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Daisy to the Rescue: True Stories of Daring Dogs, Paramedic Parrots, and Other Animal Heroes
by Jeff CampbellWith their love and companionship, animals of all species help to make human lives better every day. But sometimes, to our utter amazement and everlasting gratitude, animals literally save our lives. This heartwarming book collects over 50 real-life stories in which the actions of animals have meant the difference between life and death. Today, scientists vigorously debate questions regarding the sentience, intelligence, and emotions of animals. In particular, they want to know whether animals share with humans the highest emotions of empathy, compassion, and altruism. Daisy to the Rescue poses these questions for readers to consider, and examines these extreme life-saving situations for possible evidence. Gathered together, these stories make a compelling case for the presence of altruism in animals. Daisy to the Rescue provides dramatic, thrilling, and moving stories that convey a hopeful message about our world. But these stories also provide startling evidence of the mental and emotional capacities of animals, those beings we share the world with.
Dalek: The Astounding Untold History of The Greatest Enemies of the Universe (Doctor Who Ser. #72)
by George MannFor the first time, the never-before-told history of the Doctor’s most dangerous enemy, the Daleks, from their genesis thousands of years ago to their conquest of the universe.Doctor Who: Dalek, is the one and only volume devoted solely to the history of the Doctor’s greatest enemy. The Daleks, with their watchword cry "Exterminate!", are a race of cyborg aliens single-mindedly determined to conquer the universe and end all life forms they consider inferior. First appearing on Doctor Who in 1963, the Daleks are among the show’s most popular villains. Reminiscent of human-sized pepper shakers, the external mechanical casing of the Dalek protects a soft, repulsive creature whose electronic voice is reduced to a squeak when outside of its shell.Doctor Who: Dalek chronicles the Daleks’ genesis through the Time War and their ongoing conquest of the universe. Here are never-before-told stories about these legendary creatures—including terrifying near-mythical adventures, startling visual recreations of secret conflicts, and more. Each story sheds new light on what has become the most feared alien race in the universe.With a foreword by showrunner Steven Moffat, full-color illustrations, concept art, cutaways, diagrams, comic strips and more, Doctor Who: Dalek is the ultimate celebration of all things Dalek and a must have for devoted Whovians of every age.
Dallas Music Scene: 1920s-1960s, The
by Alan Govenar Jay BrakefieldFor much of the 20th century, Dallas was home to a wide range of vital popular music. By the 1920s, the streets, dance halls, and vaudeville houses of Deep Ellum rang with blues and jazz. Blind Lemon Jefferson was discovered singing the blues on the streets of Deep Ellum but never recorded in Dallas. Beginning in the 1930s, however, artists from Western swing pioneer Bob Wills to blues legend Robert Johnson recorded in a three-story zigzag moderne building at 508 Park Avenue. And from the late 1940s to the mid-1960s, a wrestling arena called the Sportatorium was home to a Saturday night country and rock-and-roll extravaganza called the Big "D" Jamboree.
Dalton Trumbo: Blacklisted Hollywood Radical (Screen Classics)
by Larry Ceplair Christopher TrumboJames Dalton Trumbo (1905--1976) is widely recognized for his work as a screenwriter, playwright, and author, but he is also remembered as one of the Hollywood Ten who opposed the House Un-American Activities Committee. Refusing to answer questions about his prior involvement with the Communist Party, Trumbo sacrificed a successful career in Hollywood to stand up for his rights and defend political freedom.In Dalton Trumbo, authors Larry Ceplair and Christopher Trumbo present their extensive research on the famed writer, detailing his work, his membership in the Communist Party, his long campaign against censorship during the domestic cold war, his ten-month prison sentence for contempt of Congress, and his thirteen-year struggle to break the blacklist.The blacklist ended for Trumbo in 1960, when he received screen credits for Exodus and Spartacus. Just before his death, he received a long-delayed Academy Award for The Brave One, and in 1993, he was posthumously given an Academy Award for Roman Holiday (1953). This comprehensive biography provides insights into the many notable people with whom Trumbo worked, including Stanley Kubrick, Otto Preminger, and Kirk Douglas, and offers a fascinating look at the life of one of Hollywood's most prominent screenwriters and his battle against persecution.
The Dame in the Kimono: Hollywood, Censorship, and the Production Code
by Leonard J. Leff Jerold L. Simmons“This excellent, lively study examines the ‘raucous debate’ sparked by the Code over the morals and ideals of American movies.” —Publishers WeeklyThe new edition of this seminal work takes the story of the Production Code and motion picture censorship into the present, including the creation of the PG-13 and NC-17 ratings in the 1990s.Starting in the early 1930s, the Production Code Director, Joe Breen, and his successor, Geoff Shurlock, understood that American motion pictures needed enough rope—enough sex, and violence, and tang—to lasso an audience, and not enough to strangle the industry. To explore the history and implementation of the Motion Picture Production Code, this book uses 11 movies: Dead End, GoneWith the Wind, The Outlaw, The Postman Always Rings Twice, The Bicycle Thief, Detective Story, A Streetcar Named Desire, The Moon Is Blue, The French Line, Lolita, and Who’s Afraid of Virginia Woolf? The authors combine a lively style with provocative insights and a wealth of anecdotes to show how the code helped shape American screen content for nearly 50 years.“A readable, intimate account of the rise to near-tyrannical power, and the fall to well-deserved ignominy, of the old Production Code Administration.” —Atlantic Monthly“A valuable insight into our own innocence and naiveté.” —The New York Times Book Review“The triumph of Leff and Simmons’s fine work is that they have reminded us of how fatuous and inimical a code of conduct can be: how tempting it is as a theoretical answer, and how intrinsically flawed it is as a working solution.” —The Times of London
Dames in the Driver's Seat: Rereading Film Noir
by Jans B. Wager-With its focus on dangerous, determined femmes fatales, hardboiled detectives, and crimes that almost-but-never-quite succeed, film noir has long been popular with moviegoers and film critics alike. Film noir was a staple of classical Hollywood filmmaking during the years 1941-1958 and has enjoyed a resurgence in popularity since the 1990s. Dames in the Driver's Seat offers new views of both classical-era and contemporary noirs through the lenses of gender, class, and race. Jans Wager analyzes how changes in film noir's representation of women's and men's roles, class status, and racial identities mirror changes in a culture that is now often referred to as postmodern and postfeminist. Following introductory chapters that establish the theoretical basis of her arguments, Wager engages in close readings of the classic noirs The Killers, Out of the Past, and Kiss Me Deadly and the contemporary noirs L. A. Confidential, Mulholland Falls, Fight Club, Twilight, Fargo, and Jackie Brown. Wager divides recent films into retro-noirs (made in the present, but set in the 1940s and 1950s) and neo-noirs (made and set in the present but referring to classic noir narratively or stylistically). Going beyond previous studies of noir, her perceptive readings of these films reveal that retro-noirs fulfill a reactionary social function, looking back nostalgically to outdated gender roles and racial relations, while neo-noirs often offer more revisionary representations of women, though not necessarily of people of color.
Damn Fine Cherry Pie: The Unauthorised Cookbook Inspired by the TV Show Twin Peaks
by Lindsey BowdenEnjoy the taste of the cult classic TV series Twin Peaks with more than 100 recipes inspired by the show's scenes and characters - including Maple Ham Pancakes, Coffee Donuts, Icelandic Hangikjot, Percolator Fish Supper and Chocolate Chestnut Log. Along the way you'll discover fun facts and features - such as how to tie cherry stems in your mouth, and how to fold origami owls - and a diner jukebox selection inspired by the show that you can enjoy with a slice of damn fine cherry pie.This publication has not been prepared, approved or licensed by any entity or individual that created or produced the well-known TV programme Twin Peaks.
Damn Fine Cherry Pie: The Unauthorized Cookbook Inspired by the TV Show Twin Peaks
by Lindsey BowdenA damn fine collection of seventy-five mouthwatering recipes, inspired by iconic scenes and characters from David Lynch’s groundbreaking cult classic series Twin Peaks—returning to television in 2017 with eighteen new episodes on Showtime.Widely hailed as the best television show ever created, Twin Peaks has become a beloved cult favorite classic that continues to attract legions of passionate fans today. Twenty years after it first aired, the show’s influence can be see in all areas of popular culture, from television shows and commercials, to comic books and video games, to films and song lyrics. The show has also impacted popular culinary traditions; there are Double R Diner copycat diners, pop-up dining experiences, doughnut-eating contests, and David Lynch’s signature coffee. Now, fans hungry for a Twin Peaks fix can sate their appetite with this quirky cookbook that pays homage to the show. Lindsey Bowden, the founder of the Twin Peaks festival in the UK, has gathered dozens of recipes inspired by its most memorable scenes and characters, including Percolator Fish Supper, the Log Lady’s Chocolate and Chestnut Roulade, and the Double R Diner's famous Cherry pie. Inside Damn Fine Cherry Pie you'll find delights such as:Coffee, Pastries & Donuts: Coffee with Mexican Chihuahua ChurrosDouble R Diner Menu: Percolate Fish SupperFamily Meals: Betty Brigg’s Meatloaf and Doc Hayward’s Diet LasagnaMeals on Wheels Program: Mrs. Tremond’s Creamed Corn ChowderBlack Lodge Supper Club: Doctor Jacobi’s Secret Coconut Hawaiian StewCocktails: Audrey Horne's Cherry TwistIdeal for viewing parties or a fun date night for two, Damn Fine Cherry Pie is a must for Twin Peaks fans, pop culture aficionados, and imaginative home cooks.
Damn Shame: A Memoir of Desire, Defiance, and Show Tunes
by David PevsnerA funny, daring, bawdy and incredibly honest memoir from the anti-ageist, anti-body shaming, pro-sex advocate and erotic provocateur.Over the course of his 40-year career in show business, David Pevsner has done it all. He&’s acted on Broadway, off-Broadway, in independent films and on numerous TV network shows including Grey&’s Anatomy, Modern Family and Criminal Minds. As he continues his career in entertainment, Pevsner has also dedicated himself to exploring his deepest sexual fantasies. In his late 30s he became a mature male escort and over the last several years has attracted a large international fan base through his blog of erotic photographs celebrating nudity and sexuality. Damn Shame is David Pevsner&’s incredible story and is a passionate and poignant look at one man&’s journey from a thin, shy boy ashamed of his body and sexuality to a defiant, fearless everyman exploring his erotic desires, everything from leather and S&M to nude/erotic/hardcore modelling. Along the way, he fights back against society&’s demonization of gay sex, body shaming and ageism while pursuing his own very personal definition of success and seeking love, validation and self-esteem. Damn Shame gives a loud and powerful voice to a generation of mature men who have been conditioned to believe from society (and especially younger members of the gay community) that they are sexually irrelevant, old and undesirable. Pevsner&’s life story goes in directions that many couldn&’t imagine, but the lessons learned through his experiences will resonate with readers of every age.
The Damned (Constellations)
by Nick RiddleThe Damned (1963) is the most intriguing of director Joseph Losey’s British "journeyman" films. A sci-fi film by a director who hated sci-fi; a Hammer production that sat on the shelf for over two years before being released with almost no publicity as the second half of a double bill. Losey was a director vocal in his dislike of depictions of physical violence, but he often made films that radiate an energy produced by a violent clash of elements. The Damned catches a series of collisions—some of them inadvertent—and traps them as if in amber. Its volatile elements include Losey the blacklisted director, Hammer the erratic British studio, Oliver Reed the 'dangerous' young actor, and radioactive children. Nick Riddle’s contribution to the Constellations series concentrates on historical and cultural context, place, genre, and other themes in order to try to make sense of a fascinating, underappreciated film.
Damsels and Divas: European Stardom in Silent Hollywood
by Agata FrymusDamsels and Divas investigates the meanings of Europeanness in Hollywood during the 1920s by charting professional trajectories of three movie stars: Pola Negri, Vilma Bánky and Jetta Goudal. It combines the investigation of American fan magazines with the analysis of studio documents, and the examination of the narratives of their films, to develop a thorough understanding of the ways in which Negri, Bánky and Goudal were understood within the realm of their contemporary American culture. This discussion places their star personae in the context of whiteness, femininity and Americanization. Every age has its heroines, and they reveal a lot about prevailing attitudes towards women in their respective eras. In the United States, where the stories of rags-to-riches were especially potent, stars could offer models of successful cultural integration.
Dan Duryea: Heel with a Heart (Hollywood Legends Series)
by Mike PerosDan Duryea (1907–1968) made a vivid impression on moviegoers with his first major screen appearance as the conniving Leo Hubbard in 1941's classic melodrama The Little Foxes. His subsequent film and television career would span from 1941 until his death. Duryea remains best known for the nasty, scheming villains he portrayed in such noir masterpieces as Scarlet Street, Criss Cross, and The Woman in the Window. In each of these, he wielded a blend of menace, sleaze, confidence, and surface charm. This winning combination led him to stardom and garnered him the adoration of female fans, even though Duryea's onscreen brutality so often targeted female characters. Yet this biography's close examination of Duryea's oeuvre finds him excelling in various roles in many genres—war films, westerns, crime dramas, and even the occasional comedy. Dan Duryea: Heel with a Heart is a full-scale, comprehensive biography that examines the tension between Duryea's villainous screen image and his Samaritan personal life. At home, he proved to be one of Hollywood's most honorable and decent men. Duryea remained married to the former Helen Bryan from 1931 until her death in 1967. A dedicated family man, he and Helen took an active role in raising their children and in the community. In his career, Duryea knew villainous roles were what the public wanted—there would be a public backlash if fans read an article depicting what a decent guy he was. Frustrated that he couldn't completely shake his screen image and public persona, he wrestled with this restriction throughout his career. Producers and the public did not care to follow any new directions he hoped to pursue. This book, written with Duryea's surviving son Richard's cooperation, fully explores the life and legacy of a Hollywood icon ready for rediscovery.
Dan Graham: Rock My Religion (One Work)
by Kodwo EshunAn illustrated exploration of a groundbreaking work and its connections to New York's art and music scenes of the 1980s.Dan Graham's Rock My Religion (1982–1984) is a video essay populated by punk and rock performers (Patti Smith, Jim Morrison, Jerry Lee Lewis, and Eddie Cochran) and historical figures (including Ann Lee, founder of the Shakers). It represented a coming together of narrative voice-overs, singing and shouting voices, and jarring sounds and overlaid texts that proposed a historical genealogy of rock music and an ambitious thesis about the origins of North America's popular culture. Because of its passionate embrace of underground music, its low-fi aesthetics, interest in politics, and liberal approach to historiography, the video has become a landmark work in the history of contemporary moving image and art; but it has remained, possibly for the same reasons, one of Graham's least written about works—underappreciated and possibly misunderstood by the critics who otherwise celebrate him. This illustrated study of Graham's groundbreaking work fills that critical gap.Kodwo Eshun examines Rock My Religion not only in terms of contemporary art and Graham's wider body of work but also as part of the broader culture of the time. He explores the relationship between Graham and New York's underground music scene of the 1980s, connecting the artistic methods of the No Wave bands—especially their group dynamics and relationship to the audience—and Rock My Religion's treatment of working class identity and culture.
A Dance
by Alexander BarabanovAlexander Barabanov, a key figure in the Russian dance world, has sifted through many thousands of photographs of dance to accumulate an extraordinary collection of pictures, ranging from historical ballet photographs to shocking avant-garde imagery.This work has been collected and edited to form an astonishing sequence. Rather than being assembled as an anthology, the sequence has in fact been 'choreographed' so the book is constructed to form a dance in ten movements. It begins with creation myths, follows erotic engagements and leads to a series of mass movements in the modern age. It includes such gems as the young Nureyev's first performance with the Kirov and Baryshinikov's debut as well as images with brutal reference to Abu Ghraib or the march of fascism.
The Dance (The Dark Chronicles #1)
by Barbara SteinerIs there something sinister about Madame Leona&’s dance troupe?When Melanie Clark&’s best friend, Pauline, dies in a car crash, the police write it off as an accident, but Melanie isn&’t so sure. Pauline was acting strange in the weeks before she died, and Melanie believes Pauline&’s dance teacher, Madame Leona, may have had something to do with that. In order to learn more about the mysterious hold Madame Leona has on her students, Melanie joins the teacher&’s prestigious dance group. She&’s determined to find out the truth behind Pauline&’s death—no matter what it takes. But as she becomes more involved, Melanie starts to forget why she joined in the first place, falling deeper and deeper under Madame Leona&’s spell. Can Melanie escape the woman&’s magnetic grip, or has she lost herself forever?
Dance, Access and Inclusion: Perspectives on Dance, Young People and Change
by Charlotte Svendler Nielsen Stephanie BurridgeThe arts have a crucial role in empowering young people with special needs through diverse dance initiatives. Inclusive pedagogy that integrates all students in rich, equitable and just dance programmes within education frameworks is occurring alongside enabling projects by community groups and in the professional dance world where many high-profile choreographers actively seek opportunities to work across diversity to inspire creativity. Access and inclusion is increasingly the essence of projects for disenfranchised and traumatised youth who find creative expression, freedom and hope through dance. This volume foregrounds dance for young people with special needs and presents best practice scenarios in schools, communities and the professional sphere. International perspectives come from Australia, Brazil, Cambodia, Canada, Denmark, Fiji, Finland, India, Indonesia, Jamaica, Japan, Malaysia, New Zealand, Norway, Papua New Guinea, Portugal, Singapore, South Africa, Spain, Taiwan, Timor Leste, the UK and the USA. Sections include: inclusive dance pedagogy equality, advocacy and policy changing practice for dance education community dance initiatives professional integrated collaborations
Dance Anatomy (Anatomy Ser.)
by Jacqui Greene HaasDance Anatomy is a visually stunning presentation of more than 100 of the most effective dance, movement, and performance exercises, each designed to promote correct alignment, improved placement, proper breathing, and prevention of common injuries.
Dance and Cultural Difference in Aotearoa: Finding Common Ground in Rural Dance Studio Education (Critical Studies in Dance Leadership and Inclusion)
by Kristie MortimerThis book provides a critical reflection on the ways dance studio teachers recognize, reflect and respond to cultural difference within their dance studio classes, particularly in the rural context in Aotearoa/New Zealand. Through dance teachers’ narratives, it reveals the complexities of multiculturalism within dance studio classes and examines related issues of inclusion and exclusion within dance education.Understanding the dance practices provided by teachers like those in rural communities within Aotearoa/New Zealand is an increasingly urgent concern in an era of growing political, social and cultural tensions, for students and scholars of performing arts, leadership and community development. While previous research and publications have investigated cultural difference and global multicultural arts practices, this book presents a critical lens on performing arts practice and socio-cultural challenges experienced by local dance teachers within rural communities in Aotearoa/New Zealand.
Dance and Gender: An Evidence-Based Approach
by Wendy Oliver Doug RisnerDriven by exacting methods and hard data, this volume reveals gender dynamics within the dance world in the twenty-first century. It provides concrete evidence about how gender impacts the daily lives of dancers, choreographers, directors, educators, and students through surveys, interviews, analyses of data from institutional sources, and action research studies. Dancers, dance artists, and dance scholars from the United States, Australia, and Canada discuss equity in three areas: concert dance, the studio, and higher education. The chapters provide evidence of bias, stereotyping, and other behaviors that are often invisible to those involved, as well as to audiences. The contributors answer incisive questions about the role of gender in various aspects of the field, including physical expression and body image, classroom experiences and pedagogy, and performance and funding opportunities. The findings reveal how inequitable practices combined with societal pressures can create environments that hinder health, happiness, and success. At the same time, they highlight the individuals working to eliminate discrimination and open up new possibilities for expression and achievement in studios, choreography, performance venues, and institutions of higher education. The dance community can strive to eliminate discrimination, but first it must understand the status quo for gender in the dance world. Wendy Oliver, professor of dance at Providence College, is coeditor of Jazz Dance: A History of the Roots and Branches. Doug Risner, professor of dance at Wayne State University, is coeditor of Hybrid Lives of Teaching Artists in Dance and Theatre Arts: A Critical Reader. Contributors: Gareth Belling | Karen Bond | Carolyn Hebert | Eliza Larson | Pamela S. Musil | Wendy Oliver | Katherine Polasek | Doug Risner | Emily Roper | Karen Schupp | Jan Van Dyke
Dance and Light: The Partnership Between Choreography and Lighting Design
by Kevin DreyerDance and Light examines the interconnected relationship between movement and design, the fluid partnership that exists between the two disciplines, and the approaches that designers can take to enhance dance performances through lighting design. The book demystifies lighting for the dancer and helps designers understand how the dancer/choreographer thinks about their art form, providing insight into the choreographer’s process and exploring how designers can make the most of their resources. The author shares anecdotes and ideas from an almost 50-year career as a lighting designer, along with practical examples and insights from colleagues, and stresses the importance of clear communication between designers, choreographers, and dancers. Attention is also given to the choreographer who wants to learn what light can do to help enhance their work on stage. Written in short, stand-alone chapters that allow readers to quickly navigate to areas of interest, Dance and Light is a valuable resource for lighting design classes wishing to add a section on dance lighting, as well as for choreography classes who want to better equip young artists for a significant collaborative partnership.
The Dance and Opera Stage Manager's Toolkit: Protocols, Practical Considerations, and Templates (The Focal Press Toolkit Series)
by Susan Fenty Studham Michele KayThe Dance and Opera Stage Manager’s Toolkit details unique perspectives and approaches to support stage managers beginning to navigate the fields of dance and opera stage management in live performance.This book demystifies the genre-specific protocols and vocabularies for stage managers who might be unfamiliar with these fields and discusses common practices. Filled with valuable industry-tested tools, templates, and practical information, The Dance and Opera Stage Manager’s Toolkit is designed to assist stage managers interested in pursuing these performance genres. The book also includes interviews and contributions from a range of professional stage managers working in dance and opera.From the student stage manager studying in Theatrical Design and Production university programs to the experienced stage manager wanting to broaden their skill set, this book provides resources and advice for a successful transition into these worlds.The Dance and Opera Stage Manager’s Toolkit includes access to an online repository of resources and paperwork examples to help jumpstart the reader’s journey into dance and opera stage management. To access these resources, visit www.routledge.com/9780367566579.
Dance and Organization: Integrating Dance Theory and Methods into the Study of Management (Routledge Studies in Management, Organizations and Society)
by Brigitte BiehlDance and Organisation is the first comprehensive work to integrate dance theory and methods into the study of management, which have developed an interest in the arts and the humanities. Dance represents dynamics and change and puts the moving body at the centre, which has been ignored and oppressed by traditional management theory. ‘Being’ a leader however also means to ‘move’ like one, and critical lessons can be learned from ballerinas and modern dancers. Leadership is a dialogue, as in the work of musicians, conductors and DJs who manage groups without words. Movement in organisational space, in a museum or a techno club can be understood as a choreography and site-specific performance. Movement also is practically used for leadership and employee development workshops and can be deployed as an organisational research method. By taking a firm interdisciplinary stance in dance studies and organisational research to explore management topics, reflecting on practitioner accounts and research projects, the book seeks to make an innovative contribution to our understanding of the moving body, generating new insights on teamwork, leadership, gender in management, organisational space, training and research methods. It comprises an important contribution to the organizational behaviour and critical management studies disciplines, and looks to push the boundaries of the academic literature.
Dance and the Arts in Mexico, 1920-1950: The Cosmic Generation
by Ellie GuerreroDance and the Arts in Mexico, 1920–1950 tells the story of the arts explosion that launched at the end of the Mexican revolution, when composers, choreographers, and muralists had produced state-sponsored works in wide public spaces. The book assesses how the “cosmic generation” in Mexico connected the nation-body and the dancer’s body in artistic movements between 1920 and 1950. It first discusses the role of dance in particular, the convergences of composers and visual artists in dance productions, and the allegorical relationship between the dancer's body and the nation-body in state-sponsored performances. The arts were of critical import in times of political and social transition, and the dynamic between the dancer’s body and the national body shifted as the government stance had also shifted. Second, this book examines more deeply the involvement of US artists and patrons in this Mexican arts movement during the period. Given the power imbalance between north and south, these exchanges were vexed. Still, the results for both parties were invaluable. Ultimately, this book argues in favor of the benefits that artists on both sides of the border received from these exchanges.
Dance and the Corporeal Uncanny: Philosophy in Motion
by Philipa RothfieldDance and the Corporeal Uncanny takes the philosophy of the body into the field of dance, through the lens of subjectivity and via its critique. It draws on dance and performance as its dedicated field of practice to articulate a philosophy of agency and movement. It is organized around two conceptual paradigms - one phenomenological (via Merleau-Ponty), the other an interpretation of Nietzschean philosophy, mediated through the work of Deleuze. The book draws on dance studies, cultural critique, ethnography and postcolonial theory, seeking an interdisciplinary audience in philosophy, dance and cultural studies.
Dance and the Quality of Life (Social Indicators Research Series #73)
by Karen BondThis is the first volume devoted to the topic of dance and quality of life. Thirty-one chapters illuminate dance in relation to singular and overlapping themes of nature, philosophy, spirituality, religion, life span, learning, love, family, teaching, creativity, ability, socio-cultural identity, politics and change, sex and gender, wellbeing, and more. With contributions from a multi-generational group of artists, community workers, educators, philosophers, researchers, students and health professionals, this volume presents a thoughtful, expansive-yet-focused, and nuanced discussion of dance’s contribution to human life. The volume will interest dance specialists, quality of life researchers, and anyone interested in exploring dance’s contribution to quality of living and being.