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Curtain Call to Murder: The brand-new, laugh-out-loud murder mystery series from national treasure Julian Clary
by Julian Clary'Been reading this on m'olidays. It's perfectly ridiculous & also v funny...' - Dawn French 'Curtain Call To Murder positively explodes with the double-entendres and vicious wit that has become his trademark.' DAILY EXPRESS A murder on stage. A cast full of suspects. Can dresser to the stars Jayne unravel the mystery? It is opening night at the London Palladium, and tensions are running high amongst the feuding cast of "Leopard Spots." Amongst them are an ageing lothario, a national treasure, an amateur psychic and a comedian-turned actor all vying for the spotlight.When an on-stage accident forces an unexpected intermission, it is clear only to dresser to the stars Jayne that the drama has turned deadly. Can she step out of the wings and identify the killer before it is too late? Or will murder make an encore...Discover the year's most entertaining, devious and fabulous mystery from author, actor and comedian Julian Clary
Curtain Going Up!: The Story of Katharine Cornell
by Gladys MalvernCurtain Going Up! is the engaging novelization of Katharine Cornell's life up to the book's writing in 1943. The First Lady of the Theatre, as Cornell was known, entertained countless audiences on Broadway and on tour. With her husband, Guthrie McClintic, she produced and starred in many renowned performances, such as Candida and The Barretts of Wimpole Street, and gave endlessly to both audiences and the acting community. The fascinating story of one of the most influential figures in 20th century theatre is available for the first time in ebook.
Curtain Up!: A Book for Young Performers
by Dirk McleanYoung Amaya is auditioning for a role in a professional play. Although she longs to perform, she is about to learn how much team effort and hard work is involved.As the reader follows her progress from a nervous hopeful at an audition through the fittings for costumes, the rehearsals, the memory work, and even stage fright, Dirk McLean introduces the many people and jobs involved in staging a play. A glossary provides descriptions of terms like casting, choreography, and blocking. Written by an author with extensive firsthand theater experience, this is a must-have resource for young children who are performers. And for those who only dream of a career on stage, it is entertaining to share Amaya's journey and to feel the thrill of a peek behind the scenes.
The Curtain Went Up, My Pants Fell Down (Hank Zipzer, the World's Greatest Underachiever #11)
by Henry Winkler Lin OliverHank Zipzer is failing math, so he has to work with Heather Payne, resident class brain, to help get his grades up. At the same time, Hank’s school is putting on a production of The King and I. As coincidence would have it, Hank is cast as the King, and Heather as Anna. But when Hank’s dad tells him he can only appear in the play if he gets a B on his next math test, Hank knows he has to hit the books. Can Hank pull through in time for the show?
Curtains of Light: Theatrical Space in Film (SUNY series, Horizons of Cinema)
by George TolesGeorge Toles's Curtains of Light explores the ways in which various kinds of theatrical space in film engage with the film reality adjacent to them, and alter our understanding of the cinematic real. Film art is a dialogue between the world created for a film narrative and theatre spaces that confront it across the shadowline. This book provides a new way of thinking about film's relation to theatre, and challenges old conceptions of how cinema needs to escape the theatrical, or rise above it. Toles offers elegantly written and jargon-free readings of a rich variety of films, spanning the distance from D.W. Griffith's True Heart Susie up to David Lynch's Mulholland Dr. and Ang Lee's Lust, Caution. The methodology is predominantly aesthetic, but informed by Toles's decades of experience as a professional theatre director. Among the many topics covered are audition scenes, stage deaths on film, the close up and theatrical aloneness in film, eloquent objects, and characters who alternate between directing and playacting for each other, with tragic consequences. Curtains of Light would be an extremely useful introductory text for university students studying the relationship of cinema to theatre.
The Custom of the Country: The Custom Of The Country. Elder Brother. Spanish Curate. Wit Without Money. Beggars' Bush (Globe Quartos)
by John FletcherFirst Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
The Customer Is Always Wrong: An Unhinged Guide to Everything That Sucks About Work (from an Angry Retail Guy)
by Scott SeissCustomers want you to magically produce something from the back room. Bosses schedule you on your day off. Corporate policies are mandated that make zero practical sense. Sound familiar?If you've ever worked in customer service (or any job, really), you know that everyone else—the customer, the boss, the company—is always right, and never the employee. Well, lucky for you, the "Angry Retail Guy" is more furious—and funnier—than ever in this hilariously unhinged guide to all the things we wish we could say out loud at work . . . without getting fired. In The Customer Is Always Wrong, you'll laugh (and maybe cry) at this rant-filled, illustrated attack on all the frustrating things that suck about work.Expanding on the ire-filled, laugh-out-loud viral videos that have made him a (whispered) workplace name, Scott Seiss joyfully eviscerates not only overbearing customers but every annoying aspect of work like purposeless job interview questions, debatable brand values, and the walking human trainwrecks that are our bosses. Scott guides you all the way from first applying to the job, to inevitably gritting your teeth and smiling on your last day when that one manager you despise says, &“Come back and visit us!&”The Customer Is Always Wrong is for anyone who:Is tired of their "raise" being as close as scientifically possible to 0 percentWants to tell their boss that not even the self-checkout machines want to work hereIs prepared to tell the next customer who asks to see the manager that the manager has no idea what's going on eitherCalls in sick whenever their PTO request is deniedBelieves entering a store five minutes before it closes should be illegalExplains, on a weekly basis, why someone can't use a coupon that expired 17 years agoIs physically repulsed by the phrase, "At this company, we're a family. . . ." This tongue-in-cheek commiseration for workers will make you laugh out loud at the things that drive you crazy in the workplace. With Scott's signature rants, funny anecdotes, and absurd musings, this book celebrates and empowers underpaid and overworked employees with an uproarious, illustrated ode to what we really think about our jobs and the customers that come with them (except the ones who read this book, of course).
Cut-Pieces: Celluloid Obscenity and Popular Cinema in Bangladesh (South Asia Across the Disciplines)
by Lotte HoekImagine watching an action film in a small-town cinema hall in Bangladesh, and in between the gun battles and fistfights a short pornographic clip appears. This is known as a cut-piece, a strip of locally made celluloid pornography surreptitiously spliced into the reels of action films in Bangladesh. Exploring the shadowy world of these clips and their place in South Asian film culture, Lotte Hoek builds a rare, detailed portrait of the production, consumption, and cinematic pleasures of stray celluloid.Hoek's innovative ethnography plots the making and reception of Mintu the Murderer (2005, pseud.), a popular, Bangladeshi B-quality action movie and fascinating embodiment of the cut-piece phenomenon. She begins with the early scriptwriting phase and concludes with multiple screenings in remote Bangladeshi cinema halls, following the cut-pieces as they appear and disappear from the film, destabilizing its form, generating controversy, and titillating audiences. Hoek's work shines an unusual light on Bangladesh's state-owned film industry and popular practices of the obscene. She also reframes conceptual approaches to South Asian cinema and film culture, drawing on media anthropology to decode the cultural contradictions of Bangladesh since the 1990s.
Cut-Pieces
by Lotte HoekImagine watching an action film in a small-town cinema hall in Bangladesh, and in between the gun battles and fistfights, a short pornographic clip appears. This is known as a cut-piece, a strip of locally made celluloid pornography surreptitiously spliced into the reels of action films in Bangladesh. Exploring the shadowy world of these clips and their place in South Asian film culture, Lotte Hoek builds a rare, detailed portrait of the production, consumption, and cinematic pleasures of stray celluloid.Hoek's innovative ethnography plots the making and reception of Mintu the Murderer (2005), a popular, Bangladeshi B-quality action movie and fascinating embodiment of the cut-piece phenomenon. She begins with the early scriptwriting phase and concludes with multiple screenings in remote Bangladeshi cinema halls, following the cut-pieces as they appear and disappear from the film, destabilizing its form, generating controversy, and titillating audiences. Hoek's work shines an unusual light on Bangladesh's state-owned film industry and popular practices of the obscene. She also reframes conceptual approaches to South Asian cinema and film culture, drawing on media anthropology to decode the cultural contradictions of Bangladesh since economic liberalization.
Cut the Lights (Orca Limelights)
by null Karen KrossingBriar has a vision for the one-act play she's been chosen to direct at her performing arts high school. Briar is going to create a masterpiece. If only everyone involved in the production shared her vision. Her leading lady is gifted but troubled, her leading man has a crush on the leading lady, her stage manager doesn't have a clue, and her best friend, who wrote the play, is worried that Briar's production is cursed. As Briar struggles to motivate her cast and crew, she learns some important truths about the fine art of directing—and about herself. This short novel is a high-interest, low-reading level book for middle-grade readers who are building reading skills, want a quick read or say they don’t like to read! The epub edition of this title is fully accessible.
Cut to the Chase
by Linda VenisAccomplished writers from the renowned UCLA Extension Writers' Program provide an invaluable how-to book for aspiring feature film writers Millions of people dream of writing a screenplay but don't know how to begin, or are already working on a script but are stuck and need some targeted advice. Or maybe they have a great script, but no clue about how to navigate the choppy waters of show business. Enter Cut to the Chase, written by professional writers who teach in UCLA Extension Writers' Program, whose alumni's many credits include Pirates of the Caribbean: Curse of the Black Pearl; Twilight; and the Academy Award nominated Letters from Iwo Jima. From learning how to identify story ideas that make a good movie to opening career doors and keeping them open, this authoritative, comprehensive, and entertaining book, edited by Writers' Program Director Linda Venis, will be the film-writing bible for decades to come.
Cute Kawaii Doodles
by Sarah AlbertoBursting with ideas for illustrators and those who have never sketched before, this inspirational book will teach you how to draw more than 100 adorable doodles and super-cute characters in just a few easy steps. Starting with a simple shape such as a circle or a square, Sarah Alberto - aka Doodles by Sarah - shows you how to transform these into a quirky plant, a cute donut, a characterful face, a dainty cloud, and much, much more.Annotated with quick tips and tricks to explain the process, the visual steps will show you how to create a whole host of charming characters, using the ubiquitous ballpoint pen. Why a ballpoint pen? It's universal, affordable, and versatile, and allows you to create small details and sharp lines. Sarah also demonstrates how you can also use coloured pencils or markers to add extra life to your completed doodles.With the author's engaging, sweet and simple style, you'll be instantly inspired to pick up a pen and some paper and doodle like you've never done before!
Cutting Rhythms: Intuitive Film Editing
by Karen PearlmanThere are many books on the technical aspects of film and video editing. Much rarer are books on how editors think and make creative decisions. Filled with timeless principles and thought-provoking examples from a variety of international films, the second edition of Karen Pearlman's Cutting Rhythms offers an in-depth study of the film editor's rhythmic creativity and intuition, the processes and tools editors use to shape rhythms, and how rhythm works to engage audiences in film. While respecting the importance of intuitive flow in the cutting room, this book offers processes for understanding what editing intuition is and how to develop it. This fully revised and updated edition contains: New chapters on collaboration and "editing thinking"; Advice on making onscreen drafts before finalizing your story Tips on how to create and sustain audience empathy and engagement; Explanations of how rhythm is perceived, learned, practiced and applied in editing; Updated discussions of intuition, structure and dynamics; An all-new companion website (www.focalpress.com/cw/pearlman) with video examples and links for expanding and illustrating the principles of key chapters in the book.
Cutting Rhythms: Creative Film Editing
by Karen PearlmanThere are many books on the technical aspects of film and video editing. Much rarer are books on how editors think and make creative decisions. Filled with timeless principles and thought-provoking examples from a variety of international films, the third edition of Karen Pearlman’s Cutting Rhythms offers an in-depth study of the film editor’s rhythmic creativity and expertise, the processes and tools editors use to shape rhythms, and how rhythm works to engage audiences in film. Cutting Rhythms is written for editors, filmmakers, and students who are learning their craft, and more experienced practitioners who enjoy engaging with ideas about creative process.This fully revised and updated edition contains: A comprehensive definition of what rhythm in film editing is made from, how it is shaped, and what it is for Updated discussions about editors' creative expertise and how to develop it Tips on how to create and sustain audience empathy and engagement Insights into style and creative collaboration Advice on making onscreen drafts before finalizing your story New, international examples of fiction, documentary, streaming series, music video & more
Cybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Arts and Performance
by Steve DixonCybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Arts and Performance offers a unique discourse and an original aesthetic theory. It argues that fusing perspectives from the philosophy of Existentialism with insights from the ‘universal science’ of cybernetics provides a new analytical lens and deconstructive methodology to critique art. In this study, Steve Dixon examines how a range of artists’ works reveal the ideas of Existentialist philosophers including Kierkegaard, Camus, de Beauvoir, and Sartre on freedom, being and nothingness, eternal recurrence, the absurd, and being-for-others. Simultaneously, these artworks are shown to engage in complex explorations of concepts proposed by cyberneticians including Wiener, Shannon, and Bateson on information theory and ‘noise’, feedback loops, circularity, adaptive ecosystems, autopoiesis, and emergence. Dixon’s groundbreaking book demonstrates how fusing insights and knowledge from these two fields can throw new light on pressing issues within contemporary arts and culture, including authenticity, angst and alienation, homeostasis, radical politics, and the human as system.
Cyberpop: Digital Lifestyles and Commodity Culture (Routledge Studies in New Media and Cyberculture #Vol. 3)
by Sidney Eve MatrixCyberpop is an analysis of cyberculture and its popular cultural productions. The study begins with a Foucaultian model of cyberculture as a discursive formation, and explains how some key concepts (such as 'virtuality,' 'speed,' and 'Connectivity') operate as a conceptual architecture network linking technologies to information and individual subjects. The chapters then each focus on a particular cyberfiguration, including Hollywood films (GATTACA, The Matrix), popular literature (William Gibson's Neuromancer, Scott Westerfeld's Polymorph), advertising for digital products and services (Apple Computer's '1984/McIntosh' campaign, AT&T's 'mLife' campaign), digital artworks (including virtual females such as Motorola's 'Mya' and Elite Modeling Agency's 'Webbie Tookay,' and work by visual artist Daniel Lee for Microsoft's 'Evolution' campaign), and video games (Tomb Raider). Each close reading illustrates the ways in which representations of digital lifestyles and identities - which typically fetishize computers and celebrate a 'high tech' aesthetic encourage participation in digital capitalism and commodity cyberculture. Matrix argues that popular representations of cyberculture often function as forms of social criticism that creatively inspire audiences to 'think different' (in the words of Mac advertising) about the consequences of the digitalization of everyday life.
Cyborgs, Ethics, and The Matrix: Simulations of Sex and Gender (Palgrave Studies in (Re)Presenting Gender)
by Rebecca GibsonThe Matrix (Lana Wachowski and Lilly Wachowski 1999) has permeated our cultural consciousness for two decades, working its way into such common parlance as “a glitch in the Matrix,” and the idea of taking the Red Pill. With the release of the fourth movie, The Matrix Resurrections (Lana Wachowski 2021), and the confirmation of the franchise being a metaphor for gender transition, this book examines how the entire franchise contributes to the discourse on sex and gender, and how it has been instrumental in propelling the creation of new types of cyborg technology. This book centers on the main philosophical theme of The Matrix, know thyself, and relate it to the quest for authenticity which creates our identities—be they human, or human “enough”—as we move through the world.
Cycling and Cinema (Goldsmiths Press Ser.)
by Bruce BennettA unique exploration of the history of the bicycle in cinema, from Hollywood blockbusters and slapstick comedies to documentaries, realist dramas, and experimental films.Cycling and Cinema explores the history of the bicycle in cinema from the late nineteenth century through to the present day. In this new book from Goldsmiths Press, Bruce Bennett examines a wide variety of films from around the world, ranging from Hollywood blockbusters and slapstick comedies to documentaries, realist dramas, and experimental films, to consider the complex, shifting cultural significance of the bicycle. The bicycle is an everyday technology, but in examining the ways in which bicycles are used in films, Bennett reveals the rich social and cultural importance of this apparently unremarkable machine. The cinematic bicycles discussed in this book have various functions. They are the source of absurd comedy in silent films, and the vehicles that allow their owners to work in sports films and social realist cinema. They are a means of independence and escape for children in melodramas and kids' films, and the tools that offer political agency and freedom to women, as depicted in films from around the world.In recounting the cinematic history of the bicycle, Bennett reminds us that this machine is not just a practical means of transport or a child's toy, but the vehicle for a wide range of meanings concerning individual identity, social class, nationhood and belonging, family, gender, and sexuality and pleasure. As this book shows, two hundred years on from its invention, the bicycle is a revolutionary technology that retains the power to transform the world.
Cyndi Lauper: A Memoir
by Cyndi LauperLegendary singer, songwriter, actress, and activist Cyndi Lauper offers a personal account of the journey that led her to become an international superstar in this “moving story of an American musical original” (Kirkus Reviews).Icon Cyndi Lauper offers a poignant account of the journey that led her to become an international superstar—from her years growing up in Queens, New York, to the making of enduring hits like “Time After Time,” “Girls Just Want to Have Fun,” and “True Colors,” to becoming an actress, a mother, an outspoken activist, and maintaining a music career that has lasted more than thirty years. After leaving her childhood home at seventeen, Cyndi took on a series of jobs: racetrack hot walker, IHOP waitress, and, as she puts it, “gal Friday the thirteenth,” as she pursued her passion for music. She worked her way up playing small gigs and broke out in 1983 with She’s So Unusual, which earned her a Grammy for Best New Artist and made her the first female artist in history to have four top-five singles on a debut album. And while global fame wasn’t always what she expected, she has remained focused on what matters most. Cyndi is a gutsy real-life heroine who has never been afraid to speak her mind and stick up for a cause—whether it’s women’s rights, gay rights, or fighting against HIV/AIDS. With her trademark warmth and humor, Cyndi fearlessly writes of a life she’s lived only on her own terms, perfect for fans of Patti Smith’s Just Kids and Billy Idol’s Dancing with Myself.
Cypress Gardens
by Mary M. Flekke Sarah E. Macdonald Randall M. MacdonaldFlorida's first theme park, Cypress Gardens, was the brainchild of Richard Downing Dick" Pope Sr. With his wife, Julie Downing Pope, he transformed a marshy, lakeside property in Winter Haven into a magnificent garden. The park's first visitors in 1936 toured pathways surrounded by lush plants from around the world. Two years later, electric boats meandered through the park's winding, hand-dug canals. Water ski shows commenced in 1942, and the park became the "Water Ski Capital of the World." The Florida-shaped Esther Williams Swimming Pool still graces the shore of Lake Eloise. The park was a set for dozens of short feature films, a stage for beauty pageants, and a site for special television broadcasts. A butterfly garden, zoo, rides, and the small-town Southern Crossroads shopping and dining area remain popular features. Kent Buescher purchased Cypress Gardens in 2004, and today's expanded Cypress Gardens Adventure Park preserves the family-friendly appeal of Dick and Julie Pope's magnificent park."
D.A. Pennebaker (Contemporary Film Directors)
by Keith BeattieThis volume is the first book-length study of the extensive career and prolific works of D.A. Pennebaker, one of the pioneers of direct cinema, a documentary form that emphasizes observation and a straightforward portrayal of events. With a career spanning decades, Pennebaker's many projects have included avant-garde experiments (Daybreak Express), ground-breaking television documentaries (Primary), celebrity films (Dont Look Back), concert films (Monterey Pop), and innovative fusions of documentary and fiction (Maidstone). Exploring the concept of "performing the real," Keith Beattie interprets Pennebaker's films as performances in which the act of filming is in itself a performative transgression of the norms of purely observational documentary. He examines the ways in which Pennebaker's presentation of unscripted everyday performances is informed by connections between documentary filmmaking and other experimental movements such as the New American Cinema. Through his collaborations with such various artists as Richard Leacock, Shirley Clarke, Norman Mailer, and Jean-Luc Godard, Pennebaker has continually reworked and redefined the forms of documentary filmmaking. This book also includes a recent interview with the director and a full filmography.
D. A. Pennebaker: Interviews (Conversations with Filmmakers Series)
by Keith Beattie and Trent GriffithsThis wide-ranging and insightful collection of interviews with D. A. Pennebaker (b. 1925) spans the prolific career of this pioneer of observational cinema. From the 1950s to the present day, D. A. Pennebaker has made documentary films that have revealed the world of politics, celebrity culture, and the music industry. Following his early collaborations with Robert Drew on a number of works for television, his feature-length portrait of Bob Dylan on tour in England in 1965 (the landmark film Dont Look Back) established so-called direct cinema as a form capable of achieving broad theatrical release. With Monterey Pop, Pennebaker inaugurated the popular mode of rock concert film (or "rockumentary"), a style of filmmaking he has expanded on through a number of films, including Ziggy Stardust and the Spiders from Mars and Depeche Mode: 101.Pennebaker has always regarded collaboration as an integral part of his filmmaking methods. His long-running collaboration with Richard Leacock and subsequently his work with Chris Hegedus have enriched his approach and, in the process, have instituted collaboration as a working practice integral to American direct cinema. His other collaborations, particularly those with Jean-Luc Godard and Norman Mailer, resulted in innovative combinations of observational techniques and fictional aesthetics. Such films as The War Room, which was about the 1992 Democratic primaries and was nominated for an Academy Award, and the 2009 Kings of Pastry continue to explore the capacities of observational documentary. In 2012 Pennebaker was the first documentary filmmaker to be awarded an Academy Honorary Award by the Academy of Motion Picture Arts and Sciences.
D Is for Drama
by Jo WhittemoreA lead role means lots of drama in this sparkling story of one tween's efforts to shine in the spotlight. Sunny Kim is done with one-line roles at Carnegie Arts Academy--she's ready for the lead. But even after a summer of studying with an acting coach, Sunny doesn't snag the role of Mary Poppins in her school's upcoming production. Unfortunately, her entire family mistakenly thinks otherwise, including her former-actress mother. Desperate for a solution, Sunny convinces her theater adviser to let her produce a one-woman show. But when the rest of her friends find out--the friends that never seem to make the playbill either--they all want to join in. Before long, Sunny is knee-deep in curtains, catfights, and chorus lines as her one-woman work turns into a staging of the hit musical Wicked. And when a terrible misunderstanding pits the entire cast against Sunny, can the show--and Sunny's future acting career--be saved in time for opening night?
D Is for Drama
by Jo WhittemoreA lead role means lots of drama in this sparkling story of one tween's efforts to shine in the spotlight. Sunny Kim is done with one-line roles at Carnegie Arts Academy--she's ready for the lead. But even after a summer of studying with an acting coach, Sunny doesn't snag the role of Mary Poppins in her school's upcoming production. Unfortunately, her entire family mistakenly thinks otherwise, including her former-actress mother. Desperate for a solution, Sunny convinces her theater adviser to let her produce a one-woman show. But when the rest of her friends find out--the friends that never seem to make the playbill either--they all want to join in. Before long, Sunny is knee-deep in curtains, catfights, and chorus lines as her one-woman work turns into a staging of the hit musical Wicked. And when a terrible misunderstanding pits the entire cast against Sunny, can the show--and Sunny's future acting career--be saved in time for opening night?errible misunderstanding finds the entire cast raising a mutiny against Sunny, can the show--and Sunny's future acting career--be saved in time for opening night?
D-Passage: The Digital Way
by Minh-ha T. TrinhD-Passage is a unique book by the world-renowned filmmaker, artist, and critical theorist Trinh T. Minh-ha. Taking as grounding forces her feature film Night Passage and installation L'Autre marche (The Other Walk), both co-created with Jean-Paul Bourdier, she discusses the impact of new technology on cinema culture and explores its effects on creative practice. Less a medium than a "way," the digital is here featured in its mobile, transformative passages. Trinh's reflections shed light on several of her major themes: temporality; transitions; transcultural encounters; ways of seeing and knowing; and the implications of the media used, the artistic practices engaged in, and the representations created. In D-Passage, form and structure, rhythm and movement, and language and imagery are inseparable. The book integrates essays, artistic statements, in-depth conversations, the script of Night Passage, movie stills, photos, and sketches.