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The Actor And The Text
by Cicely BerryCicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre.
The Actor, Image, and Action: Acting and Cognitive Neuroscience
by Rhonda BlairThe Actor, Image and Action is a 'new generation' approach to the craft of acting; the first full-length study of actor training using the insights of cognitive neuroscience. In a brilliant reassessment of both the practice and theory of acting, Rhonda Blair examines the physiological relationship between bodily action and emotional experience. In doing so she provides the latest step in Stanislavsky's attempts to help the actor 'reach the unconscious by conscious means'. Recent developments in scientific thinking about the connections between biology and cognition require new ways of understanding many elements of human activity, including: imagination emotion memory physicality reason. The Actor, Image and Action looks at how these are in fact inseparable in the brain's structure and function, and their crucial importance to an actor’s engagement with a role. The book vastly improves our understanding of the actor's process and is a must for any actor or student of acting.
Actor-Network Theory at the Movies: Reassembling the Contemporary American Teen Film With Latour
by Björn Sonnenberg-SchrankThis book is one of the first to apply the theoretical tools proposed by French philosopher Bruno Latour to film studies. Through the example of the Hollywood Teen Film and with a particular focus on Actor-Network Theory (ANT), the book delineates how Teen Film has established itself as one of Hollywood’s most consistent and dynamic genres. While many productions may recycle formulaic patterns, there is also a proliferation of cinematic coming-of-age narratives that are aesthetically and politically progressive, experimental, and complex. The case studies develop a Latourian film semiotics as a flexible analytical approach which raises new questions, not only about the history, types and tropes of teen films, but also about their aesthetics, mediality, and composition. Through an exploration of a wide and diverse range of examples from the past decade, including films by female and African-American directors, urban and rural perspectives, and non-heteronormative sexualities, Actor-Network Theory at the Movies demonstrates how the classic Teen Film canon has been regurgitated, expanded, and renewed.
An Actor Prepares
by Constantin StanislavskiThe first volume of Stanislavski's enduring trilogy on the art of acting defines the "System", a means of mastering the craft of acting and of stimulating the actor's individual creativeness and imagination.
An Actor Prepares (Bloomsbury Revelations Ser.)
by Constantin StanislavskiStanislavski's simple exercises fire the imagination, and help readers not only discover their own conception of reality but how to reproduce it as well.
An Actor Rehearses: What to Do When and Why
by David HlavsaWith a commonsense approach, An Actor Rehearses takes performers through the rehearsal process and explains exactly what to do when. The actor’s process is explained simply, sequentially, and in detail, starting from the period before rehearsals begin and continuing through first read-through, blocking rehearsals, technical rehearsals, and performances. Packed with exercises that are useful in the classroom and in the rehearsal studio, An Actor Rehearses is an indispensable guide to the rehearsal process that makes building a character easier and more rewarding for both actor and audience. And because author David Hlavsa’s emphasis is on relating acting to life, performers learn to make a remarkable connection between becoming a better actor and becoming a better person: more compassionate, more vital, more alive. Clear, practical, usable advice for actors at every level Unique focus: learning to become a better actor means learning to become a better person Huge potential audienceAllworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
The Actor Speaks: Voice and the Performer
by Patsy RodenburgIn The Actor Speaks, Patsy Rodenburg takes actors and actresses, both professional and beginners, through a complete voice workshop. She touches on every aspect of performance work that involves the voice and sorts through the kinds of vexing problems every performer faces onstage: breath and relaxation; vocal range and power; communication with other actors; singing and acting simultaneously; working on different sized stages and in both large and small auditoriums; approaching the vocal demands of different kinds of scripts. This is the final word on the actor's voice and it's destined to become the classic work on the subject for some time to come.
An Actor Survives: Remarks on Stanislavsky (Routledge Advances in Theatre & Performance Studies)
by Tomasz KubikowskiThis book focuses on the analysis and interpretation of the first volume of the book An Actor’s Work by Konstantin Stanislavsky. This volume is the only part of his planned major work on theatre art that he was able to finish and authorise before his death. Its highly edited variant has long been known as ‘An Actor Prepares’ in the English-speaking world. Tomasz Kubikowski explores Stanislavsky’s material not only as a handbook of acting but also as a philosophical testament of Stanislavsky, in which he attempts to contain his most essential experiences and reflections. This book explores the underlying theme of ‘survival’ in its various meanings, from professional to existential; and the mechanisms and actions we attempt to survive. This study will be of great interest to students and scholars in theatre and performance studies.
Actor Training
by Alison HodgeActor Training expands on Alison Hodge's highly-acclaimed and best-selling Twentieth Century Actor Training. This exciting second edition radically updates the original book making it even more valuable for any student of the history and practice of actor training. The bibliography is brought right up to date and many chapters are revised. In addition, eight more practitioners are included - and forty more photographs - to create a stunningly comprehensive study. The practitioners included are: Stella Adler; Eugenio Barba; Augusto Boal; Anne Bogart; Bertolt Brecht; Peter Brook; Michael Chekhov; Joseph Chaikin; Jacques Copeau; Philippe Gaulier; Jerzy Grotowski; Maria Knebel; Jacques Lecoq; Joan Littlewood; Sanford Meisner; Vsevolod Meyerhold; Ariane Mnouchkine; Monika Pagneux; Michel Saint-Denis; Włodzimierz Staniewski; Konstantin Stanislavsky; Lee Strasberg The historical, cultural and political context of each practitioner's work is clearly set out by leading experts and accompanied by an incisive and enlightening analysis of the main principles of their training, practical exercises and key productions. This book is an invaluable introduction to the principles and practice of actor training and its role in shaping modern theatre.
Actor Training in Anglophone Countries: Past, Present and Future (Routledge Advances in Theatre & Performance Studies)
by Peter ZazzaliActor Training in Anglophone Countries offers a firsthand account of the most significant acting programs in English-speaking countries throughout the world. The culmination of archival research and fieldwork spanning six years, it is the only work of its kind that studies the history of actor training from an international perspective. It presents the current moment as crucial for student actors and those who teach them. As the profession continues to change, new and progressive approaches to training have become as urgent as they are necessary. Using drama schools and universities as its subjects of inquiry, this book investigates acting programs in the UK, Ireland, the US, Canada, Australia, and New Zealand. Among the case studies are the Royal Academy of Dramatic Art, National Theatre School of Canada, Western Australian Academy of Performing Arts, and Carnegie Mellon University. All recognized for their distinguished reputations by industry professionals and acting teachers alike, the book examines each program’s pedagogical approach, administrative structure, funding apparatus, and alumni success. In doing so, it identifies the challenges facing acting schools today and offers a new direction for training in the twenty-first century. Actor Training in Anglophone Countries will be of interest to theatre and performance scholars, artists, students, and teachers.
Actor Training the Laban Way: An Integrated Approach to Voice, Speech, and Movement
by Barbara Adrian* Individual, partner, and group exercises to make any actor more expressive * Crucial acting tips based on the work of distinguished theorist Rudolf Laban * 65 original illustrations of anatomy and warm-up exercises This in-depth, fully illustrated guide offers a groundbreaking approach to understanding physical and vocal movement that will enable readers to discover how to maximize their potential. Packed with practical exercises for individuals, partners, and group work, this book integrates voice, speech, and movement. Exercises for breath support, tone, range, articulation, dynamic alignment, balance, flexibility, strength, and stamina, as well as building relationships, Actor Training the Laban Way is essential reading for all serious actors, acting teachers, and students.
Actor Training the Laban Way (Second Edition): An Integrated Approach to Voice, Speech, and Movement
by Barbara AdrianThe Groundbreaking Actor Training Guide, Enhanced with New Videos and Expert Advice from Acting Professionals Actors, teachers, and students of performing arts: sharpen your skills and release your potential with Actor Training the Laban Way, a groundbreaking approach to physical and vocal movement. Utilizing theories of preeminent movement theorist Rudolf Laban, acting teacher and performer Barbara Adrian integrates voice, speech, and movement training with illustrated individual and group exercises that include: Breath Support Building Dynamic Alignment Expanding Vocal Tone and Range Articulation and Rhythmic Exploration Enhancing Strength and Stamina Improving Balance and Flexibility Developing a Relationship to the Environs Revealing Your Emotional State through Physical and Vocal Action This second edition also includes an all-new chapter of advice from acting professionals on how they deploy these exercises and techniques in their acting preparation, practice, and performance. New appendices offer readers links to video supplements as well as exercises in IPA.Actor Training the Laban Way will make any performer more impulsive, imaginative, and expressive.
The Actor Uncovered
by Michael HowardA Far-Reaching and Truthful Exploration of Acting in All Its FormsThe Actor Uncovered is certainly not a set of rigid rules advocating one "method" or one singular "truth." Departing from the common guidebook format, Michael Howard uses a unique approach to teaching acting, reflecting on his own history and sharing his own experiences as an actor, director, and teacher. How he writes about the process and craft of acting is at once intensely personal and relatable by others.Readers are invited to participate as though present in this master teacher's classes. Each human being, and thus each actor, is unique. Howard encourages actors to uncover their own ways of working, using their particular abilities and personality traits. Going beyond the craft and into human psychology and the importance of acting as a life force, readers will see new and deeper ways to study and practice, to be introspective, and to arrive at places of revelation about their craft.The Actor Uncovered will have much to say to beginners, to those who are advanced, and to professional and working actors. Howard discusses such topics as:Techniques, styles, and methods in a changing societyRelaxation, concentration, and the breathThe relationships among actor, director, and writerMemoryOn camera versus on stageObstaclesAfter more than seventy years as a professional actor, director, and teacher, Howard shows how living creatively and invoking one's own personality can lead to a successful career as an actor.
The Actor's Art and Craft: William Esper Teaches the Meisner Technique
by William Esper Damon DimarcoWilliam Esper, one of the leading acting teachers of our time, explains and extends Sanford Meisner's legendary technique, offering a clear, concrete, step-by-step approach to becoming a truly creative actor.Esper worked closely with Meisner for seventeen years and has spent decades developing his famous program for actor's training. The result is a rigorous system of exercises that builds a solid foundation of acting skills from the ground up, and that is flexible enough to be applied to any challenge an actor faces, from soap operas to Shakespeare. Co-writer Damon DiMarco, a former student of Esper's, spent over a year observing his mentor teaching first-year acting students. In this book he recreates that experience for us, allowing us to see how the progression of exercises works in practice. The Actor's Art and Craft vividly demonstrates that good training does not constrain actors' instincts--it frees them to create characters with truthful and compelling inner lives.From the Trade Paperback edition.
The Actor's Book of Classical Monologues
by VariousA challenging, wide-ranging collection of monologues from history’s greatest dramatic works. From the stately and poetic Greek tragedies to the lively, bawdy Restoration comedies, the classical repertoire is a treasure trove of often-overlooked materials for male and female, young and old. The solo pieces collected here vary widely in mood, style, and level of challenge; they include a generous supply of Shakespeare and his contemporaries; and they’re fleshed out with brief plot synopses and valuable historical material. Stefan Rudnicki, an accomplished actor, director, and teacher, also provides practical tips on preparing each scene for audition or performance. Among the playwrights whose works are included are: Aeschylus Sophocles Euridipes Aristophanes Shakespeare Tourneur Kyd Middleton Jonson Sheridan Dryden Congreve …and many others.
The Actor's Book of Monologues for Women
by VariousA diverse collection of monologues featuring the voices of women through the ages Drawn from poetry, fiction, diaries, journals, and documents of public record, these selections, although not originally intended for theatrical or cinematic performances, offer unique dramatic opportunities for actors, speakers, students, or anyone interested in women’s studies. Stefan Rudnicki has brought together selections from well-known as well as obscure authors, providing a tremendous range of women’s perspectives from a variety of sources: poems by Elizabeth Barrett Browning, Emily Dickinson, Christina Rossetti, and Sappho, among others; passages from Mary Shelley’s journal, the diaries of Anais Nin, and the memoirs of Isadora Duncan; polemics from Mary Wollstonecraft and Joan of Arc, as well as Susan B. Anthony’s “On Woman’s Right to Suffrage”; and selections from the novels of Emily and Charlotte Bronte, Jane Austen, Ursula K. LeGuin, and others.
An Actor's Companion
by Seth Barrish Anne Hathaway"I was totally unprepared for the transformation that Seth's technique created in me. . . . I realized that what I thought I knew about acting up to that point was largely misguided . . . but I now had a great, talented, dedicated teacher who generously wanted to share his tools with everyone. There is muscularity, not to mention wisdom and truth to Seth's techniques. He is a wonderful teacher, and I know that having him as my first guide is one of the luckiest things to have happened to me in my career and life. And when I can't get back to class with him, I am so grateful I have this book to turn to."--Anne Hathaway"This book is truly unlike anything else I know--these pieces are haikus on specific elements of performance and character building."--Philip Himberg, executive director, Sundance Theatre InstituteA collection of practical acting tips, tools, and exercises, An Actor's Companion is ideal for both the seasoned professionals and actors-in-training. The tips--all simple, direct, and useful--are easy to understand and even easier to apply, in both rehearsal and in performance.Seth Barrish is an actor, teacher, and the co-artistic director of The Barrow Group in New York City. In his thirty-year career, he has directed the award-winning shows My Girlfriend's Boyfriend (Lucille Lortel Award for Best Solo Show, Drama Desk and Outer Critics Circle nominations for Best Solo Show), Sleepwalk With Me (Nightlife Award for Outstanding Comedian in a Major Performance), The Tricky Part (Obie Award, Drama Desk nominations for Best Play and Best Solo Show), Pentecost (Drama Desk nomination for Best Play), Old Wicked Songs (Los Angeles Drama Critics Circle Award and Garland Award for Best Direction), and Good (Straw Hat Award for Best Direction), among dozens of others.
The Actor's Field Guide
by Ed HooksFrom a veteran actor, teacher, and author, here is a quick-reference guide aimed at working actors. Got a funny scene that doesn't seem very funny? Look up "comedy." Got a scene in which you're supposed to cry? Look up "cry." Each entry includes a brief introduction to the topic, followed by several pages of short, bulleted tips or "field notes" that offer quick solutions to any acting problem. In addition, there are brief essays throughout that expand on some of the trickier aspects of the actor's craft. Edgy, concise, and infinitely helpful, no working actor will want to be without this one-of-a-kind guide.* There are 100,000 members in actors unions in the US, with a 50% turnover* Unique quick reference guide for busy actors* Advice on everything from rehersals to auditioning and memorizing lines* Author has trained thousands of actors, including Heather Locklear and Teri Hatcher* Advertising in Back Stage magazineFrom the Trade Paperback edition.
Actor's Guide: Your First Year in Hollywood
by Lisa Mulcahy Michael St. NicolasFor every actor beginning a career in Hollywood, this indispensable guide will lay out a clear and comprehensible path with tried-and-true advice. Up-to-date resources and new interviews with recently established actors experiencing the current movieland scene--as well as the timeless voices of established actors and industry pros--make this a rich compendium of Hollywood know-how. Delve into the industry with the support from An Actor’s Guide: Your First Year in Hollywood and discover with confidence how to: Find work through a variety of sources Deliver stunning auditions Join SAG-AFTRA Get a great headshot and put together a stunning resume Build your credentials and gain exposure Hone your craft with professional training and classes Snag a top-notch agent Utilize the power of social media From settling into Los Angeles and sticking to a tight budget, to adventures in reality TV and landing the breakthrough parts you came to Hollywood for, any actor eager to learn will get his or her fair share of insider knowledge with this manual and will discover how to create a positive experience while launching an exciting career.
An Actor's Guide--Making It in New York City: Everything a Working Actor Needs to Survive and Succeed in the Big Apple
by Glenn AltermanFor any actor in or on the way to New York City, this is the definitive source for advice, winning strategies, marketing techniques, and invaluable insights to being a successful New York actor. This new edition has been completely revised and updated to cover the significant changes in the New York theater landscape over the last nine years. This indispensable guide has also been expanded to include dozens of new interviews with top New York City actors and a completely improved Internet chapter equipped with the most up-to-date tools to thrive in the industry. Aspiring and established professionals will find this thorough and up-to-the-minute volume chock full of resources and advice about auditioning, making professional connections, promoting one's self, seeking opportunities in nontraditional venues, finding an apartment, securing "survival jobs," understanding actor unions, getting headshots, and furthering one's actor training in New York. This guide also details working as a film extra, careers in print modeling, scams and rip-offs to avoid, opportunities for actors with disabilities, and using the Internet to the fullest advantage. Included are in-depth interviews with legendary show business figures such as actor Henry Winkler, casting director Juliet Taylor, and theater director Joseph Chaikin as well as top talents from the fields of film, television, stage, commercials, and talent agencies. Written by a professional New York actor with over thirty years of experience, this meticulously researched guide will give actors the tools they need to survive and thrive in New York show business.
An Actor's Guide--Making It in New York City (Second Edition)
by Glenn AltermanFor any actor in or on the way to New York City, this is the definitive source for advice, winning strategies, marketing techniques, and invaluable insights to being a successful New York actor. This new edition has been completely revised and updatedto cover the significant changes in the New York theater landscape over the last nine years. This indispensable guide has also been expanded to include dozens of new interviews with top New York City actors and a completely improved Internet chapterequipped with the most up-to-date tools to thrive in the industry. Aspiring and established professionals will find this thorough and up-to-the-minute volume chock full of resources and advice about auditioning, making professional connections, promoting one's self, seeking opportunities in nontraditional venues, finding an apartment, securing "survival jobs," understanding actor unions, getting headshots, and furthering one's actor training in New York. This guide also details working as a film extra, careers in print modeling, scams and rip-offs to avoid, opportunities for actors with disabilities, and using the Internet to the fullest advantage. Included are in-depth interviews with legendary show business figures such as actor Henry Winkler, casting director Juliet Taylor, and theater director Joseph Chaikin as well as top talents from the fields of film, television, stage, commercials,and talent agencies. Written by a professional New York actor with over thirty years of experience, this meticulously researched guide will give actors the tools they need to survive and thrive in New York show business.
The Actor's Guide to Creating a Character: William Esper Teaches the Meisner Technique
by David Mamet Patricia Heaton William Esper Damon DimarcoWilliam Esper, one of the most celebrated acting teachers of our time, takes us through his step-by-step approach to the central challenge of advanced acting work: creating and playing a character. Esper's first book, The Actor's Art and Craft, earned praise for describing the basics taught in his famous first-year acting class. The Actor's Guide to Creating a Character continues the journey. In these pages, co-author Damon DiMarco vividly re-creates Esper's second-year course, again through the experiences of a fictional class. Esper's training builds on Sanford Meisner's legendary exercises, a world-renowned technique that Esper further developed through his long association with Meisner and the decades he has spent training a host of distinguished actors. His approach is flexible enough to apply to any role, helping actors to create characters with truthful and compelling inner lives.
The Actor's Guide To Murder
by Rick Copp"Baby, don't even go there!" That was Jarrod Jarvis's catch phrase as the adorable, girl-crazy moppet on the eighties sitcom, Go To Your Room! It was a great ride until the tabloids caught the popular teen idol kissing another guy at the L. A. gay rodeo. "Gay" and "teen heartthrob" not exactly being career-making words at the time, Jarrod's star crashed harder than a Kathie Lee Gifford CD. Flash forward: Now happily living with his cop boyfriend, Charlie, and their dog, Snickers, in the Hollywood Hills, Jarrod's ready to hit the comeback trail. . . but he never imagines how fame will strike this time. At a reading with his psychic, Jarrod is disturbed to hear that someone close to him will be murdered and even more shocked when it turns out to be his best friend, Willard Ray Hornsby, also a former child star. When Willard is found face down in his own lap pool, the cops call it an accident, but Jarrod's far from convinced--and he's ready to play the Sherlock Holmes of West Hollywood to prove his conspiracy theory right. . . "Fast-paced and very funny, with a hip insider's view of Hollywood. The Actor's Guide to Murder is the reader's guide to a terrific time. I loved it. " --Laura Levine, author of Last Writes "A pumped-up, promising debut. . . the story has considerable zest and enough sprightly humor to keep readers glued and giggling. " --Publishers Weekly "I laughed all the way through The Actor's Guide to Murder. Here's hoping Jarrod stumbles across another dead body, and soon!" --Dean James, author of Decorated to Death "Rick Copp's Actor's Guide mysteries read like some hilariously wicked Lifestyles of the Rich and Infamous--revealing juicy Hollywood secrets by the page!" --Jerrilyn Farmer, author of Mumbo Gumbo
The Actor's Guide to Self-Marketing: How to Brand and Promote Your Unique Image
by Carla RenataStand Out from the Competition! How do actors sell their personality? What does it take to make a lasting impression? How can actors use their image to achieve their dreams? The Actor's Guide to Self-Marketing answers all these questions and more. With a background in acting and publicity, author Carla Renata has gathered insider info and proven tips to help actors create their own brand and utilize it for success. With The Actor's Guide to Self-Marketing, you will learn how to: Highlight unique traits and skills Distinguish yourself from the crowd Market yourself through social media Angle for your dream role And so much more! Renata's methods have been tested and developed through her branding and social media program, The Branding Buddha, which has been taught online and privately, as well as in group classes at top universities in the United States. Along with tips from her program and extensive background in the field, Renata uses meditative practices and self-actualization to help actors develop their public image and reach their goals with clarity and intention. As she writes, "The mind is everything. What you think, you will become." With The Actor's Guide to Self-Marketing, you'll be well on your way to becoming the actor you really want to be and landing your dream roles.
An Actor's Guide--Your First Year in Hollywood: Your First Year In Hollywood
by Michael St. NicolasAn Actor's Guide-Your First Year in Hollywood should be required reading for any young actor headed to La-La Land with a dream in his heart and a shine on his shoes. Sure, it's a great guide to auditioning, getting a SAG card, finding an agent, landing parts, gaining exposure, and creating publicity-but it's also packed with real-world advice from a fellow actor. Getting to know Los Angeles, finding a place to live and a job to pay the bills. An Actor's Guide presents the whole picture, for career and for daily life. Remember to thank us when you're a big star!