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Distancing Representations in Transgender Film: Identification, Affect, and the Audience (SUNY series, Horizons of Cinema)
by Lucy J. MillerDistancing Representations in Transgender Film explores the representation of transgender identity in several important cinema genres: comedies, horror films, suspense thrillers, and dramas. In a critique that is both deeply personal and theoretically sophisticated, Lucy J. Miller examines how these representations are often narratively and visually constructed to prompt emotions of ridicule, fear, disgust, and sympathy from a cisgender audience. Created by and for cisgender people, these films do not accurately represent transgender people's experiences, and the emotions they inspire serve to distance cisgender audience members from the transgender people they encounter in their day-to-day lives. By helping to increase the distance between cisgender and transgender people, Miller argues, these films make it more difficult for cisgender people to understand the experiences of transgender people and for transgender people to fully participate in public life. The book concludes with suggestions for improving transgender representation in film.
Distraction Pieces
by Scroobius PipJoin Scroobius Pip as he gets to the bottom of what matters most in life: whether getting Russell Brand to expound on capitalism, Jon Ronson on the perils of social media, Simon Pegg on the power of satire, Killer Mike on race relations in the United States or Howard Marks on drugs and cancer, Pip elicits thought-provoking material by rummaging through the minds of some of the most interesting creatives of our time. Distraction Pieces features both curated highlights from the iTunes-chart-topping podcast - from Akala to Howard Marks via the likes of Adam Buxton, Romesh Ranganathan and Amanda Palmer - and exclusive new content, with chapters on politics, social media, music, comedy and more. Featuring illustrations by tattoo artist mr heggie, this is a must-have for fans of the Distraction Pieces podcast, and a must-read for anyone interested in the creative mind.
Distraction Pieces
by Scroobius PipThe Times Bestseller (Non-Fiction)Join Scroobius Pip as he gets to the bottom of what matters most in life: whether getting Russell Brand to expound on capitalism, Jon Ronson on the perils of social media, Simon Pegg on the power of satire, Killer Mike on race relations in the United States or Howard Marks on drugs and cancer, Pip elicits thought-provoking material by rummaging through the minds of some of the most interesting creatives of our time. Distraction Pieces features both curated highlights from the iTunes-chart-topping podcast - from Akala to Howard Marks via the likes of Adam Buxton, Romesh Ranganathan and Amanda Palmer - and exclusive new content, with chapters on politics, social media, music, comedy and more. Featuring illustrations by tattoo artist mr heggie, this is a must-have for fans of the Distraction Pieces podcast, and a must-read for anyone interested in the creative mind.
Distraction Pieces
by Scroobius PipThe Times Bestseller (Non-Fiction)Join Scroobius Pip as he gets to the bottom of what matters most in life: whether getting Russell Brand to expound on capitalism, Jon Ronson on the perils of social media, Simon Pegg on the power of satire, Killer Mike on race relations in the United States or Howard Marks on drugs and cancer, Pip elicits thought-provoking material by rummaging through the minds of some of the most interesting creatives of our time. Distraction Pieces features both curated highlights from the iTunes-chart-topping podcast - from Akala to Howard Marks via the likes of Adam Buxton, Romesh Ranganathan and Amanda Palmer - and exclusive new content, with chapters on politics, social media, music, comedy and more. Featuring illustrations by tattoo artist mr heggie, this is a must-have for fans of the Distraction Pieces podcast, and a must-read for anyone interested in the creative mind.
Distributing Silent Film Serials: Local Practices, Changing Forms, Cultural Transformation (Routledge Advances in Film Studies)
by Rudmer CanjelsTracing the international consumption, distribution, and cultural importance of silent film serials in the 1910s and 1920s, Canjels provides an exciting new understanding of the cultural dimension and the cultural transformation and circulation of media forms. Specifically, he demonstrates that the serial film form goes far beyond the well-known American two-reel serial—the cliffhanger. Throughout the book, Canjels focuses on the biggest producers of serials, America, France, and Germany, while imported serials, such as those in the Netherlands, are also examined. This research offers new views on the serial work of well known directors as D.W. Griffith, Abel Gance, Erich von Stroheim, and Fritz Lang, while foregrounding the importance of lesser known directors such as Louis Feuillade or Joe May. In the early twentieth-century, serial productions were constantly undergoing change and were not merely distributed in their original form upon import. As adjusted serials were present in large quantities or confronted different social spaces, nationalistic feelings and views stimulated by the unrest of World War I and the expanding American film industry could be incorporated and attached to the serial form. Serial productions were not only adaptable to local discourses, they could actively stimulate and interact as well, influencing reception and further film production. By examining the distribution, reception, and cultural contexts of American and European serials in various countries, this cross-cultural research makes both local and global observations. Canjels thus offers a highly relevant case study of transnational, transcultural and transmedia relations.
Distribution Revolution
by Jennifer Holt Kevin Sanson Michael CurtinDistribution Revolution is a collection of interviews with leading film and TV professionals concerning the many ways that digital delivery systems are transforming the entertainment business. These interviews provide lively insider accounts from studio executives, distribution professionals, and creative talent of the tumultuous transformation of film and TV in the digital era. The first section features interviews with top executives at major Hollywood studios, providing a window into the big-picture concerns of media conglomerates with respect to changing business models, revenue streams, and audience behaviors. The second focuses on innovative enterprises that are providing path-breaking models for new modes of content creation, curation, and distribution--creatively meshing the strategies and practices of Hollywood and Silicon Valley. And the final section offers insights from creative talent whose professional practices, compensation, and everyday working conditions have been transformed over the past ten years. Taken together, these interviews demonstrate that virtually every aspect of the film and television businesses is being affected by the digital distribution revolution, a revolution that has likely just begun. Interviewees include: * Gary Newman, Chairman, 20th Century Fox Television * Kelly Summers, Former Vice President, Global Business Development and New Media Strategy, Walt Disney Studios * Thomas Gewecke, Chief Digital Officer and Executive Vice President, Strategy and Business Development, Warner Bros. Entertainment * Ted Sarandos, Chief Content Officer, Netflix * Felicia D. Henderson, Writer-Producer, Soul Food, Gossip Girl * Dick Wolf, Executive Producer and Creator, Law & Order
Divas on Screen: Black Women in American Film
by Mia MaskThis insightful study places African American women's stardom in historical and industrial contexts by examining the star personae of five African American women: Dorothy Dandridge, Pam Grier, Whoopi Goldberg, Oprah Winfrey, and Halle Berry. Interpreting each woman's celebrity as predicated on a brand of charismatic authority, Mia Mask shows how these female stars have ultimately complicated the conventional discursive practices through which blackness and womanhood have been represented in commercial cinema, independent film, and network television. Mask examines the function of these stars in seminal yet underanalyzed films. She considers Dandridge's status as a sexual commodity in films such as Tamango, revealing the contradictory discourses regarding race and sexuality in segregation-era American culture. Grier's feminist-camp performances in sexploitation pictures Women in Cages and The Big Doll House and her subsequent blaxploitation vehicles Coffy and Foxy Brown highlight a similar tension between representing African American women as both objectified stereotypes and powerful, self-defining icons. Mask reads Goldberg's transforming habits in Sister Act and The Associate as representative of her unruly comedic routines, while Winfrey's daily television performance as self-made, self-help guru echoes Horatio Alger narratives of success. Finally, Mask analyzes Berry's meteoric success by acknowledging the ways in which Dandridge's career made Berry's possible.
Diversions: 50 Comic Short Stories
by Richard Markgraf50 comic pieces by the author which will keep you laughing for hours.
Diversity and Decolonization in French Studies: New Approaches to Teaching
by Loïc Bourdeau Siham BouamerThis edited volume presents new and original approaches to teaching the French foreign-language curriculum, reconceptualizing the French classroom through a more inclusive lens. The volume engages with a broad range of scholars to facilitate an understanding of the process of French (de)colonization as well as its reverberations into the postcolonial era, and a deeper engagement with the global interconnectedness of these processes. Chapters in Part I revist the concept of the "francophonie," decenter the field from “metropolitan” or “hexagonal” and white France and underline how current teaching materials reproduce epistemic and colonial violence. Part II adopts an intersectional approach to address topics of gender inclusivity, trans-affirming teaching, queer materials, and ableism. Finally, Part III presents new ways to transform the discipline by affirming our commitment to social justice and making sure that our classrooms are representative of our students’ enriching diversity.
Diversity and Inclusion: Target Setting in the Screen Industries (Routledge Research in the Creative and Cultural Industries)
by Doris Ruth EikhofThis book provides the first compact knowledge base on diversity & inclusion (D&I) targets in the UK screen industries. Drawing on new, in-depth industry research and progressive theoretical voices, the book will help readers understand what D&I targets are and what they could be in the future. The book explains different types of D&I targets, how D&I targets are currently used and how they might be developed to strategically drive inclusion. D&I targets are an increasingly common feature of the screen industries, but there is little evidence and guidance on how to use them well. This book addresses that gap. The book offers, for the first time, a unifying terminology for D&I target setting in the UK screen industries, including for transorganisational D&I targets (targets set by one organisation for another). It is based on a cross-industry review of D&I target setting in the UK screen industries, using evidence from industry and academic research. Providing a unique knowledge base on diversity & inclusion targets in the UK screen industries, this book will be of value to researchers, industry experts, practitioners, policy makers, campaigners and anyone who needs to understand D&I targets – to advise on them, to set and achieve them and to advocate for their effective, inclusive use.
Divided Soul: The Life of Marvin Gaye
by David RitzIn this intimate biography of the Prince of Soul, David Ritz provides a candid look at a star and a friend. Ritz had been working on Gaye's story for several years before the singer's tragic death, and had conducted a series of extraordinary interviews in which Gaye discussed his deepest secrets. Drawing from these interviews, Gaye's life is recounted in his own words and the words of those who knew him best: his family, friends, and colleagues. What emerges is a full-scale portrait of a charming but tortured artist, a brilliant singer with a divided soul. Here is Marvin's story, from his early years as an abused child in the slums of Washington, D. C. , through his rise to the top of the Motown industry, his fall from grace, and his comeback, to his death at the hands of his own father. But it is also the story of his music, and the music of Black America over the past four decades-from gospel to doo-wop to soul to funk. The result is an epic tale whose cast of characters includes Diana Ross, Berry Gordy, Smokey Robinson, and Stevie Wonder, among others. The definitive biography of an enormously gifted and sensitive man, Divided Soul takes us deep into the life and music of one of America's most soulful-and most troubled-singers.
Divine Ventriloquism in Medieval English Literature
by Mary HayesA study of medieval attitudes towards the ventriloquism of God's and Christ's voices through human media, which reveals a progression from an orthodox view of divine vocal power to an anxiety over the authority of the priest's voice to a subversive take on the divine voice that foreshadows Protestant devotion.
Dixie Lullaby: A Story of Music, Race, and New Beginnings in a New South
by Mark KempRock & roll has transformed American culture more profoundly than any other art form. During the 1960s, it defined a generation of young people as political and social idealists, helped end the Vietnam War, and ushered in the sexual revolution. In Dixie Lullaby,veteran music journalist Mark Kemp shows that rock also renewed the identity of a generation of white southerners who came of age in the decade after segregation- the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina in the 1970s, Kemp experienced pain, confusion, and shame as a result of the South's residual civil rights battles. His elementary school was integrated in 1968, the year Kemp reached third grade; his aunts, uncles, and grandparents held outdated racist views that were typical of the time; his parents, however, believed blacks should be extended the same treatment as whites, but also counseled their children to respect their elder relatives. "I loved the land that surrounded me but hated the history that haunted that land," Kemp writes. When rock music, specifically southern rock, entered his life, he began to see a new way to identify himself, beyond the legacy of racism and stereotypes of southern small-mindedness that had marked his early childhood. Well into adulthood Kemp struggled with the self-loathing familiar to many white southerners. But the seeds of forgiveness were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs. In the tradition of music historians such as Nick Tosches and Peter Guralnick, Kemp masterfully blends into his narrative the stories of southern rock bands- from heavy hitters such as the Allman Brothers Band, Lynyrd Skynyrd, and R.E.M. to influential but less-known groups such as Drive-By Truckers- as well as the personal experiences of their fans. In dozens of interviews, he charts the course of southern rock & roll. Before civil rights, the popular music of the South was a small, often racially integrated world, but after Martin Luther King Jr. 's assassination, black musicians struck out on their own. Their white counterparts were left to their own devices, and thus southern rock was born: a mix of popular southern styles that arose when predominantly white rockers combined rural folk, country, and rockabilly with the blues and jazz of African-American culture. This down-home, flannel-wearing, ass-kicking brand of rock took the nation by storm in the 1970s. The music gave southern kids who emulated these musicians a newfound voice. Kemp and his peers now had something they could be proud of: southern rock united them and gave them a new identity that went beyond outside perceptions of the South as one big racist backwater. Kemp offers a lyrical, thought-provoking, searingly intimate, and utterly original journey through the South of the 1960s, '70s, '80s, and '90s, viewed through the prism of rock & roll. With brilliant insight, he reveals the curative and unifying impact of rock on southerners who came of age under its influence in the chaotic years following desegregation. Dixie Lullaby fairly resonates with redemption.
Dizzee Rascal: Tales from Da Corner
by Alex KittsNo-holds-barred account of one of Britain's most gifted and creative musical talentsIn 2003, at the age of 17, Dizzee Rascal became an overnight name to drop when his debut album, Boy In Da Corner, beat Coldplay, Radiohead and The Darkness to the Mercury Music Prize.Dizzee was born in Nigeria, but raised by his mum in Bow, east London after the death of his father when he was two years old. Dizzee was thrown out of four schools in four years, got involved with drugs and crime. But, whilst he dropped out of most formal education, music always had a guiding influence on Dizzee. With four bestselling albums to his name, Dizzee is not only famed for pioneering grime - his style has evolved and progressed and he has become one of the biggest popstars in the UK today. Recent collaborations with artists as diverse as Arctic Monkeys and Fatboy Slim demonstrate Dizzee's vision and musical genius. Citing influences which range from old skool hip hop to jungle and heavy metal, Dizzee embodies an artist with a unique talent who's pioneering approach guarantee his longevity.
Dizzee Rascal: Tales from Da Corner
by Alex KittsNo-holds-barred account of one of Britain's most gifted and creative musical talentsIn 2003, at the age of 17, Dizzee Rascal became an overnight name to drop when his debut album, Boy In Da Corner, beat Coldplay, Radiohead and The Darkness to the Mercury Music Prize.Dizzee was born in Nigeria, but raised by his mum in Bow, east London after the death of his father when he was two years old. Dizzee was thrown out of four schools in four years, got involved with drugs and crime. But, whilst he dropped out of most formal education, music always had a guiding influence on Dizzee. With four bestselling albums to his name, Dizzee is not only famed for pioneering grime - his style has evolved and progressed and he has become one of the biggest popstars in the UK today. Recent collaborations with artists as diverse as Arctic Monkeys and Fatboy Slim demonstrate Dizzee's vision and musical genius. Citing influences which range from old skool hip hop to jungle and heavy metal, Dizzee embodies an artist with a unique talent who's pioneering approach guarantee his longevity.
Django: World's Greatest Jazz Guitarist
by Bonnie Christensen"When I think about the best guitar players ever, the first name that comes to mind is Django Reinhardt. No one has ever equaled his sound or techniques." - Willie Nelson<P><P> Born into extreme poverty in a gypsy encampment, Django Reinhardt (1910-1953) overcame tremendous obstacles, including a debilitating injury, to become the world's most acclaimed jazz guitarist.<P> Here, Bonnie Christensen tells his story with a haunting, rhythmic, jazz-inflected text and lush oil paintings that capture the spirit of both the man and his music.<P> Jazz Americain, [scanner's note this is cain not just can] jazz like Django--moving bending changing blending<P> Try that rhythm, stretch that measure, syncopation.<P> Twist that line.<P> Winner of the Schneider Family Book Award
Do What I Say: Ms. Behavior's Guide to Gay and Lesbian Etiquette
by Meryl CohnIn this humorous, reliable guide to living as a gay person on a primarily straight planet, Ms. Behavior, a commentator extraordinaire on the lives, loves, rituals, and foibles of gay life, writes about food, fashion, tattoos, and sex, providing readers with a hilarious, tongue-in-cheek portrait of life in the gay lane.
Do You Feel Like I Do?: A Memoir
by Peter FramptonA revelatory memoir by rock icon and legendary guitarist Peter Frampton.Do You Feel Like I Do? is the incredible story of Peter Frampton's positively resilient life and career told in his own words for the first time. His monu-mental album Frampton Comes Alive! spawned three top-twenty singles and sold eight million copies the year it was released (more than seventeen million to date), and it was inducted into the Grammy Hall of Fame in January 2020. <P><P>Frampton was on a path to stardom from an early age, first as the lead singer and guitarist of the Herd and then as cofounder -- along with Steve Marriott -- of one of the first supergroups, Humble Pie. Frampton was part of a tight-knit collective of British '60s musicians with close ties to the Rolling Stones, the Beatles, and the Who. This led to Frampton playing on George Harrison's solo debut, All Things Must Pass, as well as to Ringo Starr and Billy Preston appearing on Frampton's own solo debut. By age twenty-two, Frampton was touring incessantly and finding new sounds with the talk box, which would become his signature guitar effect. <P><P>Frampton remembers his enduring friendship with David Bowie. Growing up as schoolmates, crossing paths throughout their careers, and playing together on the Glass Spider Tour, the two developed an unshakable bond. Frampton also shares fascinating stories of his collaborative work with Harry Nilsson, Stevie Wonder, B. B. King, and members of Pearl Jam. He reveals both the blessing and curse of Frampton Comes Alive!, opening up about becoming the cover boy he never wanted to be, his overcoming sub-stance abuse, and how he has continued to play and pour his heart into his music despite an inflammatory muscle disease and his retirement from the road. <P><P>Peppered throughout his narrative is the story of his favorite guitar, the Phenix, which he thought he'd lost in a fiery plane crash in 1980. But in 2011, it mysteriously showed up again -- saved from the wreckage. Frampton tells of that unlikely reunion here in full for the first time, and why the miraculous reappearance is emblematic of his life and career as a quintessential artist. <P><P><b>A New York Times Bestseller</b>
Do You Mind If I Cancel?: (Things That Still Annoy Me)
by Gary JanettiThe Instant New York Times Bestseller"From “Family Guy” to his own Instagram account, Janetti has been behind some of his generation’s greatest comedy. This book of essays is no exception." — The New York TimesFans of David Sedaris, Jenny Lawson, and Tina Fey… meet your new friend Gary Janetti.Gary Janetti, the writer and producer for some of the most popular television comedies of all time, and creator of one of the most wickedly funny Instagram accounts there is, now turns his skills to the page in a hilarious, and poignant book chronicling the pains and indignities of everyday life. Gary spends his twenties in New York, dreaming of starring on soap operas while in reality working at a hotel where he lusts after an unattainable colleague and battles a bellman who despises it when people actually use a bell to call him. He chronicles the torture of finding a job before the internet when you had to talk on the phone all the time, and fantasizes, as we all do, about who to tell off when he finally wins an Oscar. As Gary himself says, “These are essays from my childhood and young adulthood about things that still annoy me.”Original, brazen, and laugh out loud funny, Do You Mind If I Cancel? is something not to be missed.
Do You Mind If I Cancel?: Essays
by Gary JanettiGary Janetti, the writer and producer for some of the most popular television comedies of all time, and creator of one of the most wickedly funny Instagram accounts there is, now turns his skills to the page in a hilarious, and poignant book chronicling the pains and indignities of everyday life. <P><P> Gary spends his twenties in New York, dreaming of starring on soap operas while in reality working at a hotel where he lusts after an unattainable colleague and battles a bellman who despises it when people actually use a bell to call him. He chronicles the torture of finding a job before the internet when you had to talk on the phone all the time, and fantasizes, as we all do, about who to tell off when he finally wins an Oscar. As Gary himself says, “These are essays from my childhood and young adulthood about things that still annoy me.” <P><P> Original, brazen, and laugh out loud funny, Do You Mind If I Cancel? is something not to be missed. <P><P><b>A New York Times Bestseller</b>
Do You Mr Jones?: Bob Dylan with the Poets and Professors
by Neil CorcoranIn 2016, Bob Dylan received the Nobel Prize in Literature ‘for having created new poetic expressions within the great American song tradition’. This collection of essays by leading poets and critics – with a new foreword by Will Self – examines Dylan’s poetic genius, as well as his astounding cultural influence over the decades.‘From Orpheus to Faiz, song and poetry have been closely linked. Dylan is the brilliant inheritor of the bardic tradition’ Salman Rushdie‘The most significant Western popular artist in any form or medium of the past sixty years’ Will Self‘For fifty and some years he has bent, coaxed, teased and persuaded words into lyric and narrative shapes that are at once extraordinary and inevitable’ Andrew Motion‘His haunting music and lyrics have always seemed, in the deepest sense, literary’ Joyce Carol Oates‘There is something inevitable about Bob Dylan… A storyteller pulling out all the stops – metaphor, allegory, repetition, precise detail… His virtue is in his style, his attitude, his disposition to the world’ Simon Armitage
Do You Remember?: Celebrating Fifty Years of Earth, Wind & Fire (American Made Music Series)
by Trenton BaileyIn Do You Remember? Celebrating Fifty Years of Earth, Wind & Fire, Trenton Bailey traces the humble beginning of Maurice White, his development as a musician, and his formation of Earth, Wind & Fire, a band that became a global phenomenon during the 1970s. By the early 1980s, the music industry was changing, and White had grown weary after working constantly for more than a decade. He decided to put the band on hiatus for more than three years. The band made a comeback in 1987, but White’s health crisis soon forced them to tour without him. During the twenty-first century, the band has received numerous accolades and lifetime achievement and hall of fame awards. The band remains relevant today, collaborating with younger artists and maintaining their classic sound. Earth, Wind & Fire stood apart from other soul bands with their philosophical lyrics and extravagant visual art, much of which is studied in the book, including album covers, concerts, and music videos. The lyrics of hit songs are examined alongside an analysis of the band’s chart success. Earth, Wind & Fire has produced twenty-one studio albums and several compilation albums. Each album is analyzed for content and quality. Earth, Wind & Fire is also known for using ancient Egyptian symbols, and Bailey thoroughly details those symbols and Maurice White’s fascination with Egyptology. After enduring many personnel changes, Earth, Wind & Fire continues to perform around the world and captivate diverse audiences.
Do You Want to Build a Snowman? (Little Golden Book)
by Golden BooksSing along to the beloved Disney Frozen song &“Do You Want to Build a Snowman?&” with this beautifully illustrated Little Golden Book starring Elsa and Anna!Join Princess Anna as she rides her bike around the castle, talks to paintings on the wall, and asks her sister again and again, &“Do you want to build a snowman?&”. This adorable Little Golden Book features the lyrics of the super catchy Disney Frozen song &“Do You Want to Build a Snowman?&” as well as beautiful images showing the sisters&’ journey throughout the film. It is sure to be a must-have for fans ages 2 to 5 and Little Golden Book collectors of all ages!
Do the Movies Have a Future?
by David DenbyIn the second decade of the twenty-first century, the movies, once America's primary popular art form, have become an endangered species. Do the Movies Have a Future? is a rousing and witty call to arms. In these sharp and engaging essays and reviews, New Yorker movie critic David Denby weighs in on "conglomerate aesthetics," as embodied in the frenzied, weightless action spectacles that dominate the world's attention, and "platform agnosticism," the notion that movies can be watched on smaller and smaller screens: laptops, tablets, even phones. At the same time, Denby reaffirms that movies are our national theater, and in this exhilarating book he celebrates such central big movies as Avatar and The Social Network as well as small but resonant triumphs like There Will Be Blood and The Tree of Life. Denby joyously celebrates what remains of the shared culture in romantic comedy, high school movies, and chick flicks; he assesses the expressive triumphs and failures of auteurs Quentin Tarantino, the Coen brothers, Pedro Almodóvar, and David Fincher. Refusing nostalgia, he mines the past for strength, examining the changing nature of stardom and the careers of Joan Crawford, Otto Preminger, and Victor Fleming, and the continuing self-invention of Clint Eastwood. And he recreates the excitement of reading two critics who embodied the film culture of their times, James Agee and Pauline Kael. Wry, passionate, and incisive, Do the Movies Have a Future? is both a feast of good writing and a challenge to fight back. It is an essential guide for movie lovers looking for ammunition and hope.
Do-Over
by Rachel VailVail's most lauded book to date, "Do-Over" is the story of 13-year-old Whitman, who has to deal with the anger he feels towards his father when his parents separate, his own interest in several girls, and the heady feeling of acting in his first play.