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Dirt: Adventures in Lyon as a Chef in Training, Father, and Sleuth Looking for the Secret of French Cooking (Granta Ser.)
by Bill Buford&“You can almost taste the food in Bill Buford&’s Dirt, an engrossing, beautifully written memoir about his life as a cook in France.&” —The Wall Street JournalWhat does it take to master French cooking? This is the question that drives Bill Buford to abandon his perfectly happy life in New York City and pack up and (with a wife and three-year-old twin sons in tow) move to Lyon, the so-called gastronomic capital of France. But what was meant to be six months in a new and very foreign city turns into a wild five-year digression from normal life, as Buford apprentices at Lyon&’s best boulangerie, studies at a legendary culinary school, and cooks at a storied Michelin-starred restaurant, where he discovers the exacting (and incomprehensibly punishing) rigueur of the professional kitchen. With his signature humor, sense of adventure, and masterful ability to bring an exotic and unknown world to life, Buford has written the definitive insider story of a city and its great culinary culture.
The Dirt: Confessions of the World's Most Notorious Rock Band
by Tommy Lee Nikki Sixx Vince Neil Mick MarsTen years ago, Motley Crue's bestselling The Dirt--penned with rock chronicler extraordinaire Neil Strauss--set a new bar for rock 'n' roll memoirs. A genuine cultural phenomenon, this turbocharged blockbuster, with more than half a million copies in print, has now been reissued to celebrate thirty wild years with rock's most infamous band. No band has ever lived this hard, and lived to tell the tale. You won't just find sex, drugs, violence, fast cars, and every rock & roll cliche turned on its head inside, you will find uses for burritos and telephone handsets that you couldn't have even imagined in your wildest dreams. This is the classic book that's made countless ordinary mortals want to transform into lawless rock stars, and created countless spin-off books for Tommy Lee, Nikki Sixx, Vince Neil, and Mick Mars, who hold nothing back in this outrageous, legendary, no-holds-barred autobiography.
Dirty Blvd.: The Life and Music of Lou Reed
by Aidan LevyA tremendously insightful biography of the man who helmed the Velvet Underground and single-handedly created alternative rock This book covers not only the highlights of Reed's career, but explores lesser-known facets of his work, such as his first recordings with doo-wop group the Jades, his key literary influences, the impact of Judaism upon his work, and his engagement with the LGBT movement. Drawing from original interviews with many of his artistic collaborators, friends, and romantic partners, as well as from archival material, concert footage, and unreleased bootlegs of live performances, Dirty Blvd. exposes the man behind the myth, the notoriously uncompromising rock poet who wrote songs that transcended their genre and established himself as one of the most influential and enigmatic American artists of the past half century.
Dirty Daddy
by Bob SagetBob Saget, the decidedly irreverent stand-up comedian and beloved TV star, delivers uproarious, uncensored, and heartfelt stories from a life in entertainment and beyondMillions of viewers know and love Bob Saget from his role as the sweetly neurotic father on the smash hit Full House, and as the charming wisecracking host of America's Funniest Home Videos. And then there are the legions of fans who can't get enough of his scatological, out-of-his-mind stand-up routines, comedy specials, and outrageously profane performances in such shows as HBO's Entourage and the hit documentary The Aristocrats. In his bold and wildly entertaining publishing debut, Bob continues to embrace his dark side and gives readers the book they have long been waiting for--hilarious and often dirty yet warm and disarmingly sincere. Bob talks about the connection between humor and pain, offering insights into his own life, including the deaths of his beloved sisters. He pays homage to the people who shaped and inspired him: his mom, Dolly; his father, Ben (the comedy influence who instilled his love of "sick silliness"); and the teacher who told him, "You need to make people laugh," as well as legendary comedians such as Richard Pryor, David Letterman, Billy Crystal, and Robin Williams.Bob believes there's a time and a place for filth and immature humor--and for gentle family comedy. Dirty Daddy is packed with both, from his never-before-heard stories of what really went on behind the scenes of two of the most successful family shows of all times, with costars like John Stamos, Mary-Kate Olsen, and Ashley Olsen, to his liberating experience in The Aristocrats, his Comedy Central roast, and his role of playing an extreme version of himself on Entourage. Bob opens up about his career, his reputation for sick humor, his pride and love for Full House, and how he's come to terms with the fame of being DT--"Danny Tanner." Throughout, he shares tales of close friends and colleagues like Rodney Dangerfield and Don Rickles, and recalls his experiences with show business legends, including Johnny Carson and George Carlin. Told with his highly original blend of silliness, vulgarity, wit, and heart, Dirty Daddy reveals Bob Saget as never before--a man who loves being funny and making people laugh above all else.
Dirty Girls
by Gillian TellingThe Naked Truth Isn't Always Pretty. A no-holds-barred look at the hilarious underbelly of what it means to be female, Dirty Girls lays bare the secrets of the fairer sex. Women don't come from a different planet than men. In fact, both sexes want the exact same things: success, friendships, semifunctional families, semifunctioning relationships, good bodies, and lots and lots of great sex. But there's more. * Even though we pluck, we wax, and we put on war paint to mask our blemishes, we also regularly watch porn. * We wear our bikini bottoms when we run out of clean underwear. * When we're alone, we eat Cheetos and peanut butter on a spoon for dinner. Women are fascinating, beautiful, and, yes, disgusting creatures, and we shouldn't be ashamed of it. Dirty Girls exposes the filthy, lazy, fabulous truth that everything boys can do, girls can do better.
Dirty Harry's America: Clint Eastwood, Harry Callahan, and the Conservative Backlash
by Joe Street“Street provides a crucial critical and cultural service by not only studying Eastwood’s individual films in sharp detail but also by providing a close and serious analysis of the cultural and historic times of the films.”—Sam B. Girgus, author of Clint Eastwood’s America “By far the most comprehensive, sustained, and detailed discussion of the Dirty Harry phenomenon. A thorough and engaging account of how a fictitious renegade cop became an enduring icon of the angry conservative backlash that sought to halt 1960s liberalism in its tracks.”—Nick Heffernan, author of Culture, Environment and Ecopolitics Clint Eastwood’s Dirty Harry became the prototype for a new kind of movie cop—an antihero in pursuit of his own vision of justice. The Dirty Harry series helped cement Eastwood and his character, Harry Callahan, as central figures in 1970s and 1980s Hollywood cinema. In Dirty Harry’s America, Joe Street argues that the movies shed critical light on the culture and politics of the post-1960s era and locates San Francisco as the symbolic cultural battleground of the time. Across the entire series, conservative anger and moral outrage confront elitist liberalism and moral relativism. Paying particular attention the films' representation of crime, family and community, sexuality, and race, Street maintains that through referencing real events and political struggles, the films themselves became active participants in the culture wars. Unapologetic carrier of right and might, Harry Callahan becomes America’s Ur-conservative: “unbending, moral, incorruptible, and most important, always right.” Long after the series, Callahan’s legacy remains strong in American political discourse, cinema, and pop culture, and he continues to shape Eastwood’s later political and cinematic career.
Dirty Laundry: Real Life. Real Stories. Real Funny.
by Andersen Gabrych Maggie RoweEvery other Thursday on Santa Monica Boulevard' s Comedy Central Stage, a motley assortment of Hollywood writers, actors, and comics convened to reveal the most personal— and colorful— parts of their lives. Their soul-baring monologues revealed the sources of their creative genius, from wacky families and psycho exes to random ramblings and unbelievable Hollywood insights. This hilarious collection features confessions from such performers as Richard Belzer (Law & Order: Special Victims Unit), Jennifer Elise Cox (The Brady Bunch Movie), Marc Evan Jackson (The Good Place), and Kevin Nealon (Saturday Night Live), among others. In more than three dozen anecdotes, they provide the inside scoop on Hollywood, including stories about mishaps at the Emmys, writing for popular shows, being put in a sleeper hold by Hulk Hogan, growing up in famous families, and what it' s like to play Jan Brady. Funny, embarrassing, or sordid— or a combination thereof— but always brutally honest, Dirty Laundry shines a voyeuristic light on the underbellies of the people who have sold their souls to the entertainment biz.
Dirty Rocker Boys
by Bobbie Brown Caroline RyderAn uncensored Hollywood tell-all filled with explicit tales of love, sex, and revenge from the video vixen made famous by Warrant’s rock anthem “Cherry Pie.”Who could forget the sexy “Cherry Pie” girl from hair metal band Warrant’s infamous music video? Bobbie Brown became a bona fide vixen for her playful role as the object of lead singer Jani Lane’s desires. But the wide-eyed Louisiana beauty queen’s own dreams of making it big in Los Angeles were about to be derailed by her rock-and-roll lifestyle. After her tumultuous marriage to Jani imploded, and her engagement to fast-living Mötley Crüe drummer Tommy Lee ended in a drug haze—followed by his marriage later to Pamela Anderson—Bobbie decided it was time Hollywood’s hottest bachelors got a taste of their own medicine. Step one: get high. Step two: get even.In a captivating, completely uncensored confessional, Bobbie explicitly recounts a life among some of the most famous men in Hollywood: Leonardo DiCaprio, Kevin Costner, Mark McGrath, Dave Navarro, Sebastian Bach, Ashley Hamilton, Rob Pilatus of Milli Vanilli, Matthew and Gunnar Nelson, Orgy’s Jay Gordon, and many more. No man was off limits as the fun-loving bombshell spiraled into excess, anger, and addiction.Bobbie survived the party—barely—and her riveting, cautionary comeback tale is filled with the wildest stories of sex, drugs, and rock and roll ever told.
Dirty Side of Glamour
by Tyler ShieldsWith more than 130 raw and revolutionary photographs, The Dirty Side of Glamour showcases Tyler Shields’s unrestrained creative spirit and offers a visual commentary on fame, excess, youth, the trappings of celebrity, and the power of letting go.
Dis-Orienting Planets: Racial Representations of Asia in Science Fiction
by Isiah Lavender IIIContributions by Suparno Banerjee, Cait Coker, Jeshua Enriquez, Joan Gordon, Veronica Hollinger, Malisa Kurtz, Stephanie Li, Bradford Lyau, Uppinder Mehan, Graham J. Murphy, Baryon Tensor Posadas, Amy J. Ransom, Robin Anne Reid, Haerin Shin, Stephen Hong Sohn, Takayuki Tatsumi, and Timothy J. Yamamura Isiah Lavender III's Dis-Orienting Planets amplifies critical issues surrounding the racial and ethnic dimensions of science fiction. This edited volume explores depictions of Asia and Asians in science fiction literature, film, and fandom with particular regard to China, Japan, India, and Korea. Dis-Orienting Planets highlights so-called yellow and brown peoples from the constellation of a historically white genre. The collection launches into political representations of Asian identity in science fiction's imagination, from fear of the Yellow Peril and its racist stereotypes to techno-Orientalism and the remains of a postcolonial heritage. Thus the essays, by contributors such as Takayuki Tatsumi, Veronica Hollinger, Uppinder Mehan, and Stephen Hong Sohn, reconfigure the very study of race in science fiction. A follow-up to Lavender's Black and Brown Planets, this collection expands the racial politics governing the renewed visibility of Asia in science fiction. One of the few on this subject, the volume probes Gary Shteyngart's novel Super Sad True Love Story, the acclaimed film Cloud Atlas, and Guillermo del Toro's monster film Pacific Rim, among others. Dis-Orienting Planets embarks on a wide-ranging assessment of Asian representations in science fiction, upon the determination that our visions of the future must include all people of color.
Disability and Contemporary Performance: Bodies on the Edge
by Petra KuppersDisability and Contemporary Performance presents a remarkable challenge to existing assumptions about disability and artistic practice. In particular, it explores where cultural knowledge about disability leaves off, and the lived experience of difference begins. Petra Kuppers, herself an award-winning artist and theorist, investigates the ways in which disabled performers challenge, change and work with current stereotypes through their work. She explores freak show fantasies and 'medical theatre' as well as live art, webwork, theatre, dance, photography and installations, to cast an entirely new light on contemporary identity politics and aesthetics. This is an outstanding exploration of some of the most pressing issues in performance, cultural and disability studies today, written by a leading practitioner and critic.
Disability and Digital Television Cultures: Representation, Access, and Reception (Routledge Research in Disability and Media Studies)
by Katie EllisDisability and Digital Television Cultures offers an important addition to scholarly studies at the intersection of disability and media, examining disability in the context of digital television access, representation and reception. Television, as a central medium of communication, has marginalized people with disability through both representation on screen and the lack of accessibility to this medium. With accessibility options becoming available as television is switched to digital transmissions, audience research into television representations must include a corresponding consideration of access. This book provides a comprehensive and critical study of the way people with disability access and watch digital TV. International case studies and media reports are complimented by findings of a user-focused study into accessibility and representation captured during the Australian digital television switchover in 2013-2014. This book will provide a reliable, independent guide to fundamental shifts in media access while also offering insight from the disability community. It will be essential reading for researchers working on disability and media, as well as television, communications and culture; upper-level undergraduate and postgraduate students in cultural studies; along with general readers with an interest in disability and digital culture.
Disability Culture and Community Performance
by Petra KuppersPerformances in hospices andon beaches; cross-cultural myth making in Wales, New Zealand and the US; communal poetry among mental health system survivors: this book presents a senior practitioner/critic's exploration of arts-based research processes sustained over more than a decade -a subtle engagement with disability culture. "
Disability Identity in Simulation Narratives (Literary Disability Studies)
by Anelise HaukaasDisability Identity in Simulation Narratives considers the relationship between disability identity and simulation activities (ranging from traditional gameplay to more revolutionary technology) in contemporary science fiction. Anelise Haukaas applies posthumanist theory to an examination of disability identity in a variety of science fiction texts: adult novels, young adult literature and comics, as well as ethnographic research with gamers. Haukaas argues that instead of being a means of escapism, simulated experiences are a valuable tool for cultivating self-acceptance and promoting empathy. Through increasingly accessible technology and innovative gameplay, traditional hierarchies are dismantled, and different ways of being are both explored and validated. Ultimately, the book aims to expand our understandings of disability, performance, and self-creation in significant ways by exploring the boundless selves that the simulated environments in these texts allow.
Disability, Media, and Representations: Other Bodies (Routledge Research in Disability and Media Studies)
by Jacob Johanssen Diana GarrisiBringing together scholars from around the world to research the intersection between media and disability, this edited collection aims to offer an interdisciplinary exploration and critique of print, broadcast and online representations of physical and mental impairments.Drawing on a wide range of case studies addressing how people can be ‘othered’ in contemporary media, the chapters focus on analyses of hateful discourses about disability on Reddit, news coverage of disability and education, media access of individuals with disabilities, the logic of memes and brain tumour on Twitter, celebrity and Down Syndrome on Instagram, disability in TV drama, the metaphor of disability for the nation; as well as an autoethnography of treatment of breast cancer. Providing a much-needed global perspective, Disability, Media, and Representations examines the relationship between self-representation and representations in either reinforcing or debunking myths around disability, and ways in which academic discourse can be differently articulated to study the relationship between media and disability. This book will be of interest to students and researchers of disability studies and media studies as well as activists and readers engaged in debates on diversity, inclusivity and the media.
Disability Representation in Film, TV, and Print Media (Interdisciplinary Disability Studies)
by Michael S. JeffressUsing sources from a wide variety of print and digital media, this book discusses the need for ample and healthy portrayals of disability and neurodiversity in the media, as the primary way that most people learn about conditions. It contains 13 newly written chapters drawing on representations of disability in popular culture from film, television, and print media in both the Global North and the Global South, including the United States, Canada, India, and Kenya. Although disability is often framed using a limited range of stereotypical tropes such as victims, supercrips, or suffering patients, this book shows how disability and neurodiversity are making their way into more mainstream media productions and publications with movies, television shows, and books featuring prominent and even lead characters with disabilities or neurodiversity. Disability Representation in Film, TV, and Print Media will be of interest to all scholars and students of disability studies, cultural studies, film studies, gender studies, and sociology more broadly.
Disabled People Transforming Media Culture for a More Inclusive World (Routledge Research in Disability and Media Studies)
by Beth A. HallerThis book tells the stories of disabled people who have been influential in creating modern mass media. Through the voices of key disabled media makers and collaborators, the author highlights the ways in which their contributions are changing society’s understanding of disability and shaping mass media and culture. Spanning a range of media formats – television/streaming productions, performances, podcasts, TED Talks, films, reality TV, graphic novels, and social media channels – the book illustrates how disabled people are confronting the marginalization they have faced in mass media for decades. Modern disabled media creators are leveraging new media platforms to recognize the lived experiences of disability and their authentic place in media culture. This innovative and thought-provoking volume will be an important read for scholars, disability advocates, and students of Disability Studies, Mass Communication/Media Studies, as well as mass media production faculty, disabled people, and their allies The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
The Disappearing Christ: Secularism in the Silent Era
by Phil MaciakAt the turn of the twentieth century, American popular culture was booming with opportunities to see Jesus Christ. From the modernized eyewitness gospel of Ben-Hur to the widely circulated passion play films of Edison, Lumière, and Pathé; from D. W. Griffith’s conjuration of a spectral white savior in Birth of a Nation to W. E. B. Du Bois’s “Black Christ” story cycle, Jesus was constantly and inventively visualized across media, and especially in the new medium of film. Why, in an era traditionally defined by the triumph of secular ideologies and institutions, were so many artists rushing to film Christ’s miracles and use his story and image to contextualize their experiences of modernity?In The Disappearing Christ, Phillip Maciak examines filmic depictions of Jesus to argue that cinema developed as a model technology of secularism, training viewers for belief in a secular age. Negotiating between the magic trick and the documentary image, the conflicting impulses of faith and skepticism, the emerging aesthetic of film in this period visualized the fraught process of secularization. Cinematic depictions of an appearing and disappearing Christ became a powerful vehicle for Americans to navigate a rapidly modernizing society. Studying these films alongside a multimedia, interdisciplinary archive of novels, photographs, illustrations, and works of theology, travel writing, and historiography, The Disappearing Christ offers a new narrative of American cultural history at the intersection of cinema studies and religious studies.
The Disaster Artist
by Tom Bissell Greg SesteroFrom the actor who lived through it all and an award-winning narrative nonfiction writer: the inspiring and laugh-out-loud funny story of a mysteriously wealthy social misfit who got past every road block in the Hollywood system to achieve success on his own terms--the making of The Room, "the Citizen Kane of bad movies" (Entertainment Weekly).In 2003, an independent film called The Room--written, produced, directed, and starring a very rich social misfit of indeterminate age and origin named Tommy Wiseau--made its disastrous debut in Los Angeles. Described by one reviewer as "like getting stabbed in the head," the $6 million film earned a grand total of $1,800 at the box office and closed after two weeks. Now in its tenth anniversary year, The Room is an international phenomenon to rival The Rocky Horror Picture Show. Thousands of fans wait in line for hours to attend screenings complete with costumes, audience rituals, merchandising, and thousands of plastic spoons. Readers need not have seen The Room to appreciate its costar Greg Sestero's account of how Tommy Wiseau defied every law of artistry, business, and interpersonal relationships to achieve the dream only he could love. While it does unravel mysteries for fans--who on earth is "Steven," and what's with that hospital on Guerrero Street?--The Disaster Artist is more than just a hilarious story about cinematic hubris. It is ultimately a surprisingly inspiring tour de force that reads like a page-turning novel, an open-hearted portrait of an enigmatic man who will capture your heart.
The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made
by Greg Sestero Tom BissellNow a major motion picture, The Disaster Artist, starring James Franco, Alison Brie, Zoey Deutch, Lizzy Caplan, Zac Efron, Bryan Cranston, Dave Franco, Kristen Bell, Seth Rogen, Sharon Stone, and Judd Apatow.In 2003, an independent film called The Room - starring and written, produced, and directed by a mysteriously wealthy social misfit named Tommy Wiseau - made its disastrous debut in Los Angeles. Described by one reviewer as 'like getting stabbed in the head', the $6 million film earned a grand total of $1,800 at the box office and closed after two weeks. Over a decade later, The Room is an international cult phenomenon, whose legions of fans attend screenings featuring costumes, audience rituals, merchandising and thousands of plastic spoons. In The Disaster Artist, Greg Sestero, Tommy's costar, recounts the film's bizarre journey to infamy, explaining how the movie's many nonsensical scenes and bits of dialogue came to be and unraveling the mystery of Tommy Wiseau himself. But more than just a riotously funny story about cinematic hubris, The Disaster Artist is an honest and warm testament to friendship.
A Disaster in Three Acts
by Kelsey RodkeyFans of Elise Bryant and Rachel Lynn Solomon will swoon for Last Chance Books author Kelsey Rodkey’s next romance, packed with snark, banter, and inconvenient crushes.Saine Sinclair knows a little something about what makes a story worth telling.Your childhood best friend refuses to kiss you during a pre-adolescent game of spin the bottle? Terrible, zero stars, would not replay that scene again. The same ex-friend becomes your new best friend’s ex? Strangely compelling, unexpected twist, worth a hate-watch. That same guy—why is he always around?—turns out to be your last shot at getting into the documentary filmmaking program of your dreams? Saine hates to admit it, but she’d watch that movie.There’s something about Holden that makes her feel like she’s the one in front of the camera—like he can see every uncomfortable truth she’s buried below the surface. Saine knows how her story’s supposed to go. So why does every moment with Holden seem intent on changing the ending?
Disaster Mon Amour
by David ThomsonA deep—and darkly comic—dive into the nature of disasters, and the ways they shape how we think about ourselves in the world &“In this brilliant book, David Thomson tells the story of how we came to make disaster and catastrophe our best friends—how we let terror cocoon and take over our imaginations to avoid seeing the things that really frighten us. Riveting and totally original.&”—Adam Curtis, BBC filmmaker and political journalist &“Erudite. . . . Engaging. . . . A cri de coeur about art&’s struggle to keep up with reality.&”—Kirkus Reviews Audiences swell with the scale of disaster; humans have always been drawn to the rumors of our own demise. In this searching treatment, noted film historian David Thomson examines iconic disasters, both real and fictional, exposing the slippage between what occurs and what we observe. With reportage, film commentary, speculation, and a liberating sense of humor, Thomson shows how digital culture commodifies disaster and sates our desire to witness chaos while suffering none of its aftereffects. Ranging from Laurel and Hardy and Battleship Potemkin to Cormac McCarthy&’s The Road, and from the epic San Andreas to the intimate Don&’t Look Now, Thomson pulls back the curtain to reveal why we love watching disaster unfold—but only if it happens to others.
Disaster Movies: The Cinema of Catastrophe (Short Cuts)
by Stephen KeaneStephen Keane's history of the disaster genre offers a detailed analysis of films such as The Towering Inferno, Independence Day, Titanic, and The Day After Tomorrow. He looks at the ways in which disaster movies can be read in relation to both contextual considerations and the increasing commercial demands of contemporary Hollywood. In this second edition, he adds new material regarding cinematic representations of disaster in the wake of 9/11 and an analysis of disaster movies in light of recent natural disasters. Keane continually reworks this previously unexplored genre.
Disaster Movies
by Stephen KeaneStephen Keane's history of the disaster genre offers a detailed analysis of films such as The Towering Inferno, Independence Day, Titanic, and The Day After Tomorrow. He looks at the ways in which disaster movies can be read in relation to both contextual considerations and the increasing commercial demands of contemporary Hollywood. In this second edition, he adds new material regarding cinematic representations of disaster in the wake of 9/11 and an analysis of disaster movies in light of recent natural disasters. Keane continually reworks this previously unexplored genre.
Discipline and Desire: Surveillance Technologies in Performance
by Elise MorrisonDiscipline and Desire examines how surveillance technologies, when placed within the frames of theater and performance, can be used to critique and reimagine the politics of surveillance in everyday life. The book explores how rapidly proliferating surveillance technologies, including drones, CCTV cameras, GPS tracking systems, medical surveillance equipment, and facial recognition software, can be repurposed through performance to become technologies of ethical witnessing, critique, and action. While the subject of surveillance continues to provoke fascination and debate in mainstream media and academia, opportunities to critically reflect upon and, more importantly, to imagine alternative, creative responses to living in a rapidly expanding surveillance society have been harder to find. Author Elise Morrison argues that such opportunities are being created through the growing genre of "surveillance art and performance," defined as works that centrally employ technologies and techniques of surveillance to create theater, installation, and performance art. Introducing readers to a broad range of surveillance art works, including the work of artists and activists such as Surveillance Camera Players, Jill Magid, Steve Mann, Hasan Elahi, Wafaa Bilal, Blast Theory, Electronic Disturbance Theater, George Brant, Janet Cardiff, Mona Hatoum, and Zach Blas, Discipline and Desire provides a practical and analytical framework that can aid the diverse pursuits of new media-arts practitioners, performance scholars, activists, and hobbyists interested in critical and creative uses of surveillance technologies.