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The Death and Life of Drama: Reflections on Writing and Human Nature
by Lance LeeWhat makes a film "work," so that audiences come away from the viewing experience refreshed and even transformed in the way they understand themselves and the world around them? In The Death and Life of Drama, veteran screenwriter and screenwriting teacher Lance Lee tackles this question in a series of personal essays that thoroughly analyze drama's role in our society, as well as the elements that structure all drama, from the plays of ancient Athens to today's most popular movies. Using examples from well-known classical era and recent films, Lee investigates how writers handle dramatic elements such as time, emotion, morality, and character growth to demonstrate why some films work while others do not. He seeks to define precisely what "action" is and how the writer and the viewer understand dramatic reality. He looks at various kinds of time in drama, explores dramatic context from Athens to the present, and examines the concept of comedy. Lee also proposes a novel "five act" structure for drama that takes account of the characters' past and future outside the "beginning, middle, and end" of the story. Deftly balancing philosophical issues and practical concerns, The Death and Life of Drama offers a rich understanding of the principles of successful dramatic writing for screenwriters and indeed everyone who enjoys movies and wants to know why some films have such enduring appeal for so many people.
Death And The Maiden
by Ariel DorfmanAriel Dorfman's explosively provocative, award-winning drama is set in a country that has only recently returned to democracy. Gerardo Escobar has just been chosen to head the commission that will investigate the crimes of the old regime when his car breaks down and he is picked up by the humane doctor Roberto Miranda. But in the voice of this good Samaritan, Gerardo's wife, Paulina Salas, thinks she recognizes another man--the one who raped and tortured her as she lay blindfolded in a military detention center years before.
Death at the Movies
by Tom And GenelliIt's a Wonderful Life (1946), Resurrection (1980), Poltergeist (1982), Beetlejuice (1988), Ghost (1990), Groundhog Day (1993), The Sixth Sense (1999) - these are only a few of the influential movies in recent decades dealing with the afterlife. But beyond entertainment, do they mean anything? The authors of this wise and well-informed guide believe so. They explore how popular motion pictures, from Outward Bound (1930) to Hereafter, play a perhaps unconscious role in guiding humanity toward its evolutionary comprehension of the meaning and purpose of death. They draw on the Tibetan Book of the Dead, Buddhism, and depth psychology to review some of the most spiritually powerful films ever made. Death is, say the authors, at once the most immediate locked door and the ultimate frontier, a staggering paradox that invites us to search for deeper understanding based upon a level of consciousness beyond thought. After reading this book, you'll never view Casablanca or The Wizard of Oz the same way again.
Death at the Movies
by Tom Davis Genelli Lyn Davis GenelliIt's a Wonderful Life (1946), Resurrection (1980), Poltergeist (1982), Beetlejuice (1988), Ghost (1990), Groundhog Day (1993), The Sixth Sense (1999) -- these are only a few of the influential movies in recent decades dealing with the afterlife. But beyond entertainment, do they mean anything? The authors of this wise and well-informed guide believe so. They explore how popular motion pictures, from Outward Bound (1930) to Hereafter, play a perhaps unconscious role in guiding humanity toward its evolutionary comprehension of the meaning and purpose of death. They draw on the Tibetan Book of the Dead, Buddhism, and depth psychology to review some of the most spiritually powerful films ever made. Death is, say the authors, at once the most immediate locked door and the ultimate frontier, a staggering paradox that invites us to search for deeper understanding based upon a level of consciousness beyond thought. After reading this book, you'll never view Casablanca or The Wizard of Oz the same way again.
Death by Laughter: Female Hysteria and Early Cinema (Film and Culture Series)
by Maggie HennefeldCan you really die from laughing too hard? Between 1870 and 1920, hundreds of women suffered such a fate—or so a slew of sensationalist obituaries would have us believe. How could laughter be fatal, and what do these reports of women’s risible deaths tell us about the politics of female joy?Maggie Hennefeld reveals the forgotten histories of “hysterical laughter,” exploring how women’s amusement has been theorized and demonized, suppressed and exploited. In nineteenth-century medicine and culture, hysteria was an ailment that afflicted unruly women on the cusp of emotional or nervous breakdown. Cinema, Hennefeld argues, made it possible for women to laugh outrageously as never before, with irreversible social and political consequences. As female enjoyment became a surefire promise of profitability, alarmist tales of women laughing themselves to death epitomized the tension between subversive pleasure and its violent repression.Hennefeld traces the social politics of women’s laughter from the heyday of nineteenth-century sentimentalism to the collective euphoria of early film spectatorship, traversing contagious dancing outbreaks, hysteria photography, madwomen’s cackling, cinematic close-ups, and screenings of slapstick movies in mental asylums. Placing little-known silent films and an archive of remarkable, often unusual texts in conversation with affect theory, comedy studies, and feminist film theory, this book makes a timely case for the power of hysterical laughter to change the world.
Death Clutch: My Story of Determination, Domination, and Survival
by Paul Heyman Brock LesnarThe “baddest man on the planet,” undisputed, three-time WWE Champion and current UFC World Heavyweight Champion, Brock Lesner, shares his true personal story of determination, domination, and survival in Death Clutch. A raw, no-holds-barred memoir from one of the most popular—and polarizing—figures in sports entertainment and professional mixed martial arts, Death Clutch is an essential volume for every WWE and Ultimate Fighting fan.
Death Comes in Yellow
by Felicja KarayDeath Comes in Yellow" presents the history of one slave labor camp in order to shed light on all aspects of the slave labor camps established in Poland under German occupation. Hasag-Skarzysko was one of hundreds of camps scattered throughout occupied Poland. They were distinguished by size, the nationality of the prisoners, their location, the date of their establishment, and the authority in charge. The large number of labor camps reflected the German policy of exploiting the work forces of the occupied countries. These camps were part of a Europe-wide system of forced labor.The first part of this volume reviews the external history of the camp. The second section, which studies the internal workings of the camp, is quite different in approach and includes an analysis of prisoner society and a moving description of the individual prisoner's struggle to survive.
Death, Image, Memory
by Piotr CieplakThis book explores how photography and documentary film have participated in the representation of the 1994 genocide in Rwanda and its aftermath. This in-depth analysis of professional and amateur photography and the work of Rwandan and international filmmakers offers an insight into not only the unique ability of images to engage with death, memory and the need for evidence, but also their helplessness and inadequacy when confronted with the enormity of the event. Focusing on a range of films and photographs, the book tests notions of truth, evidence, record and witnessing - so often associated with documentary practice - in the specific context of Rwanda and the wider representational framework of African conflict and suffering. Death, Image, Memory is an inquiry into the multiple memorial and evidentiary functions of images that transcends the usual investigations into whether photography and documentary film can reliably attest to the occurrence and truth of an event.
Death in Venice
by Will AitkenA Queer Film Classic on Luchino Visconti's lyrical and controversial 1971 film based on Thomas Mann's novel about a middle-aged man (played by Dirk Bogarde) vacationing in Venice who becomes obsessed with a youth staying at the same hotel as a wave of cholera descends upon the city. The book analyzes its cultural impact and provides a vivid portrait of the director, an ardent Communist and grand provocateur.Will Aitken's novels include Realia and Terre Haute. Arsenal's Queer Film Classics series cover some of the most important and influential films about and by LGBTQ people.
Death in Winterreise
by Lauri SuurpääLauri Suurpää brings together two rigorous methodologies, Greimassian semiotics and Schenkerian analysis, to provide a unique perspective on the expressive power of Franz Schubert's song cycle. Focusing on the final songs, Suurpää deftly combines textual and tonal analysis to reveal death as a symbolic presence if not actual character in the musical narrative. Suurpää demonstrates the incongruities between semantic content and musical representation as it surfaces throughout the final songs. This close reading of the winter songs, coupled with creative applications of theory and a thorough history of the poetic and musical genesis of this work, brings new insights to the study of text-music relationships and the song cycle.
Death Lines: Walking London's Horror History
by Lauren BarnettThe first walking guide to London&’s role in the evolution of horror cinema, inspired by the city&’s dark histories and labyrinthine architectures.Death Lines is the first walking guide to London&’s role in the evolution of horror cinema, inspired by the city&’s dark histories, labyrinthine architectures, atmospheric streetscapes, and uncanny denizens. Its eight walks lead you on a series of richly researched yet undeniably chilling tours through Chelsea, Notting Hill, Westminster, Bloomsbury, Covent Garden, and the East End, along the haunted banks of the river Thames, and down into the depths of the London Underground railway. Each tour weaves together London&’s stories and takes the reader to magnificent, eerie, and sometimes disconcertingly ordinary corners of the city, unearthing the literature, legends, and history behind classics like Peeping Tom and An American Werewolf in London, and lesser-known works such as mind-control melodrama The Sorcerers; Gorgo, Britain&’s answer to Godzilla; tube terror Death Line; and Bela Lugosi's mesmeric vehicle The Dark Eyes of London. Tinged with humor, social critique, and more than a few scares, Death Lines delights in revealing the hidden and often surprising relationship between the city and the dark cinematic visions it has evoked. Whether read on the streets or from the comfort of the grave, Death Lines is a treat for all cinephiles, horror fans, and lovers of London lore.
The Death Of A Prince (Star Trek #44)
by John PeelDangerous assignments come in pairs when Captain Picard and his crew are confronted with two desperate missions on two different worlds. On the planet Buran, newly linked to the Fedration, a mysterious disease devastates the population-and turns them against the visitors from the U.S.S. Enterprise. Meanwhile, on nearby lomides, a renegade Federation observer has disappeared, intent on violating the Prime Directive by preventing a tragic political assassination. While Dr. Crusher struggles to find a cure for the plague ravaging Buran, Commander Will RIker leads an Away Team to lomides. Their forces divided, Picard and his crew find themselves the only hope of two worlds.
The Death of Hitler: The Final Word on the Ultimate Cold Case: The Search for Hitler's Body
by Jean-Christophe Brisard Lana ParshinaA dramatic and revelatory new account of the final days in Hitler's bunker, based on new access to previously unseen Soviet archives, previously unseen materials, and cutting edge forensics.After two years of nonstop negotiations with the Russian authorities, Jean-Christophe Brisard and Lana Parshina were granted access to secret files detailing the Soviets' incredible hunt to recover Hitler's body: the layout of the bunker, plans for escaping, eyewitness accounts of the Führer's final days, and human remains-a bit of skull with traces of the lethal bullet and a fragment of jaw bone. For the first time, the skull, teeth and other elements were analysed by a medical examiner with cutting edge forensics equipment. The authors use these never before seen documents and research to reconstruct the events in fascinating new detail.(P)2018 Hodder & Stoughton Limited
The Death of James Dean
by Warren Newton BeathWith extensive research, this account of the Hollywood star and his legion of fans offers “the best narrative yet of Dean’s final ten hours” (San Francisco Examiner). Just before sunset on September 20, 1955, James Byron Dean’s Porsche 550 Spyder collided with Donald Gene Turnupseed’s Ford Tudor on California Highway 46. At age twenty-four, America’s newest screen idol was dead. But what really happened? Drawing on original documents, including the coroner’s inquest and other previously unpublished material, author Warren Newton Beath provides a painstakingly accurate reconstruction of Dean’s final hours and tragic death. In addition, Beath explores Dean’s life and his enduring status as a cultural icon, including Elvis Presley’s worship of him; Hitchcock’s use of Highway 46 in the famous crop-dusting scene in North by Northwest; death threats against Giant director George Stevens if he dared excise a single frame of Deans’ final performance; and many more fascinating facts about the enigmatic screen legend. Beath’s definitive account concludes with a memorable portrait of the James Dean cult, a strangely moving record of his posthumous life in the hearts of his adoring fans.
The Death of the Actor: Shakespeare on Page and Stage
by Martin BuzacottIn The Death of the Actor Martin Buzacott launches an all-out attack on contemporary theatrical practice and performance theory which identifies the actor, rather than the director, as the key creative force in the performance of Shakespeare. Because actors are absent from the site of Shakespearean meaning, he argues, the illusion of their centrality is sustained only by a rhetoric of heroism, violence and imperialism.
Death, The One and the Art of Theatre
by Howard BarkerDeath, The One and the Art of Theatre is the latest collection of Barkers distinctive and revelatory philosophical musings on theatre. It is a stunning array of speculations, deductions, prose poems and poetic aperçus that casts a unique and unflinching light on the nature of tragedy, eroticism, love and theatre. Exploring the juncture between aesthetics and metaphysics, the book looks at the human experience of love and death as life at its most intrinsically theatrical. Howard Barker is an internationally renowned playwright whose works are regularly produced throughout Europe and the US. He is widely known for his controversial explorations into contemporary tragedy and his anti-Brechtian focus on the irrational and the catastrophic. He is often credited as a major influence on the generation of playwrights that includes Sarah Kane. Death, The One and the Art of the Theatre is a profoundly unsettling and inspiring piece of writing and extends the challenge to orthodox morality that Barker first presented in Arguments for a Theatre, a challenge he describes as men and womens secret longing for the incomprehensible nature of pain.
Death Punch'd: Surviving Five Finger Death Punch's Metal Mayhem
by Jeremy SpencerA fascinating inside account of one of the most successful heavy metal bands of the past decade and a revealing personal journey through the wild highs and terrifying lows of rock 'n' roll from the cofounder of Five Finger Death Punch, Jeremy Spencer"Everything, including success, comes with a price."Hailed by the New York Times as "one of the most unexpectedly consistently popular bands," Five Finger Death Punch has become the heavyweight champ of the metal scene. In this soulful, inspiring, and entertaining memoir, Jeremy Spencer, the band's cofounder and drummer, takes us behind the scenes, on tour, and into the studio to tell the band's raucous story and his own.Death Punch'd is a detailed in-depth account of the group's origins and influences. With fierce honesty and self-deprecating playfulness, Jeremy details cutting the band's first demo and hitting the road to tour the world, providing snapshots of a life fueled by sex, booze, drugs, and a thrashing metal sound. He also reveals the fighting and tensions among highly opinionated musicians that grew increasingly out of control—battles that created both intense drama and the music fans love.In addition to pulling back the curtain on the band, Death Punch'd tells Jeremy's personal hard-charging, laugh-out-loud tale of how he left small-town Indiana with $150 in his pocket and rose to rock royalty—and how he nearly destroyed it all for a good time. Jeremy takes us back to his childhood in the eighties, introduces us to his down-to-earth family, and recalls adolescent exploits and a journey to addiction that landed him in rehab at sixteen—dangerous behavior that became bigger, bolder, and badder until Jeremy bottomed out before it was too late.Told in his unique, darkly humorous voice, filled with Jeremy's twisted take on how his rock 'n' roll dream turned nightmare, and including dozens of photos, Death Punch'd is a lively, no-holds-barred ride as well as a sincere and inspiring cautionary tale to help anyone who is struggling to battle demons and addictions of their own.
Deaths in Venice: The Cases of Gustav von Aschenbach (Leonard Hastings Schoff Lectures)
by Philip KitcherPublished in 1913, Thomas Mann's Death in Venice is one of the most widely read novellas in any language. In the 1970s, Benjamin Britten adapted it into an opera, and Luchino Visconti turned it into a successful film. Reading these works from a philosophical perspective, Philip Kitcher connects the predicament of the novella's central character to Western thought's most compelling questions. In Mann's story, the author Gustav von Aschenbach becomes captivated by an adolescent boy, first seen on the lido in Venice, the eventual site of Aschenbach's own death. Mann works through central concerns about how to live, explored with equal intensity by his German predecessors, Schopenhauer and Nietzsche. Kitcher considers how Mann's, Britten's, and Visconti's treatments illuminate the tension between social and ethical values and an artist's sensitivity to beauty. Each work asks whether a life devoted to self-sacrifice in the pursuit of lasting achievements can be sustained and whether the breakdown of discipline undercuts its worth. Haunted by the prospect of his death, Aschenbach also helps us reflect on whether it is possible to achieve anything in full awareness of our finitude and in knowing our successes are always incomplete.
Deathwatch: American Film, Technology, and the End of Life (Film and Culture Series)
by C. Scott CombsThe first book to unpack American cinema's long history of representing death, this work considers movie sequences in which the process of dying becomes an exercise in legibility and exploration for the camera. Reading attractions-based cinema, narrative films, early sound cinema, and films using voiceover or images of medical technology, C. Scott Combs connects the slow or static process of dying to formal film innovation throughout the twentieth century. He looks at Thomas Edison's Electrocuting an Elephant (1903), D. W. Griffith's The Country Doctor (1909), John Ford's How Green Was My Valley (1941), Billy Wilder's Sunset Boulevard (1950), Stanley Kubrick's 2001: A Space Odyssey (1968), and Clint Eastwood's Million Dollar Baby (2004), among other films, to argue against the notion that film cannot capture the end of life because it cannot stop moving forward. Instead, he shows how the end of dying occurs more than once and in more than one place, understanding death in cinema as constantly in flux, wedged between technological precision and embodied perception.
Deathwatch
by C. Scott CombsThe first study to unpack American cinema's long history of representing death
Deathwatch: American Film, Technology, and the End of Life
by Combs C. ScottThe first study to unpack American cinema's long history of representing death
Debating Darcy
by Sayantani DasGuptaThis Pride & Prejudice retelling brings New York Times bestselling Sayantani DasGupta’s trademark wit and insight to her bright and funny YA debut!It is a truth universally acknowledged that Leela Bose plays to win.A life-long speech competitor, Leela loves nothing more than crushing the competition, all while wearing a smile. But when she meets the incorrigible Firoze Darcy, a debater from an elitist private school, Leela can’t stand him. Unfortunately, he’ll be competing in the state league, so their paths are set to collide. But why attempt to tolerate Firoze when Leela can one-up him? The situation is more complicated than Leela anticipated, though, and her participation in the tournament reveals that she might have tragically misjudged the debaters -- including Firoze Darcy -- and more than just her own winning streak is at stake…her heart is, too. Debating Darcy is bestselling author Sayantani DasGupta’s reinterpretation of beloved classic Pride and Prejudice -- imaginative, hilarious, thought-provoking, and truly reflective of the complex, diverse world of American high school culture.
Debbie Harry Sings in French
by Meagan BrothersWhen Johnny gets out of court-mandated rehab and his mother sends him to live with his uncle in North Carolina, he meets Maria, who seems to understand his fascination with the new wave band Blondie, and he learns about his deceased father's youthful forays into glam rock, all of which gives him perspective on himself, his past, and his current life.
debbie tucker green: Critical Perspectives
by Siân Adiseshiah Jacqueline BoltonThis long-awaited book is the first full-length study of the work of the extraordinary contemporary black British playwright, debbie tucker green. Covering the period from 2000 (Two Women) to 2017 (a profoundly affectionate, passionate devotion to someone (-noun)), it offers scholars and students the opportunity to engage in cutting-edge critical debate engendered by tucker green’s innovative dramatic works for stage, television, and radio. This groundbreaking book includes contributions by a range of outstanding scholars, including black playwriting specialists, world-leading contemporary theatre scholars and some of the very best emerging researchers in the field. While always focused on the precision and detail of tucker green’s work, this book simultaneously reframes broader debates around contemporary drama and its politics, poses new questions of theatre, and provokes scholarly thinking in ways that, however obliquely, contribute to the change for which the plays agitate.
Debunk It! Fake News Edition: How to Stay Sane in a World of Misinformation
by John GrantWe live in an era of misinformation, much of it spread by authority figures, including politicians, religious leaders, broadcasters, and, of course, apps and websites. In this second edition, author John Grant uses ripped-from-the-headlines examples to clearly explain how to identify bad evidence and poor arguments. He also points out the rhetorical tricks people use when attempting to pull the wool over our eyes, and offers advice about how to take these unscrupulous pundits down. Updated to include a chapter on fake news, Debunk It serves as a guide to critical thinking for young readers looking to find some clarity in a confusing world.