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Breaking Pointe
by Chenée MarrapodiAmelia loves ballet more than anything, but the sudden arrival of an intense new teacher shifts the Academy focus from classical to contemporary dance. Amelia is out of her depth with the edgy choreography and unsettled by its world-ending theme, especially when a shock diagnosis really might bring her life crashing down.Valentina is completely at home with the new style but has troubles off the dance floor. As she desperately strives to secure a scholarship and save her dance career, money problems and an unexpected romance have her in a complete spin.With so much at breaking point, the girls will need to decide what really matters before everything falls apart.
Breaking the Glass Armor
by Kristin Thompson"Classical works have for us become covered with the glassy armor of familiarity," wrote Victor Shklovsky in 1914. Here Kristin Thompson "defamiliarizes" the reader with eleven different films. Developing the technique formulated in her Eisenstein's Ivan the Terrible (Princeton, 1981), she clearly demonstrates the flexibility of the neoformalist approach. She argues that critics often use cut-and-dried methods and choose films that easily fit those methods. Neoformalism, on the other hand, encourages the critic to deal with each film differently and to modify his or her analytical assumptions continually. Thompson's analyses are thus refreshingly varied and revealing, ranging from an ordinary Hollywood film, Terror by Night, to such masterpieces as Late Spring and Lancelot du Lac. She proposes a formal historical way of dealing with realism, using Bicycle Thieves and The Rules of the Game as examples. Stage Fright and Laura provide cases in which the classical cinema defamiliarizes its own conventions by playing with audience expectations. Other chapters deal with Tati's Les Vacances de Monsieur Hulot and Play Time and Godard's Tout va bien and Sauve qui peut (la vie). Although neoformalist analysis is a rigorous, distinctive approach, it avoids extensive specialized vocabulary and esoteric concepts: the essays here can be read separately by those interested in the individual films. The book's overall purpose, however, goes beyond making these particular films more accessible and intriguing to propose new ways of looking at cinema as a whole.
Breakout
by Kevin EmersonWhen Anthony's angst-ridden rock 'n' roll lyrics go viral, he's unwittingly cast as the school rebel. The truth is, he's not trying to be anyone's hero. Anthony Castillo needs a new life. His teachers are clueless autocrats except for Mr. Darren, who's in charge of the rock band program. The girls at school are either shallow cutebots or out of his league. And his parents mean well, but they just make things worse. It's as if Anthony is stuck on the bottom level of his favorite video game, Liberation Force 4.5. Except there is no secret escape tunnel and definitely no cheat code. Fed up, pissed off, and feeling trapped, Anthony writes his first song for his rock band, the Rusty Soles. His only problem: Arts Night. If he exercises his right to free speech and sings his original lyrics--where his own bombs will drop--he and his band will be through. The clock is ticking. Time for Anthony to pick his battles and decide what's really worth fighting for.
Breaks in the Air: The Birth of Rap Radio in New York City
by John KlaessIn Breaks in the Air John Klaess tells the story of rap’s emergence on New York City’s airwaves by examining how artists and broadcasters adapted hip hop’s performance culture to radio. Initially, artists and DJs brought their live practice to radio by buying time on low-bandwidth community stations and building new communities around their shows. Later, stations owned by New York’s African American elite, such as WBLS, reluctantly began airing rap even as they pursued a sound rooted in respectability, urban sophistication, and polish. At the same time, large commercial stations like WRKS programmed rap once it became clear that the music attracted a demographic that was valuable to advertisers. Moving between intimate portraits of single radio shows and broader examinations of the legal, financial, cultural, and political forces that indelibly shaped the sound of rap radio, Klaess shows how early rap radio provides a lens through which to better understand the development of rap music as well as the intertwined histories of sounds, institutions, communities, and legal formations that converged in the post-Civil Rights era.
Breath in Action: The Art of Breath in Vocal and Holistic Practice
by Roger Smart David Carey Rebecca Cuthbertson Stephanie Martin Rocco Dal Vera Rena Cook Joanna Weir Ouston Katya Bloom Jane Boston Judy Lee Vivier Gillyanne Kayes Marj Mcdaid Kristin Linklater Yolanda Heman-Ackah April Pierrot Lisa Wilson Mel Churcher Cicely Berry Tara Mcallister-Viel Debbie Green Michael Morgan Jessica Wolf Floyd KennedyBreath in Action looks at the significance of breath to human life - not just the simple fact that if we stop breathing, we die, but also the more subtle ways in which our breath interacts with our voice and our being. Written by experts in vocal and holistic practice, the book is divided into four sections: Breath and the Body; Breath and the Mind; Breath and Holistic Practice; Breath and Performance. It offers the latest theories from a variety of disciplines on how we can be taught to breathe better so as to communicate better, act or sing better, feel better, live better. Combining theory with practice, many of the chapters also offer clearly laid out breathing exercises and techniques. Interdisciplinary in its focus, Breath in Action adds to specialist knowledge in the performance field, whilst also offering enlightening information for those interested in therapeutic and healing processes, movement, and voice and speech sciences.
Breathe and Count Back from Ten
by Natalia SylvesterIn this gorgeously written and authentic novel, Verónica, a Peruvian-American teen with hip dysplasia, auditions to become a mermaid at a Central Florida theme park in the summer before her senior year, all while figuring out her first real boyfriend and how to feel safe in her own body.Verónica has had many surgeries to manage her disability. The best form of rehabilitation is swimming, so she spends hours in the pool, but not just to strengthen her body.Her Florida town is home to Mermaid Cove, a kitschy underwater attraction where professional mermaids perform in giant tanks . . . and Verónica wants to audition. But her conservative Peruvian parents would never go for it. And they definitely would never let her be with Alex, her cute new neighbor.She decides it’s time to seize control of her life, but her plans come crashing down when she learns her parents have been hiding the truth from her—the truth about her own body.
Breathing Fire (Orca Soundings)
by Sarah Yi-Mei TsiangWhen Ally’s mom dies, Ally is left with no family, no friends and no future. Put into foster care at the age of fifteen, she has less than $200 to her name and nothing left to lose. When Ally meets Tate, a busking fire breather, she starts to see a new life for herself as a street performer. Ally decides to run away from her foster home, but her problems follow her. Hiding her age, sleeping on the streets and avoiding fights with other buskers, Ally discovers that there’s more to life as a fire-breathing busker than not getting burned.
Brecht in India: The Poetics and Politics of Transcultural Theatre
by PrateekBrecht in India analyses the dramaturgy and theatrical practices of the German playwright Bertolt Brecht in post-independence India. The book explores how post-independence Indian drama is an instance of a cultural palimpsest, a site celebrating a dialogue between Western and Indian theatrical traditions, rather than a homogenous and isolated canon. Analysing the dissemination of a selection of Brecht’s plays in the Hindi belt between the 1960s and the 1990s, this study demonstrates that Brecht’s work provided aesthetic and ideological paradigms to modern Hindi playwrights, helping them develop and stage a national identity. The book also traces how the reception of Brecht was mediated in India, how it helped post-independence Indian playwrights formulate a political theatre, and how the dissemination of Brechtian aesthetics in India addressed the anxiety related to the stasis in Brechtian theatre in Europe. Tracking the dialogue between Brechtian aesthetics in India and Europe and a history of deliberate cultural resistance, Brecht in India is an invaluable resource for academics and students of theatre studies and theatre historiography, as well as scholars of post-colonial history and literature.
Brecht Sourcebook (Worlds of Performance)
by Henry Bial Carol MartinBertolt Brecht is one of the most prolific and influential writer-directors of the twentieth century. This fascinating anthology brings together in one volume many of the most important articles written about Brecht between 1957 and 1997. The collection explores a wide range of viewpoints about Brecht's theatre theories and practice, as well as including three plays not otherwise available in English: The Beggar or The Dead Dog, Baden Lehrstuck and The Seven Deadly Sins of the Lower Middle Class. Editors Martin and Bial have brought together a unique compendium which covers all the key areas including: * the development of Brecht's aesthetic theories * the relationship of Epic theatre to orthodox dramatic theatre * Brecht's collaboration with Kurt Weill, Paul Dessau and Max Frisch * Brecht's influence on a variety of cultures and contexts including England, Italy , Moscow and Japan. Together these essays are an ideal companion to Brecht's plays, and provide an invaluable reconsideration of Brecht's work. Contributors include: Werner Hecht, Mordecai Gorelik, Eric Bentley, Jean-Paul Sartre, Kurt Weill, Ernst Bloch, Darko Suvin, Carl Weber, Paul Dessau, Denis Calandra, W. Stuart McDowell, Ernst Schmacher, Hans-Joachim Bunge, Martin Esslin, Artuto Lazzari, Tadashi Uchino, Diana Taylor, Elin Diamond, and Lee Baxandall.
Brechtian Cinemas: Montage and Theatricality in Jean-Marie Straub and Danièle Huillet, Peter Watkins, and Lars von Trier (SUNY series, Horizons of Cinema)
by Nenad JovanovicIn Brechtian Cinemas, Nenad Jovanovic uses examples from select major filmmakers to delineate the variety of ways in which Bertolt Brecht's concept of epic/dialectic theatre has been adopted and deployed in international cinema. Jovanovic critically engages Brecht's ideas and their most influential interpretations in film studies, from apparatus theory in the 1970s to the presently dominant cognitivist approach. He then examines a broad body of films, including Brecht's own Mysteries of a Hairdressing Salon (1923) and Kuhle Wampe (1932), Jean-Marie Straub and Danièle Huillet's History Lessons (1972), Peter Watkins's La Commune (2000), and Lars von Trier's Nymphomaniac (2013). Jovanovic argues that the role of montage—a principal source of artistic estrangement (Verfremdung) in earlier Brechtian films—has diminished as a result of the technique's conventionalization by today's Hollywood and related industries. Operating as primary agents of Verfremdung in contemporary films inspired by Brecht's view of the world and the arts, Jovanovic claims, are conventions borrowed from the main medium of his expression, theatre. Drawing upon a vast number of sources and disciplines that include cultural, film, literature, and theatre studies, Brechtian Cinemas demonstrates a continued and broad relevance of Brecht for the practice and understanding of cinema.
The Bremen-Town Musicians
by Ruth Belov GrossOn their way to Bremen-town, a donkey, a cat a rooster, and a dog, all planning on a new career in music, serenade some robbers.
The Bremen Town Musicians
by Ilse PlumeThe book is all about the four aged animal friends trying to make living for them as they were escaped from their cruel masters.
Bresson on Bresson: Interviews, 1943-1983
by Anna Moschovakis Mylene Bresson Pascal Merigeau Robert BressonRobert Bresson, the director of such cinematic master-pieces as Pickpocket, A Man Escaped Mouchette, and L'Argent, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: He insisted on the use of nonprofessional actors; he shunned the "advances" of Cinerama and Cinema-Scope (and the work of most of his predecessors and peers); and he minced no words about the damaging influence of capitalism and the studio system on the still-developing--in his view--art of film. Bresson on Bresson collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work. Successive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the sound track, and to Bresson's one book, the great aphoristic treatise Notes on the Cinematograph. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as "Sound...invented silence in cinema," "It's the film that...gives life to the characters--not the characters that give life to the film," and (echoing the Bible) "Every idle word shall be counted." Bresson's integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson's movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: "It's always ready to feel before it understands. And that's how it should be.
The Bressonians: French Cinema and the Culture of Authorship
by Codruţa MorariHow should we understand film authorship in an era when the idea of the solitary and sovereign auteur has come under attack, with critics proclaiming the death of the author and the end of cinema? The Bressonians provides an answer in the form of a strikingly original study of Bresson and his influence on the work of filmmakers Jean Eustache and Maurice Pialat. Extending the discourse of authorship beyond the idea of a singular visionary, it explores how the imperatives of excellence function within cinema’s pluralistic community. Bresson’s example offered both an artistic legacy and a creative burden within which filmmakers reckoned in different, often arduous, and altogether compelling ways.
Brian De Palma's Split-Screen: A Life in Film
by Douglas KeeseyOver the last five decades, the films of director Brian De Palma (b. 1940) have been among the biggest successes (The Untouchables; Mission: Impossible) and the most high-profile failures (The Bonfire of the Vanities) in Hollywood history. De Palma helped launch the careers of such prominent actors as Robert De Niro, John Travolta, and Sissy Spacek (who was nominated for an Academy Award as Best Actress in Carrie). Indeed, Quentin Tarantino named Blow Out as one of his top three favorite films, praising De Palma as the best living American director. Picketed by feminists protesting its depictions of violence against women, Dressed to Kill helped to create the erotic thriller genre. Scarface, with its over-the-top performance by Al Pacino, remains a cult favorite. In the twenty-first century, De Palma has continued to experiment, incorporating elements from videogames (Femme Fatale), tabloid journalism (The Black Dahlia), YouTube, and Skype (Redacted and Passion) into his latest works. What makes De Palma such a maverick even when he is making Hollywood genre films? Why do his movies often feature megalomaniacs and failed heroes? Is he merely a misogynist and an imitator of Alfred Hitchcock? To answer these questions, author Douglas Keesey takes a biographical approach to De Palma's cinema, showing how De Palma reworks events from his own life into his films. Written in an accessible style and including a chapter on every one of his films to date, this book is for anyone who wants to know more about De Palma's controversial films or who wants to better understand the man who made them.
Brian Eno: Visual Music
by Christopher Scoates Brian EnoThis comprehensive monograph celebrates the visual art of renowned musician Brian Eno. Spanning more than 40 years, Brian Eno: Visual Music weaves a dialogue between Eno's museum and gallery installations and his musical endeavors--all illustrated with never-before-published archival materials such as sketchbook pages, installation views, screenshots, and more. Steve Dietz, Brian Dillon, Roy Ascott, and William R. Wright contextualize Eno's contribution to new media art, while Eno himself shares insights into his process. Also included is a download code for a previously unreleased piece of music created by Eno, making this ebook a requisite for fans and collectors.
Brian Jones: The Untold Life and Mysterious Death of a Rock Legend
by Laura JacksonIn this definitive biography of Brian Jones, Laura Jackson - the first to insist that Jones was murdered and the first to identify his killer - rejects the stereotype of a narcissistic rock star who was doomed to self-destruct. Instead, she spoke to the people who knew him best: his family and friends, girlfriends and confidantes, the musicians and friends who lived and worked with him right up until his death in 1969. Jones emerges as a man of immense talent, energy and humour, but crippled by insecurities and shyness - a portrayal greatly at odds with the sordid rumours that plagued him throughout his life, which continue to this day. Jackson provides new testimony on the rivalries within the Rolling Stones and the bitter final split, together with telling details from the pathology and coroner's reports, to tell the story behind the headlines and get to the heart of the mysterious death of Brian Jones.
Brian Jones: The untold life and mysterious death of a rock legend
by Laura JacksonIn this definitive biography of Brian Jones, Laura Jackson - the first to insist that Jones was murdered and the first to identify his killer - rejects the stereotype of a narcissistic rock star who was doomed to self-destruct. Instead, she spoke to the people who knew him best: his family and friends, girlfriends and confidantes, the musicians and friends who lived and worked with him right up until his death in 1969. Jones emerges as a man of immense talent, energy and humour, but crippled by insecurities and shyness - a portrayal greatly at odds with the sordid rumours that plagued him throughout his life, which continue to this day. Jackson provides new testimony on the rivalries within the Rolling Stones and the bitter final split, together with telling details from the pathology and coroner's reports, to tell the story behind the headlines and get to the heart of the mysterious death of Brian Jones.
Brian Jones
by Paul TrynkaFor the first time, the complete story of the enigmatic founder of the Rolling Stones and the early years of the band Brian Jones was the golden boy of the Rolling Stones--the visionary who gave the band its name and its sound. Yet he was a haunted man, and much of his brief time with the band, before his death in 1969 at the infamous age of twenty-seven, was volatile and tragic. Some of the details of how Jones was dethroned are well known, but the full story of his downfall is still largely untold. Brian Jones is a forensic, thrilling account of Jones's life, which for the first time details his pioneering achievements and messy unraveling. With more than 120 new interviews, Trynka offers countless new revelations and sets straight the tall tales that have long marred Jones's legacy. His story is a gripping battle between creativity and ambition, between self-sabotage and betrayal. It's all here: the girlfriends, the drugs, and some of the greatest music of all time. Victors get to write history--but it's rarely fully true. The complete, magnificent story of the Rolling Stones can never be told until we disentangle all the threads and put Brian Jones back in the foreground.
Brian the Dancing Lion
by Tom Tinn-DisburyBrian the Lion loves dancing, but lions are meant to be brave and strong and fierce. Nobody would think a dancing lion was brave or strong or fierce. But when Brian finds out about a big dancing competition, he decides it’s time to prove everyone wrong! Tom Tinn-Disbury tears apart any lingering notions of gender (and lion) stereotypes in this musical picture book, showcasing the importance of believing in yourself, trusting your friends, and dancing at every opportunity.
Brian's Song
by William BlinnTwo men. One named Gale Sayers, the other Brian Piccolo. They came from different parts of the country. They competed fiercely for the same job. One liked to talk; the other was shy. One was white; the other black. This is the story of how they came to know each other, fight each other, and help each other
Brick Flicks: A Comprehensive Guide to Making Your Own Stop-Motion LEGO Movies
by Sarah HermanTurn your bricks into blockbusters with this movie-making guide! You've seen the smash-hit film; now it's time to step into the director's chair and make your own. Forget big budgets, A-list movie stars, and exotic locations-this comprehensive guide will show you how to make a stop-motion movie using little more than a camera, a computer, and your own LEGO collection.From picking out the right gear, planning a story, and setting up shots, to animating minifigures, editing, and promoting your film online, Brick Flicks has enough tips and tricks to turn a popcorn prentice and into an Oscar-worthy wizard. Along with a brief history of Brickfilms, official LEGO shows, movies, and associated products, and a wealth of knowledge and expertise from some of the most popular Brickfilms producers out there, this is a must-have purchase for any budding directors, young or old, who want to turn their box of bricks into flicks.
Brick Science: STEM Tips and Tricks for Experimenting with Your LEGO Bricks—30 Fun Projects for Kids!
by Jacquie FisherBuild your way through thirty fantastic STEM experiments, brick by brick! Fun projects that are perfect for fans of LEGO Masters and science subjects! Does your young scientist love LEGOs? Then this is the book for them! Contained within these pages is an assortment of experiments and activities to teach your child all about Science and STEM subjects using LEGO bricks. In Brick Science, various aspects of STEM will be introduced to your creative learner through over thirty exciting and innovative ways of using LEGO bricks. Your child will be exposed to important lessons about chemistry, paleontology, the animal kingdom, and more, all while thinking that they&’re just playing with LEGOs! This fun-filled book contains experiments and ideas for exploring subjects, such as: BiologyChemistryDinosaursEarth SciencePhysicsSpaceWeatherAnd More! The lessons that your child will learn from these experiments will stick with them for years to come, encouraging them to learn, explore, and one day possibly become a scientist themselves. With Brick Science, both you and your young LEGO-lover will be excited to learn about science, nature, and the world around us!
Bridal Guide Magazine's How to Plan the Perfect Wedding Without Going Broke
by Diane FordenFor the first time, the experts at Bridal Guide, America's leading bridal magazine, have gathered all of their favorite cost-containing tips and stress-reducing strategies into one handy volume. This comprehensive, practical wedding planner offers hundreds of insider tips for cutting back on wedding costs without cutting back on style. From etiquette to officiants, transportation to tipping, and registry to rehearsal dinners, Bridal Guide's Diane Forden spells it all out for you. Charts, checklists, and calendars keep you on track and simplify each stage of the planning process.
Bride of Dark And Stormy: Yet More of the Best (?) from the Bulwer-lytton Contest
by Scott RiceIt's not easy to write bad fiction. On purpose. Scott Rice, organizer of the Bulwer-Lytton contest, asks people to do just that. Here are the best opening sentences of the worst hypothetical novels never written. <P><P> Just try to understand the 1987 winner: <P><P>"The notes Matted skyward as the sun rose over the Canada geese, feathered rumps mooning the day, webbed appendages frantically pedaling unseen bicycles in their search for sustenance, driven by cruel Nature's maxim, 'ya wanna eat, ya gotta work,' and at last I knew Pittsburgh." <P><P> But Bride of Dark and Stormy is not just a compilation. Now Scott Rice has added his own advice on how to write "successful" fiction in the Bulwer-Lytton mode, making this a perverse how-to book, full of rotten advice and worse examples.