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Dark Borders: Film Noir and American Citizenship
by Jonathan AuerbachDark Borders connects anxieties about citizenship and national belonging in midcentury America to the sense of alienation conveyed by American film noir. Jonathan Auerbach provides in-depth interpretations of more than a dozen of these dark crime thrillers, considering them in relation to U. S. national security measures enacted from the mid-1930s to the mid-1950s. The growth of a domestic intelligence-gathering apparatus before, during, and after the Second World War raised unsettling questions about who was American and who was not, and how to tell the difference. Auerbach shows how politics and aesthetics merge in these noirs, whose oft-noted uncanniness betrays the fear that "un-American" foes lurk within the homeland. This tone of dispossession was reflected in well-known films, including Double Indemnity, Out of the Past, and Pickup on South Street, and less familiar noirs such as Stranger on the Third Floor, The Chase, and Ride the Pink Horse. Whether tracing the consequences of the Gestapo in America, or the uncertain borderlines that separate the United States from Cuba and Mexico, these movies blur boundaries; inside and outside become confused as (presumed) foreigners take over domestic space. To feel like a stranger in your own home: this is the peculiar affective condition of citizenship intensified by wartime and Cold War security measures, as well as a primary mood driving many midcentury noir films.
Dark Carnivals: Modern Horror and the Origins of American Empire
by W. Scott PooleThe panoramic story of how the horror genre transformed into one of the most incisive critiques of unchecked American imperial power The American empire emerged from the shadows of World War II. As the nation&’s influence swept the globe with near impunity, a host of evil forces followed—from racism, exploitation, and military invasion to killer clowns, flying saucers, and monsters borne of a fear of the other. By viewing American imperial history through the prism of the horror genre, Dark Carnivals lays bare how the genre shaped us, distracted us, and gave form to a violence as American as apple pie. A carnival ride that connects the mushroom clouds of 1945 to the beaches of Amity Island, Charles Manson to the massacre at My Lai, and John Wayne to John Wayne Gacy, the new book by acclaimed historian W. Scott Poole reveals how horror films and fictions have followed the course of America&’s military and cultural empire and explores how the shadow of our national sins can take on the form of mass entertainment.
Dark City: The Lost World of Film Noir (Revised and Expanded Edition) (Turner Classic Movies)
by Eddie MullerThis revised and expanded edition of Eddie Muller's Dark City is a film noir lover's bible, taking readers on a tour of the urban landscape of the grim and gritty genre in a definitive, highly illustrated volume.Dark Cityexpands with new chapters and a fresh collection of restored photos that illustrate the mythic landscape of the imagination. It's a place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life. Eddie Muller, host of Turner Classic Movies' Noir Alley, takes readers on a spellbinding trip through treacherous terrain: Hollywood in the post-World War II years, where art, politics, scandal, style -- and brilliant craftsmanship -- produced a new approach to moviemaking, and a new type of cultural mythology.
Dark Humor in Films of the 1960s
by Wheeler Winston DixonFocusing on "dark" or black comedy films in the US and the UK, Wheeler Winston Dixon provides a comprehensive overview of a variety of films and filmmakers (Vanishing Point, Marcel Hanoun), whose work has largely been ignored, but whose influence and importance is clearly present.
Dark Laughter
by Juan F. EgeaIn "Dark Laughter," Juan F. Egea provides a remarkable in-depth analysis of the dark comedy film genre in Spain, as well as a provocative critical engagement with the idea of national cinema, the visual dimension of cultural specificity, and the ethics of dark humor. Egea begins his analysis with General Franco's dictatorship in the 1960s--a regime that opened the country to new economic forces while maintaining its repressive nature--exploring key works by Luis Garcia Berlanga, Marco Ferreri, Fernando Fernan-Gomez, and Luis Bunuel. "Dark Laughter" then moves to the first films of Pedro Almodovar in the early 1980s during the Spanish political transition to democracy before examining Alex de la Iglesia and the new dark comedies of the 1990s. Analyzing this younger generation of filmmakers, Egea traces dark comedy to Spain's displays of ultramodernity such as the Universal Exposition in Seville and the Barcelona Olympic Games. At its core, " Dark Laughter" is a substantial inquiry into the epistemology of comedy, the intricacies of visual modernity, and the relationship between cinema and a wider framework of representational practices.
Dark Matter: Invisibility In Drama, Theater, And Performance
by Andrew SoferDark Matter maps the invisible dimension of theater whose effects are felt everywhere in performance. Examining phenomena such as hallucination, offstage character, offstage action, sexuality, masking, technology, and trauma, Andrew Sofer engagingly illuminates the invisible in different periods of postclassical western theater and drama. He reveals how the invisible continually structures and focuses an audience’s theatrical experience, whether it’s black magic in Doctor Faustus, offstage sex in A Midsummer Night’s Dream, masked women in The Rover, self-consuming bodies in Suddenly Last Summer, or surveillance technology in The Archbishop’s Ceiling. Each discussion pinpoints new and striking facets of drama and performance that escape sight. Taken together, Sofer’s lively case studies illuminate how dark matter is woven into the very fabric of theatrical representation. Written in an accessible style and grounded in theater studies but interdisciplinary by design, Dark Matter will appeal to theater and performance scholars, literary critics, students, and theater practitioners, particularly playwrights and directors.
Dark of the Moon
by Howard Richardson William BerneyAs the tale unfolds, a witch boy tarries in a mountain community in love with a beautiful girl named Barbara Allen. The superstitious townspeople resent their happiness and their subsequent meddling ends in violence and tragedy. This play was proclaimed a Broadway hit.
Dark Shadows: Dark Shadows (Tv Milestones Ser.)
by Harry M. BenshoffExplores the cultural, industrial, formal, and generic contexts of the television soap opera Dark Shadows as a precursor to today's popular gothic media franchises.
Dark Shadows: Return to Collinwood
by Kathryn Leigh Scott Jim Pierson Jonathan FridDark Shadows: Return to Collinwood presents a look back at four decadesof the successful spooky soap opera that made sympathetic vampire Barnabas Collins a pop culture phenomenon and prompted the big-budget, big-screen Warner Bros. revival starring longtime fan Johnny Depp, directed by Tim Burton, that premieres May 11, 2012. The large format book includes color photographs and behind-the-scenes anecdotes from Kathryn Leigh Scott and three other original cast members who filmed cameo roles with Johnny Depp, Helene Bonham-Carter and Michelle Pfeiffer in the new Gothic epic. With the ongoing fascination for all things vampiric, this book about the making of the new film and the history of the original series will be an enticing volume for new and old fans alike.This book also features hundreds of exclusive photographs of Dark Shadows then and now, along with behind-the-scenes information, production materials and unique archival elements that provide context for the Depp/Burton Warner Bros. film.The suspenseful Gothic tales of Dark Shadows center on the wealthy but tormented inhabitants of the mysterious Collinwood estate in the small fishing village of Collinsport, Maine, where the powerful Collins family has been haunted for generations by vengeful curses and other supernatural secrets that span the centuries.
The Dark Shadows Almanac
by Kathryn Leigh Scott Jim Pierson David SelbyTHE DARK SHADOWS ALMANAC: Millenium Edition is a colorful, picture-packed tribute to the legendary 1966 - 1971 Gothic ABC-TV daytime series Dark Shadows, that starred Jonathan Frid as vampire Barnabas Collins. THE DARK SHADOWS ALMANAC was originally published in 1995 to celebrate the 30th anniversary of the show every kid "ran home from school to watch,"The Millenium Edition has been updated, and contains 16 pages of additional text and photographs. Edited by series archivist Jim Pierson and Dark Shadows actress Kathryn Leigh Scott (Maggie Evans and Josette duPrés), this book overflows with fascinating facts, anecdotes and trivia about Dark Shadows, along with dozens of never-before-published photographs. THE DARK SHADOWS ALMANAC: Millenium Edition includes a Foreword by actor David Selby, who played Quentin Collins on the series. Lara Parker, who portrayed Angelique, has written a sparkling salute to the fans, who have kept the series alive and airing continuously for three decades. Associate Producer George DiCenzo and Scenic Designer Sy Tomashoff also provide fascinating, often hilarious behind-the-scenes insights as to how the show was conceived and produced. Other contributors include Louis Edmonds, Marie Wallace, Donna Wandrey, Dennis Patrick and Dark Shadows fans themselves, who recount their youthful, unforgettable experiences visiting the Manhattan TV studio while the series was in production. Additional features of THE DARK SHADOWS ALMANAC: Millenium Edition are a complete list of cast and characters, program history, storyline and production details, and a tribute to Dark Shadows creator and executive producer Dan Curtis. THE DARK SHADOWS ALMANAC: Millenium Edition is the fourth in a series of Dark Shadows volumes published by Pomegranate Press. In 1986, the company issued Kathryn Leigh Scott's My Scrapbook Memories of Dark Shadows, followed by The Dark Shadows Companion in 1990. Dark Shadows Resurrected, devoted to the 1991 revival series, was published in 1992.
The Dark Shadows Companion
by Kathryn Leigh Scott Jonathan FridThe timeless magic of the Gothic cult series Dark Shadows comes alive in Kathryn Leigh Scott's Dark Shadows Companion, as members of the original cast of Dark Shadows reunite to recall great moments and personal memories of this enduring classic. With a Foreword by Jonathan Frid (vampire Barnabas Collins), this Silver Anniversary treasure trove features rare color and black & white photographs, a complete history of the original Dark Shadows series, including a synopsis of all 1,225 episodes.
Dark Shadows Memories
by Kathryn Leigh Scott Alexandra Moltke IslesDARK SHADOWS MEMORIES is a colorful, picture-packed tribute to the legendary 1966 - 1971 Gothic ABC-TV daytime series Dark Shadows, that starred Jonathan Frid as tormented vampire Barnabas Collins. Launched June 27, 1966 by series creator Dan Curtis as a Gothic romance evoking the gloomy, storm-tossed milieu of the Brontë sisters, and later evolving into a supernatural blend of vampires, witches, leviathans, time travel and parallel universes, Dark Shadows was radically unlike any daytime soap.
Dark Shadows Movie Book
by Kathryn Leigh Scott Kate JacksonThe Dark Shadows Movie Book is the first publication to examine and commemorate the two M-G-M theatrical motion pictures ("House of Dark Shadows" and "Night of Dark Shadows") based on the successful '60s Gothic television series "Dark Shadows."The Dark Shadows Movie Book features reproductions of the uncut original scripts to both films (which offer numerous rare scenes deleted from the film's release prints), complete with producer-director Dan Curtis' extensive script notes--offering unique insights to the filming process. The four female stars of the films--Kate Jackson, Lara Parker, Nancy Barrett and Kathryn Leigh Scott--contribute their recollections of the productions. The book also contains dozens of previously unpublished publicity photographs and behind-the-scenes shots, including many in full color."House of Dark Shadows," released in 1970, involves the story of reluctant vampire Barnabas Collins (Jonathan Frid) and his attempt to make Collinwood governess Maggie Evans (Kathryn Leigh Scott) his eternal bride. The film also starred veteran Hollywood screen actress Joan Bennett.
The Dark Side of Stand-Up Comedy (Palgrave Studies in Comedy)
by Patrice A. Oppliger Eric ShouseThis book focuses on the “dark side” of stand-up comedy, initially inspired by speculations surrounding the death of comedian Robin Williams. Contributors, those who study humor as well as those who perform comedy, join together to contemplate the paradoxical relationship between tragedy and comedy and expose over-generalizations about comic performers’ troubled childhoods, addictions, and mental illnesses. The book is divided into two sections. First, scholars from a variety of disciplines explore comedians’ onstage performances, their offstage lives, and the relationship between the two. The second half of the book focuses on amateur and lesser-known professional comedians who reveal the struggles they face as they attempt to hone successful comedy acts and likable comic personae. The goal of this collection is to move beyond the hackneyed stereotype of the sad clown in order to reveal how stand-up comedy can transform both personal and collective tragedies by providing catharsis through humor.
The Dark Side of the Screen: Film Noir
by Foster HirschA revised and updated edition of the definitive study of film "noir"?the most original genre of American cinema?with a new epilogue by the author.
Dark Sparkler
by Amber TamblynHere is the American starlet: discovered, disrobed, displaced, disused, disgorged.In more than thirty haunting, visceral poetic portraits, acclaimed poet and actress Amber Tamblyn contemplates the interior lives of women who glimmered on-screen and crashed in life--figures as diverse as Frances Farmer and Brittany Murphy, Jayne Mansfield and Dana Plato, Jean Harlow and Sharon Tate, Heather O'Rourke and Dominique Dunne and Marilyn Monroe. Their stories invite us behind the eyes of a century's worth of women, the adored and the disappeared.tonishing candor and poetic command.
Dark Star: An Oral Biography of Jerry Garcia
by Robert GreenfieldFor more than thirty years, Jerry Garcia was the musical and spiritual center of the Grateful Dead, one of the most popular rock bands of all time. In Dark Star, the first biography of Garcia published after his death, Garcia is remembered by those who knew him best. Together the voices in this oral biography explore his remarkable life: his childhood in San Francisco; the formation of his musical identity; the Dead's road to rock stardom; and his final, crushing addiction to heroin. Interviews with Jerry's former wives, lovers, family members, close friends, musical partners, and cultural cohorts create a behind-the-scenes look at the making of a rock-and-roll icon—and at the price of fame.
The Dark Theatre: A Book About Loss
by Alan ReadThe Dark Theatre is an indispensable text for activist communities wondering what theatre might have to do with their futures, students and scholars across Theatre and Performance Studies, Urban Studies, Cultural Studies, Political Economy and Social Ecology. The Dark Theatre returns to the bankrupted warehouse in Hope (Sufferance) Wharf in London’s Docklands where Alan Read worked through the 1980s to identify a four-decade interregnum of ‘cultural cruelty’ wreaked by financialisation, austerity and communicative capitalism. Between the OPEC Oil Embargo and the first screening of The Family in 1974, to the United Nations report on UK poverty and the fire at Grenfell Tower in 2017, this volume becomes a book about loss. In the harsh light of such loss is there an alternative to the market that profits from peddling ‘well-being’ and pushes prescriptions for ‘self-help’, any role for the arts that is not an apologia for injustice? What if culture were not the solution but the problem when it comes to the mitigation of grief? Creativity not the remedy but the symptom of a structural malaise called inequality? Read suggests performance is no longer a political panacea for the precarious subject but a loss adjustor measuring damages suffered, compensations due, wrongs that demand to be put right. These field notes from a fire sale are a call for angry arts of advocacy representing those abandoned as the detritus of cultural authority, second-order victims whose crime is to have appealed for help from those looking on, audiences of sorts.
Dark Victory: The Life of Bette Davis
by Ed SikovThe legendary Hollywood star blazes a fiery trail in this enthralling portrait of a brilliant actress and the movies her talent elevated to greatnessShe was magnificent and exasperating in equal measure. Jack Warner called her "an explosive little broad with a sharp left." Humphrey Bogart once remarked, "Unless you're very big she can knock you down." Bette Davis was a force of nature—an idiosyncratic talent who nevertheless defined the words "movie star" for more than half a century and who created an extraordinary body of work filled with unforgettable performances. In Dark Victory, the noted film critic and biographer Ed Sikov paints the most detailed picture ever delivered of this intelligent, opinionated, and unusual woman who was—in the words of a close friend—"one of the major events of the twentieth century." Drawing on new interviews with friends, directors, and admirers, as well as archival research and a fresh look at the films, this stylish, intimate biography reveals Davis's personal as well as professional life in a way that is both revealing and sympathetic. With his wise and well-informed take on the production and accomplishments of such movie milestones as Jezebel, All About Eve, and Now, Voyager, as well as the turbulent life and complicated personality of the actress who made them, Sikov's Dark Victory brings to life the two-time Academy Award–winning actress's unmistakable screen style, and shows the reader how Davis's art was her own dark victory.
Darkbeast
by Morgan KeyesA girl's love for her raven may put her life in jeopardy in this gripping tale.In Keara's world, every child has a darkbeast--a creature that takes dark emotions like anger, pride, and rebellion. Keara's darkbeast is Caw, a raven, and Keara can be free of her worst feelings by transferring them to Caw. He is her constant companion, and they are magically bound to each other until Keara's twelfth birthday. For on that day Keara must kill her darkbeast--that is the law. Refusing to kill a darkbeast is an offense to the gods, and such heresy is harshly punished by the feared Inquisitors. But Keara cannot imagine life without Caw. And she finds herself drawn to the Travelers, actors who tour the country performing revels. Keara is fascinated by their hints of a grand life beyond her tiny village. As her birthday approaches, Keara readies herself to leave childhood--and Caw--behind forever. But when the time comes for the sacrifice, will she be able to kill the creature that is so close to her? And if she cannot, where will she turn, and how can she escape the Inquisitors?
Darkbeast Rebellion
by Morgan KeyesBetrayal threatens everything Keara dreams of in this fast-paced, exciting sequel to Darkbeast. Keara, her friend Goran, and the wily old actor, Taggart, are fleeing for their lives. They have all spared their darkbeasts, the creatures that take on their darker deeds and emotions and lift their spirits. But their actions defy the law, which dictates that all citizens must kill their darkbeasts on their twelfth birthdays. There are rumors of safe havens, groups of people called Darkers who spared their darkbeasts and live outside the law. To find the Darkers, the trio must embark on a dangerous journey—and evade the Inquisitors who are searching for them everywhere. In the middle of winter, freezing and exhausted, Keara and her companions are taken to an underground encampment that seems the answer to all their hopes. But are these Darkers really what they appear to be?
Darkening Mirrors: Imperial Representation in Depression-Era African American Performance
by Stephanie Leigh BatisteIn Darkening Mirrors, Stephanie Leigh Batiste examines how African Americans participated in U.S. cultural imperialism in Depression-era stage and screen performances. A population treated as second-class citizens at home imagined themselves as empowered, modern U.S. citizens and transnational actors in plays, operas, ballets, and films. Many of these productions, such as the 1938 hits Haiti and The "Swing" Mikado recruited large casts of unknown performers, involving the black community not only as spectators but also as participants. Performances of exoticism, orientalism, and primitivism are inevitably linked to issues of embodiment, including how bodies signify blackness as a cultural, racial, and global category. Whether enacting U.S. imperialism in westerns, dramas, dances, songs, jokes, or comedy sketches, African Americans maintained a national identity that registered a diasporic empowerment and resistance on the global stage. Boldly addressing the contradictions in these performances, Batiste challenges the simplistic notion that the oppressed cannot identify with oppressive modes of power and enact themselves as empowered subjects. Darkening Mirrors adds nuance and depth to the history of African American subject formation and stage and screen performance.
Darkhearts: A Novel
by James L. SutterPerfect for fans of Alice Oseman and Red, White, & Royal Blue, Darkhearts is a hilarious, heartfelt, enemies-to-lovers romance about love, celebrity, and what happens when the two collide.When David quit his band, he missed his shot at fame, trapped in an ordinary high school life while his ex–best friend, Chance, became the hottest teen pop star in America.Then tragedy throws David and Chance back into contact. As old wounds break open, the boys find themselves trading frenemy status for a confusing, secret romance—one that could be David’s ticket back into the band and the spotlight.As the mixture of business and pleasure becomes a powder keg, David will have to choose: Is this his second chance at glory? Or his second chance at Chance?
Darkness Calls: A Critical Investigation of Neo-Noir
by Sue ShortThis book examines the contrasting forms neo-noir has taken on screen, asking what prompts our continued interest in tales of criminality and moral uncertainty. Neo-noir plots are both familiar and diverse, found in a host of media formats today, and now span the globe. Yet despite its apparent prevalence—and increased academic attention—many core questions remain unanswered. What has propelled noir’s appeal, half a century on after its supposed decline? What has led film-makers and series-creators to rework given tropes? What debates continue to divide critics? And why are we, as viewers, so drawn to stories that often show us at our worst? Referencing a range of films and series, citing critical work in the field—while also challenging many of the assumptions made—this book sets out to advance our understanding of a subject that has fascinated audiences and academics alike. Theories relating to gender identity and neo-noir’s tricky generic status are discussed, together with an evaluation of differing comic inflections and socio-political concerns, concluding that, although neo-noir is capable of being both progressive and reactionary, it also mobilises potentially radical questions about who we are and what we might be capable of.
Darling Judi: A Celebration of Judi Dench
by VariousA celebration of Britain's favourite actress, Judi DenchThe very name Judi Dench encourages a warm and admiring response from the public and fellow actors alike. Her wide-ranging career includes numerous Shakespearean performances (most recently in ALL'S WELL THAT ENDS WELL at the RSC) and contemporary theatre (in plays by, among others, David Hare and Hugh Whitemore); on television (in the series A FINE ROMANCE and AS TIME GOES BY) and in the cinema (MRS BROWN, her Oscar-winning performance in SHAKESPEARE IN LOVE, THE SHIPPING NEWS, IRIS, and in four James Bond films as 'M').Judi Dench is as popular as she is talented - when she and Maggie Smith appeared together in a David Hare play last year all seats were sold for the entire run within 24 hours.John Miller, her biographer, invited fellow actors, writers, and people of the theatre, film and television, to illustrate her genius and her character from their own experience and perspective. With contributors ranging from Billy Connolly to Hugh Whitemore, Bob Larbey to Tim Pigott-Smith, this is a unique portrait of the legend that is Dame Judi Dench.