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The Definitive Star Trek Trivia Book: Star Trek All Series (Star Trek)

by Richard Oriolo Jill Sherwin

SO YOU THINK YOU KNOW STAR TREK? WELL, FIRE UP THOSE NEURONS, BECAUSE HERE'S YOUR CHANCE TO PROVE IT!-- 1 How many tribbles did Spock calculate had bred aboard Deep Space Station K-7?_____________________________-- 2 What type of life-form was the Caretaker?A. Sporocystian B. Solanagen C. Silicon D. Unidentifiable-- 3 In which episode is a deaf mediator the key to ending a war that has persisted for fifteen centuries?______________________________-- 4 Identify each species: A. __________B. __________C. __________-- 5 Match the ship with its appropriate registry number: A. U. S. S. Voyageri. NX-74205B. U. S. S. Defiantii. NX-2000C. U. S. S. Pegasusiii. NCC-74656D. U. S. S. Excelsioriv. NCC-53847-- 6 Name: A. Sulu's daughter _____________B. Troi's older sister _____________C. Kira's father _____________D. Tuvok's wife _____________The answers to those questions and many others are just pages away in THE DEFINITIVE STAR TREK TRIVIA BOOK, the ultimate collection of memory testers, brainteasers, and mind-bending minutiae from thirty-four years of movies and TV series. Nearly three thousand fill-in-the-blanks, multiple-choice questions, and matching questions are organized into themed chapters such as "Galactic History", "About the Crews", "Alien Species", "Star Trek Science", and "Command Questions". This jam-packed, fun-filled illustrated trivia book is just what devoted Star Trek fans have always wanted: the means to test themselves and one another on one of the richest and most complex fictional universes ever created. -- See reverse side for the answers!

The Definitive Star Trek Trivia Book

by Jill Sherwin

SO YOU THINK YOU KNOW STAR TREK®? WELL, FIRE UP THOSE NEURONS, BECAUSE HERE'S YOUR CHANCE TO PROVE IT! The ultimate collection of memory testers, brainteasers, and mind-bending minutiae from thirty-four years of movies and TV series. More than two thousand fill-in-the-blanks, multiple-choice questions, and matching questions are organized into themed chapters such as "Galactic History," "About the Crews," "Alien Species," "Star Trek Science," and "Command Questions. " This jam-packed, fun-filled illustrated trivia book is just what devoted Star Trek fans have always wanted: the means to test themselves and one another on one of the richest and most complex fictional universes ever created.

Degas, Painter of Ballerinas

by Susan Goldman Rubin

Through Edgar Degas’s beloved paintings, drawings, and sculptures, Susan Goldman Rubin conveys the wonder and excitement of the ballet world. Degas is one of the most celebrated painters of the impressionist movement, and his ballerina paintings are among the most favorite of his fans. In his artwork, Degas captures every moment, from the relentless hours of practice to the glamour of appearing on stage, revealing a dancer’s journey from novice to prima ballerina. Observing young students, Degas drew their poses again and again, determined to achieve perfection. The book includes a brief biography of his entire life, endnotes, bibliography, where to see his paintings, and an index.

Dekalog 4: On East Asian Filmmakers (Dekalog)

by Taylor Kate E. Ed.

East Asian cinema has become a worldwide phenonemon, and directors such as Park Chan-wook, Wong Kar Wai, and Takashi Miike have become household names. Dekalog 4: On East Asian Filmmakers solicits scholars from Japan, Hong Kong, Switzerland, North America, and the U.K. to offer unique readings of selected East Asian directors and their works. Directors examined include Zhang Yimou, Apichatpong Weerasethakul, Rithy Panh, Kinji Fukasaku, and Jia Zhangke, and the volume includes one of the first surveys of Japanese and Chinese female filmmakers, providing singular insight into East Asian film and the filmmakers that have brought it global recognition.

Dekalog 4: On East Asian Filmmakers

by Kate E. Taylor

East Asian cinema has become a worldwide phenonemon, and directors such as Park Chan-wook, Wong Kar Wai, and Takashi Miike have become household names. Dekalog 4: On East Asian Filmmakers solicits scholars from Japan, Hong Kong, Switzerland, North America, and the U.K. to offer unique readings of selected East Asian directors and their works. Directors examined include Zhang Yimou, Apichatpong Weerasethakul, Rithy Panh, Kinji Fukasaku, and Jia Zhangke, and the volume includes one of the first surveys of Japanese and Chinese female filmmakers, providing singular insight into East Asian film and the filmmakers that have brought it global recognition.

A Del of a Life: The hilarious #1 bestseller from the national treasure

by David Jason

THE #1 SUNDAY TIMES BESTSELLER: a hilarious and heartfelt new autobiography from the national treasure Sir David Jason'There are British telly icons and then there is Sir David Jason. This book is such gold . . . an absolute delight' ZOE BALL___________________________'During my life and career I have been given all sorts of advice and learned huge amounts from some great and enormously talented people. I've been blessed to play characters such as Derek Trotter, Granville, Pop Larkin and Frost, who have changed my life in all sorts of ways, and taught me lessons that go far beyond the television set. And I've worked a few things out for myself as well, about friendship, ambition, rejection, success, failure, adversity and fortune.With any luck, some of these thoughts and observations will chime with episodes and challenges you have faced, or are facing, in your own life. And if they don't. . . well, hopefully, at the very least you'll get to have a good old laugh at my expense.So lean back, pour yourself a glass, and try not to fall through the bar flap . . .'___________________________'An absolute delight . . . a romp with so much detail. Offers wisdom in difficult times . . . like being invited into his living room' BBC BREAKFAST'It's beautifully written . . . so conversational and chatty . . . it's so lovely and warm' CHRIS MOYLES

Delete That: (and Other Failed Attempts to Look Good Online)

by John Crist

A candid and irreverent look at the ridiculous ways we all try to make ourselves look better online—from a popular standup and internet comedian whose videos have been viewed over one billion times.&“John is one of my top-three all-time favorite comedians, next to me and Foxworthy. Buy this book—you&’ll be glad you did.&”—Larry the Cable Guy John Crist wasn&’t always recognizable as &“the guy from that hilarious video in the grocery store.&” Growing up part of a homeschool family of ten in rural Georgia with Mennonite grandparents and a high-school job at Chick-fil-A, he was an unlikely candidate for internet fame. Despite all that, or perhaps because of it, Crist passionately pursued his dream of stand-up comedy. In his first book, Crist offers heartfelt, laugh-out-loud observations on the absurd ways we all try to make ourselves look better online: like how we all post filtered pictures of our super healthy kale salads but somehow neglect to post about our 1 A.M. Uber Eats Big Mac. Or how quick we all are to post our &“I Voted&” sticker pictures but fail to post about the ways we vote with our dollars every day in ways that don&’t align with our loudly and publicly espoused values. With self-deprecating wit, Crist chronicles his meteoric rise as an online and stand-up comedian, but he doesn&’t gloss over the ways his own life choices did not align with his online image—a gap between perception and reality that eventually led to a stint in rehab. In Delete That, Crist takes responsibility for his actions, offers some reflections on how to do better, and encourages us all to stop capitulating to the fear of &“But what will they think?!&” Instead, this book offers a bold invitation to stop curating life and start living it . . . one Nickelback concert at a time.

Deliberative Offenheit durch Empathie: Eine experimentelle Untersuchung von Unterhaltung im politischen Kontext

by Andrea Kloß

Andrea Kloß geht vor dem Hintergrund der zunehmenden gesellschaftlichen Polarisierung der Frage nach, welchen Beitrag fiktionale Unterhaltungsmedien leisten können, um bei ihrem Publikum Empathie und deliberative Offenheit im Diskurs mit Andersdenkenden zu fördern.In zwei experimentellen Studien mit Teilnehmern unterschiedlicher Bildungsniveaus kann die Autorin zeigen, dass Transformationsgeschichten, die eine versöhnliche Annäherung zwischen zwei Filmcharakteren mit gegensätzlichen Überzeugungen darstellen, bei den Rezipienten das gleichzeitige Erleben von Empathie für beide Charaktere begünstigen und dadurch ihre Offenheit für andere Ansichten stärken.

Della

by Chuck Barris

This surprisingly candid, often funny, and entirely moving memoir is Chuck Barris's story about life with his only child, Della. Born on Christmas Eve in 1962, Della was a lovable charmer like her father, an adventurous and quick-witted kid. She had a carefree suburban childhood, even while her father was fast becoming an entertainment superstar, inventing, hosting, and producing his legendary game shows. When Barris and his wife eventually divorced, Della was shuttled between parents in New York and California, then moved from boarding school in Switzerland to Beverly Hills High, among other places. Bored, lonely, and often depressed, she discovered drugs and petty crime early in adolescence, and her escapades soon took on a far more alarming and dangerous aspect. She was lost, yearning for attention and guidance, and growing up in Los Angeles amid temptation everywhere. Her father felt helpless: caring for a daughter was more than Barris had bargained for. Ranging from late-night phone calls from the neighbors to emergency room visits, Della's behavior was out of control. When Della decided at age sixteen to move out on her own, Barris didn't object. He gave her a trust fund and let her go out into the world alone, a regret that he shares with readers here in heartbreaking and clear-eyed detail as he chronicles Della's descent into addiction and her eventual death from an overdose at age thirty-six. But Della is not just a grief-stricken story. Filled with loving memories and spontaneous humor, it is a brave and hard-earned reflection on fatherhood and a tribute to innocence lost.

The Demand for International Football Telecasts in the United States

by Georgios Nalbantis Tim Pawlowski

This book provides a comprehensive overview and economic analysis of US consumer demand for televised football (soccer). Accounting for transnational demand, research is focused on the US consumers demand for the English Premier League, Spanish La Liga, Italian Serie A, German Bundesliga, French Ligue 1 and the UEFA Champions League, which represent the most popular and marketable football competitions worldwide, and have recently sealed lucrative media rights contracts in many large markets, including the US. The study also takes account of North American Major League Soccer (MLS) in order to provide a more comprehensive overview of the country's football market and to allow for direct comparisons with the aforementioned European competitions. These findings offer valuable insights for US broadcasters, European league organizers and managers to adjust existing strategies and/or develop new strategies in conquering the US football market.

Dementia, Narrative and Performance: Staging Reality, Reimagining Identities

by Janet Gibson

Focusing mainly on case studies from Australia and the United States of America, this book considers how people with dementia represent themselves and are represented in ‘theatre of the real’ productions and care home interventions, assessing the extent to which the ‘right kind’ of dementia story is being affirmed or challenged. It argues that this type of story — one of tragedy, loss of personhood, biomedical deficit, and socio-economic ‘crisis — produces dementia and the people living with it, as much as biology does. It proposes two novel ideas. One is that the ‘gaze’ of theatre and performance offers a reframing of some of the behaviours and actions of people with dementia, through which deficit views can be changed to ones of possibility. The other is that, conversely, dementia offers productive perspectives on ’theatre of the real’. Scanning contemporary critical studies about and practices of ‘theatre of the real’ performances and applied theatre interventions, the book probes what it means when certain ‘theatre of the real’ practices (specifically verbatim and autobiographical) interact with storytellers considered, culturally, to be ‘unreliable narrators’. It also explores whether autobiographical theatre is useful in reinforcing a sense of ‘self’ for those deemed no longer to have one. With a focus on the relationship between stories and selves, the book investigates how selves might be rethought so that they are not contingent on the production of lucid self-narratives, consistent language, and truthful memories.

Democracy Hacked: How Technology is Destabilising Global Politics

by Martin Moore

Technology has fractured democracy, and now there&’s no going back. All around the world, the fringes have stormed the palace of the elites and unleashed data miners, dark ads and bots on an unwitting public. After years of soundbites about connecting people, the social media giants are only just beginning to admit to the scale of the problem. We stand on the precipice of an era where switching your mobile platform will have more impact on your life than switching your government. Where freedom and privacy are seen as incompatible with social well-being and transparency. Where your attention is sold to the highest bidder. Our laws don&’t cover what is happening and our politicians don&’t understand it. But if we don&’t fight to change the system now, we may not get another chance.

Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past (Theater: Theory/Text/Performance)

by Ariel Nereson

On the 200th anniversary of Abraham Lincoln’s birth, renowned choreographer and director Bill T. Jones developed three tributes: Serenade/The Proposition, 100 Migrations, and Fondly Do We Hope . . . Fervently Do We Pray. These widely acclaimed dance works incorporated video and audio text from Lincoln’s writings as they examined key moments in his life and his enduring legacy. Democracy Moving explores how these works provided both an occasion and a method by which democracy and history might be reconceived through movement, positioning dance as a form of both history and historiography. The project addresses how different communities choose to commemorate historical figures, events, and places through art—whether performance, oratory, song, statuary, or portraiture—and in particular, Black US American counter-memorial practices that address histories of slavery. Advancing the theory of oscillation as Black aesthetic praxis, author Ariel Nereson celebrates Bill T. Jones as a public intellectual whose practice has contributed to the project of understanding America’s relationship to its troubled past. The book features materials from Bill T. Jones/Arnie Zane Company’s largely unexplored archive, interviews with artists, and photos that document this critical stage of Jones’s career as it explores how aesthetics, as ideas in action, can imagine more just and equitable social formations.

Democracy's Body: Judson Dance Theatre, 1962–1964

by Sally Banes

Democracy's Body offers a lively, detailed account of the beginnings of the Judson Dance Theater--a popular center of dance experimentation in New York's Greenwich Village--and its place in the larger history of the avant-garde art scene of the 1960s. JDT started when Robert Dunn, a student of John Cage, offered a dance composition class in Merce Cunningham's studio. The performers--many of whom included some of the most prominent figures in the arts in the early sisties--found a welcome performance home in the Judson Memorial Church in the Village. Sally Banes's account draws on interviews, letters, diaries, films, and reconstructions of dances to paint a portrait of the rich culture of Judson, which was the seedbed for postmodern dance and the first avant-garde movement in dance theater since the modern dance of the 1930s and 1940s. Originally published in 1983, this edition brings back into print a highly regarded work of dance history.

Demographic Angst: Cultural Narratives and American Films of the 1950s

by Alan Nadel

Prolific literature, both popular and scholarly, depicts America in the period of the High Cold War as being obsessed with normality, implicitly figuring the postwar period as a return to the way of life that had been put on hold, first by the Great Depression and then by Pearl Harbor. Demographic Angst argues that mandated normativity—as a political agenda and a social ethic—precluded explicit expression of the anxiety produced by America’s radically reconfigured postwar population. Alan Nadel explores influential non-fiction books, magazine articles, and public documents in conjunction with films such as Singin’ in the Rain, On the Waterfront, Sunset Boulevard, and Sayonara, to examine how these films worked through fresh anxieties that emerged during the 1950s.

Demokratie und Soziale Arbeit: Sensibilisierung für die Wahrnehmung und Veränderung von Ungleichheiten in unserer Gesellschaft

by Monika Alamdar-Niemann Bärbel Schomers Marion Tacke

Der Tagungsband „Demokratie und Soziale Arbeit“ befasst sich aus unterschiedlichen Perspektiven mit zentralen aktuellen Fragen der Sozialen Arbeit. Wie kann Teilhabe und Partizipation in der Gesellschaft ungeachtet der sozialen Lage der Adressat*innen, ihres Geschlechts, ihrer sexuellen Orientierung, ihrer ethnischen Herkunft und Hautfarbe, ihrer Religion und Sprache, ihres Alters und rechtlichen Status ermöglicht werden? Soziale Arbeit mit Blick auf die zugrundeliegenden strukturellen Mechanismen von Ausgrenzung und Abwertung zielt auf eine Humanisierung der deutschen Gesellschaft. Es geht um nicht weniger als die Professionalisierung einer Arbeit gegen Diskriminierung zur Wahrung demokratischer Prinzipien, denen sich die hier versammelten Autor*innen widmen.

Demonizing the Other: Antisemitism, Racism and Xenophobia

by Robert S. Wistrich

At the close of the twentieth century the stereotyping and demonization of 'others', whether on religious, nationalist, racist, or political grounds, has become a burning issue. Yet comparatively little attention has been paid to how and why we fabricate images of the 'other' as an enemy or 'demon' to be destroyed. This innovative book fills that gap through an interdisciplinary, cross-cultural approach that brings together a distinguished array of historians, anthropologists, psychologists, literary critics, and feminists.The historical sweep covers Greco-Roman Antiquity, the MIddle Ages, and the MOdern Era. Antisemitism receives special attention because of its longevity and centrality to the Holocaust, but it is analyzed here within the much broader framework of racism and xenophobia. The plurality of viewpoints expressed in this volume provide fascinating insights into what is common and what is unique to the many varieties of prejudice, stereotyping, demonization, and hatred.

The Demons of Modernity: Ingmar Bergman and European Cinema

by John Orr

Ingmar Bergman's films had a very broad and rich relationship with the rest of European cinema, contrary to the myth that Bergman was a peripheral figure, culturally and aesthetically isolated from the rest of Europe. This book contends that he should be put at the very center of European film history by chronologically comparing Bergman's relationship to key European directors such as Carl Theodor Dreyer, Jean-Luc Godard, Michelangelo Antonioni, and Andrei Tarkovsky, and also looks at Bergman's critical relationship to key movements in film history such as the French New Wave. In so doing, it demonstrates how Ingmar Bergman's films illustrate the demonic struggle in modernity between faith and secularity through "his intense preoccupation with the malaise of intimacy."

Den of Thieves (Cat Royal #3)

by Julia Golding

Disguised as a ballerina, Cat joins the French Revolution, only to find that it is up to her to save her friends after they are captured as traitors. The action-packed series continues with disguises, danger, drama, and the irrepressible Cat Royal.

Dennis Hopper: Interviews (Conversations with Filmmakers Series)

by Nick Dawson

The legendary Dennis Hopper (1936-2010) had many identities. He first broke into Hollywood as a fresh-faced young actor in the 1950s, redefined himself as a rebel director with Easy Rider in the late 1960s, and became a bad boy outcast for much of the 1970s. He returned in the 1980s with standout performances in films like Blue Velvet and Hoosiers, was one of the great blockbuster baddies of the 1990s, and ended his career as a ubiquitous actor in genre movies. Hopper, however, was much more than just an actor and director: he was also a photographer, a painter, and an art collector not to mention a longtime hedonist who kicked his addiction to drugs and alcohol and became a poster boy for sobriety. Dennis Hopper: Interviews covers every decade of his career, featuring conversations from 1957 through to 2009, and not only captures him at the significant points of his tumultuous time in Hollywood but also focuses on the lesser-known aspects of the man. In this fascinating and highly entertaining volume—the first ever collection of Hopper's interviews—he talks in depth about film, photography, art, and his battles with substance abuse and, in one instance, even takes the role of interviewer as he talks with Quentin Tarantino.

Dennis Kelly (Routledge Modern and Contemporary Dramatists)

by Aloysia Rousseau

Dennis Kelly explores Kelly’s unusual career path and sheds light on his eclectic approach to the arts, characterised by a refusal to write texts that people can fit within neat categories. This is the first monograph on Kelly’s work for stage and screen and brings to light his essential contribution to contemporary British drama and his huge range of work including his rise to international fame with Matilda the Musical.Drawing on Kelly’s published and unpublished texts, his work in production, reviews, original interviews with directors, actors and with Kelly himself as well as critical theory, Dennis Kelly examines and reappraises key motifs in his work such as his preoccupation with violence, the complex relationship between the individual and the community or his emphasis on storytelling. It also offers new insights into overlooked aspects of Kelly’s work by setting out to explore his traumatic narratives and his post-romanticism. In keeping with Kelly’s wish never to repeat himself, this study offers multiple critical entries into his plays, television series and films, drawing on moral and political philosophy, trauma studies, studies in humour, feminist theory and film studies.Part of the Routledge Modern and Contemporary Dramatist series, Dennis Kelly is addressed to students and scholars in Drama, Theatre and Performance as well as theatre practitioners and offers in-depth analysis of one of the most unique and challenging voices in contemporary British playwriting and screenwriting.

Denys Arcand's Le Declin de l'empire americain and Les Invasions barbares

by Andrê Loiselle

The release of Denys Arcand's Le Déclin de l'empire américain (The Decline of the American Empire) in 1986 marked a major turning point in Quebec cinema. It was the first Québécois film that enjoyed huge critical and commercial success at home and abroad. Arcand's tragicomedy about eight intellectuals gathered around a dinner table relating sexy anecdotes became the top-grossing film of all time in Quebec and was the first Canadian feature to be nominated for an Oscar in the foreign-language category. Seventeen years later, Arcand won an Academy Award for the sequel, Les Invasions barbares (The Barbarian Invasions), where the amusing insouciance of the thirty-somethings talking dirty in Le Déclin is replaced by a sense of moral responsibility and serene resignation. In this engrossing study, André Loiselle presents the first in-depth analysis of both films within the context of Quebec culture. Through close readings and concise cultural analysis of two of the most important films in the history of Quebec cinema, Loiselle demonstrates the ways in which Arcand's work represents a snapshot of the evolution of the French Canadian film industry since 1980. The companion films trace the decline of Quebec's national dream and the Québécois' attempts to cling to their identity against the forces of barbaric globalization. The second title in the new Canadian Cinema series, Denys Arcand's "Le Déclin de l'empire américain" and "Les Invasions barbares" is essential reading for cinephiles, film critics, and anyone with an interest in cultural studies and Canadian and Quebec history.

Depeche Mode: El origen de la banda que conquisto el mundo con la musica electronica (Band Records)

by Soledad Romero Mariño Fernando López del Hierro

Los inicios de Depeche Mode, la banda de rock electrónico por excelencia, explicada a los más pequeños. <p><p>Synth pop, dance rock, new wave... Con su estilo único, el grupo británico Depeche Mode revolucionó la escena musical electrónica en los ochenta. Precursores del uso del sintetizador como instrumento, Vince Clarke, Dave Gahan, Martin Gore y Andy Fletcher se convirtieron a golpe de sampler en un auténtico fenómeno de masas. <p>Responsables de hits como «Enjoy the silence» o «Precious», sus influencias resuenan en grupos como los Pet Shop Boys o Coldplay.

Der ästhetische Vektor: Eine Studie über filmische Postperformativität

by Jonathan Partecke

Methode der Filmrezeption. Im Zentrum dieser Methode steht der eigens definierte Begriff des ästhetischen Vektors: eine Wahrnehmungsinstanz, die als Abkürzung die Beschreibung komplizierter, semiotischer Zusammenhänge ermöglichen soll. Um den Vektorbegriff, seine Einzelteile und besondere Eigenheiten von Abänderungen und Nuancen in der Anwendung werden eine Vielzahl von neuen Begriffen eingeführt (und einige bestehende Begriffe bzw. in Verwendung befindliche Begriffe redefiniert), um eine neuartige Form der Filmwahrnehmung zu beschreiben: Das Rauschhafte Erleben des cinematographischen Modus – die Postperformativität. Film ist primär Ästhetik und Bild. Wie diese konstruiert werden und wirken, wird entschlüsselt.Der AutorJonathan Partecke studierte am Institut der Theaterwissenschaft München twm der Ludwig-Maximilians- Universität München. Seine Schwerpunkte sind: Filmwissenschaft, Ästhetiktheorie, Filmphilosophie, Deleuze.

Der Roman als Netzwerk: Formen, Ideen, Waren

by Tim Lanzendörfer Corinna Norrick-Rühl

Der Roman als Netzwerk: Formen, Ideen, Waren beschäftigt sich mit dem zeitgenössischen englischsprachigen Roman und seinen Derivaten und Nebenprodukten wie Graphic Novels, Comics, Podcasts und Quality TV. Dieser Sammelband untersucht die Bedeutung des Romans im größeren System der zeitgenössischen Medienproduktion und (Post-)Printkultur und betrachtet den Roman durch die Linse der Akteur-Netzwerk-Theorie als einen Knotenpunkt im Roman-Netzwerk. Die Kapitel unterstreichen die enge Verbindung zwischen allen Aspekten des Romans, zwischen dem Roman als (literarischer) Form, als Idee und als Ware. Der Sammelband bringt Expert*innen aus amerikanischer und anglistisches Literaturwissenschaft und Postcolonial Studies sowie den Buch- und Medienwissenschaften zusammen und bietet einen neuen Blickwinkel auf den Roman in seinen vielfältigen Erscheinungsformen.

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