- Table View
- List View
David Bowie (Lives of the Musicians)
by Robert DimeryA relentless innovator, scoring chart hits while simultaneously incorporating radical and ground-breaking elements into his work.As with all great pop stars, Bowie's image changed with almost every new album release. This appetite for reinvention, both musically and visually, saw him dubbed the 'chameleon of pop'. But Bowie's influence extended well beyond his discography and make-up drawer. His androgynous qualities and public statements on his sexuality proved liberating for those who were uncertain about their own. Lives of the Musicians: David Bowie covers the years he spent struggling to find the right artistic outlet to the dramatic breakthrough in 1972 with Ziggy Stardust - and afterwards, the excessive lifestyle that nearly cost him his sanity. It continues with his artistic rebirth in Berlin during the late Seventies, the mainstream success he achieved with Let's Dance in 1983 and the artistic price that he paid for it.
David Bowie (Lives of the Musicians)
by Robert DimeryA relentless innovator, scoring chart hits while simultaneously incorporating radical and ground-breaking elements into his work.As with all great pop stars, Bowie's image changed with almost every new album release. This appetite for reinvention, both musically and visually, saw him dubbed the 'chameleon of pop'. But Bowie's influence extended well beyond his discography and make-up drawer. His androgynous qualities and public statements on his sexuality proved liberating for those who were uncertain about their own. Lives of the Musicians: David Bowie covers the years he spent struggling to find the right artistic outlet to the dramatic breakthrough in 1972 with Ziggy Stardust - and afterwards, the excessive lifestyle that nearly cost him his sanity. It continues with his artistic rebirth in Berlin during the late Seventies, the mainstream success he achieved with Let's Dance in 1983 and the artistic price that he paid for it.
David Bowie: A Life in Music (Want to know More about Rock & Pop?)
by Sean EganFor the Internet generation, a quick introduction to the great and inventive chameleon of rock, David Bowie.David Bowie needs no introduction. An immense star whose music and writing transcended generations he was one of the most articulate influencers of modern music. Over fifty years his singles and albums slid up and down the bestseller charts, adapting to the changing times, exploring new musical themes, always pushing at boundaries in a desperate desire to seek out the new and the different. This fantastic new, unofficial biography covers his life, music, art and movies.
David Bowie: A Life
by Dylan JonesDylan Jones's engrossing, magisterial biography of David Bowie is unlike any Bowie story ever written. Drawn from over 180 interviews with friends, rivals, lovers and collaborators, some of whom have never before spoken about their relationship with Bowie, this oral history weaves a hypnotic spell as it unfolds the story of a remarkable rise to stardom and an unparalleled artistic path. Tracing Bowie's life from the English suburbs to London to New York to Los Angeles, Berlin and beyond, its collective voices describe a man profoundly shaped by his relationship with his schizophrenic half-brother Terry; an intuitive artist who could absorb influences through intense relationships and yet drop people cold when they were no longer of use; and a social creature equally comfortable partying with John Lennon and dining with Frank Sinatra. By turns insightful and deliciously gossipy, David Bowie is as intimate a portrait as may ever be drawn. It sparks with admiration and grievances, lust and envy, as the speakers bring you into studios and bedrooms they shared with Bowie, and onto stages and film sets, opening corners of his mind and experience that transform our understanding of both artist and art. Including illuminating, never-before-seen material from Bowie himself, drawn from a series of Jones's interviews with him across two decades, David Bowie is an epic, unforgettable cocktail-party conversation about a man whose enigmatic shapeshifting and irrepressible creativity produced one of the most sprawling, fascinating lives of our time.
David Bowie: The Oral History
by Dylan JonesDylan Jones’s engrossing, magisterial biography of David Bowie is unlike any Bowie story ever written. Drawn from over 180 interviews with friends, rivals, lovers, and collaborators, some of whom have never before spoken about their relationship with Bowie, this oral history weaves a hypnotic spell as it unfolds the story of a remarkable rise to stardom and an unparalleled artistic path. Tracing Bowie’s life from the English suburbs to London to New York to Los Angeles, Berlin, and beyond, its collective voices describe a man profoundly shaped by his relationship with his schizophrenic half-brother Terry; an intuitive artist who could absorb influences through intense relationships and yet drop people cold when they were no longer of use; and a social creature equally comfortable partying with John Lennon and dining with Frank Sinatra. By turns insightful and deliciously gossipy, DAVID BOWIE is as intimate a portrait as may ever be drawn. It sparks with admiration and grievances, lust and envy, as the speakers bring you into studios and bedrooms they shared with Bowie, and onto stages and film sets, opening corners of his mind and experience that transform our understanding of both artist and art. Including illuminating, never-before-seen material from Bowie himself, drawn from a series of Jones’s interviews with him across two decades, DAVID BOWIE is an epic, unforgettable cocktail-party conversation about a man whose enigmatic shapeshifting and irrepressible creativity produced one of the most sprawling, fascinating lives of our time.
David Bowie and Film: Hooked to the Silver Screen
by Stephen GlynnThis book constitutes the first monograph dedicated to an academic analysis of David Bowie’s appearances in film. Through close textual analysis together with production and reception histories, Bowie’s ‘silver screen’ career is explored in full. The book covers performance documentaries such as Ziggy Stardust and the Spiders from Mars, star vehicles ranging from the eulogised The Man Who Fell to Earth to the excoriated Just a Gigolo, plus roles from the horror chic of The Hunger and cult fantasy of Labyrinth to the valiant high-brow Baal and vainglorious high-budget Absolute Beginners, ending with Bowie as Bowie in Bandslam and others as ‘Bowie’ in Velvet Goldmine and Stardust. Alongside showing his willingness to experiment (and at times fail) across a variety of genres, this study investigates Bowie’s performative style that, while struggling to accommodate the requirements of cinematic realism, fits more harmoniously with alternative production codes and aesthetics. More broadly, by exploring the commercial, socio-cultural and ideological significance of Bowie on film, the book demonstrates how notions of gender, sexuality and identity formation, plus commodity and cultural capital, function and fluctuate in contemporary society.
David Bowie and Philosophy: Rebel, Rebel
by Theodore G. AmmonAmong the topics explored in David Bowie and Philosophy are the nature of Bowie as an institution; Bowie's work in many platforms, including movies and TV; Bowie's spanning of low and high art, and his relation to Warhol; the influence of Buddhism and Kabuki theater; the recurring theme of Bowie as a space alien, including "Space Oddity" and The Man Who Fell to Earth; the dystopian element in Bowie's thinking, displayed in "1984" and the album Outside; the role of fashion in Bowie's creativity; personal identity as preserved over various divergent personae; the aesthetics of theatrical rock and glam rock; Bowie's public identification with bisexuality and his influence within the LGBTQ community.Pervasive themes in Bowie's output include change, time, apocalypse, dancing, mind-body dualism, and spirituality. In the dualistic universe that undergirds his lyrics, body consistently wins over mind, but body is nevertheless on the hook of moral responsibility. There is thus an inherent tension: the overwhelming desires of bodily drives versus the repressive institutions such as church and the omnipresent "They" who would have us do otherwise than our body want. The emergent paradox in Bowie is that for all his alleged sexual indulgences, in the end mind trumps body.
David Bowie and Romanticism (Palgrave Studies in Music and Literature)
by James RoviraDavid Bowie and Romanticism evaluates Bowie’s music, film, drama, and personae alongside eighteenth- and nineteenth-century poets, novelists, and artists. These chapters expand our understanding of both the literature studied as well as Bowie’s music, exploring the boundaries of reason and imagination, and of identity, gender, and genre. This collection uses the conceptual apparata and historical insights provided by the study of Romanticism to provide insight into identity formation, drawing from Romantic theories of self to understand Bowie’s oeuvre and periods of his career. The chapters discuss key themes in Bowie’s work and analyze what Bowie has to teach us about Romantic art and literature as well.
David Bowie Outlaw: Essays on Difference, Authenticity, Ethics, Art & Love
by Alex SharpeThis book explores the relevance of David Bowie’s life and music for contemporary legal and cultural theory. Focusing on the artist and artworks of David Bowie, this book brings to life, in essay form, particular theoretical ideas, creative methodologies and ethical debates that have contemporary relevance within the fields of law, social theory, ethics and art. What unites the essays presented here is that they all point to a beyond law: to the fact that law is not enough, or to be more precise, too much, too much to bear. For those who, like Bowie, see art, creativity and love as what ought to be the central organising principles of life, law will not do. In the face of its certainties, its rigidities, and its conceits, these essays, through Bowie, call forth the monster who laughs at the law, celebrate inauthenticity as a deeper truth, explore the ethical limits of art, cut up the laws of writing and embrace that which is most antithetical to law, love. This original engagement with the limits of law will appeal to those working in legal theory, ethics and law and popular culture, as well as in art and cultural studies.
David Copperfield's History of Magic
by David Copperfield Richard Wiseman David BritlandAn illustrated, illuminating insight into the world of illusion from the world&’s greatest and most successful magician, capturing its audacious and inventive practitioners, and showcasing the art form&’s most famous artifacts housed at David Copperfield&’s secret museum.In this personal journey through a unique and remarkable performing art, David Copperfield profiles twenty-eight of the world&’s most groundbreaking magicians. From the 16th-century magistrate who wrote the first book on conjuring to the roaring twenties and the man who fooled Houdini, to the woman who levitated, vanished, and caught bullets in her teeth, David Copperfield&’s History of Magic takes you on a wild journey through the remarkable feats of the greatest magicians in history. These magicians were all outsiders in their own way, many of them determined to use magic to escape the strictures of class and convention. But they all transformed popular culture, adapted to social change, discovered the inner workings of the human mind, embraced the latest technological and scientific discoveries, and took the art of magic to unprecedented heights. The incredible stories are complimented by over 100 never-before-seen photographs of artifacts from Copperfield&’s exclusive Museum of Magic, including a 16th-century manual on sleight of hand, Houdini&’s straightjackets, handcuffs, and water torture chamber, Dante&’s famous sawing-in-half apparatus, Alexander&’s high-tech turban that allowed him to read people&’s minds, and even some coins that may have magically passed through the hands of Abraham Lincoln. By the end of the book, you&’ll be sure to share Copperfield&’s passion for the power of magic.
David Cronenberg: Interviews (Conversations with Filmmakers Series)
by David SchwartzFrom his early horror movies, including Scanners, Videodrome, Rabid, and The Fly—with their exploding heads, mutating sex organs, rampaging parasites, and scientists turning into insects—to his inventive adaptations of books by William Burroughs (Naked Lunch), Don DeLillo (Cosmopolis), and Bruce Wagner (Maps to the Stars), Canadian director David Cronenberg (b. 1943) has consistently dramatized the struggle between the aspirations of the mind and the messy realities of the flesh. “I think of human beings as a strange mixture of the physical and the non-physical, and both of these things have their say at every moment we’re alive,” says Cronenberg. “My films are some kind of strange metaphysical passion play.” Moving deftly between genre and arthouse filmmaking and between original screenplays and literary adaptations, Cronenberg’s work is thematically consistent and marked by a rigorous intelligence, a keen sense of humor, and a fearless engagement with the nature of human existence. He has been exploring the most primal themes since the beginning of his career and continues to probe them with growing maturity and depth.Cronenberg’s work has drawn the interest of some of the most intelligent contemporary film critics, and the fifteen interviews in this volume feature remarkably in-depth and insightful conversations with such acclaimed writers as Amy Taubin, Gary Indiana, David Breskin, Dennis Lim, Richard Porton, Gavin Smith, and more. The pieces herein reveal Cronenberg to be one of the most articulate and deeply philosophical directors now working, and they comprise an essential companion to an endlessly provocative and thoughtful body of work.
David Fincher: Interviews (Conversations with Filmmakers Series)
by Laurence F. KnappDavid Fincher (b. 1962) did not go to film school and hates being defined as an auteur. He prefers to see himself as a craftsman, dutifully going about the art and business of making film. Trouble is, it's hard to be self-effacing when you are the director responsible for Se7en, Fight Club, and The Social Network. Along with Quentin Tarantino, Fincher is the most accomplished of the Generation X filmmakers to emerge in the early 1990s. This collection of interviews highlights Fincher's unwavering commitment to his craft as he evolved from an entrepreneurial music video director (Fincher helped Madonna become the undisputed queen of MTV) into an enterprising feature filmmaker. Fincher landed his first Hollywood blockbuster at twenty-seven with Alien3, but that film, handicapped by cost overruns and corporate mismanagement, taught Fincher that he needed absolute control over his work. Once he had it, with Se7en, he achieved instant box-office success and critical acclaim, as well as a close partnership with Brad Pitt that led to the cult favorite Fight Club. Fincher became circumspect in the 2000s after Panic Room, shooting ads and biding his time until Zodiac, when he returned to his mantra that “entertainment has to come hand in hand with a little bit of medicine. Some people go to the movies to be reminded that everything's okay. I don't make those kinds of movies. That, to me, is a lie. Everything's not okay.” Zodiac reinvigorated Fincher, inspiring a string of films—The Curious Case of Benjamin Button, The Social Network, and The Girl with the Dragon Tattoo—that enthralled audiences and garnered his films dozens of Oscar nominations.
David Greig’s Holed Theatre: Globalization, Ethics and the Spectator
by Verónica RodríguezWith a Foreword by Dan Rebellato, this book offers up a detailed exploration of Scottish playwright David Greig’s work with particular attention to globalization, ethics, and the spectator. It makes the argument that Greig’s theatre works by undoing, cracking, or breaking apart myriad elements to reveal the holed, porous nature of all things. Starting with a discussion of Greig’s engagement with shamanism and arguing for holed theatre as a response to globalization, for Greig’s works’ politics of aesthethics, and for the holed spectator as part of an affective ecology of transfers, this book discusses some of Greig’s most representative political theatre from Europe (1994) to The Events (2013), concluding with an exploration of Greig’s theatre’s world-forming quality.
David Hamilton's Long and Winding Road: My Life, Loves and Lessons Learned
by David HamiltonA Journey through Seven Decades of Radio and Tv David Hamilton’s ‘Long and Winding Road’ has taken him from the remote farm in Sussex where he grew up, dreaming of the bright lights, to working all over the UK and in America in a broadcasting career that has lasted for seven decades, eventually bringing him back after over fifty years to the same farm where he started, from which he would broadcast on national radio in his mid-eighties. This road took David to Germany where, during his National Service in the RAF, he became one of the first DJs to play rock ’n’ roll. Four years later, he did one of the first TV interviews with a new group called The Beatles. Since then he has presented thousands of radio shows and on television has hosted Top of the Pops, beauty contests, sports and game shows and appeared alongside top comedians. In this amazingly frank memoir, David tells what it was like working with such comedy greats as Ken Dodd, Benny Hill and Tommy Cooper; of the two serious car crashes he had in his twenties; of how he rode in a speedway race at Wembley Stadium; about his time as a football club director and how he played in the England team that won the World Cup in 1966. David writes of the beautiful women he has loved. His life, his loves, his laughs. It’s all here, from one of Britain’s most enduring broadcasters.
David Jason: My Life
by David JasonWinner of the National Book Awards Autobiography of the YearThe long-awaited autobiography of one of Britain's best-loved actors*As seen in David and Jay’s Touring Toolshed on BBC Two*Born the son of a Billingsgate market porter at the height of the Second World War, David Jason spent his early life dodging bombs and bullies, both with impish good timing. Giving up on an unloved career as an electrician, he turned his attention to acting and soon, through a natural talent for making people laugh, found himself working with the leading lights of British comedy in the 1960s and '70s: Eric Idle, Michael Palin, Bob Monkhouse and Ronnie Barker. Barker would become a mentor to David, leading to hugely successful stints in Porridge and Open All Hours.It wasn't until 1981, kitted out with a sheepskin jacket, a flat cap, and a clapped-out Reliant Regal, that David found the part that would capture the nation's hearts: the beloved Derek 'Del Boy' Trotter in Only Fools and Horses. Never a one-trick pony, he had an award-winning spell as TV's favourite detective Jack Frost, took a country jaunt as Pop Larkin in the Darling Buds of May, and even voiced a crime-fighting cartoon rodent in the much-loved children's show Danger Mouse.But life hasn't all been so easy: from missing out on a key role in Dad's Army to nearly drowning in a freak diving accident, David has had his fair share of ups and downs, and has lost some of his nearest and dearest along the way.David's is a touching, funny and warm-hearted story, which charts the course of his incredible five decades at the top of the entertainment business. He's been a shopkeeper and a detective inspector, a crime-fighter and a market trader, and he ain't finished yet. As Del Boy would say, it's all cushty.
David Lynch: Blurred Boundaries
by Anne JerslevThis book distinguishes itself from earlier books on David Lynch by taking in-depth consideration of his entire oeuvre. Besides his films and the Twin Peaks series, David Lynch: Blurred Boundaries includes discussions of Lynch’s paintings and drawings, music videos, commercials, short experimental works, digital projects on the YouTube channel David Lynch Theater and the Internet documentary The Interview Project, as well as the exhibition The Air is on Fire, which Jerslev regards as one of Lynch’s main works. David Lynch: Blurred Boundaries offers a view of Lynch’s total work, in which one medium or genre is no more important than the other. It discusses the ways in which Lynch has worked throughout his career with different art forms and has right from the start experimented with the blurring of boundaries between media and genres. And it discusses ways Lynch creates atmospheres by different audio-visual and visual means.
David Lynch (Contemporary Film Directors)
by Justus NielandA key figure in the ongoing legacy of modern cinema, David Lynch designs environments for spectators, transporting them to inner worlds built by mood, texture, and uneasy artifice. We enter these famously cinematic interiors to be wrapped in plastic, the fundamental substance of Lynch's work. This volume revels in the weird dynamism of Lynch's plastic worlds. Exploring the range of modern design idioms that inform Lynch's films and signature mise-en-scène, Justus Nieland argues that plastic is at once a key architectural and interior design dynamic in Lynch's films, an uncertain way of feeling essential to Lynch's art, and the prime matter of Lynch's strange picture of the human organism. Nieland's study offers striking new readings of Lynch's major works (Eraserhead, Blue Velvet, Wild at Heart, Mulholland Dr., Inland Empire) and his early experimental films, placing Lynch's experimentalism within the aesthetic traditions of modernism and the avant-garde; the genres of melodrama, film noir, and art cinema; architecture and design history; and contemporary debates about cinematic ontology in the wake of the digital. This inventive study argues that Lynch's plastic concept of life--supplemented by technology, media, and sensuous networks of an electric world--is more alive today than ever.
David Lynch: Sonic Style (Filmmakers and Their Soundtracks)
by Reba WissnerDirector David Lynch is best known for films that channel the uncanny and the weird into a distinct "Lynchian" aesthetic, in which sound and music play a key role: Lynch not only writes his intended sounds into the script but also often takes on the role of creating the sounds himself. This concise study explores what makes Lynch’s sonic imprint distinct, breaking down three different sound styles that create Lynch’s sound aesthetic across his films. Showing how sound offers new insights into the aesthetic and narrative work of Lynch’s filmmaking, this book highlights new dimensions in the work of a key American auteur and deconstructs the process of building a unique sound world.
David Lynch Swerves: Uncertainty from Lost Highway to Inland Empire
by Martha P. NochimsonBeginning with Lost Highway, director David Lynch "swerved" in a new direction, one in which very disorienting images of the physical world take center stage in his films. Seeking to understand this unusual emphasis in his work, noted Lynch scholar Martha Nochimson engaged Lynch in a long conversation of unprecedented openness, during which he shared his vision of the physical world as an uncertain place that masks important universal realities. He described how he derives this vision from the Holy Vedas of the Hindu religion, as well as from his layman's fascination with modern physics. With this deep insight, Nochimson forges a startlingly original template for analyzing Lynch's later films--the seemingly unlikely combination of the spiritual landscape envisioned in the Holy Vedas and the material landscape evoked by quantum mechanics and relativity. In David Lynch Swerves, Nochimson navigates the complexities of Lost Highway, The Straight Story, Mulholland Drive, and Inland Empire with uncanny skill, shedding light on the beauty of their organic compositions; their thematic critiques of the immense dangers of modern materialism; and their hopeful conceptions of human potential. She concludes with excerpts from the wide-ranging interview in which Lynch discussed his vision with her, as well as an interview with Columbia University physicist David Albert, who was one of Nochimson's principal tutors in the discipline of quantum physics.
David Mamet's Glengarry Glen Ross: Text and Performance (Studies In Modern Drama Ser. #Vol. 8)
by Leslie KaneFirst published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
David O. Russell: Interviews (Conversations with Filmmakers Series)
by Holly WillisDavid O. Russell (b. 1958) boasts a diverse body of work as a writer and director, spanning multiple genres and featuring radically differing aesthetic styles. While his early work comically explored taboo subjects with unerring directness, he has also investigated politics with explosive satire. In his most recent films, including American Hustle and Silver Linings Playbook, Russell examines characters and situations that are at once everyday and also extraordinary. Whatever the project, Russell is driven to explore the idiosyncrasies that make each character human, and he extends that curiosity to explore what makes each actor unique. His attentiveness to his cast members has earned him the label of "actor's director," due in no small part to the many nominations and awards earned by a long list of Hollywood stars in his movies.Russell has also become one of our era's most interesting formal stylists as he adopts a visual design appropriate to each of his film's thematic concerns. The result may be a color palette resembling the washed-out pages of a newspaper achieved by manipulating the film stock for Three Kings or the tumultuous opening of The Fighter when an audacious, roving camera plunges viewers straight into the story from the very first shots of the film. Rather than building a signature style, Russell has instead tested the varied possibilities of cinematic expression.This career-spanning volume features conversations with scholars and journalists as well as filmmakers. Speaking to directors like Alexander Payne and Spike Jonze, Russell contextualizes each of his films, offers an intimate account of his evolving writing and directing process, and opens his life to reveal how a remarkable body of work has come to be.
David Rudkin: An Expository Study of his Drama 1959-1994
by David Ian Rabey David I. RabeyDr. Rabey's profound critical study of David Rudkin's drama constitutes an in-depth evaluation of this unique dramatist, re-assessed in the light of his bi-sexuality and Anglo-Irish origins. This key study includes insights from noted performers of Rudkin's work, including Ian Hogg, Peter McEnery, Ian McDiarmid, Gerard Murphy, and Charlotte Cornwell. It is a fully authorized study with exclusive reference to archival material which includes some frank and urgent interview contributions from the dramatist himself, who is usually deemed reclusive. It is enhanced by Dr. Rabey's own experience of Wales, Ireland, and the English Black Country for his exposition of Rudkin's mythic sense of Celtic and Mercian history.
David Sedaris Live at Carnegie Hall
by David SedarisNo one renders the pathos, chaos and impossible variety of daily encounters like David Sedaris. On every subject, he is bruisingly painful and tenderly affectionate. Recorded live on October 22, 2002, LIVE AT CARNEGIE HALL features excerpts from his forthcoming collection of essays, DRESS YOUR FAMILY IN CORDUROY AND DENIM.Includes:ThanksRepeat After MeWhy Them?Who's the Chef?Buddy Can You Spare a Tie?LessonThree: The Feminine MistakeLesson Four: With a Pal Like This, You Don't Need An EnemySix to Eight Black Men
Davies and Penhall's Sunny Afternoon
by John FlemingWhen ‘You Really Got Me’ exploded on Swinging London in 1964, the Kinks forever changed the course of rock ’n’ roll. Ray Davies and Joe Penhall’s Olivier Award-winning Sunny Afternoon (2014) covers the band’s formative years of 1964–7, when four working- class North London lads broke through to become one of the most unlikely and influential rock bands of the 1960s. Mixing the comic adventures of ‘Dave the Rave’ with the touching introspection of Ray’s sometimes fragile psyche, Joe Penhall’s script weaves Ray Davies’ songs, both the hits and lesser-known works, into one of the finest jukebox musicals of the new millennium. Drawing on a wealth of background material, John Fleming examines the blend of events and songs selected, reconsidering the relationship between biography and drama to shed new light on the Kinks and the musical that tells their story.
Dawn of the Dead: The original end of the world horror classic
by George Romero Susanna SparrowWHEN THE END OF THE WORLD COMES, WHAT WILL YOU BE DOING?The classic horror that inspired a genre: if you haven't read this yet, you need to. If you have, you'll want to again. Includes a brilliant and exclusive introduction from Simon Pegg.When there is no more room in hell, the dead will walk the earth.George A. Romero's iconic film and novel terrified generations.Now Dawn of the Dead is back to terrify once more.The world is being devastated by zombies. No one knows how far they have spread, or how to stop them. And as the living fight to save themselves, society collapses. Four people escape the chaos of downtown Philadelphia and find shelter in a shopping mall. As the survivors exhaust their greed and the undead scrape at the doors, the refuge becomes a prison.And soon there will be nowhere left to hide . . .