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Der verborgene Sinn: Verhüllung und Enthüllung in der Musik
by Laurenz LüttekenEin Sinn, der verborgen oder enthüllt werden kann, ist eine der zentralen Denkfiguren der Neuzeit. Das betrifft auch die Frage, was Musik eigentlich sei. Je stärker man darüber nachgedacht hat, desto brüchiger, changierender ist die Annahme von einem substantiellen Wesenskern der Musik geworden. In diesem Buch geht es nicht um ästhetische oder theoretische Überlegungen dazu, sondern um die Frage, ob und auf welche Weise komponierte Musik sich selbst zum Gegenstand macht und so möglicherweise etwas von ihrem Kern preisgibt. Die optischen Metaphern von Verhüllung und Enthüllung erweisen sich dabei als ebenso hilfreich wie anschaulich. In einer Reihe von Beispielen, die vom 17. bis in die Gegenwart reichen, wird das Phänomen in seiner ganzen Vielfalt beschrieben. Dabei geht es nicht nur um Opern von Mozart bis Strauss, sondern auch um Monteverdis Vokalmusik, Haydns „Schöpfung“, die Sinfonien Bruckners oder Ligetis Etüden.
Derrida | Benjamin: Two Plays for the Stage
by John Schad Fred DalmassoWithin the work of both Jacques Derrida and Walter Benjamin there is a buried theatricality, a theatre to-come. And in the last fifteen years there has been a growing awareness of this theatricality. To date, though, there has not been a published stage play about either Derrida or BenjaminCue Derrida| Benjamin, a volume that brings together two tragi-comic plays which mirror each other in a host of ways – above all, in the way that the central philosophical figure is displaced, or not quite where or when we would expect to find them. In Derrida’s case, it is Oxford in 1968; in Benjamin’s case, it is somewhere (or nowhere) near London in 1948. These, then, are plays in which the philosopher is exiled, or elsewhere – not quite himself. This a volume for anyone with an eye or ear for where theatre or performance meets philosophy – students, scholars, readers, actors.
Dervish Dust: The Life and Words of James Coburn
by Robyn L. CoburnDervish Dust is the authorized biography of &“cool cat&” actor James Coburn, covering his career, romances, friendships, and spirituality. Thoroughly researched with unparalleled access to Coburn&’s friends and family, the book&’s foundation is his own words in the form of letters, poetry, journals, interviews, and his previously unpublished memoirs, recorded in the months before his passing.Dervish Dust details the life of a Hollywood legend that spanned huge changes in the entertainment and filmmaking industry. Coburn grew up in Compton after his family moved from Nebraska to California during the Great Depression. His acting career began with guest character roles in popular TV series such as The Twilight Zone, Bonanza, and Rawhide. In the 1960s Coburn was cast in supporting roles in such great pictures as The Magnificent Seven, Charade, and The Great Escape, and he became a leading man with the hit Our Man Flint. In 1999 Coburn won an Academy Award for his performance in Affliction. Younger viewers will recognize him as the voice of Henry Waternoose, the cranky boss in Monsters, Inc., and as Thunder Jack in Snow Dogs. An individualist and deeply thoughtful actor, Coburn speaks candidly about acting, show business, people he liked, and people he didn&’t, with many behind-the-scenes stories from his work, including beloved classics, intellectually challenging pieces, and less well-known projects. His films helped dismantle the notorious Production Code and usher in today&’s ratings system. Known for drum circles, playing the gong, and participating in LSD research, Coburn was New Age before it had a name. He brought his motto, Go Bravely On, with him each time he arrived on the set in the final years of his life, when he did some of his best work, garnering the admiration of a whole new generation of fans.
Descended from Hercules: Biopolitics and the Muscled Male Body on Screen (New Directions in National Cinemas)
by Robert A. RushingMuscles, six-pack abs, skin, and sweat fill the screen in the tawdry and tantalizing peplum films associated with epic Italian cinema of the 1950s and 1960s. Using techniques like slow motion and stopped time, these films instill the hero's vitality with timeless admiration and immerse the hero's body in a world that is lavishly eroticized but without sexual desire. These "sword and sandal" films represent a century-long cinematic biopolitical intervention that offers the spectator an imagined form of the male body—one free of illness, degeneracy, and the burdens of poverty—that defends goodness with brute strength and perseverance, and serves as a model of ideal citizenry. Robert A. Rushing traces these epic heroes from Maciste in Cabiria in the early silent era to contemporary transnational figures like Arnold Schwarzenegger in Conan the Barbarian, and to films such as Zach Snyder's 300. Rushing explores how the very tactile modes of representation cement the genre's ideological grip on the viewer.
The Descent (Devil's Advocates)
by James MarriottThe story of an all-female caving expedition gone horribly wrong, The Descent (2005) is arguably the best of the mid-2000s horror entries to return verve and intensity to the genre. Unlike its peers (Saw [2004], Hostel [2011], etc.), The Descent was both commercially and critically popular, providing a genuine version of what other films could only produce as pastiche. For Mark Kermode, writing in the Observer, it was "one of the best British horror films of recent years," and Derek Elley in Variety described it as "an object lesson in making a tightly-budgeted, no-star horror pic." Time Out's critic praised "this fiercely entertaining British horror movie;" while Rolling Stone's Peter Travers warned prospective viewers to "prepare to be scared senseless." Emphasizing female characters and camaraderie, The Descent is an ideal springboard for discussing underexplored horror themes: the genre's engagement with the lure of the archaic; the idea of birth as the foundational human trauma and its implications for horror film criticism; and the use of provisional worldviews, or "rubber realities," in horror.
The Descent
by James MarriottThe story of an all-female caving expedition gone horribly wrong, The Descent (2005) is arguably the best of the mid-2000s horror entries to return verve and intensity to the genre. Unlike its peers (Saw [2004], Hostel [2011], etc.), The Descent was both commercially and critically popular, providing a genuine version of what other films could only produce as pastiche. For Mark Kermode, writing in the Observer, it was "one of the best British horror films of recent years," and Derek Elley in Variety described it as "an object lesson in making a tightly-budgeted, no-star horror pic." Time Out's critic praised "this fiercely entertaining British horror movie;" while Rolling Stone's Peter Travers warned prospective viewers to "prepare to be scared senseless." Emphasizing female characters and camaraderie, The Descent is an ideal springboard for discussing underexplored horror themes: the genre's engagement with the lure of the archaic; the idea of birth as the foundational human trauma and its implications for horror film criticism; and the use of provisional worldviews, or "rubber realities," in horror.
The Descent
by James MarriottThe story of an all-female caving expedition gone horribly wrong, The Descent (2005) is arguably the best of the mid-2000s horror entries to return verve and intensity to the genre. Unlike its peers (Saw [2004], Hostel [2011], etc.), The Descent was both commercially and critically popular, providing a genuine version of what other films could only produce as pastiche. For Mark Kermode, writing in the Observer, it was "one of the best British horror films of recent years," and Derek Elley in Variety described it as "an object lesson in making a tightly-budgeted, no-star horror pic." Time Out's critic praised "this fiercely entertaining British horror movie;" while Rolling Stone's Peter Travers warned prospective viewers to "prepare to be scared senseless." Emphasizing female characters and camaraderie, The Descent is an ideal springboard for discussing underexplored horror themes: the genre's engagement with the lure of the archaic; the idea of birth as the foundational human trauma and its implications for horror film criticism; and the use of provisional worldviews, or "rubber realities," in horror.
Desegregating Texas Schools: Eisenhower, Shivers, and the Crisis at Mansfield High
by Robyn Duff LadinoIn the famous Brown v. the Board of Education decisions of 1954 and 1955, the United States Supreme Court ruled that "separate but equal" schools for black and white students were unconstitutional. Yet history records that it took more than a decade of legal battles, civil rights protests, and, tragically, violent confrontations before black students gained full access to previously white schools. Mansfield, Texas, a small community southeast of Fort Worth, was the scene of an early school integration attempt. In this book, Robyn Duff Ladino draws on interviews with surviving participants, media reports, and archival research to provide the first full account of the Mansfield school integration crisis of 1956. Ladino explores how power politics at the local, state, and federal levels ultimately prevented the integration of Mansfield High School in 1956. Her research sheds new light on the actions of Governor Allan Shivers—who, in the eyes of the segregationists, actually validated their cause by his political actions—and it underscores President Dwight Eisenhower's public passivity toward civil rights during his first term of office. Despite the short-term failure, however, the Mansfield school integration crisis helped pave the way for the successful integration of Central High School in Little Rock, Arkansas, in 1957. Thus, it deserves a permanent place in the history of the civil rights movement, which this book amply provides.
Desert Island Discs: Fascinating facts, figures and miscellany from one of BBC Radio 4’s best-loved programmes
by Mitchell SymonsFlotsam & Jetsam is the ultimate trivia book for fans of the popular BBC Radio 4 programme Desert Island Discs, and a fascinating introduction for all those who have yet to discover its delights.Taking the reader through seven decades of wonderful entertainment, here is an absorbing range of facts, figures and miscellany – including who chose what, and why. It also reveals much about the castaways' drives and motivations, their influences and, of course, their lives.Spanning the early years with the original presenter, Roy Plomley, and the present day, the Desert Island Discs programme has brought its own unique surprises to listeners, some very personal, some humorous, such as Eric Morecambe's choice of a deckchair as his luxury and Ernie Wise's of a deckchair ticket machine.From Beethoven to the Beatles, from chessboards and chocolate to Jane Austen and Zola, Flotsam & Jetsam is the perfect companion guide to the national treasure that is Desert Island Discs.
Desert Island Discs: 70 Years of Castaways
by Sean Magee‘For seventy years now Desert Island Discs has managed that rare feat – to be both enduring and relevant. By casting away the biggest names of the day in science, business, politics, showbiz, sport and the arts, it presents a cross-sectional snapshot of the times in which we live. As the decades have passed, the programme has kept pace; never frozen in time yet always, somehow, comfortingly the same.’ Kirsty YoungBBC Radio 4’s Desert Island Discs celebrates its seventieth birthday in 2012. Since the programme’s deviser Roy Plomley interviewed comedian Vic Oliver in January 1942, nearly 3,000 distinguished people from all walks of life have been stranded on the mythical island, accompanied by only eight records, one book and a luxury.Here the story of one of BBC Radio 4’s favourite programmes is chronicled through a special selection of castaways.Roy Plomley, inventor of the programme as well as its presenter for over forty years, quizzes the young Cliff Richard about ‘these rather frenzied movements’ the 1960s pop sensation makes on the stage. Robert Maxwell tells Plomley’s successor Michael Parkinson that ‘I will have left the world a slightly better place by having lived in it.’ Diana Mosley assures Sue Lawley that Adolf Hitler was ‘extraordinarily fascinating’ and had mesmeric blue eyes. And Johnny Vegas tugs Kirsty Young’s heart-strings with his account of a childhood so impoverished that family pets were fair game: ‘My dad had always claimed that rabbits were livestock, but we’d never eaten one before.’Desert Island Discs is much more than a radio programme. It is a unique and enduringly popular take on our lives and times – and this extensively illustrated book tells in rich detail the colourful and absorbing story of an extraordinary institution.
Desert Islands and the Liquid Modern
by Barney SamsonThis book investigates desert islands in postwar anglophone popular culture, exploring representations in radio, print and screen advertising, magazine cartoons, cinema, video games, and comedy, drama and reality television. Drawing on Zygmunt Bauman’s theory of liquid modernity, desert island texts are analysed in terms of their intersections with repressive and seductive mechanisms of power. Chapters focus on the desert island as: a conflictingly in/coherent space that characterises identity as deferred and structured by choice; a location whose ‘remoteness’ undermines satirical critiques of communal identity formation; a site whose ambivalent relationship with ‘home’ and Otherness destabilises patriarchal ‘Western’ subjectivity; a space bound up with mobility and instantaneity; and an expression of radical individuality and underdetermined identity. The desert island in popular culture is shown to reflect, endorse and critique a profoundly consumerist society that seduces us with promises of coherence, with the threat of repression looming if we do not conform.
Desert Queen
by Jyoti R. GopalThis picture book biography in verse follows the life of beloved Rajasthani drag performer Queen Harish, known as the Whirling Desert Queen of Rajasthan. Lit by an inner fire and propelled by a family tragedy, Harish defied the gender conventions of middle class Indian life, battled discrimination and intimidation, and eventually grew up to dance with Bollywood movie stars and on stages across the world.Jyoti Gopal's rhythmic phrases evoke the particular sounds and beats of the music Harish danced to, and capture the passions and conflicts of his life. The poignant and inspiring tale is interpreted by internationally acclaimed Rajasthani artist Svabhu Kohli in kohl-black lines and shapes and brilliant jewel-like colors.
Desert Queen
by Jyoti R. GopalThis picture book biography in verse follows the life of beloved Rajasthani drag performer Queen Harish, known as the Whirling Desert Queen of Rajasthan. Lit by an inner fire and propelled by a family tragedy, Harish defied the gender conventions of middle class Indian life, battled discrimination and intimidation, and eventually grew up to dance with Bollywood movie stars and on stages across the world.Jyoti Gopal's rhythmic phrases evoke the particular sounds and beats of the music Harish danced to, and capture the passions and conflicts of his life. The poignant and inspiring tale is interpreted by internationally acclaimed Rajasthani artist Svabhu Kohli in kohl-black lines and shapes and brilliant jewel-like colors.
Desert Song
by Laekan Zea KempA family joins the music of the Texas desert night in this tale of tradition and memory from Pura Belpré Honor author Laekan Zea Kemp.It starts with a soft tapping,Uncle Eduardo drumming hishands against his dusty jeans.As the blush of sunset gives way to night in the desert, coyotes, cicadas, and barn owls emerge, each calling out to the moon. Watching from their porch, the family joins the song. One by one, each relative offers their drums, flute, maracas, strings, and voices. They sing with the insects, birds, snakes and toads; and they sing with their ancestors, an audience glittering in the stars overhead. With each strum of passed-down instruments, memories renew, and those gone are alive and near again.Desert Song hums and chimes with all the music a front porch and the desert beyond can hold. Pura Belpré Honor author Laekan Zea Kemp&’s masterfully stirring text dances through Beatriz Gutierrez Hernandez&’s enchanting and dynamic artwork. Readers will be left with the soothing sense that when creativity flourishes, the past is never out of reach, and the bonds that matter never break.Simultaneously published in Spanish as Canción del desierto.
Desi Divas: Political Activism in South Asian American Cultural Performances
by Christine L. GarloughDesi Divas: Political Activism in South Asian American Cultural Performances is the product of five years of field research with progressive activists associated with the School for Indian Languages and Cultures (SILC), South Asian Americans Leading Together (SAALT), the feminist dance collective Post Natyam, and the grassroots feminist political organization South Asian Sisters. Christine L. Garlough explores how traditional cultural forms may be critically appropriated by marginalized groups and used as rhetorical tools to promote deliberation and debate, spur understanding and connection, broaden political engagement, and advance particular social identities. Within this framework she examines how these performance activists advocate a political commitment to both justice and care, to both deliberative discussion and deeper understanding. To consider how this might happen in diasporic performance contexts, Garlough weaves together two lines of thinking. One grows from feminist theory and draws upon a core literature concerning the ethics of care. The other comes from rhetoric, philosophy, and political science literature on recognition and acknowledgment. This dual approach is used to reflect upon South Asian American women's performances that address pressing social problems related to gender inequality, immigration rights, ethnic stereotyping, hate crimes, and religious violence. Case study chapters address the relatively unknown history of South Asian American rhetorical performances from the early 1800s to the present. Avant-garde feminist performances by the Post Natyam dance collective appropriate women's folk practices and Hindu goddess figures make rhetorical claims about hate crimes against South Asian Americans after 9/11. In Yoni ki Bat (a South Asian American version of The Vagina Monologues) a progressive performer transforms aspects of the Mahabharata narrative to address issues of sexual violence, such as incest and rape. Throughout the volume, Garlough argues that these performers rely on calls for acknowledgment that intertwine calls for justice and care. That is, they embed their testimony in traditional cultural forms to invite interest, reflection, and connection.
Design for Living: Alfred Lunt and Lynn Fontanne
by Margot PetersFrom the much-admired biographer of Charlotte Brontë, Mrs. Patrick Campbell, and the Barrymores ("Margot Peters is surely now . . . our foremost historian of stage make-believe"--Leon Edel), a new biography of the most famous English-speaking acting team of the twentieth century. Individually, they were recognized as extraordinary actors, each one a star celebrated, imitated, sought after. Together, they were legend. The Lunts. A name to conjure with. Alfred Lunt and Lynn Fontanne worked together so imaginatively, so seamlessly onstage that they seemed to fuse into one person. Offstage, they brawled so famously and raucously over every detail of every performance that they inspired the musical Kiss Me, Kate. At home on Broadway, in London's West End, touring the United States and Great Britain, and even playing "the foxhole circuit" of World War II, the Lunts stunned, moved, and mystified audiences for more than four decades. They were considered to be a rarefied taste, but when they toured Texas in the 1930s, the audience threw cowboy hats onto the stage. Their private life was equally fascinating, as unusual as the one they led in public. Friends like the critic Alexander Woollcott (whom Edna Ferber once described as "the little New Jersey Nero who thinks his pinafore is a toga"), Noël Coward, Laurette Taylor, and Sidney Greenstreet received lifelong loyalty and hospitality. Ten Chimneys, their country home in Genesee Depot, Wisconsin, "is to performers what the Vatican is to Catholics," Carol Channing once said. "The Lunts are where we all spring from. " In this new biography, Margot Peters catches the magic of Lunt and Fontanne--their period, their work, their intimacy and its contradictions--with candor, delicacy, intelligence, and wit. She writes about their personal and creative choices as deftly as she captures their world, from their meeting (backstage, naturally)--when Fontanne was a young actress in the first flush of stardom and Lunt a lanky midwesterner who came in the stage door, bowed to her elaborately, lost his balance, and fell down the stairs--and the early days when an unknown and very hungry Noël Coward lived in a swank hotel in a room the size of a closet and cadged meals at their table to the telegram the famous couple once sent to a movie mogul, turning down a studio contract worth a fortune ("We can be bought, my dear Mr. Laemmle, but we can't be bored"). We follow the Lunts through triumphs in plays such as The Guardsman, The Taming of the Shrew, and Design for Living; through friendships and feuds; through the intricate way they worked with such playwrights and directors as S. N. Behrman, Robert Sherwood, Giraudoux, Dürrenmatt, Peter Brook, and with each other. Margot Peters captures the gallantry of two remarkably gifted people who lived for their art and for each other. Alfred Lunt and Lynn Fontanne were once described as an "amazing duet of intelligence and gaiety. " Margot Peters re-creates the fun and the fireworks. From the Hardcover edition.
Design for Motion
by Austin ShawPlumb the depths of core motion design fundamentals and harness the essential techniques of this diverse and innovative medium. Combine basic art and design principles with creative storytelling to create compelling style frames, design boards, and motion design projects. Here, in one volume, Austin Shaw covers all the principles any serious motion designer needs to know in order to make their artistic visions a reality and confidently produce compositions for clients, including: Illustration techniques Typography Compositing Cinematography Incorporating 3D elements Matte painting Concept development, and much more Lessons are augmented by illustrious full color imagery and practical exercises, allowing you to put the techniques covered into immediate practical context. Industry leaders and pioneers, including Karin Fong, Bradley G Munkowitz (GMUNK), Will Hyde, Erin Sarofsky, Danny Yount, and many more, contribute their professional perspectives, share personal stories, and provide visual examples of their work. Additionally, a robust companion website (www.focalpress.com/cw/shaw) features project files, video tutorials, bonus PDFs, and rolling updates to keep you informed on the latest developments in the field.
Design is Storytelling
by Ellen LuptonA playbook for creative thinking, created for contemporary students and practitioners working across the fields of graphic design, product design, service design and user experience. Design Is Storytelling explores the psychology of visual perception from a narrative point of view. Presenting dozens of tools and concepts in a lively, visual manner, this book will help any designer amplify the narrative power of their work. Use this book to stir emotions, build empathy, articulate values and convey action; to construct narrative arcs and create paths through space; integrate form and language; evaluate a project’s storytelling power; and to write and deliver strong narratives.
Designing Menus with Encore DVD
by John SkidgelDesigned to complement the Encore DVD software documentation, this full-color book begins with a brief description of the DVD specification, then introduces readers to DVD authoring concepts such as menu creation, timeline construction, navigation, transcoding, and disc mastering. Readers learn how to plan and manage projects, and how to master the workflows between Encore and other Adobe applications such as Photoshop, Premiere, and After Effects to create well-structured and engaging menus. The companion DVD contains documents for planning a DVD, tutorial projects, and a library of royalty free, customizable, templates.
Designing Presence: Entering Towards Vivencia
by Jorge Crecis Bridget LappinDesigning Presence offers a unique insight into the training that has helped people around the world to cultivate more presence in both professional and personal settings. It explains the research behind the method of Towards Vivencia, shares stories of how it has been implemented and offers practical exercises to apply it in any context. Presence is something that is often talked about but is difficult to pin down. We have all experienced moments when we felt one with what we are doing and with our environment. However, this feeling is usually fleeting and we don’t know when or how we will experience it again. Towards Vivencia is the first methodology of its kind to train performers to locate and replicate that specific state of consciousness associated with presence and peak performance. Based on over 20 years of experience, combined with research in anthropology, philosophy and the latest advances in neuroscience, Towards Vivencia enables performers to become fully engaged with their experience in order to operate at their highest possible level. This book aims to equip readers with the ability to actively design their experiences and create lasting changes not only in how they approach performance but also how they approach their everyday lives.
Designing Sound: Audiovisual Aesthetics in 1970s American Cinema
by Jay BeckThe late 1960s and 1970s are widely recognized as a golden age for American film, as directors like Francis Ford Coppola, George Lucas, and Martin Scorsese expanded the Hollywood model with aesthetically innovative works. As this groundbreaking new study reveals, those filmmakers were blessed with more than just visionary eyes; Designing Sound focuses on how those filmmakers also had keen ears that enabled them to perceive new possibilities for cinematic sound design. Offering detailed case studies of key films and filmmakers, Jay Beck explores how sound design was central to the era's experimentation with new modes of cinematic storytelling. He demonstrates how sound was key to many directors' signature aesthetics, from the overlapping dialogue that contributes to Robert Altman's naturalism to the wordless interludes at the heart of Terrence Malick's lyricism. Yet the book also examines sound design as a collaborative process, one where certain key directors ceded authority to sound technicians who offered significant creative input. Designing Sound provides readers with a fresh take on a much-studied era in American film, giving a new appreciation of how artistry emerged from a period of rapid industrial and technological change. Filled with rich behind-the-scenes details, the book vividly conveys how sound practices developed by 1970s filmmakers changed the course of American cinema.
Designs on Film: A Century of Hollywood Art Direction
by Cathy Whitlock“[Designs on Film] traces the art of building pretend worlds. Starting back in the pre-talkie years, and moving through Hollywood’s golden age and the epic-crazy ‘60s, right up to contemporary Hollywood, the book is packed with insider tidbits about the wildly inventive—and improvisational—business of movie-making.” — Wall Street Journal“Whitlock makes a major contribution to movie literature by saluting undersung production designers, set decorators and art directors.” — Los Angeles Times“An amazing glimpse into art direction.” — The New Yorker“This lush book of pictures and drawings showcases big-screen glamour over the decades, from the opulence of Cleopatra to the more modern majesty of Batman. — Entertainment Weekly“A compendium of images celebrating iconic interiors and architecture….[Whitlock] sifted through decades of archival photographs to assemble this rare glimpse into the world of Hollywood art direction and set design. ” — Dwell
Desire After Dark: Contemporary Queer Cultures and Occultly Marvelous Media
by Andrew J. OwensSince the 1960s, the occult in film and television has responded to and reflected society's crises surrounding gender and sexuality.In Desire After Dark, Andrew J. Owens explores media where figures such as vampires and witches make use of their supernatural knowledge in order to queer what otherwise appears to be a normative world. Beginning with the global sexual revolutions of the '60s and moving decade by decade through "Euro-sleaze" cinema and theatrical hardcore pornography, the HIV/AIDS crisis, the popularity of New Age religions and witchcraft, and finally the increasingly explicit sexualization of American cable television, Owens contends that occult media has risen to prominence during the past 60 years as a way of exposing and working through cultural crises about queerness. Through the use of historiography and textual analyses of media from Bewitched to The Hunger, Owens reveals that the various players in occult media have always been well aware that non-normative sexuality constitutes the heart of horror's enduring appeal. By investigating vampirism, witchcraft, and other manifestations of the supernatural in media, Desire After Dark confirms how the queer has been integral to the evolution of the horror genre and its persistent popularity as both a subcultural and mainstream media form.
Desire Unlimited
by Paul Julian SmithIn the last decade, Spanish auteur Pedro Almodóvar has grown from critical darling of the film circuit scene to mainstream success. Frequently comic, often deadly serious, always visually glorious, his recent films range from the Academy Award-winning drama Talk to Her to the 2011 horror film The Skin I Live In. Though they are ambitious and varied in style, each is a distinctive innovation on the themes that have defined his work. Desire Unlimited is the classic film-by-film assessment of Almodóvar's oeuvre, now updated to include his most recent work. Still the only study of its kind in English, it vigorously confirms its original argument that beneath Almodóvar's genius for comedy and visual pleasure lies a filmmaker whose work deserves to be taken with the utmost seriousness.From the Hardcover edition.
Desires for Reality: Radicalism and Revolution in Western European Film
by Benjamin HalliganAs with many aspects of European cultural life, film was galvanized and transformed by the revolutionary fervor of 1968. This groundbreaking study provides a full account of the era's cinematic crises, innovations, and provocations, as well as the social and aesthetic contexts in which they appeared. The author mounts a genuinely fresh analysis of a contested period in which everything from the avant-garde experiments of Godard, Pasolini, Schroeter, and Fassbinder to the "low" cinematic genres of horror, pornography, and the Western reflected the cultural upheaval of youth in revolt-a cinema for the barricades.