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Disney Storybook Collection (Storybook Collection)
by Disney Book GroupFeaturing your favorite Disney characters, these bestselling storybook collections have been completely redesigned with all new covers, gilded pages, newly edited text, and a classic new look with over 250 illustrations-including full-page artwork from the Disney archives.
Disney Tim Burton's The Nightmare Before Christmas: The Official Knitting Guide to Halloween Town and Christmas Town
by Tanis GrayWeave magic into your knits with the first-ever Disney Tim Burton&’s The Nightmare Before Christmas knitting guide, featuring more than 25 patterns inspired by the strange and spooky characters of Tim Burton&’s beloved classic.Become your own mad scientist and knit to life the quirky characters and creepy costumes inspired by Disney Tim Burton&’s The Nightmare Before Christmas. Inspired by the characters of Jack Skellington, Sally, Dr. Finkelstein, Zero, Oogie Boogie, the Mayor, Sandy Claws, and more, these patterns feature a mix of dark and vibrant knits and glow-in-the-dark yarn in celebration of the melding of Halloween and Christmas in this classic film. Oogie Boogie and Zero stuffies come to life with the help of your knitting needles, and clothing, home décor, holiday decorations, and more will transport you to the moonlit hills, dark cemeteries, and eerie cobblestone streets of Tim Burton&’s stop-motion world. Featuring more than 25 wickedly creative knits pictured in stunning full-color photography, this book includes patterns suited for beginner and advanced knitters alike. Patterns for Sally&’s slouchy socks and Sandy Claw&’s Christmas stocking are ideal for new knitters, while more advanced projects like Sally&’s patchwork dress will satisfy longtime crafters. Plus, this book includes original sketches, film stills, and other behind-the-scenes goodies that are sure to satisfy the most die-hard of Tim Burton fans.
The Disney Version: The Life, Times, Art and Commerce of Walt Disney
by Richard Schickel“The single most illuminating work on America and the movies” (The Kansas City Star): the story of how a shy boy from Chicago crashed Hollywood and created the world’s first multimedia entertainment empire—one that shapes American popular culture to this day. When Walter Elias Disney moved to Hollywood in 1923, the twenty-one-year-old cartoonist seemed an unlikely businessman—and yet within less than two decades, he’d transformed his small animation studio into one of the most successful and beloved brands of the twentieth century. But behind Disney’s boisterous entrepreneurial imagination and iconic characters lay regressive cultural attitudes that, as The Walt Disney Company’s influence grew, began to not simply reflect the values of midcentury America but actually shape the country’s character. Lauded as “one of the best studies ever done on American popular culture” (Stephen J. Whitfield, Professor of American Civilization at Brandeis University), Richard Schickel’s The Disney Version explores Walt Disney’s extraordinary entrepreneurial success, his fascinatingly complex character, and—decades after his death—his lasting legacy on America.
Disney Villains The Essential Guide, New Edition
by Glenn Dakin Victoria SaxonMeet the villains we all love to hate!The essential guide to more than 50 of the most villainous Disney and Disney Pixar movie characters.What makes Cruella De Vil so cruel?Why is Scar jealous of his brother Mufasa?Who are the troublesome toys at Sunnyside Daycare?© 2020 Disney
The Disney Way: Harnessing the Management Secrets of Disney in Your Company (Third Edition)
by Bill Capodagli Lynn JacksonProfiling a new set of diverse organizations--such as TYRA Beauty, Rainbow Babies & Children's Hospital, Ottawa County, Michigan, and Science Center of Iowa--the authors show how companies of any size, whether an entrepreneurial startup or a Fortune 500, can reach their utmost potential by embracing Walt Disney's techniques to create a consumer-centric culture.
The Disneyfication of Animals (The Palgrave Macmillan Animal Ethics Series)
by Rebecca Rose StantonThis book critically examines how Walt Disney Animation Studios has depicted – and sometimes failed to depict – different forms of harming and objectifying non-human animals in their films. Each chapter addresses a different form of animal harm and objectification through the theories of speciesism, romanticism, and the ‘collapse of compassion’ effect, from farming, hunting and fishing, to clothing, work, and entertainment. Stanton lucidly presents the dichotomy between depictions of higher order, anthropomorphised and neotonised animal characters and that of lower-order species, showing furthermore how these depictions are closely linked to changing social attitudes about acceptable forms of animal harm. An engaging and novel contribution to the field of Critical Animal Studies, this book explores the use of animals not only in Disney’s best known animated films such as 101 Dalmatians, but also lesser known features including Home on the Range and Fun and Fancy Free. A quantitative appendix supplying data on how often each animal species appears and the amount of times animal harm or objectification is depicted in over fifty films provides an invaluable resource and addition to scholars working in both Disney and animal studies.
Disney's Land: Walt Disney and the Invention of the Amusement Park That Changed the World
by Richard SnowA propulsive history chronicling the conception and creation of Disneyland, the masterpiece California theme park, as told like never before by popular historian Richard Snow.One day in the early 1950s, Walt Disney stood looking over 240 acres of farmland in Anaheim, California, and imagined building a park where people &“could live among Mickey Mouse and Snow White in a world still powered by steam and fire for a day or a week or (if the visitor is slightly mad) forever.&” Despite his wealth and fame, exactly no one wanted Disney to build such a park. Not his brother Roy, who ran the company&’s finances; not the bankers; and not his wife, Lillian. Amusement parks at that time, such as Coney Island, were a generally despised business, sagging and sordid remnants of bygone days. Disney was told that he would only be heading toward financial ruin. But Walt persevered, initially financing the park against his own life insurance policy and later with sponsorship from ABC and the sale of thousands and thousands of Davy Crockett coonskin caps. Disney assembled a talented team of engineers, architects, artists, animators, landscapers, and even a retired admiral to transform his ideas into a soaring yet soothing wonderland of a park. The catch was that they had only a year and a day in which to build it. On July 17, 1955, Disneyland opened its gates…and the first day was a disaster. Disney was nearly suicidal with grief that he had failed on a grand scale. But the curious masses kept coming, and the rest is entertainment history. Eight hundred million visitors have flocked to the park since then. In Disney&’s Land, Richard Snow brilliantly presents the entire spectacular story, a wild ride from vision to realization, and an epic of innovation and error that reflects the uniqueness of the man determined to build &“the happiest place on earth&” with a watchmaker&’s precision, an artist&’s conviction, and the desperate, high-hearted recklessness of a riverboat gambler.
Disney's Most Notorious Film: Race, Convergence, and the Hidden Histories of Song of the South
by Jason SperbThe Walt Disney Company offers a vast universe of movies, television shows, theme parks, and merchandise, all carefully crafted to present an image of wholesome family entertainment. Yet Disney also produced one of the most infamous Hollywood films, Song of the South. Using cartoon characters and live actors to retell the stories of Joel Chandler Harris, SotS portrays a kindly black Uncle Remus who tells tales of Brer Rabbit, Brer Fox, and the “Tar Baby” to adoring white children. Audiences and critics alike found its depiction of African Americans condescending and outdated when the film opened in 1946, but it grew in popularity—and controversy—with subsequent releases. Although Disney has withheld the film from American audiences since the late 1980s, SotS has an enthusiastic fan following, and pieces of the film—such as the Oscar-winning “Zip-a-Dee-Doo-Dah”—remain throughout Disney’s media universe. Disney’s Most Notorious Film examines the racial and convergence histories of Song of the South to offer new insights into how audiences and Disney have negotiated the film’s controversies over the last seven decades. Jason Sperb skillfully traces the film’s reception history, showing how audience perceptions of SotS have reflected debates over race in the larger society. He also explores why and how Disney, while embargoing the film as a whole, has repurposed and repackaged elements of SotS so extensively that they linger throughout American culture, serving as everything from cultural metaphors to consumer products.
Disney's Most Notorious Film: Race, Convergence, and the Hidden Histories of Song of the South
by Jason SperbThe Walt Disney Company offers a vast universe of movies, television shows, theme parks, and merchandise, all carefully crafted to present an image of wholesome family entertainment. Yet Disney also produced one of the most infamous Hollywood films, Song of the South. Using cartoon characters and live actors to retell the stories of Joel Chandler Harris, SotS portrays a kindly black Uncle Remus who tells tales of Brer Rabbit, Brer Fox, and the "Tar Baby" to adoring white children. Audiences and critics alike found its depiction of African Americans condescending and outdated when the film opened in 1946, but it grew in popularity--and controversy--with subsequent releases. Although Disney has withheld the film from American audiences since the late 1980s, SotS has an enthusiastic fan following, and pieces of the film--such as the Oscar-winning "Zip-a-Dee-Doo-Dah"--remain throughout Disney's media universe. Disney's Most Notorious Film examines the racial and convergence histories of Song of the South to offer new insights into how audiences and Disney have negotiated the film's controversies over the last seven decades. Jason Sperb skillfully traces the film's reception history, showing how audience perceptions of SotS have reflected debates over race in the larger society. He also explores why and how Disney, while embargoing the film as a whole, has repurposed and repackaged elements of SotS so extensively that they linger throughout American culture, serving as everything from cultural metaphors to consumer products.
DisneyWar: The Battle for the Magic Kingdom
by James B. Stewart"When You Wish Upon a Star," "Whistle While You Work," "The Happiest Place on Earth" -- these are lyrics indelibly linked to Disney, one of the most admired and best-known companies in the world. So when Roy Disney, chairman of Walt Disney Animation and nephew of founder Walt Disney, abruptly resigned in November 2003 and declared war on chairman and chief executive Michael Eisner, he sent shock waves through the entertainment industry, corporate boardrooms, theme parks, and living rooms around the world -- everywhere Disney does business and its products are cherished. DisneyWar is the breathtaking, dramatic inside story of what drove America's best-known entertainment company to civil war, told by one of our most acclaimed writers and reporters. Drawing on unprecedented access to both Eisner and Roy Disney, current and former Disney executives and board members, as well as thousands of pages of never-before-seen letters, memos, transcripts, and other documents, James B. Stewart gets to the bottom of mysteries that have enveloped Disney for years: What really caused the rupture with studio chairman Jeffrey Katzenberg, a man who once regarded Eisner as a father but who became his fiercest rival? How could Eisner have so misjudged Michael Ovitz, a man who was not only "the most powerful man in Hollywood" but also his friend, whom he appointed as Disney president and immediately wanted to fire? What caused the break between Eisner and Pixar chairman Steve Jobs, and why did Pixar abruptly abandon its partnership with Disney? Why did Eisner so mistrust Roy Disney that he assigned Disney company executives to spy on him? How did Eisner control the Disney board for so long, and what really happened in the fateful board meeting in September 2004, when Eisner played his last cards? Here, too, is the creative process that lies at the heart of Disney -- from the making of The Lion King to Pirates of the Caribbean. Even as the executive suite has been engulfed in turmoil, Disney has worked -- and sometimes clashed -- with a glittering array of stars, directors, designers, artists, and producers, many of whom tell their stories here for the first time. Stewart describes how Eisner lost his chairmanship and why he felt obliged to resign as CEO, effective 2006. No other book so thoroughly penetrates the secretive world of the corporate boardroom. DisneyWar is an enthralling tale of one of America's most powerful media and entertainment companies, the people who control it, and those trying to overthrow them. DisneyWar is an epic achievement. It tells a story that -- in its sudden twists, vivid, larger-than-life characters, and thrilling climax -- might itself have been the subject of a Disney animated classic -- except that it's all true.
Disorder in the Court: Great Fractured Moments in Courtroom History
by Charles M. SevillaFrom the book: PRO PER MOTION (E. Grossman, Berkeley) THE COURT DO you understand, sir, that if I permit you to represent yourself, it will be without the assistance of an attorney and that you're going to be held to all the technical rules of evidence in criminal procedure? DEFENDANT Yeah. I'll have to stop at the library and get a book on law. THE COURT And you understand you will get access to the jail library? DEFENDANT Yeah. THE COURT DO you understand that the case as presented by the State will be handled by an experienced district attorney who's very specialized in the area of criminal law, who has had extensive court trials and jury trials, and that you won't be entitled to any special consideration? DEFENDANT All I really need is the Constitution, the Bill of Rights, a Holy Bible and a handgun. Uses of Language (Keith Arthur, Stockton, CA) THE COURT You were picked up on a new 245? DEFENDANT I don't know if it was 245, 645, 345. They picked me up on something, all right? Okay? Then when they also had me on that, he gave me a motherfucking charge for prostitution. COUNSEL Don't use language like that to the judge. DEFENDANT Prostitution? What? Prostitution? What you want me to say? They picked me up for prostitution.
Disparos, plata y celuloide: Historia, cine y fotografía en México 1846-1982
by Ricardo Pérez MontfortEn cierto sentido, la historia no es lo que ocurrió, sino lo que creemos que ocurrió. Piense usted en Pancho Villa. La imagen que tiene en la mente fue fijada por una fotografía o una película. Y sucede exactamente igual con Lázaro Cárdenas, Emiliano Zapata, una adelita, «un tendero gallego de los años cincuenta», «un apacible pueblito de provincia», cualquier «rancho de inicios del siglo XX» y, de hecho, con buena parte de los grandes momentos, referencias y personajes de la historia mexicana.En este sentido, el cine y la fotografía nos han “enseñado” más historia que los libros de la SEP. En esta obra, el historiador Ricardo Pérez Montfort ofrece una serie de ensayos sobre este fenómeno. ¿Cómo es que la memoria colectiva ha sido delineada por el celuloide? ¿Qué mitos de la historia patria son culpa de los haluros de plata? ¿Cuáles son algunas de las representaciones másdelirantes de los próceres mexicanos? ¿Qué significa que nuestra educación histórica se haya forjado en salas oscuras? ¿Quién da forma a la memoria de un país? Con una prosa rigurosa y entrañable, el autor inicia su recorrido a finales del siglo XIX, transita por el Porfiriato, “observa a los observadores” de la Revolución, atestigua la conformación identitaria del México moderno, mira cómo el cine ha construidohéroes y demonios, y termina con un drama cuya importancia no hemos terminado de aquilatar: el incendio de la Cineteca Nacional en 1982.
Dispatches from the Edge: A Memoir of War, Disasters, and Survival
by Anderson CooperFew people have witnessed more scenes of chaos and conflict than Cooper, whose groundbreaking coverage on CNN has changed the way we view the news.
Displaced Allegories: Post-Revolutionary Iranian Cinema
by Negar MottahedehFollowing the 1979 Iranian Revolution, Iran's film industry, in conforming to the Islamic Republic's system of modesty, had to ensure that women on-screen were veiled from the view of men. This prevented Iranian filmmakers from making use of the desiring gaze, a staple cinematic system of looking. In Displaced Allegories Negar Mottahedeh shows that post-Revolutionary Iranian filmmakers were forced to create a new visual language for conveying meaning to audiences. She argues that the Iranian film industry found creative ground not in the negation of government regulations but in the camera's adoption of the modest, averted gaze. In the process, the filmic techniques and cinematic technologies were gendered as feminine and the national cinema was produced as a woman's cinema. Mottahedeh asserts that, in response to the prohibitions against the desiring look, a new narrative cinema emerged as the displaced allegory of the constraints on the post-Revolutionary Iranian film industry. Allegorical commentary was not developed in the explicit content of cinematic narratives but through formal innovations. Offering close readings of the work of the nationally popular and internationally renowned Iranian auteurs Bahram Bayza'i, Abbas Kiarostami, and Mohsen Makhmalbaf, Mottahedeh illuminates the formal codes and conventions of post-Revolutionary Iranian films. She insists that such analyses of cinema's visual codes and conventions are crucial to the study of international film. As Mottahedeh points out, the discipline of film studies has traditionally seen film as a medium that communicates globally because of its dependence on a (Hollywood) visual language assumed to be universal and legible across national boundaries. Displaced Allegories demonstrates that visual language is not necessarily universal; it is sometimes deeply informed by national culture and politics.
Displacements: Reading Space and Time in Moving Image Installations (Palgrave Close Readings in Film and Television)
by Alison ButlerThis book is about the aesthetics and politics of contemporary artists’ moving image installations, and the ways that they use temporal and spatial relationships in the gallery to connect with geopolitical issues. Displaced from the cinema, moving images increasingly address themes of movement and change in the world today. Digital technology has facilitated an explosion of work of this kind, and the expansion of contemporary art museums, biennales and large-scale exhibitions all over the world has created venues and audiences for it. Despite its 20th century precursors, this is a new and distinct artistic form, with an emerging body of thematic concerns and aesthetics strategies. Through detailed analysis of a range of important 21st century works, the book explores how this spatio-temporal form has been used to address major issues of our time, including post-colonialism, migration and conflict. Paying close attention to the ways in which moving images interact with the specific spaces and sites of exhibition, the book explores the mobile viewer’s experiences in these immersive and transitory works.
Disrupting the Game: From the Bronx to the Top of Nintendo
by Reggie Fils-AiméReggie Fils-Aimé, retired President and Chief Operating Officer of Nintendo of America Inc., shares leadership lessons and inspiring stories from his unlikely rise to the top. Although he&’s best known as Nintendo's iconic President of the Americas-immortalized for opening Nintendo&’s 2004 E3 presentation with, &“My name is Reggie, I'm about kicking ass, I'm about taking names, and we're about making games&”-Reggie Fils-Aimé&’s story is the ultimate gameplan for anyone looking to beat the odds and achieve success.Learn from Reggie how to leverage disruptive thinking to pinpoint the life choices that will make you truly happy, conquer negative perceptions from those who underestimate or outright dismiss you, and master the grit, perseverance, and resilience it takes to dominate in the business world and to reach your professional dreams.As close to sitting one-on-one with the gaming legend as it gets, you will learn:About the challenges Reggie faced throughout his life and career-from his humble childhood as the son of Haitian immigrants, to becoming one of the most powerful names in the history of the gaming industry.What it takes to reach the top of your own industry, including being brave enough to stand up for your ideas, while also being open to alternative paths to success.How to create vibrant and believable visions for your team and company.How to maintain relentless curiosity and know when to ask questions to shatter the status quo.
Dissemination of Music: Studies in the History of Music Publishing (Musicology #14)
by Hans LennebergFirst Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Dissonance
by Erica O'RourkeIn this inventive romantic thriller, Del has the power to navigate between alternate realities--and the power to save multiple worlds.Every time someone makes a choice, a new, parallel world is spun off the existing one. Eating breakfast or skipping it, turning left instead of right, sneaking out instead of staying in bed--all of these choices create alternate universes in which echo selves take the roads not traveled. Del knows this because she's a Walker, someone who can navigate between the worlds, and whose job is to keep the dimensions in harmony.But Del's decisions have consequences too. Even though she's forbidden from Walking after a training session goes horribly wrong, she secretly starts to investigate other dissonant worlds. She's particularly intrigued by the echo versions of Simon Lane, a guy who won't give her the time of day in the main world, but whose alternate selves are uniquely interested. But falling for Simon draws Del closer to a truth that the Council of Walkers is trying to hide--a secret that threatens the fate of the entire multiverse."O'Rourke brilliantly builds an intricate and complex alternate science-fiction universe that contains beautiful imagery and visualization. A definite page-turner." --School Library Journal
Dissonance
by Erica O'RourkeIn this inventive romantic thriller, Del has the power to navigate between alternate realities—and the power to save multiple worlds.<P> Delancey knows for sure that there is more than one universe. Many more. Because every time someone makes a choice, a new, parallel world is spun off the existing one. Eating breakfast or skipping it, turning left instead of right, sneaking out instead of staying in bed—all of these choices create alternate universes in which echo selves take the roads not traveled. Del knows all of this because she’s a Walker, someone who can navigate between the worlds, and whose job is to keep the dimensions in harmony.<P> But Del’s decisions have consequences too. Even though she’s forbidden from Walking after a training session goes horribly wrong, she secretly starts to investigate other dissonant worlds. She’s particularly intrigued by the echo versions of Simon Lane, a guy who won’t give her the time of day in the main world, but whose alternate selves are uniquely interested. But falling for Simon draws Del closer to a truth that the Council of Walkers is trying to hide—a secret that threatens the fate of the entire multiverse.
Dissonant Waves: Ernst Schoen and Experimental Sound in the 20th century (Goldsmiths Press / Sonics Series)
by Sam Dolbear Esther LeslieAn investigation of the cultures and technologies of early radio and how a generation of cultural operators—with Schoen at the center—addressed crisis and adversity.Dials, knobs, microphones, clocks; heads, hands, breath, voices. Ernst Schoen joined Frankfurt Radio in the 1920s as programmer and accelerated the potentials of this collision of bodies and technologies. As with others of his generation, Schoen experienced crisis after crisis, from the violence of war, the suicide of friends, economic collapse, and a brief episode of permitted experimentalism under the Weimar Republic for those who would foster aesthetic, technical, and political revolution. The counterreaction was Nazism—and Schoen and his milieux fell victim to it, found ways out of it, or hit against it with all their might.Dissonant Waves tracks the life of Ernst Schoen—poet, composer, radio programmer, theorist, and best friend of Walter Benjamin from childhood—as he moves between Frankfurt, Berlin, Paris, and London. It casts radio history and practice into concrete spaces, into networks of friends and institutions, into political exigencies and domestic plights, and into broader aesthetic discussions of the politicization of art and the aestheticization of politics. Through friendship and comradeship, a position in state-backed radio, imprisonment, exile, networking in a new country, re-emigration, ill-treatment, neglect, Schoen suffers the century and articulates its broken promises.An exploration of the ripples of radio waves, the circuits of experimentation and friendship, and the proposals that half-found a route into the world—and might yet spark political-technical experimentation.
Distance, Theatre, and the Public Voice, 1750–1850
by M. NussAs theatres expanded in the eighteenth and nineteenth centuries, the distance between actor and audience became a telling metaphor for the distance emerging between writers and readers. Nuss explores the ways in which theatre helped authors imagine connecting with a new mass audience.
Distancing Representations in Transgender Film: Identification, Affect, and the Audience (SUNY series, Horizons of Cinema)
by Lucy J. MillerDistancing Representations in Transgender Film explores the representation of transgender identity in several important cinema genres: comedies, horror films, suspense thrillers, and dramas. In a critique that is both deeply personal and theoretically sophisticated, Lucy J. Miller examines how these representations are often narratively and visually constructed to prompt emotions of ridicule, fear, disgust, and sympathy from a cisgender audience. Created by and for cisgender people, these films do not accurately represent transgender people's experiences, and the emotions they inspire serve to distance cisgender audience members from the transgender people they encounter in their day-to-day lives. By helping to increase the distance between cisgender and transgender people, Miller argues, these films make it more difficult for cisgender people to understand the experiences of transgender people and for transgender people to fully participate in public life. The book concludes with suggestions for improving transgender representation in film.
Distraction Pieces
by Scroobius PipJoin Scroobius Pip as he gets to the bottom of what matters most in life: whether getting Russell Brand to expound on capitalism, Jon Ronson on the perils of social media, Simon Pegg on the power of satire, Killer Mike on race relations in the United States or Howard Marks on drugs and cancer, Pip elicits thought-provoking material by rummaging through the minds of some of the most interesting creatives of our time. Distraction Pieces features both curated highlights from the iTunes-chart-topping podcast - from Akala to Howard Marks via the likes of Adam Buxton, Romesh Ranganathan and Amanda Palmer - and exclusive new content, with chapters on politics, social media, music, comedy and more. Featuring illustrations by tattoo artist mr heggie, this is a must-have for fans of the Distraction Pieces podcast, and a must-read for anyone interested in the creative mind.
Distraction Pieces
by Scroobius PipThe Times Bestseller (Non-Fiction)Join Scroobius Pip as he gets to the bottom of what matters most in life: whether getting Russell Brand to expound on capitalism, Jon Ronson on the perils of social media, Simon Pegg on the power of satire, Killer Mike on race relations in the United States or Howard Marks on drugs and cancer, Pip elicits thought-provoking material by rummaging through the minds of some of the most interesting creatives of our time. Distraction Pieces features both curated highlights from the iTunes-chart-topping podcast - from Akala to Howard Marks via the likes of Adam Buxton, Romesh Ranganathan and Amanda Palmer - and exclusive new content, with chapters on politics, social media, music, comedy and more. Featuring illustrations by tattoo artist mr heggie, this is a must-have for fans of the Distraction Pieces podcast, and a must-read for anyone interested in the creative mind.
Distraction Pieces
by Scroobius PipThe Times Bestseller (Non-Fiction)Join Scroobius Pip as he gets to the bottom of what matters most in life: whether getting Russell Brand to expound on capitalism, Jon Ronson on the perils of social media, Simon Pegg on the power of satire, Killer Mike on race relations in the United States or Howard Marks on drugs and cancer, Pip elicits thought-provoking material by rummaging through the minds of some of the most interesting creatives of our time. Distraction Pieces features both curated highlights from the iTunes-chart-topping podcast - from Akala to Howard Marks via the likes of Adam Buxton, Romesh Ranganathan and Amanda Palmer - and exclusive new content, with chapters on politics, social media, music, comedy and more. Featuring illustrations by tattoo artist mr heggie, this is a must-have for fans of the Distraction Pieces podcast, and a must-read for anyone interested in the creative mind.