors, choreographers, and working lighting designers who wish to explore the history and meaning of their craft.

What is Scenography?

by Pamela Howard

"Pamela Howard's ground-breaking What is Scenography? was the first book to set out the bold new approaches to designing and directing for theatre which had dazzled audiences in Europe during the previous decades. It did us all a service by enriching the scope of how we understand the aesthetics of the stage. The lavish new materials (drawings, colour photos, new production analysis) included in this second edition make it even more essential for anyone interested in new developments in theatre." - David Bradby "To write, design, organize, manage, sculpt, educate, paint, research and above all, to passionately live the life of the performance is what Pamela has done throughout her whole career and, in one way or another, it is reflected here in this book: the universality of stage design, its elements and its soul." - Ramon Ivars "Gives an excellent sense of scenography and a window on a life in the theatre - which is fascinating. ...A superb book." - Professor Arnold Aronson, Columbia University, USA "Pamela Howard is the precise definition of what a scenographer of today should be: a multiple artist. Her vast experience with space, her rare and acute power of reflection, her workshops worldwide, her masterful control of drawing and painting and her ability to interconnect scenography with other artistic expressions qualify her to discuss with great authority what "space for staging" should be in the coming decades of this millennium." - Jose Carlos SerroniPamela Howard's What is Scenography? has become a classic text in contemporary theatre design and performance practice. In this second edition, the author expands on her holistic analysis of scenography as comprising space, text, research, art, performers, directors and spectators, to examine the changing nature of scenography in the twenty-first century. The book includes: case studies and anecdotes from Howard's own celebrated career illustrations of her own recent work, in full colour throughout an updated 'world view' of scenography, with definitions from the world's most famous and influential scenographers A direct and personal response to the question of how to define scenography by one of the world's leading practitioners, What is Scenography? continues to shape the work of visual theatremakers throughout the world.

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