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Discorrelated Images
by Shane DensonIn Discorrelated Images Shane Denson examines how computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema. Denson analyzes works ranging from the Transformers series and Blade Runner 2049 to videogames and multimedia installations to show how what he calls discorrelated images—images that do not correlate with the abilities and limits of human perception—produce new subjectivities, affects, and potentials for perception and action. Denson's theorization suggests that new media theory and its focus on technological development must now be inseparable from film and cinema theory. There's more at stake in understanding discorrelated images, Denson contends, than just a reshaping of cinema, the development of new technical imaging processes, and the evolution of film and media studies: discorrelated images herald a transformation of subjectivity itself and are essential to our ability to comprehend nonhuman agency.
Discourse Markers and Beyond: Descriptive and Critical Perspectives on Discourse-Pragmatic Devices across Genres and Languages (Postdisciplinary Studies in Discourse)
by Péter B. FurkóThis book explores the use of discourse markers - lexical items where drawing a distinction between propositional and non-propositional, syntactically-semantically integrated and discourse-pragmatic uses is especially relevant. Using a combination of qualitative and quantitative methodologies, descriptive and critical (CDA) perspectives, and manual annotation and automatized analyses, the author argues that Discourse Markers (DMs) cannot be effectively studied in isolation, but must instead be contextualised with reference to other discourse-pragmatic devices and their language and genre backgrounds. This book will be of interest to students and academics working in the fields of DM research and critical discourse studies, and will also appeal to scholars working in areas such as genre studies, second language acquisition (SLA), literary analysis, contemporary cinematography, Tolkien scholarship, and Bible studies.
Discourse Theory and Critical Media Politics
by Lincoln Dahlberg Sean PhelanA systematic examination of the relationship between post-Marxist discourse theory and media studies. This volume interrogates discourse theory - as read via the work of Ernesto Laclau and Chantal Mouffe - through an engagement with major approaches to critical media politics and a range of issues in contemporary media politics.
Discourses of Home and Homeland in Irish Children’s Fiction 1990-2012: Writing Home (Critical Approaches to Children's Literature)
by Ciara Ní BhroinIn the context of changing constructs of home and of childhood since the mid-twentieth century, this book examines discourses of home and homeland in Irish children’s fiction from 1990 to 2012, a time of dramatic change in Ireland spanning the rise and fall of the Celtic Tiger and of unprecedented growth in Irish children’s literature. Close readings of selected texts by five award-winning authors are linked to social, intellectual and political changes in the period covered and draw on postcolonial, feminist, cultural and children’s literature theory, highlighting the political and ideological dimensions of home and the value of children’s literature as a lens through which to view culture and society as well as an imaginative space where young people can engage with complex ideas relevant to their lives and the world in which they live. Examining the works of O. R. Melling, Kate Thompson, Eoin Colfer, Siobhán Parkinson and Siobhan Dowd, Ciara Ní Bhroin argues that Irish children’s literature changed at this time from being a vehicle that largely promoted hegemonic ideologies of home in post-independence Ireland to a site of resistance to complacent notions of home in Celtic Tiger Ireland.
Discourses of Migration in Documentary Film: Translating the Real to the Reel
by Alexandra J. SanchezThis book proposes a new approach to the study of discourse in documentary film. It considers discourse as a basic factor of translation (as well as contexts, agents, and practices) and draws on the parallels between the disciplines of translating and documentary making to perform a discourse analysis of documentaries centering on migration. By relying on the concept of translation as a heuristic tool, the author highlights the discursive mechanisms of 18 documentaries on Latin American migration shown in the United States by the Public Broadcasting Service series POV between 1996 and 2018. This interdisciplinary approach facilitates a holistic analysis of documentary film discourse, while also raising awareness of positive discourses of migration. The book will be of interest to students and scholars involved in the study of discourse, translation, documentary, television, and migration.
Discovering Christmas: A 25-Day Advent Devotional with Activities for Kids
by Amanda JassCelebrate this Advent season with Discovering Christmas: A 25-Day Advent Devotional with Activities for Kids! Using four key themes of hope, joy, peace, and love, this interactive retelling of the first Christmas story invites families to focus on the most special reason we celebrate Christmas--the birth of our Savior.Each day includes a devotion, scripture, conversation prompts, a guided prayer, and a simple, mess-free activity. Discovering Christmas is perfect forfamilies looking to celebrate the Advent season together,teaching preschoolers about Jesus' birth,helping kids create memories and establish a family holiday tradition, andkeeping little minds busy during Christmas break and quiet time.
Discovering World Religions at 24 Frames Per Second
by Julien R. FieldingTraditionally, university students have gained access to world religions by reading primary texts. Discovering World Religions at 24 Frames Per Second takes students beyond the written page, offering an exploration of the same religious traditions through the study of feature films. The many definitions of religion are examined along with its various components, including doctrine, myth, ethics, ritual, and symbol. Specific religious traditions, including Hinduism, Sikhism, Zoroastrianism, Buddhism, Confucianism, Daoism, popular religion, and Shinto are examined. Biographical sketches of directors whose films tend to focus on a particular religious tradition are also included, such as Zhang Yimou, Hayao Miyazaki, Deepa Mehta, and Akira Kurosawa. Discovering World Religions at 24 Frames Per Second is unique in the area of religion and film studies in that it isn't just a collection of essays. Instead it provides the introductory student with the necessary background information on the various religions before looking at how their ideas can be understood not through texts but through the cinematic medium. To keep the conversation fresh, most of the films used in the book were made within the last decade. Furthermore, examples range from popular, mainstream fare, such as Star Wars and the Lord of the Rings trilogy to lesser-known foreign films, such as The Wooden Man's Bride and The Great Yokai War. Several films with a "cult-like" following are also discussed, including Fight Club, Princess Mononoke, Spirited Away, and Jacob's Ladder. This book is also unique in that instead of drawing upon the Judeo-Christian tradition, it draws from Eastern traditions.
Discussing Disney
by Amy M. DavisDiscussing Disney has grown out of a conference of the same name, is a collection of 12 papers on topics which, though diverse in scope, all relate back to one another through their connection to Disney. As the field of Disney Studies continues to grow and evolve, those working within and contributing to it come from a range of backgrounds, including History, Myth Studies, Film Studies, Gender Studies, and Musicology (to name just a few), and therefore examine the outputs of the Disney company - and the company itself – in diverse ways. Discussing Disney seeks to continue the evolution of Disney Studies as an academic field that has now evolved beyond a discourse that merely, to quote Eric Smoodin (1994), "...[sought} to complicate the notions and uses of Disney discourse that currently make their way to the general public through the popular media". Though this was an important early step in Disney Studies, as it found it necessary to justify its legitimacy within the academy, in the intervening quarter-century, Disney Studies has established itself as a field of Animation Studies (which, simultaneously, has established itself as a branch of Film and Television Studies, as well as Cultural Studies), and is now recognized widely as a valid subject of academic enquiry in its own right. Film Studies as a whole - and Disney Studies as part of that - has also evolved in such a way that it has moved forward from insisting upon an overtly political (and therefore inherently biased) stance, and has taken up a more historically-based and/or cultural studies-based, politically-neutral approach that seeks to contextualize its subject in terms of the conditions in which the company's various outputs - animated shorts and films, theme park attractions, television shows, books, music, merchandising, and the like - have been produced, as well as understanding the audience for whom these were made initially. This is not to say that the field ignores politics - far from it - but rather that it uses political history and political theory as academic basis, rather than as a position from which to debate and opine. By looking at Disney from some of its many angles - the history and the persona of its founder, a selection of its films (from the blockbuster successes to the less than successful), its approaches to animation, its branding and fandom, and the ways that it has been understood and reinterpreted within popular culture - it is hoped that Discussing Disney offers its readers (and the field of Disney Studies) a more holistic understanding of a company that is arguably one of the most important forces within culture - popular or otherwise - within (so far) the Twentieth and Twenty-First Centuries.
The Disenchantments
by Nina LacourColby and Bev have a long-standing pact: graduate, hit the road with Bev's band, and then spend the year wandering around Europe. But moments after the tour kicks off, Bev makes a shocking announcement: she's abandoning their plans - and Colby - to start college in the fall. But the show must go on and The Disenchantments weave through the Pacific Northwest, playing in small towns and dingy venues, while roadie- Colby struggles to deal with Bev's already-growing distance and the most important question of all: what's next? Morris Award-finalist Nina LaCour draws together the beauty and influences of music and art to brilliantly capture a group of friends on the brink of the rest of their lives.
Disidentifications
by José Esteban MuñozThere is more to identity than identifying with one's culture or standing solidly against it. José Esteban Muñoz looks at how those outside the racial and sexual mainstream negotiate majority culture--not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Muñoz calls this process "disidentification," and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. By examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, and television, Muñoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America.Muñoz calls attention to the world-making properties found in performances by queers of color--in Carmelita Tropicana's "Camp/Choteo" style politics, Marga Gomez's performances of queer childhood, Vaginal Creme Davis's "Terrorist Drag," Isaac Julien's critical melancholia, Jean-Michel Basquiat's disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres's performances of "disidentity," and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serialThe Real World.
Disintegrating the Musical: Black Performance and American Musical Film
by Arthur KnightThis study tracks and analyzes the history of musical representations of African Americans in american film's classic sound era.
Dismantling The Dream Factory
by Hester BaerThe history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity of film throughout the late 1940s and 1950s. Through the analysis of 10 representative films, Hester Baer reassesses this period, looking in particular at how the attempt to 'dismantle the dream factory' of Nazi entertainment cinema resulted in a new cinematic language which developed as a result of the changing audience demographic. In an era when female viewers comprised 70 per cent of cinema audiences a 'women's cinema' emerged, which sought to appeal to female spectators through its genres, star choices, stories and formal conventions. In addition to analyzing the formal language and narrative content of these films, Baer uses a wide array of other sources to reconstruct the original context of their reception, including promotional and publicity materials, film programs, censorship documents, reviews and spreads in fan magazines. This book presents a new take on an essential period, which saw the rebirth of German cinema after its thorough delegitimization under the Nazi regime.
Disney Activity Songs
by Walt Disney RecordsDisney activity songs features "Itsy Bitsy Spider" "Ring Around the Rosy" "One, Two, Buckle My Shoe " "I’m a Little Teapot" and "Pat-a-Cake "
Disney and the Dialectic of Desire
by Joseph ZornadoThis book analyzes Walt Disney's impact on entertainment, new media, and consumer culture in terms of a materialist, psychoanalytic approach to fantasy. The study opens with a taxonomy of narrative fantasy along with a discussion of fantasy as a key concept within psychoanalytic discourse. Zornado reads Disney's full-length animated features of the "golden era" as symbolic responses to cultural and personal catastrophe, and presents Disneyland as a monument to Disney fantasy and one man's singular, perverse desire. What follows after is a discussion of the "second golden age" of Disney and the rise of Pixar Animation as neoliberal nostalgia in crisis. The study ends with a reading of George Lucas as latter-day Disney and Star Wars as Disney fantasy. This study should appeal to film and media studies college undergraduates, graduates students and scholars interested in Disney.
The Disney Animation Renaissance: Behind the Glass at the Florida Studio
by Mary E. LescherWalt Disney Feature Animation Florida opened in Orlando at the dawn of the Disney Renaissance. As a member of the crew, Mary E. Lescher witnessed the small studio’s rise and fall during a transformative era in company and movie history. Her in-depth interviews with fellow artists, administrators, and support personnel reveal the human dimension of a technological revolution: the dramatic shift from hand-drawn cel animation to the digital format that eclipsed it in less than a decade. She also traces the Florida Studio’s parallel existence as a part of The Magic of Disney Animation, a living theme park attraction where Lescher and her colleagues worked in full view of Walt Disney World guests eager to experience the magic of the company’s legendary animation process. A ground-level look at the entertainment giant, The Disney Animation Renaissance profiles the people and purpose behind a little-known studio during a historic era.
The Disney Book New Edition: A Celebration of the World of Disney: Centenary Edition
by Jim Fanning Tracey Miller-ZarnekeCelebrate more than 100 years of magical Disney storytelling.The ideal gift for Disney, animation, and movie fans! From Snow White and the Seven Dwarfs to Wish, Mary Poppins to The Little Mermaid, Disneyland to Tokyo DisneySea, and fireworks to fan clubs, explore the captivating worlds and creations of Disney and Pixar.Now including more than 50 new pages and updated with ten more years of magic for Disney&’s special 100th anniversary, The Disney Book: New Edition features groundbreaking and record-breaking creations—including Encanto, Moana, and Turning Red—and explores theme parks, experiences, memorabilia, and more. Marvel at beautiful art and artefacts from The Walt Disney Company&’s vast historical collections, and discover live-action and animated movie-making, enchanting parks, and fascinating collectibles. Follow Disney's history using the timeline, and delve into the incredible archives.Perfect for fans who want to know all about the magical worlds of Disney.© 2023 Disney
Disney Discourse: Producing the Magic Kingdom (AFI Film Readers)
by Eric SmoodinHirohito and his Mickey Mouse watch, Goofy and Donald as our "Goodwill Ambassadors:" Disney Discourse is an interdisciplinary examination of the founder and his empire. These essays use an interdisciplinary approach to read through Disney's domestic cultural production "innocent" national icons, as well as theme parks, cartoons and television to analyze the global impact of American popular culture, the politics of Disney, and the complex reception Disney productions have received around the world.The Disney corporation's ever-increasing visibility the opening of Euro Disney and new stores in malls and vast influence over global culture demands critical attention not only in film and television studies, but in international diplomacy, architecture, economics and other related fields. Disney Discourse consolidates the best of the current work on Disney and provides a representative sample of past analyses of the Disney empire.Contributors: Julianne Burton-Carvajal, Lisa Cartwright, Brian Goldfarb, Richard deCordova, Douglas Gomery, David Kunzle, Jon Lewis, Moya Luckett, Richard Neupert, Susan Ohmer, José Piedra, Mitsuhiro Yoshimoto, Alexander Wilson.
The Disney Fetish
by Seán J. HarringtonLong considered a figurehead of family values and wholesome adolescence, the Disney franchise has faced increasing criticism over its gendered representations of children in film, its stereotypical representations of race and non-white cultures, and its emphasis on the heterosexual couple. Against a historical backdrop of studio history, audience reception, and the industrial-organizational apparatus of Disney media, Seán Harrington examines the Disney classics through a psychoanalytical framework to explore the spirit of devotion, fandom, and frenzy that is instilled in consumers of Disney products and that underlie the fantasy of the Magic Kingdom. This compelling study demystifies the unsettling cleanliness and pretensions to innocence that the Disney brand claims to hold.
Disney Frozen Cinestory Comic
by DisneyFearless optimist Anna sets off on an epic journey—teaming up with rugged mountain man Kristoff and his loyal reindeer Sven—to find her sister Elsa, whose icy powers have trapped the kingdom of Arendelle in eternal winter. Encountering mystical trolls and a hilarious snowman named Olaf along the way, Anna and Kristoff battle the elements in a race to save the kingdom.Featuring a foreword by Leonard Maltin, the Cinestory tells the story of Frozen with images from the movie. <P><P> <i>Advisory: Bookshare has learned that this book offers only partial accessibility. We have kept it in the collection because it is useful for some of our members. Benetech is actively working on projects to improve accessibility issues such as these.</i>
Disney High: The Untold Story of the Rise and Fall of Disney Channel's Tween Empire
by Ashley SpencerThe first unauthorized look at the inner workings—and ultimate breakdown—of the Disney Channel machine For many kids growing up in the 2000s, there was no cultural touchstone more powerful than Disney Channel, the most-watched cable channel in primetime at its peak. Today, it might best be known for introducing the world to talents like Hilary Duff, Raven-Symoné, Zac Efron, Miley Cyrus, Selena Gomez, the Jonas Brothers, Demi Lovato, and Zendaya. It wasn't always destined for greatness: when The Disney Channel launched in 1983, it was a forgotten stepchild within the Walt Disney Company, forever in the shadow of Disney’s more profitable movies and theme parks. But after letting the stars of their Mickey Mouse Club revival—among them Britney Spears, Justin Timberlake, Christina Aguilera, and Ryan Gosling—slip through their fingers, Disney Channel reinvented itself as a powerhouse tween network. In the new millennium, it churned out billions of dollars in original content and triple-threat stars whose careers were almost entirely controlled by the corporation. Suddenly, everyone wanted a piece of the pie—and there were constant clashes between the studio, network, labels, and creatives as Disney Channel became a pressure cooker of perfection for its stars. From private feuds and on-set disasters, to fanfare that swept the nation and the realities of child stardom, culture journalist Ashley Spencer offers the inside story of the heyday of TV’s House of Mouse, featuring hundreds of exclusive new interviews with former Disney executives, creatives, and celebrities to explore the highs, lows, and everything in between.
Disney Junior Fancy Nancy: Nancy and the Mermaid Ballet (Disney Junior Fancy Nancy)
by Nancy ParentBased on the Disney Junior TV show and inspired by the classic picture book series, this brand-new storybook is perfect for the Fancy Nancy fan in your life.When Nancy auditions for the leading role in the mermaid ballet, she is disappointed to discover that not only was she not chosen, but her best friend will play the lead! Disney Junior’s Fancy Nancy is an animated preschool series starring six-year-old Nancy, a girl who is fancy in everything from her advanced vocabulary to her creative, elaborate attire. The show is based on the New York Times bestselling book series Fancy Nancy by Jane O’Connor and Robin Preiss Glasser.
The Disney Middle Ages
by Tison Pugh Susan AronsteinFor many, the middle ages depicted in Walt Disney movies have come to figure as the middle ages, forming the earliest visions of the medieval past for much of the contemporary Western (and increasingly Eastern) imagination. The essayists of The Disney Middle Ages explore Disney's mediation and re-creation of a fairy-tale and fantasy past, not to lament its exploitation of the middle ages for corporate ends, but to examine how and why these medieval visions prove so readily adaptable to themed entertainments many centuries after their creation. What results is a scrupulous and comprehensive examination of the intersection between the products of the Disney Corporation and popular culture's fascination with the middle ages.
Disney Pixar Character Encyclopedia New Edition
by DKA fun-packed guide to your favorite toys, cars, heroes, fish, monsters, and more.Do you know your Mike from your Mater? Or your Evelyn from your EVE? Dive into the wonderful world of DisneyPixar with this colorful, fact-filled guide to your favourite Pixar characters. Find out more about the greatest and funniest heroes, villains, sidekicks and oddballs from across all 21 movies - including the newest characters from Toy Story 4. Whether your favorite character is Woody, Dory, Lightning McQueen, Edna, Bing Bong or Dante, the DisneyPixar Character Encyclopedia lets you relive their best movie moments and latest adventures, discover special "did you know?" facts, and much more. Now featuring more than 290 characters, this new edition has been updated and expanded to include characters from Monsters University, Inside Out, The Good Dinosaur, Finding Dory, Cars 3, Coco, The Incredibles 2 and Toy Story 4. Wondering what breed of dog lovable Dug is, or who first owned Mrs. Potato Head? Or how far Elastigirl's limbs stretch, or what Sadness does in her spare time? The DisneyPixar Character Encyclopedia is the book for you!
Disney Pixar Character Encyclopedia Updated and Expanded
by Shari LastDive into the wonderful world of Pixar with the new edition of this bestselling, fan-favourite, fully illustrated, and fact-filled character guide.Now featuring more than 320 characters, this new edition has been updated and expanded to include characters from Pixar's recent releases. Find out more about the greatest and funniest heroes, villains, sidekicks and oddballs from across every Pixar movie, including 2020's Onward and Soul, as well as 2021's box-office hit Luca and 2022's Turning Red and Lightyear.Whether your favourite character is Buzz, Lightning, and Mater along with these more recent ones: Izzy, Sox, Meilin, Joe, 22, Luca, or Giulia, the Pixar Character Encyclopedia lets you relive their top movie moments and latest adventures, discover special "Did you know?" facts, and much, much more.Featuring: - Beautifully illustrated with images from the original movies.- Organised in chronological order from Toy Story to Lightyear; characters from sequels, such as Toy Story 4 included with original movie.- Age-appropriate text for 7-11 year olds.Looking for more information about the Lightfoots, Luca Paguro, and Buzz Lightyear's latest adventures? The new edition of the Pixar Character Encyclopedia is the one-stop book for you!
Disney Raya and the Last Dragon: The Graphic Novel (Graphic Novel)
by RH DisneyThis hardcover full-color graphic novel retells the whole exciting story of the hit Disney animated film Raya and the Last Dragon!Experience the magic of the fantasy-action-adventure Raya and the Last Dragon, exploring themes of community and hope, and inspired by the beautiful and diverse cultures of Southeast Asia. This hardcover graphic novel retells the whole exciting story with full-color illustrations. It is perfect for boys and girls ages 8 to 12! Walt Disney Animation Studios' Raya and the Last Dragon introduces Raya, a lone warrior from the fantasy kingdom of Kumandra who teams up with a crew of misfits in her quest to find the last dragon and bring light and unity back to their world. Awkwafina lends her voice to Sisu, the last dragon, who was left on Kumandra in case dark forces return to the world, and Kelly Marie Tran voices the lead character, Raya.